Jump to content

My opinion on how to save some of the soaps


Recommended Posts

  • Members

I've mentioned this on other boards in the past, but I feel like I'm alone yelling in the woods. For shows like DOOL or Guiding light which are in big danger of cancellation, why hasn't anyone made any real effort to suggest the shows be cut to 30 minutes instead of cancelled? There's no guarantee that any show they replace these soaps with will garner better ratings, and this way, you haven't burned your bridges. I think three things would help the soap genre... cut many soaps back to 30 minutes, because in today's busy world, a 60 minute soap DAILY is too much of a time committment for alot of people. I also think they really NEED to clamp down on spoilers. We didn't have these spoilers in the 70's and 80's and it made surprise twists much more delicious. And bring back the friday cliffhanger and play it out EVERY WEEK.

Link to comment
Share on other sites

  • Replies 13
  • Created
  • Last Reply
  • Members

The reason so many soaps moved to an hour was the network has an hour time slot to fill anyway (well a certain number of hours)> They realized it's significantly cheaper to produce one hour show for that slot than to have two completely different teams create two completely different shows. I suppose they could cut the soaps to 30 mins and fill the time with some reality news/entertainment shows but I don't think networks at this time are to eager to lose more of their time ti affiliates.

Link to comment
Share on other sites

  • Members

Y&R use to do this back in the day- air an episode at night to draw in viewers, and give the daytimers a break...I doubt ABC has room for this kind of showing- but it was in the summer and usually after someone tried to kill Victor Newman. I remember watching at night and feeling extremely special.

I think way too many soaps have been relying on the fans to just watch no matter what....Now that we've started to see the 6week story line- I think many know they can walk away and come back two years from now with the soaps playing out the same old same old. I think SoapNet is going to cause more harm than good...It seems the commitment to daytime is becoming quite thin- you could tape and watch later, or watch on a marathon, but that's okay by the viewer because that must see story line really isn't a" must see"....Slowly they are chopping away at their core audience, and making things easier for people to watch and eventually walk away.

I'm not saying don't evolve- but perhaps airing old episodes from 15 years ago- I understand many actors would be paid, but I'm pretty sure something could be worked out in a contract. Daytime should start reevaluating who's at home during the day because many of us aren't home at night- but we still make an effort to catch a primetime soap. I've left Happy Hour on many occasion to watch Lost.

Cable networks make it to where many have to get their network in order to catch that new episode that everyone will be talking about at work- and they don't immediately throw it on DVD...They make those out of the loop feel "out of the loop." Meanwhile soaps have been throwing everything the viewer's way- spoilers, updates, reruns, and bad stories to boot. The so-called continual drama is becoming less continual because they won't allow characters to evolve in their own scope. That doesn't mean making Todd Manning a saint- but this guy is ridiculous.

Stop telling people who's coming back- if they aren't watching- they will wish they did!! Stop telling everyone the actor's business- it's making the behind the scenes more interesting than the show...Make spoilers blind and wrong on many occasions to where people don't even trust them past seeing them on screen. Previews don't hurt as long as you mix the good groups with the boring groups.

Link to comment
Share on other sites

  • Members

First and foremost it starts with writing and then I would say consistancy! How often do some of these shows change headwriters?? Everytime you change a headwriter, you change not only story, but sometimes whole characters. How many careers has E.J. had on Days? Race car driver and now a lawyer? I remember ANOTHER WORLD changed Robert Kelker Kelly's second character Bobby about three times before they decided to stick with one. Not only is this frustrating for fans, it becomes laughable. I know I lose interest when a new writer comes on and totally changes personalities/behavior of characters.

Do we really need as large a cast as we do on most soaps? If you want to make shows less expensive, have less actors to pay. I know we have gotten spoiled by having large casts, and at this point it is too hard to start randomly trimming down shows without upsetting the audience. How about slowly filtering down the casts, as actors voluntarily leave. B&B, and lately OLTL, have been good at having actors flow in and out of story for a few months at a time, without having them on contract. OLTL had/has some of the best actors around NOT on contract, Tuc Watkins, Catherine Hickland, Pamela Peyton Wright, Ilene Kristen, for examples.

I would, also, agree that spoilers need to STOP. You can just read online the week before to see what's gonna happen, so if you watch you watch. It is way too easy to follow your shows these days without having to actually watch them. There are no longer major 'twists' at the end of a day's episode to get everyone talking because many viewers already new it was coming.

Link to comment
Share on other sites

  • Members

I think the casting issue is much more about the writers keeping the same characters front burnered, and not developing much of the cast in the background. But how can they when all soaps have more than 3 story lines running at once. I think it comes down to casting people and immediately throwing them in contract...people should have to prove their character worthy- some fan letters, comment lines- in order to stick around.

I'm a firm believer in spending money to make money- so I don't think making cuts to the budget are going to improve work. But they should consider spending the money where needed- in hiring talented writers, directors, and actors to sell the show....

Link to comment
Share on other sites

  • Members

I'm not sure I agree with this assessment. I was always under the impression that soaps were getting good ratings, and therefore the networks expanded them to 60 minutes. Many times they would cancel a lower rated show, and put the higher rated show to 60 minutes... expand a tried and true ratings winner instead of taking a chance on a new soap, which is an unknown commodity. .... that's certainly what happened in January, 1980... Love Of Life had it's last eppy, and Y&R went to an hour one month later. At that time, daytime was populated with nothing but Soaps, Game shows, and Merv Griffin, Mike Douglas, Phil Donahue, and Dinah Shore. The trash talk shows showed the networks that thye could get huge ratings at minimal cost... so naturally, you have SOME network execs wanting to jump on the bandwagon and put nothing but trash talk shows on... but the public gets tired of that. I still have not seen direct comparison between the drop in the rating for soaps COMPARED with the ratings of the rest of daytime in general... have the talk shows dropped as much? Has the midday local newscasts dropped as well? what about The Price Is Right? Genres ebb and flow... soaps can be great again, look at how 10 years ago everyone thought the game show was DEAD, talk about a phoenix rising from the ashes.....

Link to comment
Share on other sites

  • Members

Who knows... soaps could move to cable. Let's alos keep in mind, with the digital changeover, most stations have digital "sub-channels" which is time that needs to be filled, what are they gonna do, have Jerry Springer marathons every afternoon? soaps may have to downsize, which means they just might have to go back to what they were in the early 70's, a 30 minute show shot live-to-tape. Heck, as we all know, many soaps in the 50's & 60's were only 15 minutes! Everyone goes on about the writing... but I'm not sure that's the answer, people were raving about Carlivati... but did the ratings budge? I still think these shows need to release DVD sets of past episodes to increase their revenue stream. but I KNOW why we never see old eppies of soaps that are still on the air, the networks are terrified that the fan base will watch the reruns and abandon the new shows.

Link to comment
Share on other sites

  • Members

I don't think cable is the answer to current soaps- I think if they go to SoapNet it will last for a small amount of time before they start airing the O.C. all day long. I think soaps do best to stay on the basic channels.

But I also think they should never go to 30 minutes if they are scheduled for the full hour...They will stop looking and feeling like the original full hour just by the amount of time and commercials. In essence they will have to become about one couple- much like a host, but will end up turning into a sitcom- Dharma and Greg, Will and Grace, Mad About You- not great idea in maintaining the "soap" core viewer, because the core viewer must be committed to their story for 20 years without noticing- chemistry will be a must, as would the amount of time in doing the slow build. The setting of the story would have to decrease and go to- a job, someone's home, etc....That already exists in primetime. It all depends if it's about saving particular daytime serials, or creating new one's.

I think bringing in writers from other genres could increase the quality and merge some fans- whether that be from the romance novelist, comic book artists, or just writers would do books in serial form (detective series). Then you have different fans of the serial storytelling meeting to watch the show- all that would remain is maintaining a consistency in acting quality.

People are watching television for alot longer than they were in the 50s and 60s. Decreasing the time will be another cut in value of the storytelling. To make money you have to spend money....Look at GL. Would it have been any better if the show went to 30min? I doubt it. At bests, soaps should consider allowing some to go to once a week, instead of all five days. Allow some to get exposed when they think they're about to watch the news on Tuesday only to find it's GH. I like internet 5-15 minute pieces, but I my attention is short on the internet.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Concluding 1976... Raymond Schafer arrives in Springfield and begins an extensive probe into Malcolm’s death, puzzling Ed, who wonders why most of Schafer’s question sessions keep turning back to Rita’s involvement with Malcolm. Ed assures the man that Rita’s only connection with Malcolm was as his nurse; he is unaware that Schafer knows a great deal more about Rita than he does. Just to protect Rita, Ed has Mike check on Schafer’s credentials, and learns that he’s a  well-respected criminal attorney. The waitress at the restaurant where Malcolm suffered his stroke tells Schafer that the woman who was with him reacted very professionally to the sudden emergency, as if she were a nurse. Realizing that her little sister has fallen hard for Tim, Rita warns him that she’s very vulnerable and innocent, but Tim tells Rita her advice isn’t necessary. But Tim then receives a plum job offer to be chief neurological resident at a prestigious Philadelphia hospital and can’t pass up the opportunity. Evie is crushed by the news and spends the next several days at home crying. Joe Werner, fully recovered, has accepted a post as a medical aide in a destitute village in India and leaves alone, with Sarah to follow him later. Justin asks Sarah to consider a partnership with him in private practice, but she explains that she thrives on the hospital atmosphere. When a call comes from India that Joe has had another massive attack, Sarah leaves on the next available flight and arrives only moments before he dies. The painful news is relayed back to Cedars at once. Sara returns from India a heartbroken woman, but the day-to-day involvement of raising T.J. and of her career seem to be her salvation. Justin shows a surprisingly compassionate and understanding side to Sara, but, ironically, Justin’s ex-wife, Jackie, arrives in Springfield with her diabetic father, who is suffering from a heart attack. In the process of consulting with Justin on her father’s condition, Jackie comes face to face with Sara for the first time since their college days. Evie’s heartbreak at Tim’s departure turns to fury and hatred when she inadvertently discovers a letter which Tim wrote to Rita just after he left. In it he concedes that Rita was right about Evie’s vulnerability where he was concerned but reminds Rita that he badly hurt her in the same way she feared Evie would suffer. Evie is now sure that Rita somehow forced Tim to leave town and is livid at the idea that Tim was Rita’s lover. She insists she’s cutting off her relationship with Rita and will pay her back for any help she’s received in the past. Ben and Hope’s wedding plans are off, as Ben, while still insisting he’s innocent, won’t explain why the robbery evidence points to him. Hope feels his unwillingness to tell her the truth makes marriage to him impossible, but confides to Ann that she is miserable without him. Ben has echoed these sentiments to Mike but won’t confide in him, either as Hope’s father or as an attorney.   Holly is trying very hard to build a life without Ed, but since she sees him virtually every day at work,she’s unable to put him out of her mind. She accepts a date with a member of the hospital administration staff but is unable to avoid making comparisons between Ed and this young man and winds up alone, sadly holding Ed’s picture and recalling how much she loves him. Believing that the hospital board’s conclusions on Grainger’s death have settled the question once and for all, Rita has regained her self-confidence, and her romance with Ed is growing daily. They admit their love for each other, and Ed confides that he intentionally  held back with Rita for fear of making another mistake. Rita then tells Ed she has never married because for her marriage must be forever. Rita’s mother realizes that Rita is truly in love when she confides in her that she doesn’t understand why she’s been so lucky in having him love her and how she wants to be the very best person she can be for him. Ed proposes marriage to Rita and gives her time to think about it before answering. Rita painfully realizes that her past could, if it rose again against her, make a life with Ed a lost dream. But Raymond Shaefer has been quietly but efficiently carrying on his investigation and has learned that Grainger argued with Rita at her apartment. He presents the evidence he’s compiled to District Attorney Eric Van Gelder, who decides the case warrants further investigation. Rita goes to Ed’s office to tell him she loves him but can’t marry him, that she doesn’t deserve him and “can’t do it to him.” As she turns from a confused Ed to leave, she finds the district attorney and a police officer outside Ed’s door, waiting to arrest her. Ed, insisting that a serious mistake has been made, calls Mike to help her as Rita, shocked and humiliated, is taken under arrest through the hallways of the hospital in which she works. Mike manages Rita’s release on bail only after she has had to submit to the degrading booking procedure. Mike sees her alone at her apartment, explaining he can help her only if she tells him the whole truth. Rita equivocates until Mike mentions Texas, indicating to Rita that he knows at least some of the story. Van Gelder has, in fact, let Mike see the bulk of evidence in the case against Rita, to convince him her arrest wasn’t a capricious whim. Rita explains to Mike that Malcolm believed she intentionally vilified him to his father, to do him out of his rightful inheritance, and then wanted his father dead to collect her money. Mike expresses his appreciation of Rita’s honesty, promising to help her. But Rita’s tormented dreams confirm that she hasn’t yet told all the truth, and after Peggy visits, expressing firm support, Rita tells Roger she has to reveal his part in the story. Roger painfully tells Rita about his being Christina’s father to show her that if Ed knew, it would end Rita’s chances with him forever. Rita, who was ready to tell Ed the whole story, now realizes how risky that would be. Adding to Rita’s pain is her forced leave of absence from the hospital until she’s cleared and the embarrassment of seeing her name in the headlines.
    • Please register in order to view this content

         
    • Yes, but the stories are all pretty awful Seeing Victor rehashing his hatred of the Abbotts  when he married one of them and has a daughter that is half Abbott as well as walking around with Traci's daughter's heart keeping him alive makes him look worse than he already is. And I remember he and Jack chatting amicably in the past few years. Victor interfering in Kyle/Claire is just repeat of Billy/Victoria. Sharon, Nick,Phyllis etc are around but again the stories are lacking.
    • I think Kevin's 1996 Emmy was fair enough. He barely appeared for his second. I don't think anyone else on the list is that deserving but I might have gone with Moore as he did try with the whole Keesha AIDS story. @alwaysAMC Thanks to slick jones' cast list I was able to see that Nikki Rene played Tina. Not much on her, as you mentioned. Tap and a few Broadway listings (it doesn't help that a younger actress with a similar name is in a lot of roles). Nikki Rene: Credits, Bio, News & More | Broadway World https://onceonthisisland.fandom.com/wiki/Nikki_Rene Nikki Rene - IMDb
    • Thank you. That does ring a bell. I remember Theresa and Julian's drunk, giggly fake wedding (with Julian asking "Whassup?" to the minister). Was Bruce tricking the pair as a prank, or did somebody put him up to it? I especially liked Katherine recalling how dashing young Alistair was when he'd pick up Rachel for dates, and how she wished she could be her sister, then feeling guilty once Rachel had her boating accident ...
    • And Kevin Mambo beat Shemar Moore for those two Emmys. I chalk up the wins to the voters not wanting Jonathan Jackson to eventually end up with a five peat (he won 1995, 1998, 1999). These were the 1996 and 1997 Younger Actor races. 1996: Nathan Fillion, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow 1997: Steve Burton, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow
    • https://www.legacy.com/us/obituaries/legacyremembers/denise-alexander-obituary?pid=209074143
    • Today's episode was excellent. Clearly it was confrontation day and they didn't disappoint. I'm glad they didn't forget Mona in all of this and gave us an opportunity to see how she's dealing with this. A major highlight for me were the Kat and Martin scenes. Their chemistry is off the charts and I don't understand why we haven't gotten more of this. I love how they take turns calming each other down. They feel really well matched and believable as siblings. Speaking of siblings, they anvils were dropping strong that Kat and Eva are twins but I do wish someone would mention that they are essentially hood twins which might throw people off the scent.  I'm one of the people who enjoyed Joey and the gambling storyline so it was nice to see him again. It was nice to see different characters like Mona and Eva in that element instead of the usual players. When Doug arrived I don't know what hit me but I just see a funeral in his future. He seems so hopeless and has the worst luck. I just can't see him surviving the year at this rate.
    • In fiction there has become an expectation by some that every Black character should represent excellence and perfection. It's not like we are talking about a Tyler Perry show where none of the characters are happy and everyone hates each other with a passion.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy