Jump to content

OLTL/Agnes Nixon two New York Times pieces


Recommended Posts

  • Replies 72
  • Created
  • Last Reply
  • Members
Posted

What was Lemay's opinion of Agnes? Anyone know? In an interview at welovesoaps.com, he affectionately refers to Agnes as "Aggie" and half-lauds her attempts to dramatize social issues on AMC. I wonder what he thought of her actual writing ability. It seems that he looked down on the genre, so I'm wondering what he felt about her. I know he hated Irna because of her interference and the fact that she only saw characters in terms of black and white, while he preferred to show shades of gray. And from what I've read he wasn't a huge fan of Marland, feeling he was too rigid in his writing. By the way, whom did Lemay take over for at AW? Robert Cenedella? Whoever it was, Lemay wasn't too kind in his critique of AW before he came aboard.

  • Members
Posted

As much as I love Agnes, I have to say that Lemay's AW was the most brilliant soap opera I've ever seen. Just very literate and sophisticated without being pretentious IMO. I've seen some stuff on youtube, and it really is amazing stuff, most of it very unsoapy yet compellingly dramatic. And they had the best company of actors to make his great writing come even more alive. I know he was under pressure near the end of his reign to add more soapy, melodramatic elements like murder trials and whodunnits, but most of his stuff was just excellent.

  • Members
Posted

How many of his episodes are on Youtube? Can you link me to some please? I saw a few on wost and, like you, I think it's brilliant. Agnes Nixon is my sentimental fave but I suspect I would have liked his AW best, as well (and am dieing to see some Lovers and Friends). (That said the two episodes I saw--and wish I could see again surely someone saved them from wost--of Agnes Nixon's AW were likewise very very good)

  • Members
Posted

The only AW episodes from that era on youtube are the one from 1976 where Mac & Iris go to Terese Lamonte's funeral/Pat and John spar over their kids and probably one you've seen with Iris in her blue dressing gown at her penthouse with Brian & Ted Bancroft and Mac, who had just left Rachel. See links below. There were a bunch a while back when WOST was still up that someone had copied to youtube. Really powerful scenes with Liz, Alice, Rachel and Ada. Just brilliant stuff. I think all that stuff is gone from youtube now. Yeah, Agnes is my sentimental fave, the best IMO at creating really good contemporary soap opera with unique characters. Lemay's AW was something totally different.

http://www.youtube.com/watch?v=JhRFvVTZmq0

http://www.youtube.com/watch?v=niHrngvYgAk

  • Members
Posted

In a way I think Agnes made the *best* soap opera, but her stuff never *transcended* soap opera the way maybe Harding maybe did--if that makes sense.

I had never seen the one with Iris in blue! Will watch it now--I did see the other episode. (I remember a B&W one on wost with someone--was it Alice, playing a record player and being very sad--LOL I don't remember anything else except that I loved it) Would this scene

Please register in order to view this content

from March 1979 be still when he was writing?
  • Members
Posted

Yeah, that scene had to have been near the end of his run. Right after John Randolph died trying to save Alice from the burning Matthews home that was set on fire by Olive. Later in order to trap Olive, they used Nurse Eileen Simpson as a decoy. She had blond hair and pretended to be Alice to trap Olive. Olive wound up throwing acid in her face, blinding her. I remember watching this as a kid with my mom who ADORED AW. However, these were tthe melodramatic elements that Lemay slowly began introducing that he had fought so hard against. I know Lemay introduced Eileen right before he left. The succeeding writing team headed by Tom King would expand Eileen's role and bring on her family.

  • Members
Posted

Schemering said near the end (with the 90 minute burn out, Lovers and Friends, etc etc) Lemay started to slip--with an over reliance on soap clicheshe had once avoided--I think specifically they said endless courtroom scenes.

  • Members
Posted

FRFP/L&F most likely still exist in their entireties... right? With the loss of ATWT, the end of a HUGE part of P&G's history, they really should get their classic soap channel back up and running. I would love to see this show. I look forward to the short-lived soaps like this one, Texas, The City, even Capitol because I know I'll stick with them, following them isn't some daunting task.

  • Members
Posted

Lemay had little to do with L&F after the first few months.Tom King handled all the writing duties.Lemay was too busy trying to salvage AW after the ratings began to dive.

  • Members
Posted

Check out this link. There's so much going on in it. There's a scene btwn Jackie Courtney and George Reinholt that I've never seen before, Jackie (with black hair) and George reunited, and a cute, rare interaction between Robin Strasser and Vicky Wyndham.

Please register in order to view this content

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.


  • Recent Posts

    • Please register in order to view this content

       
    • How did you guess that! Yeeeeeeeeeeeeeeeeeeeeeeeeeees. Anita was serving "solo artist" realness the whole time. Stole the show. 

      Please register in order to view this content

    • Bye bye Dalton. Unfortunately this is going to fall on Sonny though, when for once he didn’t kill anyone.
    • Up to December 7th, 1992.   

      Please register in order to view this content

      "Grief, mental illness... and a handjob." Let's get done with the hardcore drama first... before we continue with the lighter stuff. Bo's condition worsened after the hot psychiatrist gave the risky idea to SHOW him Sarah's body. Dr. Jonas is triggering these people into catastrophes every day. It's almost like he gets pleasure out of this. Well... they did show him Sarah and the result was BAD. Bo went into a crazy meltdown, locked himself with the corpse... and started putting blankets on her to warm her up. Disturbing scene... yet powerful work from Robert S. Woods. Bo's resolve came at the end of December 7th's episode when he let Viki come inside and talk to him. I've chosen this as the clip of the day - anyone who ever underestimates or puts down soap actors, just because they are working in a soap... should see this. And then we'll talk. Very powerful.  Viki did what she does best - performed a miracle almost, getting Bo to open up and let the family in. And after that... everyone was looking at her like she is God. The children... Clint himself... everyone standing by the door expecting "savior Viki" to continue being the mother figure they desperately need. But Viki is also a woman. Woman, whose heart is no longer in that house with Clint... She wants to be with Sloan so bad... she has started looking at her husband in a different, colder way. He even came to her bedroom in his robe, probably expecting Viki to invite him in... but he got a chilly response.  Alongside Bo's terrifying breakdown... there were some grim events unfolding at Asa's house as well. Dorian and Blair's fighting made Addie become aggressive towards Asa of all people. She attempted to stab him with a pair of scissors. Asa then finally said "ENOUGH IS ENOUGH!". It's either the baby or your sick mother. She must make a choice. What he doesn't realize... is that there is no baby. When he decided to contact Blair's doctor to inquire about her pregnancy... she knew she had to act FAST - likely fake a miscarriage. Jesus Christ, Blair!  This leads me to the storyline that consistently disappoints and undermines the overall mood of the show. Just picture having these intense storylines - involving... family, breakups, betrayal, grief, mental illness, and manipulation... and then suddenly, you see Alex giving Mortimer a handjob in the Buchanan Palace restaurant amidst all these other powerful scenes. Some might argue that this is precisely why such moments are there - to dilute the drama and darkness... but the result is far from enjoyable. It turns the entire show into a circus. You can't expect me to be emotional in one scene and then witness Alex reaching into Mortimer's pants... without cringing. It's a bit too abrupt... too early. It ruins everything and makes me despise... despise the characters involved. It's pathetic.    Overall -  6.5/10 - it would be a perfect 10 if you removed Alex and Mortimer. But I can't do that and I've decided it's enough giving them (the writers) slack about this. It's annoying, not funny and needs to end. If this was Bold... I would have been tearing them to pieces... but just because they've given me so much good material... I've forgiven idiocy time and time again. I have nothing against handjobs (quite the contrary actually), but I can't see them in the midst of a man crying over a corpse and a mentally ill woman attacking someone with scissors.    Clip of the day Viki consoles grieving Bo.  

      Please register in order to view this content

       
    • Please register in order to view this content

       
    • And every show she leaves is so unstable it takes years to recover, if it recovers at all. Objectively I can say she has a good eye for the look of the shows she is producing, and she knows how to film drama and strive for good acting. I don’t really fault her casting when it comes to new talent, her FOJ’s sometimes fit and sometimes don't though. She also interferes with writers to the detriment of her shows, favors problematic men’s egos on set and gives way less respect to women performers. Her work is often thematically very dark, and misogynistic. Something happened to her a year or so into Guiding Light. The show starts to come unraveled, she basically forced out the writing team that had been bringing the show success. She starts manipulating things like focus groups to get what she wants, and starts building the shows around the men (Buzz as example) and weak women (Lucy). She took over OLTL and tried to fully direct the writing while producing the show. On GH her instincts were so disastrous that they forced Guza/Pratt on her and gave them Associate Producer titles for more money and some agency in the story. And even then, it took until the Brenda return to fully save her ass. And on top of that she is majorly responsible for the show losing Sarah Brown, Amber Tamblyn, Genie Francis, and not securing Vanessa for a longer stay. And now that we know Guza didn’t want to kill Alan off, her fingerprints are all over that one IMO. The only thing I respect about her outside some casting that Mark Teschner brought to her is that she recognized Erika Slezak was too important at OLTL and still too vital to put out to pasture as only the mother of Joey, Jessica, and Kevin, and hand wringing sister of Todd. Emmy’s aren’t everything. Y&R had been number one for decades and truthfully should have been dethroned multiple times but habit and name recogniztion count for something.
    • Meg Bennett wrote for Y&R while appearing as Julia.
    • Everytime Liam appears on Screen I’m like: oh wait.. hey. It’s Liam. He’s still there?“ Like i don‘t know what it is but I always forget that he’s still around lol
    • Heather is a director AND writer at B&B, both in an irregular capacity.   Lawrence St. Victor is part of B&B's writing team for several years now.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy