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Cady McClain Interview


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Interview with Cady McClain: Actress discusses pay cuts and the future of daytime TV

Currently appearing as Rosanna on As the World Turns

Posted by admin on Aug 10th, 2009

Actress Cady McClain is best known for her roles in daytime television; Dixie on All My Children (1988-1996, 1998-2002, 2005-2007, 2008) and Rosanna on As the World Turns (2002-2005, 2007-2008, 2009-).

The escapades of Dixie Cooney on All My Children are well known in and out of soap circles. Hailing from Pigeon Hollow, West Virginia, the character has been committed to a mental institution, suffered tremendously at the hands of evil Billy Clyde Tuggle, nearly fell off of a balcony, was almost killed in a car wreck, married her soul mate three times, was hospitalized for pericardia, and died from eating poisoned pancakes.

McClain appeared on All My Children twice after “death” in ghostly form, but finally left Pine Valley for Oakdale to resume her portrayal of Rosanna Cabot on As the World Turns.

Even though she was not the originator of the role, McClain has made the character her own, returning to As the World Turns just this past May when Rosanna awoke from a coma. Now fans are wondering about Rosanna’s new romance… will she go back to Craig or Paul…or will there be someone new?

McClain was nominated twice for Outstanding Supporting Actress in 2003 and 2004, and she won the award in the latter year. Previously McClain had taken the Outstanding Younger Actress Emmy honors in 1990 for her work on All My Children.

Besides daytime, McClain has worked extensively in film, television, and theater, and in 2008 was featured in two Independent films, Soldier’s Heart and Home Movie.

McClain is also a singer/songwriter and in 2006, she released her first album of music entitled “Blue Glitter Fish.”

Melissa Parker (Our Prattville): Cady, when did you know you wanted to become an actress and what was your very first gig?

Cady McClain: I was acting in elementary school – I think I played a red bear in some little school play, I loved the attention, and of course, the whole dressing up in costume bit. My first professional acting gig was as a papergirl on Lou Grant, back in the early 1980’s.

had done some commercials before that, but I’m pretty sure that was my first real acting job. I think I was 11 or so. I think I realized that I wanted to do this for a living some time a bit later, maybe when I was around 16 years old.

A few years of going to theater in Los Angeles and watching the British actors knock the ball out of the park on PBS gave me “the bug.” I knew acting could be more than sitcoms or little TV appearances. I started studying then, even though I had acted already. I never wanted to do it for the fame. I wanted to work for a lifetime and I wanted to be good.

Melissa Parker (Our Prattville): You’ve talked about problems with your family… are you and your sister, Molly, close?

Cady McClain: Molly is my very best friend. We are beyond close. We are Siamese twins.

Melissa Parker (Our Prattville): You were 19 when you landed the role of Dixie Cooney on All My Children. At that age you were still a youngster. What words of wisdom would you give to all of the young people just starting out with acting aspirations? Did other actors treat you differently because of your age?

Cady McClain: I felt pretty old at that age, honestly. I had already been through a lot and the soap, in my mind at the time, was a reprieve from the uncertainty of auditioning and a chance to prove to myself that I actually could be as good as I wanted to be.

I think the business is very different now than it was then. I think I would suggest that if you want to be an actor you should double major in theater and business, because you need a thick skin and a head that sees this as a business.

Melissa Parker (Our Prattville): Why do you think that Tad and Dixie are one of daytime’s Top Super Couples of all time?

Cady McClain: Well, possibly because Mike and I really adored each other, as well as challenged each other intensely. Neither one of us would back down and sometimes that made things tough, but we really made each other work harder. We also had that elusive “chemistry” thing.

Mike set his goals as high as I did, but we saw things from two totally different perspectives. Lets put it this way – I wanted to be Dame Judi Dench and Mike wanted to be George Clooney! It was a case of opposites attracting! Past that, well, we were lucky, I guess. We had good writers, good producers, and an audience that invested in the show. Good timing!

Melissa Parker (Our Prattville): Michael E. Knight (Tad Martin on All My Children) appears to be such a nice guy on screen. What is he really like?

Cady McClain: Mike is possibly the most generous person I have ever met; self-effacing to the point of intense shyness, incredibly talented, obviously, but he doesn’t always know it. Occasionally Mike’s too smart for his own good, but he has fought hard to earn what he has.

I think he has demons that drive him nuts, like we all do, but his mind has a hard time shutting them down. When Mike is happy he makes everyone feel like they are walking on the moon. When he’s sad, we all grieve for the loss of his light.

Melissa Parker (Our Prattville): Do you believe your exit from All My Children in 2007 was due to the fact that you were so outspoken about the shabby treatment of older actresses such as Julia Barr?

Cady McClain: I don’t think my speaking out about Julia had anything to do with my sudden exit. I think it had more to do with my conversation with the head writer about the torture story line that I was deeply opposed to. I don’t often challenge my bosses, but that story really upset me.

I was told, “you politicize everything,” but at that time Abu Ghraib was all over the news. How could a torture story line then NOT be political? I’m pretty upset about the violence in Inglourious Basterds as well. I think it reflects very poorly on us as a culture that we allow this kind of “entertainment” into our homes. It reminds me of the violence of the Roman coliseum, frankly.

Melissa Parker (Our Prattville): As someone who has exited two soaps, do you think that TPTB (The Powers That Be) fire popular actors sometimes too quickly, even ignoring public outcry (such as what happened when you were let go from All My Children?

Cady McClain: I think firing popular characters is always a bad idea, unless that actor is making a horrible nuisance of himself, and by that I mean not showing up for work and complaining that they aren’t paid enough. That’s bratty and unprofessional behavior and shouldn’t be tolerated, of course!

Caring about a story line if you’ve been in the business for 20 years, well, I think it’s too bad that can be taken the wrong way. There is a line between doing what you are paid for to the very best of your ability and allowing yourself to be used. You gotta know your rights, as Angelina Jolie says, and she’s nobody’s fool is she?

Melissa Parker (Our Prattville): I know your character as Dixie on All My Children was different than your character of Rosanna Cabot on As the World Turns, but which gave you more gratification as an actress?

Cady McClain: I was deeply gratified in the first few years of playing Dixie, and I had a lot of fun in the late 90’s as well. There were also times when it was painful, like when my mom was dying in real life and I had to continue to show up for work 5 days a week. A lot of the gratification depends on outside factors – the writing, the actors I am working with, and what is going on in my personal life.

I loved playing Rosanna when I first started. I had something to prove and that is always an exciting time. Then I got tired and needed a break and didn’t know how to give myself one. Gratification is usually due to a team effort, and it’s good not to put too much importance on what your inner critic says because as artists we don’t always have perspective on what is good, versus what feels good.

I feel gratified when I think I have risen to the challenge of a well-written scene. I feel gratified that I am still acting after 30 years in the business and that I still have fun!

Melissa Parker (Our Prattville): Which Soap was harder for you to leave, All My Children or As the World Turns?

Cady McClain: Both were a deep breath and a leap into the void.

Melissa Parker (Our Prattville): Some fans were upset that the “pre-coma Rosanna” was so much different than the “post-coma Rosanna,” saying that they were used to Rosanna being an independent woman. Did you argue with TPTB for changing her character so much? Can you give us a clue as to the name of Rosanna’s new love interest?

Cady McClain: Well the last go around on ATWT was a bit confusing, but I think that is all being remedied now. Look, sometimes they have to try something different with a character. Sometimes it works, sometimes it doesn’t.

I didn’t argue about the character change, but at one point I was probably clearly so pissed that I didn’t have to say anything. There was a moment that it felt like a character assassination, but then again, maybe I wasn’t rising to the challenge.

Rosanna’s new love interest and the story around it is absolutely delightful. That’s all I can say for now. I can’t wait till it starts airing because I think it’s something pretty special! It is some classic soap material and some classic relationship situations with a great big cherry on top!

