Jump to content

May 11-15, 2009


Toups

Recommended Posts

  • Members

On these weeks that the demos are doing better, and without seeing the 50 and older demos, I always worry when the shows don't move that much in overall HH's.

I know that the 18-49 and younger are more important to advertisers, but polls in the last few years keep showing that the TV audience is skewing older to the older demographic. And since live TV is still the most important demo to advertisers, I just worry that the loss of older viewers is going to end up hurting worse in the long run.

Link to comment
Share on other sites

  • Replies 27
  • Created
  • Last Reply
  • Members

Advertisers don't care about the older viewers. Research shows that 50+ people, compared with younger viewers, don't spend as much money and are less likely to try a new brand. The overall audience may dwindle, but as long as the under-50 demo is strong, that's all that counts.

Link to comment
Share on other sites

  • Members

But the trends say that the younger audience is not going increase as more and more of the younger demos shift viewing habits to the new technology. And in the mean time it is going to take several more years before advertisers and the Nielsen's catch up to that.

That is one of the big reasons that the viewing audience for live television is skewing higher because they are the ones who are less likely to view on an Ipod or the Computer.

Networks are going to be more willing to stick with a show if the overall HH's are still good. If not we will be seeing more shows moved to things like Passions was where even on the Internet you have to pay a subscription price to see them. And frankly right now in this tight economy even if it was my favorite show I would just be left out in the cold.

Link to comment
Share on other sites

  • Members

The fluctuations in the 18-49 women demo that have been occurring recently suggests that the bigger problem is that the younger audience is not loyal. Watching soaps is not a daily habit and external events influence their viewing habits. Y&R is the one soap that does well on the Internet and SoapNet. The other soaps appear to be struggling to varying degrees. ABC does not even mention GH's ratings when it releases SoapNet's PR statements. As along as the soaps cannot build on the 18-49 women demo and it continues to slip, the soaps are going to have to keep cutting their budgets substantially and eventually cancellation will become a reality.

Link to comment
Share on other sites

  • Members

And the more you cut out any demo range centering on grandparents and parents you cut out generational transfer viewing too. So many of my online friends learned to watch soaps from their parents or grandparents. When the older generation quits watching, they quit passing it down.

Soaps are so stupid in that continue to allow the network gurus and the advertisers push them for the 18 to 49 target demo during the day. It is a proven fact that many of that generation are not home anymore. Older viewers are the ones home during the day now. They make up the majority of the daytime audience. Daytime soaps don't appeal to them anymore. So they turn off and watch reruns of primetime shows or the news during the day.

More than any other branch of TV, daytime soaps need to reach out to that. Also more and more recent surveys are showing that working mothers are having an even harder time with day care in this economy. The news the other night said that more and more working parents are turning to their grandparents to watch the kids when they are at work because most times it is free child care.

If soaps could get the grandparents to tune back in, then 9 times out of time those young kids when they are out of school will be watching what Grandma watches and a whole new generation of soap viewer is born.

Link to comment
Share on other sites

  • Members

To be fair, I don't think a ton of people really knew about the shocking ending on Friday. I would not even say it was all over cyberspace. Plus, for those who did not know, the scene was at the very end of the episode so if you weren't watching anyway, you didn't know you missed anything.

The test will be how the following Monday does. Will news spread? Will people who missed it want to tune in to see if there is more to the story? Will people who are not sure who Thom is but sense something is about to go down with Cane turn their TV's on.

Since it was all about their wedding, that is where the most of the blame lies. Frankly, it was a boring wedding.

Link to comment
Share on other sites

  • Members

Yes. Also, if there is high tune in the following Monday...(and Bierdz has not been shown since that last Friday)...I wonder if that could actually promote more tune-OUT (on Tuesday and subsequent days) by people who were feeling a little 'bait and switch'?

Link to comment
Share on other sites

  • Members

The soaps have no choice. The companies selling the products and the advertisers know the demos of the consumers of their product. They want that 18 to 49 women demo because these women have the money and they buy household and other beauty products. Most older Americans have brand loyalty, are poorer and live off fixed incomes. If the soaps cannot attract the 18 to 49 women demo because it no longer exists during the daytime, the companies will pull out their ad dollars and take them elsewhere. So the networks will then have to find advertisers with products that target older viewers to buy ads during the soaps. This means much lower ad dollars and the soap budgets will have to be slashed. No wonder the soaps are in so much trouble.

Link to comment
Share on other sites

  • Members

Actually, the only thing correct about that statement is that older Americans have brand loyalty. While we've all heard about the older people living on "fixed incomes," study after study has shown that this demographic has more disposable income than any other age group. The ONLY reason advertisers continue to cater to the 18-49 demographic is because they believe older people will not try new products, and will not change their brands, in general (brand loyalty, as you say).

Personally, I think advertisers need to come around. That thinking may have been true a generation ago, but not anymore. But until they do come around, we're stuck with the current obsession with the dwindling younger audience.

Link to comment
Share on other sites

  • Members

See, the future is quite optimistic here.

Soon, we'll be able to count every eyeball ... or at least, we'll be able to count the eyeballs more accurately (interactive DVRs, online streaming, on-demand and PPV TV).

More importantly, through direct and indirect methods. we'll know the viewer's PERSONAL brand loyalty, preferrred brands, categories of interest, etc. So we won't have to rely on fallible predictors like age and gender...we'll deliver targeted messages that are most appropriate for the person.

The internet is already getting very good at this...and it is all converging in that direction.

Once this happens, it will me much easier to monetize content again. Moreoever, there won't be a whole class of unvalued audience members.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Just watched the episode concerning Olivia's drug use and Abby's persistence, etc. Donna Mills did stellar work in this episode, as did Tonya Crowe and Brian Austin Green (Brian).
    • But by Dinah and Hart...Hart especially looked as if he could not tie his own shoes!  Ed, Holly, Alan, Alex Henry and Vanessa among others were not able to put Roger down....Dinah???
    • The preaching seems to end before the Barnes settle in late December, 1981. The stuff that felt overly religious (the Davidsons believing a miracle will save Lori rather than a surgeon, Jeff's miraculous recovery from a beam of light) was quickly nixed because it wasn't working. The closest thing that you get to that under the Barnes is when Dennis Fraser, the drunk driver who killed Nora and Scott, turns his life over to god. The born-again redemptions out of nowhere seem to stop fairly early into the Barnes' run. I do think Miriam's transformation was much more delicately done with her turning on her bestie Nancy because Nancy was seducing Charles, Miriam's wealthy father, so Miriam offers to testify for the Davidsons in the trial against Nancy over possession of Nora's house. In turn, Nancy repays the favor by pumping an emotionally distraught Miriam with barbituates while Miriam carries on her affair with low level thug turned political aide Norm Elliott. Miriam is used by everyone into her life and finally lands herself in the hospital becasue she has become so addicted to the pills. At the hospital, it is the friendship and kindness of the Davidsons that brings Miriam to a more peaceful place. The Davidsons ability to forgive is both appealing and, at times, dramatically limiting. In this case, the Davidsons lead Miriam to her new Mama, Ione Redlon. Now, under Vinley, Miriam is determined to reconnect with her son, Frederick, and her ex-husband, Paul.   My bigger issue with the Barnes' writing is that they write the storylines with twist endings that sorta come out of nowhere. I know the resolution to the Kate Carrouthers mystery sorta plays out like that so I am curious to see how I feel about that.  The biggest change throughout the writing teams has been the view of morality. Winsor had many characters who could be viewed purely through the lens of black and white, but others explored the shades of gray (often younger people). The brief head writerless period was much better at embracing an action doesn't make a person and there characters were much more gray or at least evil at a more local level (Nancy, in this period, only flirts with her brother-in-law where as later she is actively providing pills to Miriam to keep her addicted and away from her own father). The Barnes, for the most part, seem to embrace this level of political corruption that seems to permeate throughout the show making it clear that power (as well as money) is the root of evil. Even criminal Vince Cardello is presented as less evil than Charles Carpenter, though Carpenter's murder of a resident of his complex was rewritten to relieve Carpenter of any responsibility in the matter. Vinley's work seems more into exploring the why or delving deeper in general. Babs Farley, the hooker who is looking to reclaim her life, is such an intriguing character. She is given such meaningful monologues regretting her decisions and desperately trying to keep away from the hands of her former pimp, Ron Washington, who hasn't appeared yet. Monk and Fernandez seem to be wrongly accused of Lori's attack and there seems to be hints of racism that the show is looking to address. Marianne confronts Gil about his feelings towards God in relation to their mother's death years earlier.  There does seem to be a layer of misogyny to Vinley's work, but it's early so I'll be curious to see how this plays out. There are a lot of attacks on women (Lori is nearly raped, Babs was beaten, Nancy is on the verge of being blackmailed for sex by Tab, and the Russ / Marianne / Gil scenario has hints of toxic masculinity. It's very early so it'll be neat to see if that is maintained.  Jerry TImm lasts about a year I think (March, 1982 - March, 1983). One of the episodes on TouTube has a comment suggesting that Timm was fired by CBN because he had done something in his past that came to light. It didn't seem to be clear what that was.  I like what I've seen of Timm as Gil. He has such a presence that it covers up some of his weaker acting choices. It's unfortunate that he didn't get to play as much of the Gil - Stacey - Amber triangle as his replacement does.  
    • I believe it was Mark Arnold's family that taped all the shows. It was the same with Ariane Muneker - her mother bought a video recording machine in the 1970s, at a time when that type of technology was really expensive John Wesley Shipp's parents also taped all his shows, and has a complete library of every single episode of every soap JWS has appeared on. Same for Cynthia Watros. When the Soap Actors parents pass away, and there are all these VHS tapes in dozens of boxes, it is shame to waste all that. 
    • Personally, I felt that the deletion of the original music from the girls' slumber party episode, and the axing of REM's Losing My Religion from the ep featuring Brenda and Dylan breaking up, were the most painful. The changes really damaged those episodes. I dropped the DVDs after season two, but I've been told by other viewers who kept going that tunes from all the seasons continued being replaced, and the situation only got worse as the DVD releases progressed. Yes, penny-pinching from those in charge was the principle issue, but I wonder how much better the DVDs would have sold if such poor choices had not been made in the name of cost cutting. On the other hand, when Time-Life put out the Vietnam-war era classic China Beach, they dug deep into their pockets and ended up clearing the rights to a whopping 268 (!!!) of the original tracks. This represented 96% of the total. TPTB said that when they were not given permission to use a few of the remaining pieces, they substituted different singers' versions of the exact same songs, in order to preserve the show's integrity as much as possible. The CB set was expensive as heck, to be sure, but to me it was worth it.
    • Oh I knew it was common (I did not realize Muenker's channel was gone - I'm glad I saved all those videos). I just didn't realize it was the case with the rape episode.  I never really felt like she dominated the show in her second stint either, although I can see where she probably did. I can feel it more in some of her first run, because the show was much different before she came in and suddenly a woman we'd seen for a year was [!@#$%^&*] and marrying an entire family.  In that sense Reva is more like Babe than Erica Kane. One of the more infamous AMC lines was, "Babe is love." You just know HB would have said that line about Reva at some point.
    • I disagree; if this were Chris Clenshaw, then I would be worried. But it's a new producer coming in to clearly create the canvas they want to create, and I'm okay with that. Re-introducing characters to shake things up and possibly take some other ones out of the canvas. It'll be interesting to see the finished product.
    • I am ready for our first full week in what feels like a while! They worked Sweeps month!
    • Beyond the Gates: A The Bold and the Beautiful: F Coronation Street: B Days of Our Lives: B- EastEnders: A+ Emmerdale: A- Hollyoaks: B+ General Hospital: C Neighbours: C+ The Young and the Restless: F For me, Beyond the Gates, EastEnders, and Emmerdale led the pack during Sweeps month, with Coronation Street and Days of Our Lives following. General Hospital and Neighbours sit in the middle with what I'd call a "take it or leave it" kind of Sweeps month, and the Bell soaps bombed (per usual).
    • Actors doing this is pretty common. I used to work for a company that produced a very successful sitcom back in the 70s. Actors who were guest stars on the show would ask to be provided tapes of their episodes. I assume they do it for a variety of reasons, i.e. to create a reel of their best work. I know of some soap actors who have uploaded saved work to YT. One is Ariana Muenker, who played Christine Valere on GL. She was uploading scenes from her many soap roles a few months back. Unfortunately, it looks like either she or YT took the channel down. Sharon Gabet and Mark Arnold help the EON YT channel by providing saved episodes. Along with EON eps, Arnold shared a guest stint he did on GL. Those episodes are really interesting because they involve the introduction of Nola's character, which was tied to the Roger storyline. When he came back after faking his death, he hid out at the boarding house. Nola being a snoop figured out something was fishy with him. She ended up helping the police. Very worth seeking out. I don't think anyone else has those episodes.  Makes you wonder if there's more out there than we know of because actors don't want to be bothered to run a YT channel. Can't blame them because it's a lot of trouble, but if only... I agree. While Lucci definitely used her fame from the show to build her brand and get work outside of AMC, Erica was always part of an ensemble. Yeah, she got a couple of whacky stories (like the "unabortion") but she never took over to the detriment of other actors and stories.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy