I too am quite tired of the 'critic as personal journey' cottage industry. It just feels like an endless audition reel to get out of low-paying journalism. Soon to follow: The novel, film, TV pitch. Like any other writer, except your job wasn't supposed to be about you.
I want to be happy for her, but I find equating her struggles with over-identifying with TV show The Handmaid's Tale kind of the height of insular nerd excess and dangerously immature. Though I suppose many shows have made a difference in people's lives by letting them see themselves in many shows and characters, and that can't be discounted. I just think TV critic Emily VanDerWerff, who was previously a married male with a child and feted by a bubble of TV/entertainment journo twitter no matter what they did as Todd, then reaching into the job they do and using it to actualize themselves feels both opportunistic and a bit delusional. That has nothing to do with being transgender, but it does have to do with some kind of self-insertion thing. I don't know. I'm probably just a retrograde bitch.