Melissa Parker (Our Prattville): Can you think of particular instances on either Soap when drawing on your experiences of childhood abuse has aided in preparation for a scene?

Cady McClain: This is a tricky question. Those moments belong to me and live in a private place that I need to keep private. It is part of the acting magic. I can’t reveal these things or it’s ability to function without diminishing them. Suffice it to say there are times when material has touched me too deeply, and it was hard to shake it off.

Melissa Parker (Our Prattville): What are your thoughts about the recent shakeups on the writing team of As the World Turns… Courtney Simon let go in favor of Josh Griffith?

Cady McClain: I hate to admit it, but I really try to stay out of the politics of the writing room. I really don’t know what is going on, but I do have faith that our producer is doing what he thinks is right for the good of the show. I doubt it is about lack of talent on Simon’s part, but more about trying to shake up the mix.

Melissa Parker (Our Prattville): If As the World Turns moved to Los Angeles, would you move also in order to stay with the soap?

Cady McClain: As you may know, LA is the town I was born and raised in (mostly), but I left when I was 17 and have not returned to live there and there are reasons. Would I move? It’s hard to say. It would really depend on a lot of factors.

It might take me closer to my roots, but then again it’s damn hard to be a 40-year-old woman in LA. Your value in show business (which is the dominating business in LA) is so low it is really quite horrible. I’m not so sure I feel like putting myself through that. Then again, I could do with some great weather and a few more days at the beach!

Melissa Parker (Our Prattville): Have you heard which actors from All My Children do not wish to move to LA? One rumor is that Walt Willey (Jack) will not be moving; however, Ricky Paull Goldin (Jake) is excited about the move.

Cady McClain: I don’t know about the actors from AMC that are going, only the same rumors everybody else has heard. Walt has several successful businesses other than acting and I am sure he will be more than fine. It’s just hard for the viewers, all the changes in the last few years.

Melissa Parker (Our Prattville): As Guiding Light is ending in September, have there been any strong (inside) rumors about As the World Turns closing its doors also?

Cady McClain: There are always rumors. I think what is more important is the effort that is being made to keep the show on the air. There is a strong and loyal audience and they need to be seen and heard. These shows serve a vital community function, in that, at their best, they portray current social issues and the emotional sides to those issues.

They also provide a means to escape reality for many of those who are suffering. There are a lot of nighttime shows that have taken their cues from daytime serials. I still think when daytime does what it does, it is a lot more fun.

Melissa Parker (Our Prattville): Many soap actors have taken pay cuts – has that affected you yet? Robin Strasser (One Life to Live) has just re-signed and has taken a pay cut – she has said, “daytime is hanging on a thread.” What are your thoughts about pay cuts and do you believe that the end of daytime could be near?

Cady McClain: Sure, everyone has taken cuts. EVERYONE. I think daytime dramas will be around as long as we want them to be. I think the audience needs to be very vocal now about their desire to keep a show on the air because networks, as far as I can tell, are listening. I also think the ratings are far better than a lot of people are giving them credit for.

For example, Mad Men pulls a million viewers and is considered a big hit for the network. ATWT pulls at least twice that and it’s considered “hanging on by a thread”? That makes no sense. So ultimately it is a matter of greed, frankly.

A game show is perhaps, at first look, more cost effective than a soap opera, but I think that can and is being challenged. From what I have heard ATWT is the most cost effective soap in the business. Our executive producer, Chris Goutman, is a real innovator in that regard.

Melissa Parker (Our Prattville): Soap critics talk about the endless sex and violence in daytime TV. But, I think soaps have a positive side and can be a voice for social issues – they also can be quite a comfort for people in different situations. Thoughts?

Cady McClain: Well that’s pretty funny. How can a soap compare in sex and violence to Law and Order SVU? The show is about sex offenders for heavens sake! ATWT is very conservative, really!

Melissa Parker (Our Prattville): You seem to be so outspoken on a number of issues. Have you ever thought about entering the political arena?

Cady McClain: Well I think these days we have all woken up and realized we are involved in politics whether we like it or not. But, entering the arena as a candidate for something or other has never been a goal of mine. I feel more drawn to help people accept and empower their opinions and their own voice. We are citizens after all, not simply consumers.

Actors are involved with the human emotion in the political as well as the political in the human emotion; so being in touch with emotion is pathway to truth. With the help of a good writer, we are able to play a part in the revealing of this truth.

Melissa Parker (Our Prattville): How did you first get involved with the horror film, Home Movie?

Cady McClain: I worked with Andrew van den Houton on my first big role in a film, Alma Mater, which is collecting dust on some editor’s shelf somewhere. It was a beautiful film and it is a shame it got caught up in legalities.

Andrew and I shared his first screen kiss and it has been love ever since! Just kidding. No, he’s a great kid and every once in a while I keep up with a special young person or two, just to encourage them in what is no doubt a tough business. He is a born producer.

I didn’t expect Home Movie to be a horror film, although I knew it had the potential to be that. I was hoping it would lean toward “psychological thriller.” Ah, well. People still seem to love it and it is coming to IFC in the fall of this year.

Melissa Parker (Our Prattville): You are such a busy lady with acting, music, art, and writing. What do you do in your spare time? Can you give us a Spoiler as to who Cady McClain’s current love interest is?

Cady McClain: Spare time… well I do have a fair amount, believe it or not. I like to keep up on the news and various goings on in New York City. I like to walk my dog and keep up with friends, try new restaurants when I can. I’m kind of a NYC junkie. I just can’t get enough of this town!

I have to say for my own sanity that I can’t share any news about my love life! It has turned out to be really bad luck! So just cross your fingers and wish me well!

Melissa Parker (Our Prattville): Will you be doing anything special on your upcoming “milestone” birthday in October?

Cady McClain: I don’t know yet. I am thinking about just having dinner with a few friends, who will no doubt try to get me drunk. If that’s the case, I want a REALLY good bottle of wine! Getting older means for me that it’s about QUALITY not quantity.

Melissa Parker (Our Prattville): Tell us something about yourself that we never would have guessed!

Cady McClain: I had a fibroid tumor just like my character Rosanna did, only a few years AFTER I played the story line. That was REALLY WEIRD. Life became as strange as fiction.

Interview by Melissa Parker

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I think Cady's awesome! Although I haven't liked Dixie Cooney since 1998, I thought she rocked under Sheffer's take on Rosanna Cabot on ATWT when I was watching that show in 2003. I totally love her interviews. They all come across the same way... that she's not just an actress, but a THINKING actress.

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MISS FIRECRACKER  Preacher Mann   1989    SHOCKER      Talk Show Guest   1989 CRAZY FROM THE HEART    1991      (Made for T. V.) CORRINA, CORRINA     Brent Witherspoon   1994 STAR TREK: GENERATIONS      Data   1994 JOURNEY'S END: THE SAGA OF STAR TREK: THE NEXT GENERATION   1994   (Made for T. V.) STAR TREK: RETURN OF THE NEXT GENERATION   1994 KINGFISH: A STORY OF HUEY P. LONG       1995    (Made for T. V.) PIE IN THE SKY    Upscale Guy    1995 PHENOMENON     Dr. Bob        1996 INDEPENDENCE DAY    Dr. Brakish Okun     1996    STAR TREK: FIRST CONTACT     Data      1996 TREKKIES     1997 OUT TO SEA    Gil Godwyn    1997 STAR TREK: INSURRECTION    Data   1998 SOUTH PARK: BIGGER, LONGER AND UNCUT    Conan O'Brien   (V) 1995 INTRODUCING DOROTHY DANDRIDGE    Earl Mills    1999    (Made for T. V.) GEPPETTO     Stromboli     2000     (Made for T. V.) DUDE, WHERE'S MY CAR?   Pierre     2000 HOLLYWOOD REMEMBERS WALTER MATTHAU    2001    (Made for T. V.) A GIRL THING   Bob    2001      (Made for T. V.) ASK ME NO QUESTIONS      2001     (Made for T. V.) THE PONDER HEART    Dorris Grabney  2001    (Made for T. V.) I AM SAM   Shoe Salesman    2001 THE MASTER OF DISGUISE   Devlin Bowman    2002 STAR TREK: NEMESIS    Data; B-4      2002 IDENTITY CRISIS: THE MAKING OF A MASTER    2003 AN UNEXPECTED LOVE    Brad     2003     (Made for T. V.) JACK        Vernon    2004    (Made for T. V.) THE AVIATOR   Robert Gross     2004 MATERIAL GIRLS    Tommy Katzenbach   2006 CAST OF CHARACTERS: THE MAKING OF MATERIAL GIRLS      2006 SUPERHERO MOVIE   Dr. Strom   2008 QUANTUM QUEST: A CASSINI SPACE ODYSSEY    Coach Mackey (V) 2010 STARDATE REVISITED: THE ORIGINS OF STAR TREK: THE NEXT GENERATION    2012 REUNIFICATION: 25 YEARS AFTER STAR TREK: THE NEXT GENERATION    2012 RESISTANCE IS FUTILE: ASSIMILATING STAR TREK: THE NEXT GENERATION    2013 STAR TREK: THE NEXT GENERATION: REGENERATION -- ENGAGING THE BORG    2013 RELATIVITY: THE FAMILY SAGA OF STAR TREK: THE NEXT GENERATION   2013 REQUIEM: A REMEMBRANCE OF STAR TREK: THE NEXT GENERATION     2013 STAR TREK: FROM ONE GENERATION TO THE NEXT     2013 BEYOND THE FIVE YEAR MISSION: THE EVOLUTION OF STAR TREK: THE NEXT GENERATION 2014 STAR TREK: THE NEXT GENERATION -- THE SKY'S THE LIMIT  THE ECLIPSE OF STAR TREK: THE NEXT GENERATION   2014 STAR TREK: THE NEXT GENERATION -- THE UNKNOWN POSSIBILITIES OF EXISTENCE: MAKING ALL GOOD THINGS...      2014 THE MIDNIGHT MAN     Ezekiel   2016 INDEPENDENCE DAY: RESURGENCE   Dr. Brakish Okun     2016 INDEPENDENCE DAY: A LEGACY SURGING FORWARD     Self; Dr. Brakish Okun    2016 ANOTHER DAY: THE MAKING OF INDEPENDENCE DAY: RESURGENCE    Self; Dr. Brakish Okun  2016 BRENTWOOD    Brent     2018 NEVER SURRENDER: A GALAXY QUEST DOCUMENTARY    Data   2019 STAR TREK: PICARD: THE IMAX LIVE SERIES FINALE EVENT    2023 Video Games STAR TREK: THE NEXT GENERATION -- A FINAL UNITY       Data     1995 CHRONOMASTER      Milo     1995 STAR TREK: GENERATIONS   Data     1997 STAR TREK: HIDDEN EVIL      Data    1999 STAR TREK: AWAY TEAM      Data   2001 STAR TREK: BRIDGE COMMANDER     Data   2002 FAMILY GUY: THE QUEST FOR STUFF     Data    2014 ELITE: DANGEROUS       Vega    2014 HCS   HOMEPACKS      2014 BROADWAY A HISTORY OF THE AMERICAN FILM    3/30/1978 - 4/16/1978      Hank SUNDAY IN THE PARK WITH GEORGE     5/2/1984 - 10/13/1985      Franz; Dennis THE THREE MUSKETEERS   11/11/1984 - 11/18/1984     Aramis BIG RIVER      4/25/1985 - 9/20/1987     Replacement -- The Duke  10/8/1985 - ??? 1776     8/19/1997 - 6/14/1998       John Adams     **** DRAMA DESK AWARD NOMINEE -- OUTSTANDING ACTOR IN A MUSICAL LIFE    (X)3      3/31/2003 - 6/29/2003      Hubert THEATER THE FAMILY PLAY 1 AND II    1975        Kil   Westside Theatre  Downstairs MARCO POLO       1976     Counselor 2     Marymount Manhattan Theatre LEAVE IT TO BEAVER IS DEAD   1979      Luke   New York Shakespeare Festival EMIGRES   1979     AA      Brooklyn Academy of Music THE SEAGULL  (World Premiere)    1980    Konstantin Treplev      Joseph Papp Public Theatre -- Newman Theater TABLE SETTINGS     1980      Older Son       Playwrights Horizons -- Judy Theater NO END OF BLAME    1981   Mr. Mik; Art Student; 2nd Male Nurse; 2nd Hungarian Soldier; 3rd Airman       Stage 73    MARVELOUS GRAY      1982     Electrician    Judith Anderson Theatre THE CHERRY ORCHARD    1983       Long Wharf Theater     New Haven, CTTHE PHILANTHROPIST      1983     John      Stage 73 SUNDAY IN THE PARK WITH GEORGE     1983   Jed; Franz  Playwrights Horizons -- Judy Theater LITTLE SHOP OF HORRORS   1983       Replacement -- Seymour Krelborn EVERY GOOD BOY DESERVES FAVOR      1992; 1993   Ivanov MAN OF LA MANCHA       2009      Don Quixote/ Miguel de Cervantes    Freud Playhouse at UCLA     Los Angeles, CA BOOK --    FAN-FICTION: A MEM-NOIR, INSPIRED BY TRUE EVENTS     October 2021 Family Ties Parents --     Sylvia Schwartz  and Jack Spiner    Step-father -- Sol Mintz Marriage --   Loree McBride      ???? - Present    1 Child -- Jackson Spiner   Before Brent Spiner was Famous There are many similarities between forensicators and Lt. Commander Data from Star Trek: The Next Generation. Both are highly intelligent, but rarely understood by the outside world. Both aim only to evolve, to be better than what they are. And both belong to the NFL. Data, who is actually Brent Spiner, was born February 2, 1949 in Houston, TX. He was the son of Sylvia, a corporate VP and Jack, a furniture store owner. When Jack suddenly died, Sylvia was left to raise infant Brent and his brother alone. She eventually remarried a man named Sol Mintz. Although Mintz adopted Brent, Brent changed his last name back to Spiner when he became a professional actor. Spiner attended Bellaire High School in Houston and was heavily involved in baseball and the drama club, in addition to being a member of the NFL. While on the speech team, he gained 143 points and even earned the title of Dramatic Interpretation Champion in at the 1967 National Tournament (the same year actress Shelley Long won Oratory). After his success in high school, Spiner moved on to the University of Houston and began performing in local theatre in Houston. Eventually he dropped out of college to move to New York City and try his acting luck there. While in New York, Spiner gained more stage acting experience, performing in several Broadway and Off-Broadway plays, including The Three Musketeers and Stephen Sondheim’s Sunday in the Park with George. In 1984, Spiner decided to try film acting and moved again, this time to LA, where he appeared in several pilots and made-for-TV movies. He then auditioned for the up-and-coming show Star Trek: The Next Generation. Spiner himself was never a fan of science fiction or of the original Star Trek, but figured the show would soon be cancelled and he desperately needed the money. Starting in 1987, Spiner played Data for 15 years, during the show’s 7 seasons and the four feature films that followed. Even when the show was cancelled in 1994, Spiner’s career as a performer barely paused. He is most remembered for his role in Independence Day as Dr. Okun, the somewhat awkward chief scientist of Area 51 who is attacked and killed by his alien subjects. He has also made appearances on Law & Order, Friends, Dude, Where’s My Car?, I Am Sam, and The Aviator. Spiner returned to the theatre and appeared in the Broadway revival 1776 as John Adams. Unlike most of his co-stars, Spiner is not very active in the Star Trek convention scene. He has made a few appearances, but overall his lack of interest in science fiction gets the best of him. However, he still regards Patrick Stewart and LeVar Burton as two of his best friends. One of the challenges forensicators face is finding the human element in their events; to not be robotic and detached, but simply themselves. It is this crucial element that separates the good from the great. As the character Data, Spiner sums up the NFL experience the best: “If being human is not simply a matter of being born flesh and blood – if it is instead a way of thinking, acting, and feeling, then I am hopeful that one day I will discover my own humanity. Until then…I will continue learning, changing, growing, and trying to become more than what I am.”   https://www.ign.com/articles/2002/12/09/an-interview-with-brent-spiner https://www.latimes.com/archives/la-xpm-1992-02-17-ca-1835-story.html https://www.discogs.com/artist/1224629-Brent-Spiner?srsltid=AfmBOorfw9Nl3EZ4fc-plhbgU3ng2bSQTruygkdJxZgsPquzQ6sBhCbj     Leslie Charleson    pg. 435   PILOTS/PROPOSALS ANOTHER APRIL      April Weston Moss   1974    (Made for T. V.)   Article including James Rebhorn, Catherine Cox and Peter Kluge -- all former daytime actors .https://www.wittenberg.edu/administration/universitycommunications/magazine/spring1999/curtaincalling
    • For anyone who missed the end of Friday June 6 due to news interruption, the last five minutes of every episode is uploaded to the official GH facebook late in the evening, usually around 11:30pm Eastern. Here's the end of that episode: https://www.facebook.com/generalhospital/videos/3649028845342563
    • Thanks so much for posting this. Since they had retconned Roger/Holly's relationship after his return as being "Roger was always in love with Holly" when it was actually the other way around, they kept up this narrative in this video. Understandable, but it still bugs me. Holly was never his "heart." That's baloney. He only married her to be in Christina's life and was screwing other women like Diane and Hillary the whole time. Peggy was truly the only woman that Roger ever loved, and even that wasn't a very healthy relationship. Holly only really fell out of love with Roger after she realized she loved Ed while they were divorcing. I'm glad he reminded people that the rape scenes were taped in a day. It's amazing what they accomplished with very little rehearsal. That scene still has great impact after all these years. And OMG, watching the scenes of Roger's return in comparison...the quality in the writing really nosedived. The stupid mask. (I love the way they joke about the mask at the end). Alan's insanely over-the-top reaction to his return when Roger had no hold against him anymore. Yikes, one of the worst things Long did while she was still writing the show, though I will cut her a break since she absolutely had a tough task bringing back a guy who fell off a cliff.
    •   Thanks! You reminded me I did not remember to add in the preemptions for the dark weeks, since those are not listed on the sortable charts, so these are the additional preemptions per newspaper listings and Vanderbilt News for the 1973-1978 dark weeks. I have added them in to the full lists above.   8/26/74-8/30/74 Another World Wednesday episode- 3:04PM (26 minutes) 8/26/74-8/30/74 Doctors Preempted Wednesday- Ford News Conference 8/26/74-8/30/74 Edge of Night Preempted Wednesday- Ford News Conference 12/22/75-12/26/75 As the World Turns Preempted Friday- Sun Bowl 12/22/75-12/26/75 Guiding Light Preempted Friday- Sun Bowl 12/22/75-12/26/75 Search for Tomorrow Preempted Friday- Sun Bowl 12/22/75-12/26/75 Young and the Restless Preempted Friday- Sun Bowl 8/22/77-8/26/77 Doctors Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 Guiding Light Preempted Tuesday- Carter News Conference 8/22/77-8/26/77 One Life to Live Preempted Tuesday- Carter News Conference (possibly aired just 3-315PM) 4/24/78-4/28/78 Another World Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 General Hospital Preempted Tuesday- Carter News Conference 4/24/78-4/28/78 Guiding Light Tuesday ep- 230-3PM (30 minutes) 6/26/78-6/30/78 Edge of Night Preempted Monday- Carter News Conference 12/25/78-12/29/78 Another World Preempted Monday- (Local Fill) & Fiesta Bowl 12/25/78-12/29/78 As the World Turns Preempted Monday- Peach Bowl 12/25/78-12/29/78 Guiding Light Preempted Monday- Peach Bowl
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