Jump to content

A freeware scriptwriting program - Celtx


Sylph

Recommended Posts

  • Members

Since there are many writers or wanna-be writers on this board and some might need a scriptwriting software (no need to spend $200+ for Movie Magic or Final Draft, although I have both), I wanted to point you towards Celtx. You can also write theatre plays, AV scripts and so on with this one, and it's completely free. Use the suggestion and feedback box to tell the authors what you would like to see! Who knows, maybe many have already heard about it. Here's John August's review (for an earlier version):

Steve wrote in to point out a new-ish screenwriting application under development called Celtx, which seems to incorporate a lot of features I’ve been clamoring for in terms of leveraging new technology. It’s certainly not a Final Draft killer yet, but it’s worthy of a look.

In many ways, this seems to be the screenwriting program I yearned to write. It’s open source, standards-based and well thought out. If I’d known I could get what I want by sitting on my ass and doing nothing, I would have not-done it sooner.

Celtx uses the Mozilla Application Framework, the same underlying technology as Firefox. That goes a long way towards making it platform independent, since Mozilla can run under Windows, Linux and Mac OS X. It’s a two-edged sword, naturally: for sake of compatibility, it can’t use some only-on-Mac features and eye-candy.

Unlike Final Draft, which strives to keep the screen matching up exactly to the printed output, Celtx takes a more relaxed approach. All the standard formatting blocks are there (Scene Header, Action, Character, Dialogue, Transition), but there are no rulers or page breaks. That’s a reasonable choice; you shouldn’t worry about every (more) and (cont’d) as you write. The program generates .pdfs, rather than trying to print directly — again, a smart call. However, I suspect many writers will find they need more control when it comes time to print.

One of the biggest psychological hurdles with Celtx is how it handles screenplay files. Currently, they seem to reside on Celtx’s server, rather than staying local on a writer’s individual computer. (I say “seem” because each project shows a URL, and you’re not prompted where you’d like to save your file.) This client/server model makes a lot of sense for collaboration, but would make a lot of writers nervous, both in terms of access and security.

Update: The developer wrote in to say that files are indeed kept locally on your computer, unless published to the server. A “Save As…” feature is in progress, according to the support forum.

You can import an existing script from Final Draft or other screenwriting applications, but only by saving it first as a formatted text file. (Final Draft uses a proprietary file format; if any reader out there has figured out how to decode it, please write in.) My import test was a mixed bag. Most of the formatting came through intact, but it lost all of the character names at the head of dialogue blocks. I suspect that’s an easily-addressable problem, however.

More impressive than its importing function is Celtx’s ability to export. It generates .pdfs and HTML, which, if you look through the source code, is actually properly formatted with CSS, as opposed to Final Draft’s ridiculous wrapped text file.

I haven’t fully examined Celtx’s outline and resource capabilities, but you can flag elements such as characters and props, which can be useful for generating reports. (Not that I ever use this feature in Final Draft.)

Celtx is currently in beta. Right now, it doesn’t offer enough to get me to switch from Final Draft. But I’m certainly fascinated by it, and would encourage any interested reader to give it a try.

Now start writing!

http://www.celtx.com/

Link to comment
Share on other sites

  • Replies 22
  • Created
  • Last Reply
  • 3 months later...
  • 4 months later...
  • Members

I have Final Draft 6, and I'm considering updating to Version 7; but it's a little expensive. Which would you say is better, MM or FD? Oh, and why do you have both? Like, don't they basically do the same thing?

Link to comment
Share on other sites

  • Members

I'm definitely gonna check this out when I get home. I've been looking into getting Movie Magic or Final Draft.

Can this program import what's already been written in Microsoft Office? Or will I have to start over?

Link to comment
Share on other sites

  • Members

Thanks Sylph. I'll definitely check out Movie Magic. I had Final Draft on my old computer, then I got given a laptop at Xmas, and FD no longer works properly - it has, like, a selection of 5 fonts, and I get double the number of pages. :rolleyes: It's such a chore having to memory stick it, and upload it to the old computer, just so I can get the correct number of pages! Kinda defeats the purpose of the laptop.

Link to comment
Share on other sites

  • Members

Oh, my first :wub: smiley from Ryan! I can't believe it! :D

Well, you just confirmed to me that FD needs some serious improvements. A lot of people in the industry hate it, but somehow got used to all of its craziness and just keep using it.

MMS isn't perfect, but it is better than FD.

Link to comment
Share on other sites

  • Members

Screenwriter 6.0 cannot import from or export to Final Draft format, but - importing from Rich Text Format (RTF) is easy and requires little cleanup. It also exports to RTF, PDF, and the Screenplay Exchange (.sex) scheduling formats.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • 5-6   Meh. It already looks like a scattershot week.    5-5 was actually a good episode. Damian and Lily. Phyllis finally going on the warpath that I knew she could get on with Billy and Sally. Nate started to question Audra and Victor's alliance. And I was not even bugged by Kyle and Claire.   But then there's Cole's off-screen story. Kyle and Claire going back to being whiny. And them even wanting Adam's penthouse just sounded like trying to keep the set around. And Diane shouldn't even give a flying frak about Billy's opinion. And Tessa, Daniel, and the guitars...yeeeah no.   But hey...JM looked good in that short. And those pants.  I agree. One of Y&R's good points with fans has always been that you do at least see the vets. And IN stories. 
    • One of the things that I found unnecessary and a bit disturbing about Ambitions was that in almost every episode someone was holding or shooting a gun.  Jamey and Ron seem to have the same fetish.
    • I had thought that there was a Tommy Biddles on there, but then I realized I was thinking of Dr. Biddles on Santa Barbara. Never mind! 

      Please register in order to view this content

    • Please register in order to view this content

       
    • I have watched the scene where Vanessa reads the letter and it's lovely, but I'm really glad now that I never got around to watching the funeral. Henry ADORED Nola! He treated her like a daughter and Stacy like a granddaughter. That's why Vanessa couldn't stand her. He was crazy about all the Reardons. He spent a lot of time at the boarding house. He and Bea--they never explicitly said it was romantic, but they certainly were loving friends. This sounds worse than Bert's funeral. I really did not think that was possible.
    • It always bothered me from the start that Nicole just took Mona's suggestion and never checked references.  A real psychiatrist would have done more before hiring someone. ** I like that Kat's reporter/investigative type instincts caused her to be suspicious of Eva from the start, and to try to spy on Eva and catch her as weeks went by. However, I think that Kat's so focused on what Eva did wrong -- that she won't see that Leslie is the master manipulator, making some things appear different than they actually are. I hope that Shanice's natural snoopy nature will get her to figure out what actually happened to Laura, and who really caused all the problems. *** edit to add: The show never specified what Mona's job was for Nicole.  Home manager?  Office manager?  Head personal assistant?  I'm sure there would have been a title?    Mona asserted today her upset with Eva and with Leslie.  That they used her and ruined her reputation.  I just wish I knew what Mona's job was. If Mona was an official manager, then it would have made sense for Nicole to trust the recommendation, if Nicole thought Mona had done a proper hiring procedure.  But if Mona is just an informal helper, then why wouldn't Nicole order a background check?
    • And I'm here for it.   Also...YES, PLEASE. 
    • Also, someone knocked over the head (usually in the D Mansion) and imprisoned in the secret tunnel room or whatever it was. I swear that must have happened at least a dozen times the last few years, and each time it drove me crazy! 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy