Jump to content

Y&R actress to take ANOTHER filming leave


Recommended Posts

  • Members

From this source:

I am actually upset about this. If Sursok is going to get this number of outs, can we just recast and get a viable Colleen, PLEASE?? The possibilities of a JT-Mac-Colleen-Victoria thing, and a Mac-Billy-Sharon-Jack-Chloe-Phyllis-Nick thing really require a viable Colleen who is driving story, IMO.

Link to comment
Share on other sites

  • Replies 85
  • Created
  • Last Reply
  • Members

Agreed. But if they are this unenthusiastic about her...why continue this farce of a contract, character and story? Why not either rest the character, or recast? Answer: Someone must be insisting that they keep this performer. If so, then I'd like to see her USED, so she might grow into the role?

I have to say, I really am starting to feel that the Y&R cast is over-large. There are so many characters I want to see used more, and they can't be. I'm hopeful that the kind of "trimming" that Sylph wants for the writing team also happens on the cast side.

Link to comment
Share on other sites

  • Members

This is a bait, isn't it? :lol: You know I like writing teams talk! Anyway, yes, it needs to be trimmed. Because, that whole greatness of product you're talking and because of which you think the team is as good as it can be, perhaps comes with too much effort. Why do something the harder way (50 writers) when you can do it in an easy way (10 writers tops)? That's all. :)

Link to comment
Share on other sites

  • Members

It's pretty obvious MAB doesn't want that. She had over a year to find her team. Even though, IMO, thinks are working fine, it doesn't seem like she will settle down anytime soon.

It's a sad day when a Y&R doesn't want to see a character like Colleen on their screens. To be fair, it seems like that character exited a long time ago. This is a Latham recast that needs to be dealt with.

Link to comment
Share on other sites

  • Members

Which is weird. 'Cause one would think she wants to purge the show of any Latham-influences. Newsflash: some remnants are still there (Hamner e.g., who's like a spokesperson now, right?). I wouldn't have, actually I would, but let's pretend I wouldn't, a problem with her constant hirings/firings if in the end we would get a compact, tight team (even if it's 50 people). To me, she just doesn't know what she's doing. She was happy with Racina, then one day - bye, bye. She hired Salmons and of all people dumped her first. :mellow: Then she really didn't bring any former "Bell writers"... Or perhaps they didn't want to come back.

Link to comment
Share on other sites

  • Members

Really, no. I honestly just felt that the kind of trimming that you argue would lead to a better (clearer, more cohesive, more focused, simpler) show on the writing side, I believe could also happen on the performer side.

And with a big bloodletting of the cast, it achieves two goals: Immediate cost cuts (even if some of the dismissed are younger/cheaper), and a cleaner canvas from which to bring in new characters, in the future, more judiciously.

Honestly, I think the goal ought to be to have characters that you use 3-4 days a week. (In that sense -- only -- I admire General Hospital). Then, there is momentum in the stories, and the viewers know what they are getting on a consistent basis.

Link to comment
Share on other sites

  • Members

That's exactly it. Just cut her lose, cause this is even worse. I wonder what effect it has on actors at the show who want to do projects and may not be able to get out. Y&R seems to be letting them these days, but it's been mainly for CBS shows.

Link to comment
Share on other sites

  • Members

Hmmm...the first Flicka movie (which was actually a remake from the 1943 version of "My Friend Flicka" with Roddy McDowell- pretty good movie btw) was really really bad...rented it & could barely get through it- for a lot of reasons. (Mostly bad writing and stupid stuff about horses. LOL)

Don't really see this as a "big jump into films" for Tammin.

They really need to move thstory along & if she's not going to be around...well...maybe they need to recast. I liked Adrianne Leon... liked her on GH,too.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Arguably DAYS OF OUR LIVES has been brilliant lately & definitely was last week. But, here I am with nitpick & technicalities. This was the only misstep but it was just a stupid thing that should have been caught. Deidre Hall as Marlena has this one problematic line, "It didn't matter how many identities you had, I always knew exactly who you were, you were the man who saved my life." - Marlena, DAYS, 6-2-25 Unfortunately the flashback closest to it was when Marlena was on the phone, terrified because she thought he was Stefano. Yes, it's true that the line is not accurate. There were many times when she did not feel the way she is claiming because of whatever was going on in story with his 'retconned to hell & back' identity & origin story. Does it keep the whole week from being called excellent? Nope.  
    • The Vault has been down all night.
    • Notable: Glendale is not exactly a progressive enclave.

      Please register in order to view this content

      Newsom is a craven opportunist, but his comments today were exactly how better people need to handle Trump.
    • Please register in order to view this content

       
    • I decided this primetime soap deserved it's own thread as the Primetime soaps thread is very cluttered and why shouldn't NBC's Lorimar soap mot have a chance to shine? In doing a deeper dive into the second season ratings I was surprised to see that FR actually had an uptick in the ratings when NBC moved it to 9pm Tuesdays beginning March 82. I'd always assumed this move was a desperate one as NBC were running short of programming and had given up on the show,deciding to let the final episodes play out and be hammered by 3's Company  and CBS Movie. But the numbers paint a different story. In it's 10pm slot up against Hart to Hart, which regularly finished in the Top 20, FL premiered in 53rd place and placed in the 40's and 50's as the season continued. But come January 82 the numbers surged a little now moving into the 40's hitting #43 in Feb. Hart to Hart was #11 Then in March Bret Maverick was moved to 8pm with FR @9. First week 16th March FR #47 15.1/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Not great but #2 in it's timeslot March 23 FR #44 15.6/25 3's Company #4 Too Close for Comfort #5 CBS Movie #33 So even with a stronger movie on CBS FR's numbers went up. March 30 FR #31 16.6/26 3's Company #9 Too Close for Comfort #5 CBS Movie #56 Best rating/position yet Tues April 6 pre empted Tues April 14 FR #36 16.0/26 3's Company #5 Too Close for Comfort #11 CBS Movie #59 Maintaining previous week's numbers Tues April 21 FR #33 15.6/24 3's Company #3 Too Close for Comfort #5 CBS Movie #60 Numbers down a little (reflecting general spring downturn) but best ranking of the season so far Tues April 28 FR #35 15.1/23 3's Company #9 Too Close for Comfort #6 CBS Movie #42 Tues May 4 FR #27 15.2/24 3's Company #5 Too Close for Comfort #4 CBS Movie #41 Season finale and highest position of the season. Looking at those numbers I wonder why NBC cancelled the show? They had very few hits and here was a show that was holding it's own and moving up in the rankings in a tougher timeslot. And being a serial, the storylines could continue to build the following season. And I'm sure the desirable W18-49 demo was good. Some might argue that CBS were shower weaker movies, but even so, soap viewers are pretty loyal. I guess Grant Tinker arrived at NBC and wanted a classier look but there was room for FR on the schedule. I mean, the following season Knight Rider,Powers of Matthew Star and the A Team arrived so there was still room for more populist fare. Flamingo could have stayed at 9pm-the replacement Gavilan bombed (surely FR would have done better} or moved back to 10pm. The following Jan NBC had a hit with A Team Tues 8pm. Had Flamingo followed it, it might have really taken off. As it was they tried Bare Essence, which flopped. Oh well,it was not to be...    
    • Always, in every way, Cass/Wally/Felicia foundational to my viewing. And, I think if we look at the aftermath of the disastrous 90 minute show that we find too many pockets of some kind of lost time at the show plus way too much of change-ups in exec & writing leadership and of course we also reach the first time it becomes notable that NBC wants to get rid of the show so they can put a new soap they own in the timeslot.
    • If the MAGAts were easy prey enough to get manipulated into voting for the tangerine-tinted terror, they'll fall for anything.

      Please register in order to view this content

    • And this came out as the "feud" and the media pushing the protests in Los Angeles got all the media attention. They know the press and the public will not care or can be manipulated into approving.

      Please register in order to view this content

    • Hope you will enjoy the 1976 storyline from the Daytime serial Newsletter. The show had just expanded to an hour so new characters and stories were required. The Soderbergs had been writing since late 73 and the show was still #1. Looking foward to comments and discusssion Pt.1  For over two decades As the World Turns has depicted the events in the lives of two Oakdale families: the wealthy and influential Lowells and the less affluent but equally respected Hughes family. Judge Lowell’s granddaughter Ellen is married now to Dr. David Stewart, whose adopted son, Dan, is actually her own illegitimate child. Dan was once married to Dr. Susan Stewart, by whom he has a daughter, Emily. Dan then married Liz, the ex-wife of his late brother Paul. Liz was the mother of Dan’s daughter Betsy, who believes to this day that Paul was her father. Liz died tragically the day after their wedding. Ellen and David have two daughters, Carolann (Annie) and Dawn (Dee), now of college age. Dan has recently fallen in love with Kim Dixon, who was about to divorce Dr. John Dixon until injuries suffered in a tornado caused amnesia and left her with no memory of her love for Dan. John is using this respite to solicitously convince Kim of his love for her. Nancy and Chris Hughes had three children: Bob, a doctor, Donald, an attorney, and Penny, who, after tragically losing two husbands due to automobile accidents, is now living in Europe, where she is married to a racing-car driver. Bob was married while very young to Lisa Miller, then a scheming and selfish young woman, whose machinations destroyed their marriage. She is the mother of Bob’s son, Tom, who is divorced from Carol, who is now married to Jay Stallings. Tom is currently married to Natalie Bannon. Bob later married model Sandy Wilson, a marriage which ended in divorce, and Sandy is now married to Norman Garrison, who is her partner in a beauty products concern. Norman blames Bob for Sandy’s  recent disillusionment with their marriage, and, ironically, Norman suffered a heart attack during his verbal assault on Bob at a Hughes family party; and while Bob rode with him in the ambulance to the hospital, Bob’s beloved wife, Jennifer, Kim’s sister, died in a car crash while driving home alone. Lisa, more mature and considerate of others now, is married to attorney Grant Colman, but her life has been complicated by the recent arrival in town of Grant’s ex-wife, Joyce, and the incredible news that she and Grant had a child after their separation, a child Joyce gave out for adoption but now wants to reclaim. Now the story continues... The picture has now come clear for attorney Grant Coiman. He has learned that his ex-wife Joyce neglected to tell him she had a child shortly after their divorce and had given the boy to Mary and Brian Ellison for adoption. Grant, after seeing the adoption papers and considering the boy’s interests, tells Mary he feels the child should remain with them; they are providing a fine, stable home for him. Grant’s wife, Lisa, is pleased with his decision, feeling he has thus closed the door to the past and they can now go on with their own lives. But Joyce has learned that attorney Dick Martin is now back in private practice, and she tells him she was confused when she gave Teddy up years ago and wants him to represent her in a custody action to get her son back. Dick tells Joyce she has a very weak case but he’ll do what he can. He goes out to Laramie to see the  Ellisons, upsetting them very much. Grant, meanwhile, has confided in Chris Hughes, his law partner, that while his name was on the consent form for the Ellisons’ adoption, he didn’t sign the papers; he had, in fact, never known that he had a son. But he’s afraid to open a new can of worms by signing a consent form now, as that would reveal that the adoption papers are not legally correct. Grant confides the situation to Lisa, explaining that if he wanted to,  he could probably get custody of Teddy himself, but that’s not what he feels would be best for the child. Mary Ellison finally breaks under the strain of Dick’s visit and tells Brian that Dr. Paulk, the doctor who arranged the adoption, told her he didn’t know where to find the baby’s father and so he signed the consent form himself. She painfully explains she kept this secret knowing that Brian wouldn’t go through with the adoption if he learned the papers weren’t legally sound. Brian quickly calls their family lawyer, Jerry Butler, who immediately phones Grant to be sure he backs the Ellisons’ claim. Dick realizes from Joyce’s story that Grant couldn’t have signed the papers and tells him he knows. The only person who has a right to file for Teddy’s custody now is Grant; he’s the only injured party. And the moment he files, Dick can sue for invalidation of the Ellisons’ adoption. Grant finally files, to settle the custody question once and for all, but technically he's filing for custody himself. Tom Hughes and Natalie Porter are married in a small, lovely ceremony at the home of his grandparents, Nancy and Chris Hughes. They honeymoon in the Southwest and return full of expectations of happiness. Natalie is disquieted, however, when flowers arrive which are not from her new husband. She covers by pretending to check with the florist and tells Tom it was a wrong delivery and they have told her she might as well keep them. But she knows who sent them. Natalie is upset when, shortly after, Luke Porter arrives in town and seeks her out. But Luke insists he is there only to assure her this is a final farewell and he has now decided to concentrate on. making his own marriage work. Sandy Garrison, Bob’s ex-wife, is working at the  bookstore to fill in for Natalie. Her estranged husband, Norman, recovering from a heart attack he suffered during a drunken confrontation with Bob at the Colonnade Room, is still telling anyone who will listen that Bob and Sandy are having an affair, but ironically will let only Bob care for him at the hospital. His recovery is hampered by his easily aroused temper. Norman anxiously tries to persuade Dr. John Dixon to convince Bob to swear he slipped at the restaurant, thus making them liable for a costly lawsuit, but John won’t do this. Chris discovers a large amount of money missing when checking the books on the Garrisons’ business, but doesn’t want to upset Sandy with this. More to come...
    • The cynical (i.e., the dominant) me has the very same thoughts.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy