Jump to content

ARTICLE: FOX Television Stations Renews Warner Bros. TV’s ‘The Jennifer Hudson Show’ For Season 4


Errol

Recommended Posts

  • Webmaster
Jennifer Hudson, The Jennifer Hudson Show

Warner Bros. Television Group’s “The Jennifer Hudson Show,” hosted by EGOT winner Jennifer Hudson, has been renewed for a fourth season by the FOX Television Stations group, it was announced on Wednesday by David Decker, President of Content Sales, Warner Bros. Discovery and Lauren Blincoe, SVP, Current Programming, Telepictures.

The Daytime Emmy-nominated talk show has quickly emerged as a ratings winner, achieving its third-highest unique reach with 6 million viewers among Adults 25-54. Nationally, the show has seen significant growth in 2025 alone, reaching a season-high among Total Viewers during the week of January 13-17 while posting an impressive +21% increase among Adults 25-54 (since late October 2024).

On the digital front, the show experienced record-breaking social growth at the start of its third season with followers up 103% and impressions soaring +627% to 777M. TikTok saw the highest surge overall, growing +119% to 5.6M followers, while Instagram rose +106% to 2M. Meanwhile, Facebook climbed +70% to 2.4M followers. YouTube also saw growth, reaching 1.67M subscribers. 

A key highlight driving engagement across all platforms is the show’s signature offering, the “Spirit Tunnel,” which consistently reaches viral status as a backstage ritual that warmly welcomes celebrity guests. Thus far, views have skyrocketed past 2B. The digital momentum solidifies the show’s impact, driving engagement and cultural conversation across platforms.

“It is an unbelievable privilege to spend your days being able to engage with inspiring people from all walks of life; to hear their stories and connect on shared experiences; and to hopefully leave audiences a little more joyful than when they arrived,” said Hudson in a statement discussing the renewal. “This show is a testament to what happens when you do what you love, and when you do it alongside an unstoppable team who creates magic in new ways every single day. I’m so excited to take this adventure to new heights in season 4!”

 “Audiences and our great television station partners agreed – JHud is must have television,” noted Decker. “We believe in great programming, and Warner Bros. Television Group always delivers for our business and fans.”

“Jennifer Hudson’s extraordinary talent and ability to connect with people have made ‘The Jennifer Hudson Show’ a standout in daytime,” added Blincoe. “This season, the show has seen incredible growth, creating moments that resonate beyond the screen – like the viral sensation Spirit Tunnel being a powerful example. Jennifer embodies the show’s Choose Joy message in every episode, and as we head into season 4, we’re grateful for the continued support of our station partners and proud to build on this momentum with Jennifer and our award-winning production team.”

Watch Jennifer Hudson announce the show’s renewal to her audience below.

In just its third season, “The Jennifer Hudson Show” has won a multitude of awards and recognition honors, including two NAACP Image Awards: “Outstanding Talk Show Series,” 2024 and “Outstanding Talk Show Host,” 2023. At the 2024 GLAAD Media Awards, Hudson was recognized with the Excellence in Media Award, while the show won for “Outstanding Variety or Talk Show Episode.” Additionally, Hudson received the 2024 National Association of Broadcasters TV Chairman’s Award. Since its inception, the show has garnered 10 Daytime Emmy nominations and recently earned two NAACP Image Award Nominations for “Outstanding Talk Show Series” and “Outstanding Talk Show Host,” along with GLAAD Media Award nominations for “Outstanding Variety or Talk Show Episode” in 2025.

Produced by JHUD Productions and Warner Bros. Unscripted Television in association with Telepictures and distributed in national syndication by Warner Bros. Domestic Television Distribution, “The Jennifer Hudson Show” is executive produced by Jennifer Hudson, Andy Lassner, Corey Palent, Graehme Morphy and Walter Williams III.

To find out where and when to watch “The Jennifer Hudson Show” in your area, check local listings or visit the show’s official website.



Note: The post FOX Television Stations Renews Warner Bros. TV’s ‘The Jennifer Hudson Show’ For Season 4 appeared first on the Soap Opera Network website.

Read More

Link to comment
Share on other sites

  • Replies 3
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • DAYS OF OUR LIVES 10-1-1976 Doug & Julie's wedding #1 Taped on 9-16-1976, Episode #2740
    • I have just uploaded 91 mp3 files, audio only, radio episodes of Guiding Light. https://archive.org/details/guiding-light-ep-0857 Guiding Light Radio Episodes For many years Guiding Light was broadcast on radio. These are some of those episodes, audio only, of course. They are mp3 files.
    • I don't know if this will be useful. If it's not please scroll on by. If it is, great! This is Part 1 of 3.  Search For Tomorrow. (1977). Daytime TV Library Series No. 7.   Between 1975 and 1977, Daytime TV Magazine, the leading publication dedicated to US daytime programs, began a series of special editions dedicated specifically to one serial.  In early 1977, they released issue #7 which focused on the longest running serial at that time, “Search for Tomorrow”.   The publication contained interviews with key cast members and productions staff, such as the producers, directors, writer and costume designer.  It included a synopsis of the story from origin to that point, lots of pictures and a key item: What it took to make an episode of the show.   At the time, SFT was enjoying a revitalization after four years mediocre ratings.  The new producer, Mary-Ellis Bunim rose up the ranks from secretary to producer in late 1973.  Under her guidance, ratings jumped.  In the 1973-1974 ratings, “Search” placed 9th with a 7.7.  In the 1974-1975 season, it rose to a 4th with a 9.4.  At the time of this edition, it hovered around 5th with an 8.6 rating, winning its time period and coming in third of the five CBS soaps. Some of the questions posed were:             What did the title mean to the actors?             What is your opinion about the Emmys?             What character would they want to switch with?             Did the actors feel there was a bias against acting on a soap?             When did you start on the show?             What motivates your character? I will cover some here & some in other articles. Today I will cover how the show got on the air: The Show On The Air – Step by step how SFT got on the air in 1976. At the time, “Search for Tomorrow” was taped at the CBS Studio 51 & 54 on the lower West Side of Manhattan (probably the studio at W. 26th Street that was a later home to “Guiding Light”). 8:00 AM – The director of the day (there were three at the time), the production assistant and actors in the first act arrive.  Actors arrived based on the acts they were in between 8:00 AM and 9:45 AM and went to the rehearsal hall. 9:00 AM – Makeup artist and hair stylist arrive (there was one of each except for special episodes where full cast were part of the episode). 9:00 AM – Makeup artist and hair stylist arrive (there was one of each except for special episodes where full cast were part of the episode). 9:30 AM – Producer Mary-Ellis Bunim and Associate Producer Bob Getz arrive and go to their offices on the second floor. 9:45 AM – 10:15 AM – Director of the day checks sets in studio on the third floor. Actors begin make-up and hair sessions. 10:15 AM – 11:45 AM – This is the time for first rehearsal on set (called FAX) with cameras. Blocking and camera angles are perfected. 11:45 AM – 12:15 PM – First run-through in studio.  Producer and associate producer watch action in their office via CCTV.  Rough edges are smoothed out. 12:15 PM – 12:45 PM – Actors lunch break.  Notes made by producer and associate producer during run through are given to director in production office. 1:00 PM – 1:20 PM – Directors give notes to actors and studio personnel. Final touches to actors’ hair and make-up. 1:30 PM – 2:00 PM – Dress rehearsal.  Producers watch on CCTV and make final notes. 2:00 PM – 2:15 PM – Producers give final notes to directors in control room. 2:15 PM – 2:30 PM – Final notes given to actors and studio personnel by director. Notes on production elements (i.e., does liquor look real? Are props in assigned locations?) given by associate producer. 2:30 PM – 3:00 PM – Taping the episode. (SFT taped only two days before air). 3:00 PM – 3:15 PM – Tapes are checked.  If all is OK, cast is excused. Thus, “Search for Tomorrow” put on a show in LESS than SEVEN AND A HALF HOURS!  This time does not include the homework the actors and directors have to do before arriving at the studio.  Directors stated it took eight to twelve hours of homework for every episode they direct.  The producer has to spend time reading rough drafts and editing scripts, making notes for the writer, working on long-term story and character development. The associate producer spends outside office hours, organizing all facets of production elements and making sure they are all intact.  On a daily basis, auditions are held, attendance at script consultations and going over the following day’s schedule.  With luck, the producer can leave the studio between 6:00 and 7:00 PM. Written by DM James Fairbanks, Posted with permission. 
    • Please register in order to view this content

    • My take is that this is Audra manipulating Kyle. OC, it's not plausible that any of the things you mentioned could happen in months, much less days! Audra is a master at pushing people's buttons. Let's face it, Kyle isn't the brightest bulb thanks to Jack.  
    • And while I'm doing catch-up, it's good to see you did as well. And YES. This is how May Sweeps SHOULD be. A story climaxing. Another A story being built up as we did with the aftermath of the first A story climaxing. B plots being built up...actually moving and being interested in most of them...if not all. hehe. New story being started. And even the C plots are moving, too. 
    • It definitely did. Nothing major, but I clocked the minor changes too. Passions did something similar with its theme in the later years and people thought I was crazy, but the nuances are there if you're paying attention. 
    • What? A nice little mini-marathon of catching up before work.    YES, PLEASE. 
    • I guess they copied literally everything from that C&R scene, the dialogue etc 
    • And even then...you have to wait a couple of weeks to be sure he's actually dead.

      Please register in order to view this content

       
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy