Jump to content

AMC: SOD Online Interview with new headwriters


Recommended Posts

  • Members

I love ALL of those ideas (Long-time fan also). And some of them seem so easy. They can EASILY bring on Petey, fix Josh, get rid of Jon and recast Liza/ I don't see Julia Barr or Cady McClain returning but the other ideas would help the show a lot.

Link to comment
Share on other sites

  • Replies 57
  • Created
  • Last Reply
  • Members

Digest: Let’s talk about your storytelling goals for AMC.

Brown: Our main goal is to make the stories a tree with many branches — the so-called umbrella stories. That’s always the goal when we come to a show, but the positive thing about this show is that there are so many great characters, rich history and family entanglements that it’s really not that difficult to make those branches grow.

Esensten: The stories that we have planned, as we sit down and talk about what’s going to be happening, it’s like, “Oh, my God, well, that’s really going to affect him because that’s his brother-in-law!” We play off that and the characters are so intertwined to begin with, it makes storytelling much easier — our type of storytelling. We just got off the phone with our scriptwriters and another thing we’ve been talking about is that you have to write the way that people talk today and make it conversational. You want the audience to believe that this really could be happening, and once you start doing so many stories that are so unrelatable, you get a little tune-out. So even if some of our stories appear to be larger than life, the goal is for the audience to think, “Wow, I’ve been there! I wonder what she’s going to do.” It may not be as operatic as the story we’re telling, but they’ve experienced the same kind of situation. I guess what we’re saying is that we’re trying to make our stories more real and our characters more relatable.

Digest: What endears you to daytime TV?

Carlivati: What I love about soaps is classic soap opera storytelling. I’ve watched soaps for a long time, so I think you have to respect the history of the show and the audience wants to see that, and because I’m a fan, I’d like to think that I think like a fan and what the fans will want to see. You do have to keep it fresh and modern and innovative and all that, but what I like is that a soap can be not just a drama, not just a comedy, not just a fantasy, it’s all of those things together. What I love is having the opportunity to tell all different kinds of stories.

Digest: And you certainly get to do that on OLTL.

Carlivati: ONE LIFE TO LIVE is famous for being able to balance these over-the-top fantasy stories with real, serious issues and the audience loves — I think they often comment on — things like Viki goes to Heaven and the Old West story, and while part of the show is grounded in reality, we do have that over-the-top element and I’d like to hopefully get a little bit of that into the show. And humor is very important to me. I love a show like UGLY BETTY that’s a soap opera that’s also funny, but it can make you cry. I love the characters on our show that bring out humor, like Roxy, David and Rex. In general, I just think it has to be a balance. I love the whole cast and I just want to be able to tell a balanced story.

Link to comment
Share on other sites

  • Members

These things the last few weeks is what is giving me hope that we may be getting on the right track again. I hope BE/JB continue on with this formula and build from there.

I love all of your ideas especially bringing back Reggie, Dani, and Dixie and finding out the Fetus is not the Fetus after all. I nominate YOU to be the new EP of AMC :)

Link to comment
Share on other sites

  • 3 weeks later...
  • Members

AMC actually always had a reputation for larger than life--though mor ein terms of their almost campy broad characters (billy TUggle, Nick, Phoebe at times, etc) If you read Chris Shemering's wonderful Soap Encyclopedia from the early 80s this is one fo the main things AMC is repeatedbly praised for by him and others (of course back when AMC premiered humour on soaps was particularly rare)

E

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I'm pretty sure Lucy and Bridget never even have another scene together for the rest of the time they're both on the show. Bridget isn't even invited to the wedding! The lack of community feeling and continuity of non-romantic relationships during this period is very jarring. Characters suddenly only seem to interact with a handful of other characters, rather than characters across the canvas. I'm deep into 1997 in my watch right now and find that it's even stranger because the show goes back and forth between ignoring history in order to manufacture some kind of separation between characters (for example, at one point Amanda refers to the Coopers as a family that the Spauldings "barely know," despite her and Alan spending the better part of 1996 going to war with Buzz over 5th street, and Alan has absolutely no reaction when he finds out about something bad that's happened to Abby, which seems pretty out of character given how close they were in 95/96) and ignoring history in order to create a sense of community that doesn't quite fit (characters who couldn't stand Amanda are suddenly acting all buddy buddy with her). The wheels really feel like they're coming off in 1997 (although I know some would argue that the wheels started to come off years earlier). Watching the Marcus/Dahlia romance again from a 2025 perspective is so weird. Marcus is a full grown man who must be at least in his mid-20s and he's dating a teenager who is not only still in high school, but is still fully a year away from graduation, and no one says anything about how creepy that is. I feel like the buzz around Marcus gave the illusion that the show was more invested in him than it ever actually was. Even during his "big" story where he's arrested for Cutter's murder, he actually doesn't appear on screen very often. He's imprisoned, Griffin is brought on, other characters make a fuss about trying to get him out, but there's a long stretch of time where he doesn't appear at all. I've been keeping episode counts while I watch and between Cutter's death in mid-November of 1995 and the end of the year Marcus/Mambo only appears 7 times (and of that only twice in December).
    • The letter reading was very emotional, and Maeve really got to me too. I was a little worried because Vanessa doesn't give a speech at the funeral, which surprised me, but then we got the private letter reading and her true emotional reaction and I was satisfied there. The YouTube channel I watch these episodes on (if not on our Vault), also had upset commenters talk about how Nola's line about Henry not accepting her at first/seen as a gold-digger was totally untrue. It's sad the writers don't do their homework and give fans the respect (and the characters respect). And yep, Bill got up and spoke at the funeral too, which was nice.  I didn't even realize that was Sharon Leal until you said it!  I had to Google it. I loved Sharon Leal in Boston Public back in the day haha. LOL at your Reva/Josh ALWAYS commentary. What is RME though?
    • Leslie is an extreme liar and manipulator. I'm not sure what her point was in trying to convince Nicole she wasn't trying to hurt her. As much as Eva did help orchestrate the entire plot I feel like there was too much piling on. Eva never said she wanted to be a Dupree so Anita was extremely out of line for that comment.  
    • Thanks!

      Please register in order to view this content

       That's positive and something to look forward to for sure, because you're right, 1996 so far isn't nearly as good as 1995. Ohh - what is Lonatrat?  Sadly you're probably right. I did feel like David was rarely seen once Marcus came on. That would have been an interesting spin, having Frank and Tina be teenage lovers and Dahlia really being his daughter. I'm getting the sense that Tina won't be seen too much anymore, as she just left Dahlia with Frank/Eleni as she's heading to jail for a while. I like the Tina actress too!  Her voice sounds a bit like Rosie Perez to me, which I love. I tried to find her online, but coming up empty. This was the only thing I could find about Tina Crede - a character snapshot video with clips and stills of her (randomly starting just before the 1:00 mark):

      Please register in order to view this content

      That's wild that the David actor is nearly 40 here! Definitely surprises me.
    • 5-6   Meh. It already looks like a scattershot week.    5-5 was actually a good episode. Damian and Lily. Phyllis finally going on the warpath that I knew she could get on with Billy and Sally. Nate started to question Audra and Victor's alliance. And I was not even bugged by Kyle and Claire.   But then there's Cole's off-screen story. Kyle and Claire going back to being whiny. And them even wanting Adam's penthouse just sounded like trying to keep the set around. And Diane shouldn't even give a flying frak about Billy's opinion. And Tessa, Daniel, and the guitars...yeeeah no.   But hey...JM looked good in that short. And those pants.  I agree. One of Y&R's good points with fans has always been that you do at least see the vets. And IN stories. 
    • One of the things that I found unnecessary and a bit disturbing about Ambitions was that in almost every episode someone was holding or shooting a gun.  Jamey and Ron seem to have the same fetish.
    • I had thought that there was a Tommy Biddles on there, but then I realized I was thinking of Dr. Biddles on Santa Barbara. Never mind! 

      Please register in order to view this content

    • Please register in order to view this content

       
    • I have watched the scene where Vanessa reads the letter and it's lovely, but I'm really glad now that I never got around to watching the funeral. Henry ADORED Nola! He treated her like a daughter and Stacy like a granddaughter. That's why Vanessa couldn't stand her. He was crazy about all the Reardons. He spent a lot of time at the boarding house. He and Bea--they never explicitly said it was romantic, but they certainly were loving friends. This sounds worse than Bert's funeral. I really did not think that was possible.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy