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By Paul Raven · Posted
1976 Part 3 Peggy Brooks, the youngest Brooks daughter, upset over her parents’ recent marital trouble, has turned to her college teaching assistant for help with her studies, and then for emotional support. Jack Curtis is deeply attracted to her but tries to warn her not to get emotionally involved. But Peggy confesses she’s fallen in love with him, and he knows he returns her feelings. Jack, whose real name is Johnny Kryzynski, a name he feels is too difficult for professional use, is married to Joanne, a waitress at the Allegro, Leslie Elliot’s restaurant. Joanne, who is very overweight, is on another of her frequent reducing diets, hoping to regain Johnny’s love and attention. She is encouraged by Brock Reynolds, who manages the Allegro for Leslie. Sympathizing with her problem and her need for her husband’s love, Brock tells. her she must feel beautiful herself before other people can see it. One night, while discussing Joanne’s previous, fruitless attempts to diet, Jack asks her a question he’d never actually asked ‘before: Why had she gained all that weight? Joanne painfully tells him that she found out a year after they were married that she was pregnant. When she sounded him out about children, he had made it clear they couldn’t have a child until he’d finished school, so she secretly had an abortion, which left her feeling so empty that she ate to fill the emptiness. For the first time in a long time, Jack put his arms around her and kisses her. Feeling that Johnny really cares now that he knows about the abortion, Joanne’s trying very hard'to stay on her diet. But Peggy, having lunch at the Allegro, confides in her friendly waitress that she’s in love, and the man’s name is Jack Curtis. Joanne is heartsick, not only for herself but for Peggy, who obviously has no idea that Jack is married. Knowing that Peg’s sister Chris Foster works for Legal Aid, Joanne consults Chris about a legal name change, explaining that her husband, Johnny Kryzynski, uses the name Jack Curtis professionally she may as well make it their legal name. Chris makes the connection and tells her father about it. Stuart confronts Jack, demanding to know how he could do this to his wife and to Peg, and what he is going to do about it. Jack asks for time to let Peg down easily. When Peg learns that her father has seen Jack, she furiously informs him to stay out of her relationship with Jack. Peg later apologizes for her angry words, but she and her father cross swords again over Jack, and, backed into a verbal corner, Stuart blurts out, ‘For’ God’s sake, he’s a married man!” Disbelieving, Peggy goes to Jack, who tries to explain he’s started to tell her many times but, not wanting to hurt her, kept hoping for a better time to do it. Peggy, in shock, goes to the Allegro to think this out. Seeing the pain Peggy’s suffering, Joanne goes over to her and gently tells Peg she understands the hurt she’s going through—they are both in love with the same man, because Jack Curtis is her husband. Jill, having decided she must have revenge on Kay, has liquor delivered to her daily. When this doesn’t drive Kay back to alcoholism, Jill embarks upon a campaign to'convince Kay that Phillip is still alive. Jill slips into the Chancellor house each evening, after Liz has left, and leads Kay into reliving incidents and conversations which occurred over a year ago, when Jill was Kay’s paid companion. In this way Jill shakes Kay’s acceptance of Phillip’s death and has her convinced that Phillip is only away on a business trip. But Liz and Brock discover Jill’s grisly charade and begin to help Kay back to reality. Faced with the enormity of what she’s been doing, Jill realizes how wrong this is and decides to end the hostilities. -
Dallas, Dynasty, Falcon Crest, and Knots Landing episodes for the week of October 24, 1983. -
By Paul Raven · Posted
I really don't want to see some old P&G actors on the show. To me Lindstrom and McLain have brought nothing special. The show needs to find new talent, so it has it's own identity,which overall they have. Timon, Tricia, Ambyr are breakouts. Most of the others are fine .We all know the exceptions. -
By Paul Raven · Posted
I would wager that was because it was a new character for the likes of Devon, Lily and Nate to interact with. Watching the likes of Billy fall in love again-Phyllis, Chelsea,Lily and now Sally is repetitive, especially when he is no prize. Josh doesn't really do long term couples. So every year or so they swap partners. It diminishes them as characters as they don't seem to grow or learn from the past. We know those characters so well and they've been through just about everything, so the only solution is to involve them with new characters and have them react to the newbies drama. They tried with Ashland and the Rosales but Josh dumped the latter and wrote so badly for Ashland who could have been a long term antagonist. All we got was another short lived marriage for Victoria and another accidental killing. And Josh thinks having them sit in restaraunts for the whole episode talking business, mergers, takeovers and job switching is interestring. It's not. I feel sorry for the actors who must know they are serving shite. -
By Soaplovers · Posted
If I were to cast a Soap Opera veteran as Jan.. I would have picked Krista Allen (of Days and B & B fame) since she did move to the Atlanta area in late 2023... and knows all there is about the Soap opera way of filming. And I could see her playing Ashley's mom. -
Is the set for Lulu's new house an updated version of the set used for the childhood home of Luke, Bobbie and Pat Spencer? -
I feel like AMC would be the easiest of their soaps to revive but a reboot seems cursed at this point. I wish we had more insight on what was pitched for the primetime reboot as well as these movies. That would give us a better idea of why it keeps getting shot down. -
Mansion of the Damned sure is a "talkative" horror movie. In the past when I've watched those episodes, I was paying attention to The Edge of Night characters and not really zeroing in on the rehearsals/blocking/filming of the actual movie. This time I've been following the plot of Mansion of the Damned pretty closely, and all I can say is Hester Atherton and Nicholas Harriman are about the most chit-chatty Witch and Devil I've ever heard in my life! -
Ashley and Derek have been so isolated that I need the show to develop something, anything to justify their presence. It's not that I think Joey being her father will be the greatest story ever told but at least it would be something and connect her to more characters. I just need the show to move forward with them. Out of all the characters, these are the only two with no storyline/development. We have recurring characters who are better used with less screentime. If the show is going to keep them on contract they need to do something with them.
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I never thought I'd say it, but SC is B&B's best male actor - by far. SK is next. Has there ever been a US soap that has so much female talent surrounding by Himbos? KKL, JMW, HT, KB, AN, RB could be/have been leading ladies on any other soap. Even the secondary females are the ones who carry their scenes. It's been rare periods when B&B actually had a few solid male cast members. JMW really did a great job in the scenes with AN. Considering everything we've witnessed the past couple of years with Steffy/Hope, I thought reveal may ring hollow. JMW proved me wrong. No doubt this is Emmy material.
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