Jump to content

Billboard's #1 Pop Singles


Max

Recommended Posts

  • Members

Carl, thank you so much for posting that article. I'm embarrassed to admit this, but I wasn't familiar with several of those underlined names.

I love that clip from SaBa. Do you know when it originally aired?

The part about the Supremes doesn't surprise me one bit, because Gordy has a long history of pimping Ross.

Many new British bands came on the American rock scene in 1965. Among them was Freddie & the Dreamers, whose "I'm Telling You Now" was number one for two weeks: the weeks ended 4/10/65 & 4/17/65.

<iframe width="420" height="315" src="http://www.youtube.com/embed/Hb6UkS5O91M" frameborder="0" allowfullscreen></iframe>

The Dreamers were a quintet from Manchester centered around Freddie Garrity (born 11/14/40). The group was rounded out by Roy Crewsdon and Derek Quinn (both played guitar), Peter Birrell (bass), and Bernie Dwyer (drums). A huge break came for the band when they appeared on the BBC television show "Let's Go" in 1961.

Freddie & the Dreamers initially charted in Britain with a cover of James Ray's "If You Gotta Make a Fool of Somebody." That song peaked at #3 in 1963, and shortly thereafter, the enjoyable "I'm Telling You Now" reached #2. For whatever reason, it took nearly 24 months for "I'm Telling You Now" to become the group's first American hit. Only three more top 40 records followed (all in 1965):

"I Understand (Just How You Feel)" (#36)

"Do the Freddie" (#18)

"You Were Made for Me" (#21)

Following many years of sagging musical fortunes, Freddie & the Dreamers disbanded in 1972. After the split, Freddie and Peter hosted a children's television program titled "The Little Big Time." Garrity also found employment in the field of pantomime. (Pantomime is an art form that should not be confused with the work of a mime artist.) Sadly, Freddie was diagnosed with emphysema in 2001 and died on May 19, 2006.

Link to comment
Share on other sites

  • Replies 891
  • Created
  • Last Reply
  • Members

The clip is probably from spring 1988, as that is when Cruz and Eden married. Robin Wright is happier there than I've ever seen her in anything else...

I didn't know some of those artists either. I guess they were just of the era.

I like "I'm Telling You Now" but it's a little too "up" for me.

I've posted this before, but:

http://www.youtube.com/watch?v=I-CsN4JL8ms

Link to comment
Share on other sites

  • Members

I wouldn't mind "I'm Telling You Now" so much if it wasn't accompanied by that STUPID dance. I know it's a gimmick, but it drives me up the wall. And I shared before that story about how Martha ran and hid behind the Sir Douglas quintet on the finale of Hullaballoo cause she wasn't gonna do that ridiculous dance. Now... they dispensed with the silliness for "I Understand", and I consider it to be a much finer piece of work:

Please register in order to view this content

Link to comment
Share on other sites

  • Members

"I Understand" is certainly a big improvement from "Do the Freddie."

Freddie & the Dreamers were displaced at the top by another group from Manchester, England: Wayne Fontana & the Mindbenders. This latter act's biggest hit, "Game of Love," spent one week at number one: the week ended 4/24/65.

<iframe width="420" height="315" src="http://www.youtube.com/embed/HdIlFvxNY6k" frameborder="0" allowfullscreen></iframe>

Wayne Fontana was born on October 28, 1945 as Glyn Ellis, and took his stage name after Elvis Presley's drummer, D.J. Fontana. (By an odd coincidence, the Mindbenders were also signed to a record label called Fontana.) His group--the Mindbenders (so named after a contemporary horror movie)--was rounded out by Bob Lang (bass), Ric Rothwell (drums), and Eric Stewart (guitar).

The first major British hit for Wayne Fontana & the Mindbenders was a cover of Major Lance's "Um, Um, Um, Um, Um, Um," which reached #5 in the fall of 1964. "Game of Love"--which peaked at #2 in the U.K.--was the group's first single to be released in the United States. In October 1965, Fontana left the Mindbenders for an unsuccessful solo career (though he had a British #11 hit with "Pamela, Pamela" in 1967) and was replaced on lead with Stewart. This second incarnation of the Mindbenders was responsible for the group's only other American top 40 hit, "A Groovy Kind of Love" (#2, 1966).

After the Mindbenders disbanded in 1968, Stewart went on to form Hotlegs and, more notably, 10cc (who scored two top five hits with "I'm Not in Love" and "The Things We Do for Love"). Of course, "A Groovy Kind of Love" finally went to #1 in 1988 thanks to a cover version by Phil Collins, becoming one of a small handful of #2 singles that topped the chart in a subsequent go-round.

Link to comment
Share on other sites

  • Members

Holy crap! I had no idea that Eric Stewart was the one singing lead on "Groovy Kind Of Love"! I had just never put two and two together before and realized that it's the same voice singing all of 10cc's songs. I found this was Wayne Fontana's first solo single, topping at at # 36 UK:

Please register in order to view this content

It was a cover of a soul hit orginally recorded by american signer Garnet Mimms. I think, of course, that Dusty has the definitive version of it:

Link to comment
Share on other sites

  • Members

It Was Easier To Hurt Him is just pure Dusty. I am surprised anyone else sang it first.

I am not a big fan of Game of Love, mostly because I think it has plodding lyrics, ploddingly sang ("purpose of a man is to love a woman, purpose of a woman is to love a man") and that "la la la la" annoys me.

I just adore Groovy Kind of Love. It is one of those songs which sums up the best of the 60's in a way few things can. It's easy to just think British invasion and associate that with the Stones or the Beatles, but there were so many other acts whose music has been a daily part of our lives ever since.

http://www.youtube.com/watch?v=GK7qo0-TwV0&feature=related

Link to comment
Share on other sites

  • Members

I also like Groovy Kind Of Love way better, it IS a much better song, and Stewart is a much better singer, as in his phrasing is much more fluid and pleasant. Of course, Phil Collins had to do a version of it which became a hit later on, I applaud him for taking old songs and giving them new life, but he also screws them up as well... so it's bittersweet in that department.

Link to comment
Share on other sites

  • Members

I'm Not in Love is a superb song. I never knew he also sang that, and co-wrote it. The song is right on the nose of the techno sounds starting in that era, yet is very different from Moroder and other producers in that vein. It's both cold and warm. The song has one of the best intros of anything ever, it's just soothing and seductive, and yet as the song goes along, you start to feel some of the pain.

http://www.youtube.com/watch?v=Y2BavhwpIJg

I actually don't mind Phil Collins' cover of Groovy Kind of Love, as he at least doesn't try to copy the original, but it's definitely inferior to the original.

Here's an interview with Toni Warne, who co-wrote Groovy Kind of Love.

http://www.songfacts.com/blog/interviews/toni_wine/

Link to comment
Share on other sites

  • Members

I have noticed that "The Things We Do for Love" appears to get more airplay on radio than "I'm Not in Love," even though the former peaked at #5 while the latter went to #2.

Don't feel bad. Prior to doing the write-up on "Game of Love," I never suspected it, either.

It's an OK song that deserved to make the top ten, but not number one.

The third consecutive group from Manchester to reach #1 was Herman's Hermits. Their signature song--"Mrs. Brown You've Got a Lovely Daughter"--held the peak position for three weeks: the weeks ended 5/1/65, 5/8/65, & 5/15/65.

<iframe width="420" height="315" src="http://www.youtube.com/embed/mA1uknS9JgM" frameborder="0" allowfullscreen></iframe>

Peter Noone was born on November 5, 1947. As a child, he not only gained experience in music, but also acted (and was a cast member of Coronation Street). In 1963, Peter formed a band that also included Karl Green (bass), Keith Hopwood (guitars), Derek Leckenby (also on guitars), and Barry Whitwam (drums). The band went through several name changes: the Cyclones, the Heartbeats, Herman & the Hermits, and finally, Herman's Hermits. Interestingly, Noone's bandmates thought that he looked like the character Sherman from the "Rocky and Bullwinkle" cartoon, but they all mistakenly thought that the character's name was "Herman."

Herman's Hermits had their first hit in late 1964 with a cover of Earl-Jean's "I'm Into Something Good," which surprisingly only peaked at #13 (though it was the group's only #1 hit in the UK). Then, in March 1965, came the #2 smash "Can't You Hear My Heartbeat." Their third hit was "Mrs. Brown You've Got a Lovely Daughter," a tune that is a bit too sappy for my tastes. This song--which was originally performed by British actor Tom Courtenay--was never released as a commercial single in the UK. Also, none of the Hermits (besides Noone) were present at the recording session; instead, they were replaced by future Led Zeppelin members John Paul Jones and Jimmy Page.

Following the success of "Mrs. Brown You've Got a Lovely Daughter," Herman's Hermits quickly scored again with (inferior, IMO) covers of the Rays' "Silhouettes" and Sam Cooke's "Wonderful World" (which respectively reached #5 & #4). In August, the act reached the top of the Hot 100 for the second time.

Link to comment
Share on other sites

  • Members

Mrs. Brown is a charming song, so likeable, and not overproduced, which started hurting music by the late 60's.

I enjoy their Wonderful World cover, but I don't care for the Silhouettes - it sounds like they're on helium.

Link to comment
Share on other sites

  • Members

I never heard that one, Carl.. it's not bad at all.. and WOW, there's enough double entendre in that song to choke a horse. I wonder if it was intended as that, or coincidence. If it was intended that way, it's another case of pop songs with sexual innuendo flying under the radar if they are dressed in innocuous packaging.

Link to comment
Share on other sites

  • Members

I have to assume it wasn't intentional, but who knows. I imagine songs like that helping people through a time when this was so stigmatized.

I don't know when the video is from but you can see the schizophrenia of late 60's dress codes and hair beginning to take over...some are dressed in suit and tie, others in t-shirts, some in tight trousers, et al.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Someone posted years ago that they remember Pamela Peters (Peggy) was having some sort of issues behind the scenes during the rape storyline and barely participated onscreen when it played out. Trish Stewart (Chris) seemed to carry most of the storyline along with Dick DeCoit (Ron) and David Hasselhoff (Snapper). I think the poster also mentioned that Anthony Hererra (Jack) said that Pamela Peters one day looked into the camera and exclaimed she didn't know what she was doing and walked out of the scene.  
    • Yes! I'm not at your point of not rooting for the Duprees, but they really need to tone down the self-righteousness. Some of the things coming out of these ladies' mouths is out of pocket considering all the skeletons in their own family's closet. 
    • Kat is still a privileged elitist. She hated Eva on sight because Eva didn’t bow her head to her immediately and continued to treat Eva like a stain on her overpriced shoes. I’d love to know if Laura kissed her ass and kissed the ring properly and knew her place below Kat in the general hierarchy.    While Eva has been deserving of most of the consequences she’s been reaping, the Dupree women can take several hundred seats with the way they behave towards others. The hypocrisy and posturing irks me more than anything else and it’s the same thing that irks me about all other prominent soap families who can do no wrong in their own eyes.   I’m not really rooting for any of these assholes except maybe Eva (who is by default the smallest [&#33;@#&#036;%^&amp;*] on this show), but I’m rooting against the Dupree family (except Nicole - she’s awesome) in general and I’m not sure that’s the goal of the showrunners.
    • Kristian probably had a high 'Q' score-that seemed to mean a lot in those days. FC always brought unknowns in for the young cast, so her Days probably had little to do with it-just something that they thought might help. The producers probably had no idea who she was, but that 'Q' score would have been a factor. Otherwise she was just a pretty, competent actress as Ana Alicia, Mary Kate McGeehan, Kate Vernon etc had been.
    • Finally caught up. I was really torn by Friday's episode. Naomi and Jacob were way too invested on who performed this surgery on June being she's someone they barely know. Also, this is a hospital in the DMV, a densely populated area with well-staffed hospitals. There's only one qualified doctor in all of the DMV? Oh no, not that doctor! Only Dr. McBride will do? It was strange.  Can we stop making the Casino a meeting point. First, Eva and Mona crossing paths and now Dani/Pamela/Doug/Joey. These folks don't seem like they just hit up the casino on a random Tuesday. Especially, one that is supposed to be some shady, seedy backroom. They need to end this casino stuff and repurpose that set. Ted and Dana read sooooo differently this episode. Why was Ted out here inviting this woman that just blew up his life, clearly is unhinged, and took 50k to a birthday dinner???? Did I miss something? His reaction towards Dana also did not seem angry or in disgust like the previous Ted. It didn't feel right. Whatever Bill was doing with his eyes when at OG's with Smitty.  The Good: Anita getting some story is great. Love to have her doing more.  Leslie is wild. She really just had Eva to hold onto Ted-ddy. Calling her daughter a whole souvenir and not giving 2 about her birthday. Although, I'm wondering if Eva's real birthday is actually earlier and that's why Dana/Lesile is so nonchalant about this date. She gave Eva a cupcake some time back and I'm wondering if that's to tie to this idea that Kat and Eva are twins.  Smitty is growing on me. He's got something to do.  I didn't love some bigger things in this episode, but there were some small things that really were so nice to see. Loved seeing Dani calling Doug over to join them. It really gave off this feeling that they know each other well and it was a bit playful like you would do with a friend. Similarly, I liked how Kat and Naomi and Jacob played off each other. "I was actually asking my hubsand." It gave off authentic family banter vibes. 
    • Jane Wyman had health struggles and was written out after the first few episodes. IIRC, she went against medical advice to film the final episodes of the show. I guess they likely did think Alicia was just there as some kind of eye candy for viewers and could be replaced. As mentioned by several people in the CBS primetime soap threads, Moonves and others brought a real culture of misogyny to the shows in the mid/late '80s where every woman was seen as replaceable. I didn't realize how many times Wyman's health had been a factor in the last 4-5 seasons of the show. Here is one example. www.falconcrest.org | Deutscher FALCON CREST - Fanclub / German FALCON CREST Fan Club
    • Was Angela still on the show at that point? I think I caught some of the show on Lifetime or TNT  when they reran the series, and Angela never seemed to be on during the last season. I remember thinking it felt the like the last season was a completely different show and that Wendy Philips was too grounded of an actress (not a criticism) for a nighttime soap.    I don't understand the concept because I don't think most people channel hop. I can understand wanting Alfonso's popularity to rub off, but why engender bad feelings by firing Ana Alicia and bringing on Alfonso? Soap execs never learned that lesson. Like Ellen Parker a few years later, I don't think they realized Ana Alicia's popularity.
    • I think they tended to run the cast list once a week, but I don't know if it had a consistent day.
    • Does Search for Tomorrow ever list the cast in its end credits? I watched about fifteen videos from 1985 to look at the cast credits at the end and I never saw any except for Mary Stuart's credit. I try not to google cast members if there's a chance I might watch a soap so I don't spoil exits.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy