Paul Raven

Dani's past is worth examining. OK she was an international model, but settled for an up and coming lawyer and quit modelling on his say? Doesn't hold together for me. They need a better reason for her giving that up. Maybe due to some incident, her star was falling and Bill helped her? She must have been in awe of him to put up with the infidelities and it seems she didn't stray herself. Though we have seen flashbacks of them in happier times, so maybe Bill was charming enough to convince her that he really loved her. Did her parents apply pressure? Maybe they disliked Bill and she married out of rebellion and then refused to leave to avoid the "I told you so's" And what was it about Hayley that caused Bill to finally divorce Dani? Lot's of motivations that need to be explored.

Y&R 1976 Pt 4 Lance finally gets the opportunity to meet Leslié’s husband. Laurie has told Brad she believes Lance is in love with Leslie, and Lance himself tells Brad he’s in love with Leslie’s talent. Laurie is beginning to feel that Lance is using her to get close to her sister. ‘When Leslie has a concert scheduled in Mexico City, Brad makes plans to accompany her. But his violent headaches unexpectedly return, and he’s forced to cancel. Brad doesn’t give her a reason, saying only that she must trust him. But Leslie recalls that he missed her last concert without a reason and presses for an explanation. Brad tells her his mother is ill, but Leslie phones Mrs. Elliot and finds her mother-in- law quite well. Lance has a business trip to Rome in the works,and Laurie again agrees to accompany him. She has told Brad that the best way to handle Lance, who is used to having females swooning at his feet, is to play hard to get, while Lance has confided to Leslie that — since Laurie is used to adoration by the male species, he will ignore her. As a result, their Rome trip turns out to be a supreme battle of wits, but, as Lance notes to Laurie, being predictable is boring. Jack, trying desperately to help Joanne become independent and self-reliant, has encouraged her to go back to college. Brock concurs, and even arranges for Kay to lend Joanne the tuition money. But on her first day at the university she overhears Jack telling Peggy that after he gets Joanne back on her own feet, he can divorce her and marry Peg. Brokenhearted, Joanne goes home and starts eating, but she’s thwarted by having only diet foods in the apartment. So she decides to give up once and for all, and swallows a bottle of medication. Brock finds her unconscious and rushes her to the hospital. When she comes to, she tells Brock she’s going to give Johnny his divorce. Seeing the report at his newspaper, Stuart Brooks kills the story, then goes to see Joanne. She insists she doesn’t want Johnny to know what she tried to do. Stuart does, however, tell Peggy, who goes to see Joanne. Peg is overcome with guilt, but Joanne tells her she’s now decided that Johnny still cares for her because, with Brock’s help, she realized Johnny has still never actually mentioned a divorce to her. She declares her intention to fight for what’s hers. Joanne is surprised when Peggy insists on taking her under her wing to select new dresses which minimize - her weight and a new hairstyle that’s more flattering and up to date But Peggy explains. she has to help Joanne to be the best she can so she, Peggy, won’t — win Jack by default. Bill Foster is deeply in love with his wife, but. she has refused to allow him to share her bedroom since his return. When Chris explains that Liz had him legally declared dead nine years after he deserted his family and that, to Liz, their marriage ended, Bill asks Liz to marry him again. Ironically, Sam Powers, the man Liz would have married had Bill not returned, visits Genoa City to try one last time for Liz’s hand. Bill makes it clear to Liz that he will step aside immediately if it means her happiness, but Liz quickly reveals that Bill is now a changed man and she has fallen in love with him all over again. They are remarried in their own living room and are unbelievingly surprised when, just following the ceremony, their children hand them their own luggage, packed and full, and they are presented with tickets for a dream cometrue honeymoon in Hawaii, a gift from Stuart and Jennifer Brooks, their son Snapper’s in-laws. Brad has taken advantage of Leslie’s concert tour to have extensive tests made in Chicago. Brad was, for many years, a successful neurosurgeon there, but he gave up his practice when a patient, a little boy, died on his operating table and he then found out the ‘child was his son. The boy’s mother, Barbara, had become pregnant shortly before her relationship with Brad ended and never told him about the child, as she couldn’t use the baby to force Brad to come back to her. Now Barbara, a nurse in the hospital ‘where Brad is being tested, pleads with him to tell his wife what’s happening to him, but he insists he cannot. The specialists find all test results negative; there is no apparent cause of his blindness. He refuses Barbara’s offer of help and returns to Genoa City alone. Leslie’s mentor, the Maestro, arrives home before Leslie and hurries to tell Brad that Leslie knows his mother wasn’t ill but feels it would degrade their marriage if she asked him where he had been. The Maestro adds that it’s all up to Brad now. But upon Leslie’s return Brad continues his pretense and offers no information. He can'f bring himself to let her her see what’s happening to him. Chris is on duty at Legal Aid when a Mrs. Nancy Becker and her daughter, Karen, arrive, asking for help. Nancy’s husband, Ron, has been arrested, and they have no money for food or for bail. She explains that Ron was arrested for rape, but she insists he’s innocent before collapsing and passing out. At the hospital Snapper runs tests and finds that Nancy is in a diabetic coma and may be hospitalized for several weeks. Chris, sympathetic to the woman and her child, takes Karen to her mother’s, and Jen quickly offers to care for the child. Hoping to locate relatives who can help his family out, Chris visits Ron in jail. He tells her he has no family-and Nancy is estranged from hers because of their marriage. He asks her for legal help, but Chris replies he’s talking to the wrong person - she |was once a rape victim herself. Ron is soon released, when witnesses verify seeing him elsewhere at the time of the attack. But Chris is uneasy; her intuition as a rape victim tells her he’s guilty. Ron has lost his job because of being arrested, and Chris and Stuart offer to help him find another. Jen offers to continue caring for Karen.

I think Kin was dissatisfied at GH in as much as Scotty had been pushed aside for Luke/Laura and the writing was doing him no favors as Scotty was now seen as an obstacle to their romance. So with his contract up he was offered big $$$ to move to Texas, which you can't blame him for. In addition to the money, I recall he was promised that Jeb would be a more dynamic character than Scotty. The money came through but not the story, so don't blame him for being slightly bitter.

And in addition to Patti being de-aged, she was no longer a nurse, divorced from Len(fair enough) and her two children were not seen and barely mentioned. So basically she was a totally new character. For newer viewers it didn't matter but any loyal viewers would have been wondering about all the changes with Patti. Sarah Whiting always puzzled me. The writers finally decide to acknowledge Jo's family and do so by making up a never mentioned adopted teen. Why not just bring in Tracey, Jo's actual grandaughter? As for Liza, perhaps it would have been wise to rest the character when Sherry left. They were big shoes to fill and her Liza was so identified with Travis. I don't recall what was going on in the story at that time but if they knew Sherry was leaving, write it so Liza would leave town to care for an ailing Janet and take a breather with the character for a few months.

Andre/Ashley are a mismatch and not in a cute opposites attract sort of way. He is a very stylish photographer, independently wealthy, wordly and she is a simple, struggling nurse with limited experiences. He has been having a covert sexual relationship with an older divorced woman and she is involved with a meat and potatoes blue collar dude. Just don't see what the attraction would be on either side.

SOD Where Are They Now? She left daytime more than 25 years ago, but GUIDING LIGHT fans have not forgotten Lynne Adams (ex-Leslie, GUIDING LIGHT, 1963-71; 1973-76; ex-Amy, SECRET STORM, 1971-72). She's one of Digest's most frequently requested "what ever happened to...." GL alums — a pleasant surprise to the actress. "I'm really flattered," she smiles, then admits that fans still occasionally recognize Leslie Jackson Bauer Norris Bauer. "It's amazing because I haven't done it for so many years." By Melissa Scardaville The years that she did spend there were good ones. "My main memory is of all the women I knew on the show, like Charita [Bauer, ex-Bert], and Fran Myers [ex-Peggy] used to be a great friend of mine." Adams's main storyline — the tortured triangle of Mike/Leslie/Ed — was also a bright spot. "I really enjoyed doing it, until the character got married [to Mike] and she was happy." That, in turn, was the impetus for Adams to leave. "The character got boring, frankly," she shares. "It was very conservative and boring and happy. Not that happy is bad; happy is great, but it's not that great on a soap opera. You want to have some conflict and drama, and her biggest drama was that she was worried that her stepdaughter was going to get involved with some guy. It just wasn't interesting, so I left." GL has ties to Adams's current project, Made-Up, a comedy about our culture of beauty that she wrote, starred in (with her sister, Brooke Adams, as well as brother-in-law Tony Shalhoub and Eva Amurri) and produced with Sister Films, a company she founded with Brooke. "The whole time I was on GUIDING LIGHT, I used to dye my hair because I went white when I was about 16," she shares. "After I had been off the soap for a while, I let my hair go, and it was shocking the difference in the way people treated me. You feel like you've disappeared and you're not a viable person somehow. Then, I would go to an audition wearing a wig, and suddenly it was a whole different story again." That experience led her to write a one-woman show, Two-Faced, which she performed for nine years. Adams then embarked upon the arduous task of taking a version of the play to the screen — "One time, we had the $5 million in the bank and Kevin Kline couldn't do it and all the money fell apart." But, thanks to her husband, George Fifield, a media arts curator, she eventually got it shot on video as a mockumentary. "It's a movie that people who used to know me would love to see," she notes. To check if the film is coming to your area, log onto www.madeupthemovie.com. Adams also points out, "If you click 'Contact,' that [e-mail] comes to me, and I'll answer it." Sure, her plate is full now, but would Adams ever return to soaps? "If you had asked me two years ago, I would have said yes. If you had asked me 10 years ago, I would have said no. Right now, I live in Boston, so that would make it kind of impossible," she chuckles. "But I loved doing soaps. It was a hard job, but it was really fun. I used to have some relationships with some of the people who watched the show who would write to me. I miss all that."

That green paint...

Good point. It would provide some conflict with Jack. As much as I am not interested in Claire, I don't find it difficult to understand why she might be a bit reluctant to commit to a guy who has already been divorced twice or is 3 times?before he is 30. That's a natural obstacle that Claire would be hesitant about. But in GC every relationship is true love and various past marriages are forgotten.

With all the changes Sunny was one of the longest running characters by that time. She had never been married and had heaps of story potential. I can see America getting with SFT -you know 'the circus soap'. Smart move because circuses were all the rage with the kids in the 80's. Maybe Stu and Jo could have bought the circus.

PREACH Victor being written as he was 20 years ago to support EB's ego or some misguided belief that what worked decades ago is still relevant is destroying the show. Victor comes off as a rambling old fool holding on to vendettas and a desperate need for perceived power. His children still cow-towing to him makes them look equally foolish. If the writing portrayed Victor as more of an irritant to them then maybe it would work.

I believe they said 27 sets. We have not seen that many maybe around 20. Perhaps they meant they have space for that number. I would like to see another meeting place -maybe a restaurant that could fit in b/w Orphy's and the Country Club. Casual but classy. Jacob/Naomi need a living room and it would be good if Vern/Anita had a smaller study/library so they're not always in the same room. I guess budget plays a part. For example, maybe the plan is for Jacob/Naomi to get a home down the track when they become more prominent. I really hope that outdoor sets come into use. A terrace at the Country Club or a few shopfronts-a park maybe. Speculation re June. I would go with a Hayley connection as she needs something else to do apart from whining to Bill. June could provide some conflict cos I don't see Bill being that interested in having her around. He could try to buy her off, upsetting Hayley or she could overhear/uncover some dirt on Bill so he's forced to keep her around. The parents of Tyrell/Samantha can be held for down the track along with the mystery of Andre's parents. The advantage of a new show is that there is so much from character's pasts that can be used. An ex for Vernon or Anita and various relatives to come out of the woodwork.

I hear what you are saying, but I feel there is definitely an opportunity for improvement. If the set problem is to remain, then the whole focus has to change. Business has to take a back seat if there are no sets available to support story. As I have said before return to Jabot and have a number of characters working and interacting there. They seem super reluctant to do it but Victor needs to be a more supporting character. Eric Braeden seems determined to carry on and that is of course admirable,but keeping Victor as this dominating force has been detrimental. Have a sweet reunion of Sharon and Nick and marry them off for good. Bring on Faith and I'd even have Adamson back as Noah at this point to support Nick/Sharon in a parenting role. They really need to bite the bullet and drop one of the following -Billy, Chelsea, Phyllis or make them recurring like Abby/Ashley with appearances or short term stories when appropriate. Free up some space for new or returning characters- Noah, Allie, Fen, Moses,even a recast Dylan.

1976 continues... Carrie finds the diamond drop in Arlene’s dresser and confronts her with it. Arlene insists she’s done nothing to be ashamed of and storms out. Carrie becomes so overwrought that she collapses. Tom rushes her to the hospital, where her doctors decide they can’t wait even the few days until her scheduled surgery and begin the operation immediately. The surgical resection proceeds without incident, and Carrie comes through beautifully, to Arlene’s relief and gratitude. Arlene tells Ian she has considered selling the pendant to pay Carrie’s bills but feels she must return it to him. She is so relieved that her mother is finally out of danger, she tells Ray, who is again pressing her for the return of the bail loan, that if he or the hospitals want to put her in jail for bad debts, that’s. fine with her. But Ian solves one of her problems by paying Carrie’s medical bill in full. Arlene is amazed to hear this and assures Carrie that she had no idea he planned to do this. She promises Carrie she’ll tell Ian they consider it a loan and will repay him as soon as they can. Ray, learning about Ian’s actions, accosts Arlene, telling her that if she’s not already sleeping with Ian, she soon. will be, Because men like him always expect to be paid.~ Felicia tries painting at home, but the light is very bad there, and she recalls how well she worked in her studio. With Lynn and Di’s urging, Felicia rents another studio. Ironically, Eddie, realizing that Felicia can’t paint at home, has been looking for a studio for her, and happened to be inspecting this very studio, only to learn that Mrs. Lamont had already rented it. Felicia explains to Di that she is afraid to tell Charles about the studio, as he instantly assumes that when she’s not with him she’s with Eddie. At Di’s suggestion, Felicia arranges a dinner party with the Sterlings, in the hope that telling Charles in the presence of others will allow it to be discussed calmly. But Charles voices his fury anyway, saying that it sounds like a perfect love nest.. The Sterlings point out that he is not being deserted—he has his nurse, and Felicia will always be home to prepare dinner. But Charles isn’t mollified. , Charles decides his suspicions are correct when Eddie delivers a letter from Lisa to Felicia and Charles realizes he knows about the studio. He refuses to believe that Felicia didn’t tell Eddie, and rides her mercilessly. Finally Felicia realizes she can’t stand any more of this mental agony and packs, saying she needs time to think and so does he. Charles immediately calls at Eddie’s for her and is surprised that she’s not there. But his call worries Eddie, who goes to her studio to see if she’s there. He finds her about to drive to Maine, to her Aunt Mavis’s home. Felicia is touched by Eddie’s suggestion that he accompany her for her safety, but assures him she’ll be fine. Charles, meanwhile, has fallen from his wheelchair while reaching for the phone and hit his head. Bruce finds him unconscious with a gash across his head and has him rushed to the hospital, where emergency surgery is performed to relieve the cranial pressure. Charles survives the surgery but remains in a coma. Felicia arrives at Aunt Mavis’s to find that her aunt has just left for a vacation in Rome. There is a knock at the door, and Felicia is amazed to find Eddie there; he followed her car to assure her safety. She invites him in for something to eat, and since it’s very late, he spends the night in the spare bedroom. Felicia and Eddie spend the next several days walking in the woods and the evenings in front of the fire, developing a deep emotional closeness. Felicia finally tells him of her early father fixation and admits that she’s still a virgin, unable to have a physical relationship with a man. To her relief, he understands and sympathizes, and she agrees to try to make love with him. The attempt fails, and Felicia is embarrassed,but Eddie manages to make her see that sex is only one facet of his love for her, and when they try again later she is delighted to find that she can give herself to him with feeling and happiness. She decides she must return to Rosehill and ask Charles for a divorce. Cal and Rick honeymoon in St. Thomas, the Virgin Islands, but Cal is a bit dismayed when Rick takes time off to discuss business with a restaurant owner. She feels he shouldn’t have any thoughts of business on their honeymoon. Ray Slater tells Meg she stands to lose her investment in Beaver Ridge, since she has frozen Rick’s assets and he owns the controlling interest. So Meg gives Cal and Rick the news, upon their return, that her wedding gift is the dropping of the lawsuit. She then offers to sell her share of the club if Rick will again take over the place. Betsy has made strides toward establishing a life for herself and her daughter by renting an apartment, making arrangements for a mother’s helper, and asking Jamie for her old job back. Jamie assures her it’s available and ‘takes her to dinner. Betsy is annoyed when Meg stops by just as she’s returning home with Jamie, and she tells Meg she won’t stand for her checking up on her. Ben has been having problems ever since his prisonmates discovered he’s in for bigamy. This “pretty boy” offense makes him a susceptible target for advances and sadistic treatment. Duke and Pearson, the chief instigators, are pleased when Ben takes punishment and threats without squealing, but they decide to continue the treatment rather than let up. On the night they decide to teach Ben what it’s really all about, he fights both of them, but tires and is on the floor under their knife when fire breaks out. Solly, the guard, starts to release the prisoners from their cells but is overcome by smoke. Ben rescues him, then returns to rescue the remaining prisoners, including Duke. Ben is hospitalized for burns and smoke inhalation. He refuses to explain why he and Duke and Pearson were out of their cells before the fire alarm. Betsy has had a premonition of danger, and it’s realized with the news of the fire at the prison. She asksMeg to accompany her and goes directly to the prison. As his wife, Betsy has first rights of visitation, but Meg is so frantic that Betsy lets her go in first. Meg rants on at length about Ben’s folly in not letting her keep him out of prison in the first place, wasting time that Ben wants desperately to spend with Betsy. Meg finally leaves, and Betsy comes in, bringing Ben a picture of their daughter. She tells him of her recent plans. When Ben asks if she’ll visit again, she hesitates, not wanting to make any commitments. The warden tells Ben he’s putting him up for parole, and Solly thanks Ben for saving his life, offering his hope that the parole comes through. Learning of this possibility, Meg asks Bruce to intercede as mayor, and he refuses. She replies she expected that and already offered one of the prison-board members a contribution for a favorable report. Van’s horror at this is echoed by. the warden, who tells Ben that his mother’s attempt to bribe the board could cost him his parole.But the board doesn’t hold this against Ben, and his parole is granted.

GH 1976 . A transition as the show went to 45 mins and the revamp continued. From the Daytime serial Newletter PT 1 Since 1963 General Hospital, the story of the staff of the seventh floor at General Hospital in the town of Port Charles, has endeavored to show the personal problems and emotional conflicts faced by the members of a medical team, who must at all times be ready to save lives. Dr. Steve Hardy, his staff’s source of emotional support and advice as well as their professional chief, is increasingly upset by the marital problems of Dr. Jim Hobart and his wife, Audrey, Steve was once married to Audrey and still has strong although concealed feelings for her, and he resents Hobart’s futile efforts to stop drinking and straighten out his life, as his failures are dragging Audrey down with him. Dr. Leslie Faulkner is married to business tycoon Cameron Faulkner, who recently financed a free clinic for her at General Hospital. But Leslie’s professional life has been overshadowed by the shocking discovery that her illegitimate child, born when Leslie was a college student, didn’t die at birth, as she had been told, but rather, on her domineering father’s instructions, was substituted for the stillborn child of a Mrs. Barbara Vining. Cam has helped Leslie locate the child but is definitely resentful of the intrusion of another focus for Leslie’s love into their lives. Young med student Bobby Chandler has just married nurse Samantha Livingstone but is concealing his recent discovery that his life-insurance application was rejected because of a suspicious blood-test result. Psychiatrist Peter Taylor has reconciled his emotional upheaval at the discovery that Martha, the child of his wife, Diana, was fathered by the late Dr. Phil Brewer (by rape) and that Diana will not be able to have another child, as a hysterectomy was necessary after Martha’s birth. Diana suffers feelings of inadequacy, believing she is beneath Peter socially, as she was a waitress before successfully completing nurses’training. Nurse Jessie Brewer, who was married to Phil years ago, has tried to show Diana that her present accomplishments have overcome her disadvantaged origins. Dr. Leslie Faulkner, driven by the recent knowledge that her baby daughter was taken from her at birth, has learned that thirteen-year-old Laura Vining is that child. When Laura’s mother expresses concern at the attention and gifts that a total stranger is showering upon her daughter, Laura points out that Leslie is not really a stranger—the news magazines are always carrying articles about international business magnate Cameron Faulkner and his doctor wife. Barbara is even more upset when she realizes that Cameron Faulkner is having his employees check on them. Cam himself is upset by Leslie’s preoccupation with the girl, and warns Leslie that many lives could be irreparably harmed if Laura finds out she’s illegitimate. Leslie retains an attorney, Curtis Baxter, whose reputation doesn’t stress ethics. He advises her to sue for custody if a personal appeal to the Vinings to relinquish the child doesn’t produce results. Barbara’s fears are more than realized when she returns Leslie’s extravagant Christmas gift to Laura—an electric typewriter—and Leslie, pressed by Barbara to explain her interest in Laura, reveals that she just recently learned that her own father bribed her nurse to switch her newborn daughter for Barbara’s stillborn child, to “protect” his unwed daughter. At home, Barbara tells her husband, Jason, that she didn’t see their baby until the day after she was born, as the delivery was long and difficult, and she now remembers that Nurse Roach was somewhat reluctant to hand her the child. But the biggest fear they face is that Laura might somehow learn that her parents weren’t married when she was born, as Jason was on military service in the Pacific. Baxter serves the Vinings with a writ of habeas corpus, requiring them to have Laura in court on the specified day. Cam assures them he will make sure there is no painful press coverage and that all efforts are taken to prevent Laura from being emotionally upset. The Vinings then find that they must submit to blood tests to determine whose blood groupings match Laura’s. In court, Leslie again painfully explains the circumstances of her birth and the recent revelations by a dying Nurse Roach which led to her search for Laura. The Vinings are horrified to learn that the blood tests have revealed that neither of their blood types matches Laura’s. Medically this means that Jason can’t be Laura’s father—but Barbara could still be her mother. But Barbara has assured Jason that he is the only man she has ever been intimate with. Faced with this incontrovertible evidence, the Vinings realize that Leslie’s claim has basis; and since Barbara is too emotional to tell Laura what they have learned, Jason tells her. Laura is told she will have to decide whether she wants to make her home with the Vinings or with the woman she has just been told is her real mother. When Laura level headedly replies that she doesn’t know Leslie well enough to make this decision, the judge rules favorably on a one-month temporary custody order for the Faulkners and explains that Laura may decide then. Cam is upset at the way Leslie uses this month to give Laura a whirlwind introduction to the jet-set life, managing to quickly arrange a round-the-country tour with parties and social events including movie stars and other celebrities. He warns that Leslie is trying to win Laura by the material things she can give her and that she is obviously counting on Laura’s deciding to live with them. At the end of the month Laura is still unable to come to a decision, so the temporary custody is extended for another month. But Laura is now torn between the glamor of the Faulkners’ life and her love for the Vinings, who are forbidden by the court order to contact her during the decision period. Leslie is spending so much time with Laura that her medical career is suffering, but she tells Cam it doesn’t matter, as she is planning to leave medicine to devote her full attention to her daughter. Cam warns her that she’s risking heartbreak by assuming she will get permanent custody of Laura, and again suggests she is trying to buy the girl’s love with possessions. Leslie retorts that Cam’s objections seem to stem from the selfish desire to have their life return to the glittering comfort they had when there were just the two of them to consider. But when Laura falls ill with influenza meningitis she deliriously calls for her “real mother,” rejecting Leslie’s presence. Leslie is horrified when Barbara shows up, summoned by Cam, and demands to see her daughter. Leslie tells Dr. Steve Hardy she’s going to lose Laura and it’s Cam who is taking her away. In Laura’s best interest, Barbara and Leslie join forces to help the child’s recovery. But her doctors are puzzled when her symptomatic fever and convulsions continue after the meningitis is overcome. Leslie’s emotional condition isn’t helped when Cam insists ‘that her constant vigil over Laura is obsessive and she’s neglecting him. He makes it clear that she is going to have to choose. Needing help with these pressures, she consults psychiatrist Peter Taylor, who helps her see Cam’s side, and they make up. But Peter’s probing has made Leslie face another truth that Laura’s illness may be psychosomatic, due to the choice she must make. As Leslie faces the growing realization that she is the cause of her daughter’s illness and she may have to give her up to make her well, Cam secretly visits the judge and asks that he decide to return Laura to the Vinings in order to save Leslie from the guilt of giving up her daughter herself. :

1976 Part 3 Peggy Brooks, the youngest Brooks daughter, upset over her parents’ recent marital trouble, has turned to her college teaching assistant for help with her studies, and then for emotional support. Jack Curtis is deeply attracted to her but tries to warn her not to get emotionally involved. But Peggy confesses she’s fallen in love with him, and he knows he returns her feelings. Jack, whose real name is Johnny Kryzynski, a name he feels is too difficult for professional use, is married to Joanne, a waitress at the Allegro, Leslie Elliot’s restaurant. Joanne, who is very overweight, is on another of her frequent reducing diets, hoping to regain Johnny’s love and attention. She is encouraged by Brock Reynolds, who manages the Allegro for Leslie. Sympathizing with her problem and her need for her husband’s love, Brock tells. her she must feel beautiful herself before other people can see it. One night, while discussing Joanne’s previous, fruitless attempts to diet, Jack asks her a question he’d never actually asked ‘before: Why had she gained all that weight? Joanne painfully tells him that she found out a year after they were married that she was pregnant. When she sounded him out about children, he had made it clear they couldn’t have a child until he’d finished school, so she secretly had an abortion, which left her feeling so empty that she ate to fill the emptiness. For the first time in a long time, Jack put his arms around her and kisses her. Feeling that Johnny really cares now that he knows about the abortion, Joanne’s trying very hard'to stay on her diet. But Peggy, having lunch at the Allegro, confides in her friendly waitress that she’s in love, and the man’s name is Jack Curtis. Joanne is heartsick, not only for herself but for Peggy, who obviously has no idea that Jack is married. Knowing that Peg’s sister Chris Foster works for Legal Aid, Joanne consults Chris about a legal name change, explaining that her husband, Johnny Kryzynski, uses the name Jack Curtis professionally she may as well make it their legal name. Chris makes the connection and tells her father about it. Stuart confronts Jack, demanding to know how he could do this to his wife and to Peg, and what he is going to do about it. Jack asks for time to let Peg down easily. When Peg learns that her father has seen Jack, she furiously informs him to stay out of her relationship with Jack. Peg later apologizes for her angry words, but she and her father cross swords again over Jack, and, backed into a verbal corner, Stuart blurts out, ‘For’ God’s sake, he’s a married man!” Disbelieving, Peggy goes to Jack, who tries to explain he’s started to tell her many times but, not wanting to hurt her, kept hoping for a better time to do it. Peggy, in shock, goes to the Allegro to think this out. Seeing the pain Peggy’s suffering, Joanne goes over to her and gently tells Peg she understands the hurt she’s going through—they are both in love with the same man, because Jack Curtis is her husband. Jill, having decided she must have revenge on Kay, has liquor delivered to her daily. When this doesn’t drive Kay back to alcoholism, Jill embarks upon a campaign to'convince Kay that Phillip is still alive. Jill slips into the Chancellor house each evening, after Liz has left, and leads Kay into reliving incidents and conversations which occurred over a year ago, when Jill was Kay’s paid companion. In this way Jill shakes Kay’s acceptance of Phillip’s death and has her convinced that Phillip is only away on a business trip. But Liz and Brock discover Jill’s grisly charade and begin to help Kay back to reality. Faced with the enormity of what she’s been doing, Jill realizes how wrong this is and decides to end the hostilities.

I really don't want to see some old P&G actors on the show. To me Lindstrom and McLain have brought nothing special. The show needs to find new talent, so it has it's own identity,which overall they have. Timon, Tricia, Ambyr are breakouts. Most of the others are fine .We all know the exceptions.

I would wager that was because it was a new character for the likes of Devon, Lily and Nate to interact with. Watching the likes of Billy fall in love again-Phyllis, Chelsea,Lily and now Sally is repetitive, especially when he is no prize. Josh doesn't really do long term couples. So every year or so they swap partners. It diminishes them as characters as they don't seem to grow or learn from the past. We know those characters so well and they've been through just about everything, so the only solution is to involve them with new characters and have them react to the newbies drama. They tried with Ashland and the Rosales but Josh dumped the latter and wrote so badly for Ashland who could have been a long term antagonist. All we got was another short lived marriage for Victoria and another accidental killing. And Josh thinks having them sit in restaraunts for the whole episode talking business, mergers, takeovers and job switching is interestring. It's not. I feel sorry for the actors who must know they are serving shite.

A number of errors in the above article. You wonder how with all that research,how they slipped through. I think they are conflating Women Alone with Lonely Women. I have never read anything of a serial called Women Alone. However,I am prepared to be proven wrong. It seems Irna actually WAS interested in TV soaps as witnessed by These Are My Children airing in 1949 on NBC in the early days of TV. I don't believe that was reluctance, rather simply good business sense as radio's dominance began to wane. Inferring that was somehow connected to Irna who was off that show 10 years prior. Again inferring that Phillips leaving 6 years prior had some connection to the eventual cancellation. Again these two events are in fact one. Irna left ATWT only once in 1970 and returned in 72. She was not working on another P&G show at the time. So either she brought the ratings up or they dipped, depending on which above account you believe Untrue. A World Apart debuted 5 years after she left AW. And AWA aired longer than a few months. Over a year in fact. I believe Orin Tovrov was the writer. Irna was not involved in the creation of this show. And no mention of Masquerade an Irna serial which was on air around this time. TBD finished in 1962. As we see over and over, these inaccuracies are published and accepted as fact.

Concluding 1976... Raymond Schafer arrives in Springfield and begins an extensive probe into Malcolm’s death, puzzling Ed, who wonders why most of Schafer’s question sessions keep turning back to Rita’s involvement with Malcolm. Ed assures the man that Rita’s only connection with Malcolm was as his nurse; he is unaware that Schafer knows a great deal more about Rita than he does. Just to protect Rita, Ed has Mike check on Schafer’s credentials, and learns that he’s a well-respected criminal attorney. The waitress at the restaurant where Malcolm suffered his stroke tells Schafer that the woman who was with him reacted very professionally to the sudden emergency, as if she were a nurse. Realizing that her little sister has fallen hard for Tim, Rita warns him that she’s very vulnerable and innocent, but Tim tells Rita her advice isn’t necessary. But Tim then receives a plum job offer to be chief neurological resident at a prestigious Philadelphia hospital and can’t pass up the opportunity. Evie is crushed by the news and spends the next several days at home crying. Joe Werner, fully recovered, has accepted a post as a medical aide in a destitute village in India and leaves alone, with Sarah to follow him later. Justin asks Sarah to consider a partnership with him in private practice, but she explains that she thrives on the hospital atmosphere. When a call comes from India that Joe has had another massive attack, Sarah leaves on the next available flight and arrives only moments before he dies. The painful news is relayed back to Cedars at once. Sara returns from India a heartbroken woman, but the day-to-day involvement of raising T.J. and of her career seem to be her salvation. Justin shows a surprisingly compassionate and understanding side to Sara, but, ironically, Justin’s ex-wife, Jackie, arrives in Springfield with her diabetic father, who is suffering from a heart attack. In the process of consulting with Justin on her father’s condition, Jackie comes face to face with Sara for the first time since their college days. Evie’s heartbreak at Tim’s departure turns to fury and hatred when she inadvertently discovers a letter which Tim wrote to Rita just after he left. In it he concedes that Rita was right about Evie’s vulnerability where he was concerned but reminds Rita that he badly hurt her in the same way she feared Evie would suffer. Evie is now sure that Rita somehow forced Tim to leave town and is livid at the idea that Tim was Rita’s lover. She insists she’s cutting off her relationship with Rita and will pay her back for any help she’s received in the past. Ben and Hope’s wedding plans are off, as Ben, while still insisting he’s innocent, won’t explain why the robbery evidence points to him. Hope feels his unwillingness to tell her the truth makes marriage to him impossible, but confides to Ann that she is miserable without him. Ben has echoed these sentiments to Mike but won’t confide in him, either as Hope’s father or as an attorney. Holly is trying very hard to build a life without Ed, but since she sees him virtually every day at work,she’s unable to put him out of her mind. She accepts a date with a member of the hospital administration staff but is unable to avoid making comparisons between Ed and this young man and winds up alone, sadly holding Ed’s picture and recalling how much she loves him. Believing that the hospital board’s conclusions on Grainger’s death have settled the question once and for all, Rita has regained her self-confidence, and her romance with Ed is growing daily. They admit their love for each other, and Ed confides that he intentionally held back with Rita for fear of making another mistake. Rita then tells Ed she has never married because for her marriage must be forever. Rita’s mother realizes that Rita is truly in love when she confides in her that she doesn’t understand why she’s been so lucky in having him love her and how she wants to be the very best person she can be for him. Ed proposes marriage to Rita and gives her time to think about it before answering. Rita painfully realizes that her past could, if it rose again against her, make a life with Ed a lost dream. But Raymond Shaefer has been quietly but efficiently carrying on his investigation and has learned that Grainger argued with Rita at her apartment. He presents the evidence he’s compiled to District Attorney Eric Van Gelder, who decides the case warrants further investigation. Rita goes to Ed’s office to tell him she loves him but can’t marry him, that she doesn’t deserve him and “can’t do it to him.” As she turns from a confused Ed to leave, she finds the district attorney and a police officer outside Ed’s door, waiting to arrest her. Ed, insisting that a serious mistake has been made, calls Mike to help her as Rita, shocked and humiliated, is taken under arrest through the hallways of the hospital in which she works. Mike manages Rita’s release on bail only after she has had to submit to the degrading booking procedure. Mike sees her alone at her apartment, explaining he can help her only if she tells him the whole truth. Rita equivocates until Mike mentions Texas, indicating to Rita that he knows at least some of the story. Van Gelder has, in fact, let Mike see the bulk of evidence in the case against Rita, to convince him her arrest wasn’t a capricious whim. Rita explains to Mike that Malcolm believed she intentionally vilified him to his father, to do him out of his rightful inheritance, and then wanted his father dead to collect her money. Mike expresses his appreciation of Rita’s honesty, promising to help her. But Rita’s tormented dreams confirm that she hasn’t yet told all the truth, and after Peggy visits, expressing firm support, Rita tells Roger she has to reveal his part in the story. Roger painfully tells Rita about his being Christina’s father to show her that if Ed knew, it would end Rita’s chances with him forever. Rita, who was ready to tell Ed the whole story, now realizes how risky that would be. Adding to Rita’s pain is her forced leave of absence from the hospital until she’s cleared and the embarrassment of seeing her name in the headlines.

Yes, but the stories are all pretty awful Seeing Victor rehashing his hatred of the Abbotts when he married one of them and has a daughter that is half Abbott as well as walking around with Traci's daughter's heart keeping him alive makes him look worse than he already is. And I remember he and Jack chatting amicably in the past few years. Victor interfering in Kyle/Claire is just repeat of Billy/Victoria. Sharon, Nick,Phyllis etc are around but again the stories are lacking.

Denise's daytime/soap resume courtesy of Slick Jones' Soap Hoppers thread THE CLEAR HORIZON Lois Adams 1960 BEN JERROD Emily Sanders 1963 GENERAL HOSPITAL Lorna Hill May 1965 DAYS OF OUR LIVES Susan Hunter Martin Peters 1966-73 GENERAL HOSPITAL Dr. Lesley Sullivan Williams Faulkner Webber Webber 1973-84; 1996-09;(occasional); 2013; 2017; 2019; 2021 ABC AFTERNOON PLAYBREAK "The Gift of Terror" Laura 4/5/1973 HOTEL Gail McClain 1984 ANOTHER WORLD Mary Callahan McKinnon (LaSalle) McKinnon 1986-89 SUNSET BEACH Sister Beatrice 1997-98 PORT CHARLES Dr. Lesley Williams Faulkner Webber 1999

Y&R 1976 Pt 2 Bill is overjoyed when Jill arrives home with grandson. But Kay is furious and checks into legal action, only to find that there are no grounds (the check was returned). Brock Reynolds, Kay’s son from her first marriage, convinces her she can be the baby’s godmother and provide for him out of love. But just as she’s starting arrangements to do this a legal petition arrives stating that Phillip Chancellor Foster is a rightful heir to and is now claiming his share of Phillip Chancellor’s estate. Jill has to do this, as the Foster family’s finances are now more precarious than ever. In fact, Liz, unable to get her factory job back, has secretly started working for Kay as her housekeeper. Jill explains to Kay that she has to do this for her baby’s sake but will drop the suit immediately if Kay puts it in writing that she will provide for them. Kay, however, retorts that Jill is the one who can’t be trusted—after all, she went back on her agreement to let Kay have the baby. Despite her attorney’s advice to work out an out-of-court agreement, Kay — insists on seeing this through. When Jill takes her little son to Phillip’s grave -on the Chancellor estate, Kay runs her off the property. In court, the geneticist testifies that Phillip could have been the baby’s father, but that Brock could have been, also. Jill then testifies that Phillip was the only man she was ever intimate with, and then only once; that Phillip decided on an immediate divorce from Kay and marriage to her, Jill, so that his baby could have his legal name. But Kay’s lawyer brings up the “dead-man statute,” which holds that conversations with a deceased person are not admissible as evidence because he can’t defend himself. When the judge upholds this statute, Jill comes close to being held in contempt of court. Brock takes the stand and substantiates Jill’s testimony that although he and Jill lived together for a time before her marriage to Phillip, they were never initimate. But the judge rules in favor of Kay; little Phillip’s claim is rejected. Jill emotionally tells the judge he has denied a child a decent life and a man his dying wish. Brad is told by Dr. Snapper Foster,his brother-in-law that his condition, nephritis of the optic nerve, is stable. The optic nerves are still swollen, but since his headaches have stopped he should continue his cortisone treatment. Brad is still firmly insistent that Leslie not be told. From the moment they meet, Lance and Laurie charge the air around them with static. They find each other arrogant and egotistical, but when Lance needs a date for his trip to London, he calls Laurie, and she accepts. The pilot of Lance’s private plane cryptically suggests that Laurie turns his boss on because she seems turned off by him. This seems to hold true for Laurie, too. By the end of their London stay, Lance and Laurie have come to a better understanding of each other. Lance tries to tell her that, with talent of her own, she should not be jealous of Leslie. She tells him she has a book coming out, but it won’t be published under her own name. She explains further that she was an outgoing child and her parents didn’t understand that she needed as much attention as the introverted Leslie did. (Laurie has always felt she existed in Leslie’s shadow. Les is married to the man Laurie wanted, and is a successful concert artist, with the fame and recognition Laurie has tried so desperately to achieve. Laurie’s first book, a sexploitation novel, was a failure, and this new book is a novel based on Leslie’s nervous breakdown and recovery—something Leslie is trying to put behind her.) Gwen Sherman, now Sister Magdellen, will soon take her final vows, but still feels God holds her past against her, because nobody could possibly believe that a prostitute could be pure enough to become a nun. She finds her accidental meetings with Greg Foster (they were once in love) increasingly meaningful to her, and she begins to dream of Greg holding her in his arms. Finally, in torment and uncertainty, she tells the Reverend Mother she’s leaving the convent. But on the day of her release, Greg arrives with one of the convent orphans unconscious in his arms.The boy had fallen from a fence outside. When the boy, Ramon, who had not spoken a word since his arrival, comes to, asking for Sister Magdellen, Gwen sees this as a sign from God and accepts her vocation. She will take her final vows and then enter nurses’ training. Stay tuned...

For a homeless woman, June sure has nice teeth. I agree Ted didn't bring the power in the fallout scenes but to can him and leave Tomas, Martin and Derek onscreen? i'm not looking forward to Martin's secret being revealed and have him flail in the spotlight scenes. Yes, he's got a little better, but... When someone like Timon delivers with every line reading, you wonder how some other casting decisions were made. And I need sunglasses every time characters are at Uptown-is that green paint left over from GL's Cedars Hospital makeover? And for the cliffhanger, instead of the Door dash nonsense, simply have Leslie encounter Vanessa on her way out and push past her to enter. As there is no front door have Leslie barge into the living room, with Vanessa following. Then Nicole can tell Vanessa- it's OK she can leave them alone.

Our next installment of Love of Life 1976 Before leaving San Francisco, Cal phones her Aunt Van to set up a family gathering. Van arranges it, and upon their return, Cal and Rick announce that they are engaged. In the shocked silence that follows the announcement, Meg steps in to offer her congratulations, and also to pay for the wedding. But the family members still don’t respond happily. They fear that Rick isn’t good enough for Cal, and are surprised by Meg’s offer. Rick and Jamie visit Meg and ask whether, in light of her acceptance of his marrying her daughter, she |will drop the lawsuit. She replies that she will if he returns as her partner in Beaver Ridge. Rick reminds her that this has been settled; he can’t do that. So Meg, pretending largesse, says she’ll drop the suit, but in fact she asks her attorney to put the suit in abeyance, so it can be reopened at any time. Rick gives Cal a lovely diamond-and-sapphire engagement ring, and Betsy, who has promised to be Cal’s honor attendant, gives ‘her the dress she wore when she married Ben, saying that a bride who really is a bride should have it. Cal speaks privately to each member of the family, hoping to convince them that she and Rick are right for each other and will be happy. Jamie, after accepting Rick’s request that he be best man, checks to see if Meg has dropped the action, as promised. Finding out that it’s only in abeyance, Jamie asks if she is planning to sue her son-in-law in the future. Meg insists that she has acted on her attorney’s advice. Meg convinces Cal to give her two weeks to plans a lovely wedding, but after several days Cal discovers that Meg has done nothing in preparation. She therefore informs her mother that she and Rick will be married this weekend at the chapel. Betsy goes into labor and has her daughter by the natural-childbirth method. Cal tries to reach Ben, to tell him he’s a father, but has to be content with leaving a message. An ecstatic Ben sends flowers and a card to his wife and daughter Suzanne. Meg, in desperation at being unable to stop the wedding, has been drinking heavily. When she tells Carrie she can’t sleep and that’s why she can’t get herself together, Carrie sympathetically gives her some tranquilizers which Tom had given her. At the wedding rehearsal Meg tries once again to “reason” with Rick, but he makes it clear that he and Cal are getting married as planned. Meg then faints, upsetting Cal, who declares that her mother’s health is more important than the wedding. This gives Meg an idea. On the afternoon of the wedding, as the bride’s party waits at the chapel for Meg, she takes some of the pills, then calls Rick and tells him what she has done. When he doesn’t believe her, Meg becomes even more upset and takes more pills. When Rick informs | the wedding party of Meg’s call, they don’t believe she’d do anything that foolish, but Cal and Rick realize they can’t take the chance and go to her home. Finding her unconscious, they rush her to the hospital.Meg is treated for overdose complicated by alcohol and eventually regains consciousness.Van and Bruce offer to take Meg to their, home to recuperate, but Cal, worried because Joe raises the concern that Meg could try it again, allows her mother ‘to convince her to take her home with her. Meg is pleased with herself for having managed to come between Cal and Rick, and begs Cal not to let Rick come to the apartment, as she can’t bear to have him see her like this. Meg then works on Cal’s conscience by pitifully admitting that she loves Rick and can’t live without him. Van tries,- without success, to make Meg see that Cal and Rick are in love and can make each other happy, but Meg won’t give up and suddenly begins to have “headaches.” Even Betsy overcomes her bitterness at Meg and brings baby Suzanne to see her,trying to get Meg interested in living again. But Meg insists she can’t do anything because of her delicate | condition and has no interest in Beaver Ridge at all. .Rick has to go to New York on business and asks Cal to go with him. She replies that she can’t; she’s afraid to leave Meg. Cal, with Hank, sees Rick off at the airport, and just before he boards, he gives her a letter to read later. She reads it at home that evening; -it’s a plea from Rick to join him in New York and get married immediately. He tells her that their love and their being together are the only things that matter.Cal puts the letter in her handbag and goes to shower.Meg has seen the letter and reads it. Upset that Cal might do what Rick asks, she goes to Joe at the clinic, claiming she’s sleeping badly, and asks for sleeping pills. Joe, of course, refuses to give them to her, and, as she has hoped, he calls Cal to warn her. Cal now redoubles her efforts to keep an eye on her - mother. Meg, complaining of another headache, asks for water to take aspirin and takes four tablets from abottle, which she holds so Cal can see the label has been removed. When Cal snatches it and demandsto know what she’s taking and where she got them,Meg “confesses” that she went to a new doctor for sleeping pills because Joe wouldn’t give her any. Seeing she’s got Cal where she wants her, Meg presses Cal to promise she’ll be there as long as she needs her. Rick’s New York trip comes to nothing when he discovers the prospective backers want almost complete control of the project. Jamie suggests that Rick talk to Meg again about dropping the suit, as every cent Rick has is being tied up by this litigation. Rick insists that Meg won’t do any favors for him, and he isconvinced that her suicide attempt and subsequent emotional instability are just a scheme to tie Cal to her. But he realizes Cal won’t be able to see it this way. Rick sees only one more possibility to his financial problem: Ray Slater promised to help him if hearranged a meeting between Ray and Jamie, which Rick did. As a result of that meeting, Ray informed Ian Russell that he might be able to get Beaver Ridge for him but will require a piece of the action if it works out. Rick arrives home to find a distraught Cal, who informs him that she was warned by Joe to watch out for Meg and, sure enough, she discovered her trying to pass sleeping pills off as aspirin. But Rick insists on knowing the name of the doctor Meg got the pills from, and when he attempts to call him, Meg backs down and admits there was no doctor and no sleeping pills—the bottle contained her allergy medication. Cal is horrified that she allowed herself to be taken in again by Meg in spite of knowing firsthand what her mother is like and warnings from the entire family. Rick insists that she get away from Meg now and go visit Betsy until he gets things settled. As soon as Cal has gone, Rick insists that Meg come out of the bedroom where she has barricaded herself, and tells her he knows her too well to believe she would ever take her own life. He tells her he admires her and would like them to come out of this as friends. Meg makes it clear that friendship isn’t what she wants from him. But when Rick picks up Cal, who now wants to get married right away, and | returns to her apartment, they find a note from her “loving mother” saying she and Rick are now friends and they should call her after they are married.

As requested by @BoldRestless the 1976 story summary of Y&R from the Daytime serial newsletter. I will post it in parts as it is quite detailed. Pt 1 Set in Midwestern Genoa City, The Young and the Restless, which premiered four years ago, is the story of the Brooks and Foster families. Jennifer and Stuart Brooks are, on the surface, the perfect couple, blessed with four beautiful daughters, but under the veneer of a first impression lie cracks in the facade. Jennifer had become dissatisfied with her marriage after the birth of her oldest daughter, Leslie, and had left Stuart with the idea of returning to her former fiancé, Dr. Bruce Henderson. After later reconciling with Stuart, Jennifer found she was pregnant with Laurie, and she has lived all these years with the suspicion that Laurie may be Bruce’s daughter. Leslie has recovered from a nervous breakdown and is now a famous concert pianist, happily married to former Surgeon now newspaperman Brad Elliot. . Chris Brooks is married to Dr. William (Snapper) Foster, and Peggy, the youngest Brooks daughter, is a college student. Jennifer recently left Stuart a second time, considering again a life with Bruce, but the discovery of a lump in her breast followed by a mastectomy for cancer has again changed her priorities. Laurie, meanwhile, has been dating Dr. Mark Henderson, Bruce’s son. Snapper’s mother, Liz Foster, had finally accepted the fact that her husband, Bill, had abandoned their family and had had him declared dead when he suddenly walked back into their lives, suffering from emphysema. Jill, Liz and Bill’s only daughter, was married to Phillip Chancellor, the father of her unborn child, just hours before his death. Phillip obtained a quick Caribbean divorce upon learning of his impending fatherhood and was badly injured when his now-ex-wife, Kay, meeting him at the airport upon his return, lost control of the car when he told her of his plans to marry Jill. After Phillip’s death Kay vowed to void his marriage to Jill and deprive Jill of |his estate. Kay’s son from her first marriage, Brock Reynolds, supports Jill in her claim, but Kay, a former alcoholic, cannot accept the idea of having lost Phillip to her former paid companion. Greg Foster, Jill and Snapper’s brother, is an attorney working for Legal Aid, where Chris is his assistant. Upon learning that her daughter Lauralee has become engaged to Dr. Bruce Henderson’s son Mark,Jennifer Brooks tells Mark she suspects he and.Laurie are half brother and sister. She explains she spent a week with Bruce after a bad fight with her husband, Stuart, when she believed their marriage was over. A blood test confirms her fears—Stuart cannot be Laurie’s father. Keeping what he’s learned to himself,Mark painfully breaks his engagement to Laurie and leaves town. Laurie is shattered by this, unable to understand what went wrong. But soon she begins to put bits and pieces together and confronts hermother, asking what she said to Mark that drove him away. Jennifer finally tells her daughter the truth and stands helplessly as Laurie turns to run to her father for comfort and suddenly realizes he’s not her father—even this her mother has taken from her. Laurie follows Mark to Cleveland and tries to persuade him that they can still be married—they need not have children—only to be hurt again when Mark sadly tells her their love would become dirty and they would wind up hating themselves and each other. Heart broken, Laurie agrees to let him go. Jennifer has recently left Stuart, due to growing frustration in her marriage, and had planned to marry Bruce, but discovery of breast cancer and a subsequent mastectomy caused her to reconsider her plans. When Stuart earnestly pleaded with her to come home to him and their daughters after her recovery, she agreed, but now her guilt over Laurie’s situation has caused her to waver. When Laurie confides the truth to her older sister Leslie, Les makes it clear to her mother that she finds the idea that Jennifer would think of returning to her father contemptible. But Brad Elliot,Leslie’s husband, warns her to hide her feelings or her father will notice and ask for an explanation.Jennifer gives in to Stuart’s wishes, and he welcomes her home as his wife again. Leslie has had two more piano-concert triumphs and basks in the attention of the music world, as well as that of Lance Prentiss, a wealthy industrialist who has been following her career with avid interest. Les invites Lance home to Genoa City, hoping the dynamic, handsome young titan of business can help distract Laurie from her heartbreak. With the birth of Jill Foster’s baby imminent, Kay Chancellor offers Jill one million dollars for the child —fathered by her late husband, Phillip Chancellor. After Phillip’s death Kay had the divorce ruled invalid and voided Jill’s marriage, making her unborn child illegitimate. But now, finally acknowledging Jill’s baby as Phillip’s, Kay tells Jill she can give the child the Chancellor name and social position, as well as the love she had for Phillip. Jill, torn by love for Phillip and his baby and the extreme financial need of her family (Jill’s father is dying of emphysema and needs a warm, dry climate), realizes that Kay can give her child everything he could need, things Jill could never provide, and agrees to Kay’s terms. Jill’s son, Phillip Chancellor Foster, is born prematurely a few days later. Liz Foster, Jill’s mother, is horrified that Jill would “sell” her son to Kay, and Jill’s father, Bill, is horrified that it is concern for his health that led Jill to this arrangement. He would rather die than give up his grandson. But when Jill, who has avoided seeing her child, has to take physical custody of him in order to deliver him to Kay, she is suddenly unable to give him up.