A Strike Upon Us

[Sylph]

[bellcurve]

Passive TV Viewers who don't read the boards have NO clue how ugly this could get!

Also take into account the DGA and SAG negotiations...it's not gonna be pretty!

P.S. FOX would be the greatest network ever if they just replayed FASHION HOUSE and WICKED WICKED GAMES in lieu of reality garbage.

[Sylph]

I'm not even sure I'm aware of the consequences... And they could be the equivalent of a nuclear bomb explosion. For both sides.

Verrone said that if DGA makes a deal before them, they won't let that affect the writers' agreement on minimums. That's how they got screwed last time. SAG expressed their solidarity with the WGA - you cand find the email on the net somewhere.

[bellcurve]

Now now...really...which would you prefer? MARRIED BY AMERICA or seeing Tatum O'Neal flip her [!@#$%^&*] on WWG?!

Yeah, the writers ain't backing down from this one...I've seen a video on Facebook for the WGA Group(it can be found on YouTube as well) and they are sticking to their guns on this one. There's a writer from "King of the Hill" talking about how he can barely make his house payments on the poor residuals he's receiving.

And by SAG expressing solidarity with WGA, does that mean the SAG is demanding its members not to cross the picket line? Because, the issue of DVD/Internet/Platform residuals go to all of them.

Could not have picked a worse time to graduate from college! LOL.

[Sylph]

Had they not destroyed American Heiress, I might be with you on this one. There's Richard Andreoli's post on that, how the abruptly tore apart their storylines etc.

Not true!

[bellcurve]

Is that on his blog? I know they haven't aired the rest of what was supposed to be their season and will probably remain in a vault forever...

And why you say that? Can't get work if everyone's on strike...or correction...work that will last beyond a strike.

I may be hungry for work, but I'm no Alex Perez. BTW, do you really think his strategy, pimping himself out as a scab, will work?

[Sylph]

Yes, it is. It is called Our Show Is Dead... Pretty Much.

The strategy is such a farce... But we'll say what's really going to happen.

And as for the job - I just hope this doesn't last much. But at this point, it's really hard to tell how much it will. Then there's the meeting this weekend, and although highly unlikely - I just hope things will take a turn for the better. For all of us.

[bellcurve]

Man, I just read that and it really pisses me off that they did that to AMERICAN HEIRESS, especially because the show(from a technical standpoint) looked so much better than FASHION HOUSE.

That was my first time reading it. He's such a great scriptwriter. He needs to come to daytime, where his strengths can be appreciated!

[Sylph]

Not going to happen, unfortunately... He's not a big soap operas follower, long time ago he watched Guiding Light and The Young and the Restless... You can read about his projects on the blog also - he's pitched a show for ABC Family and he said the meeting went well, he's editing a book, writing some stuff for the magazines and so on... I hope he writes something about the strike.

What do you think about Alex's strategy?

[bellcurve]

Well crap! I'll watch whatever he writers...some of the best lines from FASHION HOUSE came from him.

I could see him getting a deal for his own reality show, but the fact that he is pimping himself as a scab(regardless of if its a joke) already probably has him blacklisted.

Maybe Alex feels as though he has nothing to lose. Maybe the WGA will accpet him after the strike is over, as they did for Donna Swajeski. But, Swajeski didn't publicly announce she was a scab either.

But if I(or anyone else up-and-coming for that matter) want to write for Hollywood, they will be wise to keep their noses out of the strike and polish up their specs in preparation for joining the guild someday. After all, it's to benefit you during your work on the job and while you're in-between jobs.

[Y&RWorldTurner]

Hmm, what if they hired playwrights and novelists? Neither groups are represented by the WGA, and with proper guidance, they could pull off soap writing (think Harding Lemay and Michael Malone).

[juppiter]

They can't officially hire anyone during the strike, because the job is covered by WGA rules and no writer would want to be credited during the strike because scabbing prevents future WGA membership.

There will be no "Written by" credits for strike episodes (if the strike lasts long enough that strike episodes are produced.) It's officially written by nobody.

[Y&RWorldTurner]

^Thanks for explaining, juppiter!

Surely, they can ask playwrights and novelists to ghost write or consult though (if unofficially), right?

[Sylph]

How the TV Grid will look like in the case of a strike, an article from LA Times. It's not actually a TV grid, just how many finished scripts each show has.

[Sylph]

Showrunner Explains Why He's On Strike

I'm receiving a lot of reports of TV showrunners and hyphenates choosing not to work on their shows during the WGA strike. I'll update this post with names as I receive them. But here is an email sent around this morning by Shawn Ryan, the showrunner of The Shield, The Unit, and The Oaks and also a member of the WGA Negotiating Committee, explaining to fellow showrunners and TV writers what decision he's reached and why:

"As you all know by now, we are on Strike. It's sad that we have arrived here and I don't know each and every one of your opinions, but I wanted to share my personal plans for what I intend to do until we have a fair contract.

I am currently quoted in today's Hollywood Reporter as saying that I will do some producing work, but won't do any editing as I consider that to be writing. While I said something similar to that earlier last week (I've learned you can't trust a word of what these trades report), that was before I went to the Showrunners Meeting yesterday and became very crystalized in what I need to do. Like many of you I have spent the last week contemplating what to do in case of a strike. What are my responsibilities to my writers, my cast, my crew, my network and my contract? How do I balance these various concerns?

At the Showrunners Meeting it became very clear to me that the only thing I can do as a showrunner is to do nothing. I obviously will not write on my shows. But I also will not edit, I will not cast, I will not look at location photos, I will not get on the phone with the network and studio, I will not prep directors, I will not review mixes. These are all acts that are about the writing of the show or protecting the writing of the show, and as such, I will not participate in them. I will also not ask any of my writer/producers to do any of these things for me, so that they get done, but I can save face.

I will not go into the office and I will not do any work at home. I will be on the picket line or I will be working with the Negotiating Committee. I will not have an avid sent to my house, or to a new office so that I can do work on my show and act as if it is all right because I'm not crossing any picket lines.

I truly believe that the best and fastest way to a good contract is to hit these companies early, to hit them hard and to deprive them of ALL the work we do on their behalf.

How do we ask our staff writers to go out on strike as we continue collecting producer checks? How do we ask the Teamsters to respect our picket lines if we won't ourselves or if we're sneaking around to do the work off-site?

Just so you all know what I am prepared to give up….

Tomorrow, we begin to film the Series Finale of The Shield. I think it's the best script our writing staff has ever written. This is the show that made me. This is the show that is my baby. If the strike goes on longer than two weeks, I won't be able to step on set for the final episode of the show. I won't have a writer on set, as I have had on every episode since the fourth episode. I won't be able to edit this final culminating episode. I won't go to the wrap party that Fox TV and FX are paying for. You can't tell me that any episode of television is more important than this one is to me, and I am ready to forego all those things in order to strengthen my union.

Tomorrow, we begin filming a new pilot, The Oaks, that I am Executive Producing. It's an amazing script that David Schulner wrote and I signed up to help him make this show. Until we have a fair deal I cannot do that now and it kills me.

We are currently filming Season 3 of The Unit, a show that does fairly well, but against House and Dancing With The Stars, usually finishes in 3rd place. We have no guarantee that we will back for a 4th season. I just gave a director friend of mine his first TV directing gig. I'd like to see him succeed. He'll have to finish the show on his own now without a writer on set, or my help in the editing room.

Some people have made the argument that if they don't do this producing work or this editing, that someone else will do it, and this act won't hurt the companies. I respectfully disagree. If we ALL stop ALL work tomorrow, the impact of this strike will be felt much more quickly, much more acutely and it most likely will end sooner, putting our writers, our cast and our crews back to work sooner!

I spent nearly 12 hours today in the Negotiation Room with the companies. I watched our side desperately try to make a deal. We gave up our request to increase revenue on DVD's, something that was very painful to give up, but something we felt we had to in order to get a deal made in new media, which is our future.

I watched as the company's representatives treated us horrendously, disrespectfully, and then walked out on us at 9:30 and then lied to the trades, claiming we had broken off negotiations.

I can't in good conscience fight these bastards with one hand, while operating an avid with the other. I am on strike and I am not working for them. PERIOD.

You will use your own instincts and consciences to decide your own actions. But if you would like to follow in my footsteps (and those of many, many others who made this pledge at the showrunner's meating on Saturday), I encourage you to sign the trade ad that the WGA will be putting out on Tuesday by the dozens and dozens of showrunners who will simply not work at all beginning in the morning."