dc11786

I think Jill was born in Australia. The original on-air backstory was that Ed served in the military and I believe was stationed in Australia where Jill belonged to a one of Ed's late service member pals. Bess choosing to go there may have been because she had ties to Australia, which, in turn, was the reason that Jill and Maggie joined her there. Kim going to Australia was probably because you wanted to send someone somewhere where they wouldn't be just a quick flight to return. Kim was written out by Labine right? Labine seemed done with Kimberly post-1981 strike.

I'm by no means an expert, but I have noticed in the sporadic viewing of (random) episodes from the early years how powerful the characterization is for both Cruz and Eden and the resulting conflict between their two very different personalities. I find something is lost later on when Eden mellows as they seem to end up in the heat of a lot of action and adventure material, which is a shame because it doesn't really highlight their strengths as performers though A Martinez does a bang up job selling the day to day insanity they throw at Cruz. Part of the issue in Eden's early characterization is the Daddy's Girl issues that also seem to mellow. Her hatred for Sophia isn't solely based on her own abandonment issues, but rather the pain that it has caused her father. I think Eden's involvement with older man Jack Lee, which I don't think went anywhere due to Joel Crothers death, would have emphasized that. I often wonder what would have happened if they had maintained Eden's involvement with a rich older father figure type who would have been that source of conflict especially since Jack was involved in law and could have easily had professional conflict with Cruz. I also wish that a more vibrant characterization for Santana had been maintained throughout performers. I actually find Wanda DeJesus compelling in 1991 and wish that they had tried to revisit Santana and Cruz at that juncture. Carrington Garland definitely shouldn't have been dumped. I'm one of the few that enjoys what I've seen of 1991, and I still think that was a huge mistake. I do see where the Dobsons could have struggled with some of Garland's performances (I find her Kelly, on some occasions, more flighty than I imagine they saw her). I think the Dobsons wanted a more neurotic Kelly, which I think they thought Davidson could give them. I think they should have let Garland play that out because I think she would have been fine. I am curious if the international sales had anything to do with the nature of the show. If the hour long show was sold overseas and aired in 2 half-hour segments, I could see why you would want to keep the show's cast a little tighter and the pacing a little bit quicker. I notice in the "New Day in Eden" scripts I have characters/plots can go missing for long stretches when they are broken up. With that said, the original multiple family structure should have been maintained. The biggest issue was casting in those early episodes with some of those family units. The Perkins are wildly miscast. The Andrades less so but once Ismael Carlo pissed off the Dobsons, Ruben was crucified and set in motion the unravelling of that family. I would love to see an alternate reality of SB where Santana was the central figure instead of Cruz and Eden.

While I love the sentiment,you know we would have to hear the little girl who played Violet sing it because that's where we are at. I think they were teasing Finn and Alexis, and maybe we would have gotten there eventually. Given the fact that Gregory brought up Finn's fling with Jackie before he died, as well as the brewing rivalry between Tracy and Alexis over Gregory's literary legacy, I cannot imagine a fling between Finn and Alexis wasn't going to happen. I'd suggest shortly after Alexis has to defend Finn when Brooklyn and Chase go for custody of Violet during Finn's drinking (as that's where it seems this is all going as of my viewing of last week's episodes).

Between Mark Philpot and Tai Tran? Philpot is older by 4 years. https://www.ebar.com/story.php?ch=news&id=246194

I'm assuming your mother is Marilyn Martin. She was quite good from what I've seen (which is limited), but others have complimented her work. I've seen her praised as being one of the stronger local actors who was working in those early months. Her character seemed to go through a bit of a shift from more manipulative (her character was married into the Catlins, but she was the daughter of their enemy Medger Quinn). When I saw her character (July, 1983), her character had already been softened a bit as she was pregnant. I've only seen one episode with Marilyn Martin's Eleanor Quinn Catlin. It was on YouTube years ago from early July, 1983. In it, Eleanor and Jonathan (Jerry Homan) were putting together the nursery. I haven't seen it in years, but your mother was pretty strong in the role. It's a shame her character was killed off, I believe as part of a drug smuggling storyline involving her character's brother Cullen and her politiically ambitious husband Jonathan. I have seen an episode from March, 1984, and Eleanor was already dead. I do have a publicity shot of your mother. I'll upload it in a bit.

I still find the show oddly engaging. I watched Wednesday and Thursday, both of which were pretty strong in my opinion. It helped that a good amount of the story carried over from one episode to the other. The bulk of the work in Gregory's death story works for me. I think it helps that I didn't start watching until a few months ago so I don't have years of built up animosity (probably deservingly so) that impacts my ability to enjoy the story. In the past, Mulcahey has also spoken about some of his own issues with his father (I believe in reference to Buzz Cooper on Guiding Light) so a lot of the emphasis and detail in this story doesn't surprise me. I think a lot of the work on character dynamics these past few months really pays off well in this story. I think it is becoming clear that the Alexis / Tracy heat which I assumed would be present in a legal story over euthanasia will instead go into the battle over authority over Gregory's literary legacy. I can already anticipate the posts about how boring some will find it. If done right, I think it will provide a good chance to play the conflict between those involved. How will Chase handle the decision regarding his new grandmother-in-law's desire to want that role? How will Tracy and Alexis rectify their places in Gregory's heart at the end of his life? If Finn and Alexis do become romantic, how will this impact Chase's decision given the history between Finn and Chase's mother, Jackie? I'd also have had Tracy retain Fergus Bryne as her legal representation to play a potential Tracy/Fergus pairing (though I hate all the contract/non-contract pairings) as well as to explore the inheritance piece that they have hinted at with Fergus. I would bring Jackie back for several months for this story, but I recognize this is a show with a bloated canvas. I imagine this will be one of the first stories dropped when Mulcahey is out the door if it hasn't been wrapped up by that point. Drew's political story works well for me. Willow as the cheerleader continues the build of the Willow / Drew connection which will more than likely lead to an affair if the story is allowed to continue. I hope that this is used to turn Michael into a heel as I think has been suggested before. Michael's stance regarding Drew's political career is logical, and I imagine it will only continue to create resentment when Drew changes his name to Quartermaine for the campaign. Now, I am wondering if it won't be Michael who will out Willow's role in the helping Jason in order to create a minor scandal to remove her from both the Tomorrow Institute and from Drew's orbit only for him to open a new hole when Ava decides to set up Willow as the one behind the med change leading to a medicated Sonny thinking that Michael, Willow, and Carly might out to get him. Ava's confrontations with Josslyn and Alexis were both great. Maura West just seems to be having tons of fun making everyone's lives miserable. I am curious if this will continue to play out as I think with Ava manipulating Josslyn into causing Kristina to suffer some medical complications with the pregnancy in part because of the Dex - Sonny conflict. I also found Ava going after Nina and Nina giving as good as she got pretty fun. The Sonny-Dex fallout stuff is particularly strong. I thought Dante's stance with Dex was smart. Kristina pointed out what I think I said last week about not seeing her father commit acts (and maybe that's a rewrite but that's what I had assumed). Also, Dante reframing his shooting for Kristina, who acted like she believed (wanted to believe) the line that Sonny accidentally shot him was a nice beat. The conflict with Molly over what to do with her knowledge of this incident (will she call Kristina to the stand in the Cyrus case to show that Sonny has a history of violence) is intriguing to me. Spinelli and Maxie's dilemma makes for fine C-story material, but the odd decision to pair contract actors with non-contract romantic partners is incredibly odd. As much as I enjoy things, the lack of story flowing from episode to episode does make the show hard to reach the point of must see versus just being a good one off.

I am in September, 1990, still. Now that I've adjusted, the show isn't terrible. There are parts that could be better developed, but I am enjoying it more and more. It doesn't seem very off brand for what NBC daytime was doing at the time. The strongest group remains the Marshall / Jackson / Reubens set with their interconnected dynamics mostly centered around the paternity of Danielle Jackson and the ownership of Marshall Ice Cream. Given the first thread, the constant threat of the paternity reveal is what seems to be subtext to a lot of the drama, including the second story thread. The business intrigue works in fall 1990 in a way it didn't work in spring/summer 1989, at least for me. Martin, who is covering up the fact he is constantly on the brink of financial disaster, has dumped Ruth Marshall in a stock sale transfer where Ruth buys back the 25% of Marshall's Ice Cream that she had leveraged late in 1989 to buy the Whitmore estate. Ruth's stock certificates are fake and now Martin plans to sell the company to P&K Foods and run away with Danielle and Doreen. Maya, who is now Martin's secretary, is playing double agent and running back to Adam, and, in turn his parents, about what is going on. In another story point that was laid out months ago, Doreen is in control of Martin's stock because of his IRS problems, but Martin has a power of attorney for Doreen's interest. Meanwhile, Doreen has bedded down with Daniel Reubens on the beach while Martin's PI has snapped photos. Martin blackmails Daniel, who in turn tells Doreen. Doreen, knowing some of what is going on, but not all of it, has decided she is done with Martin and leaves him; she takes Danielle to the Marshalls to seek refuge. At the Marshalls, Doreen learns about Martin's duplicity in business and downplays her departure to Martin when he comes to retrieve her returning to the enemy camp on behalf of her friends, Henry and Ruth. The Ruth-Doreen dynamic remains so fascinating to me especially with what's coming down the line. As a counterpoint, Doreen - Maya's relationship is equally complicated between Doreen and Adam's past, Adam and Maya and Doreen and Daniel's present, as well as Maya's decision to work for Martin which is partially to piss off Doreen (which Martin knows and indulges at times). The P&K Foods deal leads to a nice set of scenes with Laura McCallum and Joel Resnick, Martin's cronie. Joel has to cancel on Laura's planned European vacation and Laura makes it clear that she won't be forced to repeat her marriage to Trevor where business took precedent to her need for a relationship. Laura is essentially a dead in the water character at this point. Her "big" plot has been forewoman of the Eric Royal trial, but Gail Ramsay does well with this story beat. Laura's sister Sam continues to have the stronger story. The art theft stuff shaped up better than I expected as Sam continually involves herself in stuff she shouldn't (she ends up locked in a treasure box) while the art heist occurs. There is clearly some issues with the plot. A big emphasis is placed on how everything is weight sensored while Sam's added weight doesn't set off any of the sensors. The art heist also leads Rob Donnelly to realize that his wife Jessica is stepping out with Reginald Hewitt and Rob leaves for California to work on his screenplay saying goodbye to Jessica. The Rob/Jessica goodbye was sweet and I ended up being disappointed more in Rob's departure than I would have in the fall of 1989. The big Sam story is going in two directions. The first is the biggest with Christy Russell plotting to convince Sam that Kyle and Christy have hooked up. A typical NBC daytime trope (if not most of daytime). It's pretty well plotted that I can see why Sam thought it was real and why she and Kyle didn't end up talking things out. The preceding action to all this was Sam returning from a trip to Hawaii where she has seen her mother (offscreen) and basically been made to feel like a failure. This leads into the second Sam story direction where Jordan has convinced the dean to let Sam retake biology so she can graduate (and resolve the earlier plot). Jordan is charming enough. Gentry is growing on me, though I probably am the only person in the world who prefers George Shannon. The final story is Eric Royal's trial. While I wasn't the biggest fan of what I've seen, I have to admit the conclusion was fairly strong. I forgot how even struggling soaps were often good at payoff back in the day. Anyway, there is a lot of build regarding not only whether or not Eric will be found guilty, but what the sentencing will be. Benita Royal, Eric's mother, is convinced that he will be innocent and is devastated when he isn't. Similarly, Chantal's suggestion regarding sentencing will be accepted by the judge, so whether or not she will plead for leniency is made a big deal. In the end, Chantal goes for the max. By the end of the story, I did understand what Sussman was going for: is Eric going to be able to charm Chantal? Are his feelings for her real or just emotional manipulation? Maybe if I had seen the whole story, but I am not convinced. An intersting side note regarding the dead woman, Margaret Simpson. She had been homeless, but it sounds like she may have fled from home and was young. Her father shows up at the trial and makes an appearance and there seems to be a question about why he wasn't helping her. There are some interesting side pieces to stories that I think Sussman adds that are appealing, but come as underdeveloped when I don't have access to all the episodes. In the latest story, Eric is now in prison and one of his cellmates is doing drugs. The guards are in on the drug scheme and this probably seemed fairly clear to the audience that this would be how Eric gets out of prison. The dialogue isn't as slick as I would like it to be, but the emotional beats are there but would stick out more if someone went with more heart and less exposition.

I am in the midst of watching some August-September, 1990. I think the show's individual episodes aren't always the strongest, but I am finding the overall story compelling enough to stick around. The Craig Gallery opening was a very fun event. Mary Gardner returns to Chicago and is discovered by Mama Viv a few days before the opening leading to the question about whether or not Jason and Monique will get the diamonds back. We see a bit of Mary's life on the farm with Vern and Junior. Mina Kolb does well with the folksy material, but I enjoyed her more as thegossipy society matron she was when she started. Anyway, Vern and Junior realize that Mary came from money and Vern marries her. Mary shows up at the opening while on her honeymoon and everyone learns that Mary is alive and well. The sequence where Mary either regains her memory or breaks her charade is well staged with closeups on various characters. There is an attempt at a flirtation between Junior and Monique (they really have no clue what to do with Monique and Jason). The diamonds cannot be located in the moosehead so everyone returns to their ways, except for Vern who reveals to Mary he's hiding her diamonds in the coffee grounds. The ending of the farm arc is delightfully wicked with Mary promising her new family she's going to make them her infamous English trifle for the holidays. I don't care for the Brad Russell murder story so the fake out resolution with Christy shooting the drug dealer who supposedly killed him wraps this up quickly. The shift is to Jordan and Sam, which I like. Sam is involved in the opening and discovers that Jessica is up to no good. Jessica has been bedding down with Reginald and he convinces her he is a CIA agent. The Jessica angle is very foolish, but very in tune with what I think is NBC daytime at the time. Anyway, Sam again finds herself in the middle of a crime locked inside a treasure chest during the heist which Jordan and Reginald have orchestrated with Jessica's help. I did enjoy Rob learning that Jessica is bedding down with Reginald causing him to dump her. The strength still lies in Adam / Maya / Doreen / Martin story. Maya is now working for Martin which allows this to play a brief Martin/Maya flirtation. On a side note, they also tease a Jordan / Doreen relationship, which I think would have been interesting. Maya and Adam ended up going to bed together and make up, which is one of the nicer moments. Eric's trial takes up a lot of time, and I don't mind the chemistry between Randy Brooks and Debbi Morgan. I just don't like the court trial. I think there is some interesting angles (a celebrity football player on trial), but it is ultimately about a brand new character who killed an offscreen character. One of the nicer moments in the story is Ruth admitting that she gets a lot of her joy in life living vicariously through her children. The show isn't as good as it was in the winter/spring, but still nowhere near as dry as it was in the first few months.

I don't think this has been posted in this thread yet, but it was posted several years back in the "Where Are They Now" thread. This is a music video that incorporates different found media which includes a fictional soap that mimics Generations style and stars Timothy Stickney as the Henry Marshall role.

I am pretty sure there was a thread in the cancelled soaps thread about ¨Juliet Jones" many years ago. This version looks a little clearer, but I may be imagining things. I think it was being proposed as a syndicated show.

I felt Gregory´s death left me with mixed feelings. The dialogue from Chase, Brookly, and Finn has projected Gregory was in such poor health that he wasn likely to survive the ceremony so him dying directly afterwards made sense. Still, I was hoping for something more dramatic like a euthanasia story with Tracy pulling the plug at Gregory´s request while keeping Finn and Chase in the dark with the inevitable fallout being Finn falling off the wagon into Alexis' bed and financially conscious Chase deciding to take Tracy to civil court because it was deemed that Gregory´s life insurance policy was void by Tracy´s actions leading to the quick dissolution of Brooklynn and Chase´s marriage. What played out was rather beautiful. The tender intimacy shown by having Finn help undress his father before bed was something I never expected. I think it also showed how far Gregory´s decline had progressed. Given Gregory´s desire to live and die with dignity, him passing peacefully in his sleep right after made sense. Finn hitting the bottle shortly after was also has been a nice beat. Liz´s decision to confide in Portia will lead to further conflict. It is all quite effective. Tracy´s arc in this story was incredibly powerful. I am not surprised that Tracy compared Cody to Gregory; I have felt they were trying to do something with Cody and Tracy, but I´m not clear what. I like that Tracy turned to Stella. That is a friedship I would like to see continue. The beating story works for me. I think Kristina can know her father is involved with violence and have a code of honor and still be shocked to see him senselessly beating a person who, by Kristina´s own understanding, has done nothing wrong. I think the beating, like the shooting, has been a nice umbrella story and I won´t complain about the attempts to suppress the case until it is dropped becasue jumping into prosecution kills. Though I am also waiting for the scene where Marshall reacts to white Heather having all her crimes washed away while he spent years being told his rage due to racial injustice was mental illness. So I am probably gonna have to eat crow. I am also hoping that Kristina´s request to have Dex not press charges will play into the inevitable Kristina / Josslyn conflict that could lead to medical danger. Dante´s reaction to Sonny was great. I think that whole arc has been beautifully built and Dante turnign on Sonny was strong. When Bernard leans into Sonnyś irrational paranoia I find the character more compelling than I typically do. The Ned / Lois scenes were beautiful. Lois leading Ned to the conclusion that Tracy loved Gregory was nice. Also, the scene was a deeper version of the scene between Gregory and Tracy from the wedding where Tracy stoically accepted that if she had met Gregory earlier in life that this day wouldn´t have happened. Fergus Bryne was not the character I expected him to be. I figured they would at least attempt a flirtation given the Mason/ Julia history, but I found the short arc meaningful. Still would have rather had Fergus defending Tracy in my proposed civil suit with Alexis representing Chase, but I will allow myself to dream that alt GH on my own time. The Willow / Drew stuff from the previous week was intriguing. I definitely have gotten Willow / Drew sexy vibes for weeks for the proposed Ross/Holly/Blake redo. Before, I thought it was a round 2 story, but now I wonder if we don just have competing agendas: Mulcahey wanting Drew/Willow/Nina and Korte wanting Drew/Willow/Jordan. I like the positioning of Drew as this version of the characters seems very viable. I also want the Tomorrow Institute to be a fraud and that to impact the election campaign. Am I the only one that thought the domestic partner nickname may have been a sexual inneudo? I don´t hate T.J. and Molly. I do wish there was some more bones to their relationship to make them last longterm, but at this rate, I imagine they´ll fade back into the woodwork. I´ve also felt that we were heading towards a Ava Jerome mysetery (murder? shooting into a coma?) several weeks back and this latest twist in Alexis' story feels like another beat. I will be very sorry to see Mulcahey go. The show has been far from perfect, but the hints of potential in this canvas that manages to somehow be overpopulated and yet incomplete at the same time has been a pleasant diversion. Also, it was one I never expected to experience ever again.

@Khan I am curious to see what happens what the dust clears in the summer of 1991 after Fred has been killed off, Angela shipped off to Portland, and the show settles on Bill / Julia and Jenny / Paul / Tracy / Ned. I genuinely enjoy Bill from the bits and pieces that I have caught from December 1991 through about March/April 1993. Bill and Julia work for me and Bill and Holly are serviceable, but nothing to write home about. Bill as Paul´s partner in crime and big brother to Jenny (who wavers between pathetic wimp and genuine spunky heroine) is a piece of the cog that makes early Riche´s General Hospital functional. I cannot imagine how they would have tried to incorporate Luke back into Port Charles without Laura, but I can only chuckle at the idea that they could have killed off Laura the same week they killed off Ceara on Loving. I´m not sure if a Luke and Holly redux would have worked any better than Bill and Holly.

Thanks @DRW50. I can´t recall if this is one I´ve seen. I know a bit of July, 1990, has popped up in the last few years, which I only recall because the tape trading collection of Generations has a gap of about mid-April, 1990 until early August. The only story here generating any interest for me is the rivalry between Doreen and Maya. Maya using the secret of Danielle´s paternity should really be a game changer for Adam and Maya, but I am curious why this doesn´t seem to be the case. I do see the tension between Allen and Fox, which is really why the catfight several months later holds such weight outside it being wonderfully choreographed and acted by the two women involved. I like the conflict between Sam and Kyle over his career, which was a constant, though I find Stacey Nelkins' Chrissy such a cookie cutter NBC daytime spoiler without much depth or flavor. The original actress, Pat Tallman, played her with such flair. I don think any of the March, 1990, recasts worked for me (Nelkins, Robert Gentry, and Debbi Morgan). I know Morgan was a name, but I can´t help but wonder how Sharon Brown would have played the court material. I find Morgan as Chantal to be very cold. It is effective in the courtroom scenes to an extent (I just don´t care about the Eric Royal case), but the only moment of interest was when Brian Price (the reporter) kisses Chantal and there is a hint of jealousy from Eric. I think Eric had only been introduced two months earlier and was immediately thrown into a frontburner story (which makes sense now that I learned that Ericś story was originally in the bible). It´s a shame that the show lost its energy so quickly, but I can´t help but wonder if I would feel differently if others were in the roles.

Thank you for the very generous offer. I may take you up on that later. I'm a middle school teacher and we are three weeks away from graduation so I'm in the midst of planning for the ceremony. Most of my GH 1991 time is mostly casually watching material in the background while I am doing other things. Additionally, the issue seems to be that Monty doesn't take a production credit for a good chunk (all?) of the pre-Eckert material. Before Christmas, 1990, it is clear that Monty is back making little adjustments and the press stated her return to the studio was going to be December 4. So while I think you would be able to determine Norma Monty's writing credit, I suspect I'd have to dig into script filming dates to determine when Gloria returned. Any energy the show has had in the previous months is pretty much gone by late March, 1991. March is dragging. I think I am reaching the end of the first round of Monty's reshuffling. Tracy and Ashton have had a fight and Ashton seems set to leave Port Charles, but not before maneuvering Lucy out of the Q mansion before he too is set to exit. Harlan and Paul have both arrived so the business contingent is set. Part of the issue with the "new" General Hospital is the disconnect between not only the past three years and the present but between the present canvas. For example, the attempt to infuse the show with a sense of realism through the focus on social issues such as environmental concerns, the economic depression, and the life in post-Communist nations is that there is often no real connection to the characters. The environmental story is often the source of end of episode cliffhangers. Oh no, PCBs are leaking into the Port Charles River! Though, there is not really any impact other than conversation. Furthermore, while the decision to have the Quartermaine clan face the economic recession with cutbacks on personal spending may seem relevant, I cannot imagine the audience sympathizing with them why the audience themselves faces losing their homes while the Qs worry about whether or not they can dine out this week. The only characters from pre-Monty 2.0 getting much action (outside the Qs in their facing the economic recession with varying degrees of humility and humilitation) are Robert and Anna. Even the conflict at the heart of their relationship is over newcomer Mac, who I really don´t like at this point. Also, if I don´t hear the Mack the Knife cue again I´ll be quite okay. Robert´s accident at Delafield´s (someone tries to kill him by rigging the elevator) might be the last appearance by Angel. I am pretty sure that Mary´s last appearance was when she outed Bobbie in the Lucas tale when she told Tony that Katherine was just now asking Bobbie about adopting King as this had been Bobbieś cover story about meeting with Broxton. Speaking of Bobbie, I think we´ve reached the end of Bobbie/Bill. Angela spent an entire episode listening to Marge Pulaski attempting to matchmake her widowed daughter Carol with Bill, whcih has lead to a party at the Eckerts house where all the Pulaskis appear (the already mentioned Patrick, Marge, and Carol with the father Hank having a conversation with Fred). I am curious to see how long any of these secondary characters last. Carol is given a tragic backstory (truck driver husband Ralph Reynolds was killed while on the road). I could see how a Carol / Bill / Nancy triangle could have worked down the line (and I suspect the original plan was probably Nancy/Joey not Nancy/AJ). I really don´t know what to think of Michael Cole´s Harlan. I can´t tell if the actor just isn´t suited for daytime or if the character is purposefully shifty as the character doesn´t seem as together as I would think he would. I find Harlan very bumbling and seemingly hiding behind his persona rather than actually being someone with money like he claims. The only thing that has been noteworthy to me about Harlan is that he has made Bill his chief machinist, which clarifies how we got to the place where Bill was involved so heavily in the business sector. I wonder how the character of Bill would have progressed had Tony Geary not been cast in the role as I´m not convinced Bill was tailor made for him. Bill is all over the canvas already. He has pulled up a PCB drum from the Tracy using his newly designed salvage device which has made him friends with the Greenbelts. He has seen Bobbie socially and went to bed with some Greenbelt friend of Jenny´s. He´s managed to secure and lose work as an automechanic. He has befriended a professor a tthe university to help devlop his salbage device. Now, he´s a machinist again and headed for a relationship with his high school sweetheart Carol Pulaski Reynolds.

Thomas Coley appeared on "A Time for Us" as Craig Reynolds.

From what's been made available in soap books, Dabney Coleman's Dr. Tracey Graham was the end run love interest of Susan Brown's Martha Ferguson. They even got married in the final episode after Martha was released from prison when it was suspected she had murdered Sylvia Bancroft, the biological mother of Martha's adopted son David Lockhart (Tony Geary).

I've tried several times to watch and it never goes well. I'm pretty sure I even have VHS bootlegs I bought nearly 20 years ago that I wasn't able to make it through (the video quality was really bad and the stories weren't compelling even to late teen me). For me, the single generation of characters is a hindrance. I remember one scene by the pool that suggested there had been antics between the parents generation and I found that mildly intriguing. If they had leaned more into the duality of the parent-child dynamic and how the friend groups had been different, I think I could enjoy it a bit more. I found "Tribes" to be a much stronger youth focused show because they embraced the characters families and told stories about the family through the teen characters eyes while also allowing them to experience their own lives. in my early internet days, I remember there were several "Swans Crossing" fan sites that were pretty detailed. None for "Tribes." So I think my assessment was either not shared by the general public or syndicated "Swans" had reached a broader audience (I believe the show may have been rerun directly after its first syndication run).

Faith was originally more of a neurotic young woman suffering from frigidity and a daddy complex. Not only did she seem overly devoted to her father, Ed, she had previously gone to bed with one of her professors, which had ended in disaster. I think Catlin did well with the neurotic nature of the character, but was unable to find ways to soften the character. The character's personality was probably shifted, as was so much of the show's foundation, because Frank lived. I'm sure it's somewhere in this thread, but I think Pat was originally involved with Delia post-Frank's death. This had to change when Frank lived. I think it's one of the reasons I have trouble with Pat / Faith as a couple. I feel like Karen Morris Gowdy grew into the role by early 1980. I thought Morris Gowdy came into her own after Tom died and Faith started to hit the bottle. I'm one of the rare people that really loved the 1980-1981 period with Faith and Frank's doomed from the start engagement leading into the nastiness between Faith and Jill. For too many years, there were attempts to change Faith to her core. I thought she was a bit of a spoiled neurotic and this came across more in that period than it had in previous years. Hicks was probably a stronger actress, but I found her version, or the writing, a bit much. She played a lot of the Faith / Pat / Delia material. While I enjoyed Delia dropping the pregnancy bomb during the engagement party, I thought Faith looked like a fool thinking Delia would just give up the kid. I also had little use for Tom Desmond so that wasn't helpful.

@Sapounopera I think there was a cast cull in early 1976 because the cast size was deemed too large. I don't remember who that was. I think the Bucky / Reenie romance and the Sam Cromwell character were part of the purge. Diana van der Vlis was supposed I'll and asked to be let out of her contract. Frank Latimore wasn't working in the role of Ed, in my opinion. Kate Mulgrew became pregnant during her time on the show, but I cannot remember when that was or if that was in the first year or the second. I think there were some temporary Marys when Mulgrew was pregnant. The Kenneth Castle story was a variation of a story Labine and Mayer had cooked up on "Where the Heart Is" involving Christine Cameron, who had been stalked by her insane neighbor Will Watts. So the network may have demanded it, but it was definitely a story that Labine and Mayer had worked out before.

Even if it wasn't rape, the entire point of them having sex in Ocober, 2004, was to hurt Reva because of the closeness between Tammy and Reva. Jonathan seducing his own cousin was suppose to incite anger and rage in Reva. It wasn't like he just happened to fall for her and chose not to reveal who he was. He targeted her. To be fair, Tammy's motivation to bed Jonathan was also complicated. After Jonathan (as JB), provided Lizzie with the substance to drug Joey Lupo hoping to sleep with him, Tammy decided she needed to even the score by sleeping with someone else. Initially, Tammy propositioned Tony Santos, but he turned her down because he was pining over Michelle. Jonathan was just an easy choice. Furthermore, Tammy's reaction to the revelation involved a suicide attempt where she jumped into the river and had Sandy Foster pull her out claiming she just wanted to be clean. Tammy was definitely traumatized by the experience, and, in a modern world, Tammy's interest in Jonathan would more than likely be described as trauma replay than love. If the show had put any real effort into repairing the damage that Jonathan had done to Tammy, I might have been willing to go along with the pairing, but that was never even attempted. The only thing I think they did was have Jonathan save Tammy from a fire in her hotel room at the Beacon in July, 2005, or thereabouts. They briefly tested Jonathan/Marina in October, 2004, and I thought that might have worked better than Jonathan / Tammy and Marina / Danny, but that's just me. Also, I wanted Danny / Blake so there's that.

To clarify, my issue wasn't with Bomer's age, but rather the orbit of characters he was interacting with. Bill and Michelle represented a generation above Marah even though I don't think they were that far apart in real life. Due to aging, Michelle and Bill were played as older and, as such, it felt like Ben was younger even though Bill and Michelle were simply older. I don't remember a lot of Nancy St. Alban/Matt Bomer scenes prior to Cosgrove's arrival, but I wasn't watching with a lot of fidelity after the initial college story started. At one point, SoapNet aired "Ryan's Hope" in the 3pm timeslot and I was recording that over GL when I wasn't home because of track practice.

The possibility that Heather might be released from prison. I remember Trina going to visit Laura and Ace, but I cannot remember if it had been said to Trina that Heather might be released.

I find a lot of stuff just fades together or fades from my mind quickly. While I definitely find there is action missing, the plot that I find the least intriguing is the actual investigation into Pikeman. I just don't care. I think if the setup that was presented in the scripts by Cates/Jason was followed up on (Jason is a sitting duck out in the open) I would be more intrigued. Jason purposely pushing people away to keep them safe and not explain why could have produced at least some of the typical family conflict that PM seems to thrive on. For instance, had Jason basically told off Danny in order to keep him away from Jason's dangerous position only for Jake to confront Jason and really tell Jason off for being the dead beat dad he is only for Jake to be harmed in an attack on Jason could have been some nice angst. Instead, none of that dramatic tension is present. I think the Anna / Valentin dynamic in it has some potential for a psychologically complicated sexual dynamic that Finola Hughes plays well but the end basically leaves her alone so why bother if there isn't an obvious next stage to the story. The Blaze / Natalia stuff continues to work for me. I don't need Natalia spouting Bible verses or carrying around Chik-Fil-A to know what her views are. She was a woman from a generation of people who were raised to believe being gay was deviant behavior. I know many women like her among my parents generation who ask me (a middle school teacher) if there are cat litter boxes in the school bathrooms for kids that identify as felines. There are generally ignorant people out there. I do find the Natalia / Sonny stuff mildly intriguing only because I am not sure what the hell we are suppose to think. Sonny is unmedicated so I don't see this as a long-term relationship and I felt Ava's departure was too much of a non-event for it to be an actual end to that thread of the story though a bit of time has been spent building the Natalia/Sonny connection. Regarding the wedding date stuff, I liked that an added piece of the puzzle seems to be that Natalia's desire to attend as Blaze's plus one is also about her own need to be the center of attention (similar to how I intrepret a lot of Kris Jenner's behavior). The moment where Natalia was asking about the dress really hit that home for me. I am wondering if they are going to go with an actual medical diagnosis for Natalia like narcissistic personality disorder or something because her sense of importance in terms of her daughter is wild. But like @Vee said, she needs to start doing more. I am hoping she arranges some photo at the wedding with Adrian DeWitt with Blaze and some dude (maybe Dex, because I need Joss to go after Blaze to bring out another round of Joss/Kristina). At this point, I am ready for some actual moves being made on Natalia's part. The Drew / Nina stuff is going well with Willow taking the New Tomorrow Institute spokesperson job with Drew arranging the interview with Nina and Willow. I feel like that angle is working, but I would escalate some of the stuff between Nina and Drew by pulling the cord and letting Drew and Jordan start seeing each other romantically. Maybe PM & EK want to let Nina get some footing on the ground after signing her divorce papers, which I could respect if any of the other stories were moving, but they aren't. I'd throw a fundraiser for the city project in June and let Jordan attend as Drew's date and let Nina lose her mind. I liked that Jordan brought up that Laura's potential support of Heather could come back to bite her with the consituents of Port Charles. I think having a conversations around whether or not Heather should be absolved is interesting if more people were calling out the possibility that this is just an act, like Portia did. It would also have had more impact if Marshall's story had been allowed to play out after the racism reveal to show that even though Marshall was never ill he is still struggling to regain his life, while white Heather who has murdered people is getting a free pass. I wish the Ashfords would come to the forefront in this element and lean into the Trina / Spencer connection and allow Laura to be more torn. Has Trina been told this possibility yet? That is some angst that could be played out over several days. Gregory and Tracy's scenes the week before were really well done with Tracy being regretful and Gregory reminding Tracy she had time to fix things while alluding to his own impending death. The fight this week about Jackie with Gregory and Finn while Finn runs to Alexis, Gregory's current romantic interest, works for me. I don't even like Easton, but I am curious if Finn and Alexis will end up hitting the sheets before, or after, Gregory's eventual demise. I am still hoping that Gregory asks Tracy to help him die with dignity leading to some infighting between Chase and Brooklyn with Chase deciding to bring charges against Tracy in a civil trial (at the very least) out of anger over Tracy's interference, in Chase's mind. The beat about Kristina potentially wanting to keep the baby was unfortunate though I thought it provided a nice moment for Diane to tell Alexis that she needs to stay out of it, which I don't see Alexis being able to do. I like how they are still maintaining the stance that Sonny wants to be philanthropic and keeps getting shot down. Jordan being the next one was nice as it led me to believe that the tax return scene may have meant something is coming down the line there. I may be wrong just as it won't seem to matter that Willow stole the meds from the hospital if she's no longer nursing unless the scandal causes harm with her new spokesperson job. I'm hoping this coming week will be a bit more exciting, but I won't be too shocked if the best we get is strong conversations between characters with lots of potential for something more.

It started as Bill and Lorlei, and I thought anything to do with Lorlei was a mistake. When Lorlei's diary came out, I remember Chamberlain suggesting that Lorlei might have had a child out there somewhere and I didn't need to watch any of that play out. I didn't mind Nancy St. Alban, but she wasn't the most energized Michelle. I liked Cosgrove. I thought he and Crystal Chappell played well off each other, but I don't remember the characters having much interesting story other than the initial pairing. I remember watching a scene in 2002 during the wedding festivities with Daniel Cosgrove, Nancy St. Alban, and Matt Bomer in a scene together as childhood friends and thinking this was odd. Though, I remember thinking Ben was being played too young as he had been involved in the Marah teen set when they went to college when he probably should have been a generation above. I loved the seduction story. It was dark and messed up, and it worked at deconstructing Tammy as a character. I also didn't see them as endgame and became very frustrated when it became clear that Kreizman was going that route. Jonathan never tried to make things better with Tammy. It was just Tammy whitewashing what happened until Jonathan did something else. By the time they decided Jonathan needed to embarrass Tammy on her wedding day to Sandy by having him arrested for bigamy, I pretty much knew that Kriezman was going to die on the hill of Tammy and Jonathan (even though I should have realized this many months earlier) I was more upset that Tammy was suppose to ignore everything that had happened without doing any of the work to make things better. Jonathan hurt Tammy over and over and that wasn't a fun situation to watch. I also didn't care much for Otalia. I thought Natalia was such a bland character (as so many new additions under Wheeler and Kriezman were) and pairing her with Olivia, who had, at one point, had so much life, was deflating. I also didn't like that Olivia had Gus' heart because I felt that had the audience went south, they would have killed Otalia with Olivia realizing her feelings were complicated because of Gus' feelings for Natalia. Putting Olivia in a triangle with Frank and Buzz was a nadir that I thought couldn't be surpassed until Olivia and Natalia and Frank. I am a Chappell apologist, but even I couldn't deal with the Venice stuff. I appreciate that Chappell put out a product that was geared to a section of the audience that felt neglected and provided opportunities for soap veterans. That product wasn't for me.

I don't think reigniting class conflict in Port Charles was a bad idea, but Monty acted like there was no class distinction prior to her arrival. Charlene's brood and the Grecos were working class. The Brownstone crew represented the more upwardly mobile / middle class social strata. And the Quartmaines were the wealthy. I think she should have worked more within the existing structure. I think there are some comparisons between the Eckerts and Charlene's brood. The Eckerts were cousins to an existing character (Bobbie) just as Decker and Colton were cousins to an existing character (Lucy). The older sibling (Colton/Bill) is more grounded while the younger one is more reckless (Decker/Jenny). Like the Eckerts, the Simpsons were also mixed up with the Quartermaines. When watching the Edge / Decker business partner dynamic, I felt like this was similar to the later dynamic between Bill / Paul. The final weeks of Monty 2.0 (late December 1991 - late January 1992) started to get better in terms of the character work in my opinion leading up to the arrival of Linda Grover as Norma Monty's writing partner. As @Toups pointed out, Riche ends up leaving the show without a headwriter from mid-March until mid-June so she most likely ended up shaping the show in the direction she wanted with the introductions of Jagger and Karen, the pairing of Bill and Holly, the medical malpractice involving David Langton's death, and the ongoing emphasis on the Ned / Jenny / Paul / Tracy quad. I do think Riche made the right choices as it allowed the show to regain an emotional depth that had long been missing. I think eliminating the spy network material was a smart move and moving the stuff back towards the hospital and the courtroom. The stuff that I am not looking forward to in 1992 will be the remnants of that (Holly/Paloma). I like the Ryan Chamberlain stuff that I've seen (even if it can be a bit more melodramatic than even I can take). Riche did the opposite of Monty. Instead of firing everyone, she fires almost no one.