Paul Raven

Well it wasn't just daytime actors of course. I've been reading through old TV Guides and Raymond Burr's fantasy backstory is dredged up again - the dead wives and child. Paul Lynde talks about the girl that got away. Poor Cesar Romero was jilted and that turned him off marriage. And Dick Sargent is interviewed at his house about his bachelor pad that apparently he was sharing with his partner at the time

Thanks @DRW50 Seems like everyone else could see the problems with The Doctors except those who could actually do something about it. At that time Katherine on Y&R and Phoebe on AMC were very popular characters with younger viewers and Meg Mundy was a powerhouse so of course put her on the chopping block...

Noticing that Eileen/Ashley is pretty much back full time. In 2021 she made 25 appearances and in 2022 38. So far this year,as of July she has 58. So Eileen has agreed to pretty much return as a regular, but not on contract. I wonder why the change of heart ? Guess she felt like she was ready for more work and Josh had a story she liked?

So the Primetime exposure helped get some eyeballs but viewers didn't hang around. That 11.30 am timeslot was no help. Loving hovered around 3.5-3.8 over the following months.

I think Jason would have made a better Adam. The writing doesn't help one bit but Billy comes off as so dull. None of the light heartedness Billy Miller brought to the role.The mental health/podcast stuff was unbearable.

Variety reported in Oct 1970 that Gerald Gordon flew to LA to test for a role in The Godfather. Can't blame Gerry for aiming high....

Variety review from July 17 lists Gillian Spencer in the cast.

I wonder why there was such a big jump in numbers week of 21st May? GL - 7.9 to 8.7 GH - 7.4 to 8.4 Days -6.0 to 7.1 etc

NBC was at one point touting the teen demo for Passions and that it was laying the foundation for viewers to continue watching into late teens, early twenties etc. As stated advertisers were interested in the here and now, not possible future outcomes. Hence, shows using SORASING and introducing new characters to supposedly appeal to a younger demographic. The fallacy in NBCs hype is that 20 yr olds usually don't want to be associated with something they did at 14 and unless they were super hooked on Passions they'd probably avoid it like the plague. And that is not the desired demographic. Important sure, but advertisers want women 18-34 to be watching and buying.

When A World Apart and Best of Everything began ABC had to find outside facilities to produce them. A World Apart- Reeves Telecom Lincoln Square Best of Everything - Metromedia WNEW TV East 67 th St. This information from Variety contradicts what was posted above, so I can only surmise that ABC moved them back to their own studios during their runs. Although BOE was shortlived, so it seems odd that a move would have happened in those months.

@JAS0N47Amazing work! Many thanks.

I think it was Worldvision that handled the P&G soaps at that time. Definitely a distribution company. AW had previously aired on the 9 network in Oz in the 70's at 11am at one point for several years.

Feb 70. NBC's latest programming changes to improve daytime ratings have backfired. At 12.30 'Who, What, Where' is scoring a 23 share compared to 'Namedroppers' 28 share. At 1.30 'Life with Linkletter' 15 share compared to 'You're Putting Me On' 18 share. In turn the soap block's ratings are down compared to a year ago Days 36 share to 28, Doctors 35 to 29, AW 40 to 32. Bright Promise had a 16 share against Edge of Night 39.

Feb 1970 CBS makes some adjustments. Fred Silverman now VP program planning and development NY. Silverman had been head of daytime since 63. This position gives him scope above daytime duties. He will continue to oversee daytime but not on a day to day basis as this new post includes nightime and specials development. Paul Rauch now national director of daytime programs. Rauch had spent 9 years at P&G as supervisor of daytime programs. He will fill Silvermans post. Mike Filerman director of daytime programs NY now reports to Rauch. Rauch had been a child actor and was son of Harry Rauch former PR director at Young & Rubicam advertising agency. He had been involved at CBS daytime prior to working at P&G.

Wed @9 was a tough timeslot. CBS tried series there every couple of seasons and they always flopped. Good counterprogramming to Dynasty and Helltown on NBC. CBS didn't have many slots available for a comedy. Every 8pm slot was taken by comedy throughout the week . I guess they were hoping for a solid #2 in the slot like how Facts of Life operated in that slot for years. But with no lead in and so so reviews it got moved to a CBS dead zone Tues @ 8.30. NBC couldn't find an acceptable show either trying Helltown and Blacke's Magic before moving Gimme A Break to Wed @9. Charlie & Co was #19 in its first airing up against Helltown #7 and a 3hr doco on ABC #50 The following week up against the premiere of Dynasty it fell to # 68 and so was pretty much DOA.

Lynn Benesch...I didn't even think of her. When did Lynn replace Trish?

Hopefully. Chelsea is one of several characters that needs to be rested. Mal gave her the boot but Josh brought her back. Now they have to figure out what to do with Billy. Another go round with Phyllis?

Irna worked for all 3 TV networks first. CBS with TGL and ATWT . NBC with AW in 64 ABC as consultant working on the development of Peyton Place and ABC daytime: Feb 65...Flame In The Wind, which premiered in late December, is a good example of the care ABC puts into developing new daytime entertainment. It's written by Don Ettlinger, produced by Joseph Hardy and has as story consultant Irna Phillips, all of whom have been responsible for some of television's most popular serials. April 64 ...Irna Phillips named ABC -TV consultant on all nighttime dramatic programs. She is credited with originating serial form on radio and TV. Miss .Phillips will be associated with all three .networks since she created and writes CBS -TV's daytime serial, As the World Turns, and, Another World, which will start on NBC -TV next month.

Goes to work with Sharon.

I'm going to have to disagree. I believe that is Trish Van Devere in the photo with Agnes. She does resemble Sharon Loughlin. Maybe too closely and that was one of the reasons she was dropped. I doubt very much an actress who was dropped from the show before the debut would be posing happily with her replacement. No I think this is an early promo shot of the leading ladies of the show.

I think you are right about Thanksgiving football rating better and maybe Wimbledon? But with sports I think a number of factors come into play. One is the 'prestige' the networks associate with having exclusive rights to a sporting event. Obviously they want the ratings and on weekends and evenings they hope to get them but daytime is a different proposition. There would be a hue and cry if they got the rights to an event and didn't show weekday games for the soaps. Bad Optics. Also the type of viewers they would get (men)would be different and I'm sure the products advertised would reflect this. It's a similar situation with news pre-emptions. The networks want to be seen as news leaders and even though they lose money interrupting the soaps it is seen as important to the image of the network. It's also a reflection of the attitude of the networks that news and sport are more worthwhile and daytime is treated as an afterthought. Obviously major news events should take precedence but often the interruptions were unnecessary. But the news division had the power to preempt.

I doubt that any money made from international broadcasts would make a difference. I would imagine the Australian networks got the show at bargain prices. They wouldn't want to pay much for programming at 10 am in the morning. I think that the distributor would get a piece from the sale and the rest back to P&G. Did the actors receive anything for overseas sales? Probably a check for $1.29.

No. When The Guiding Light returned to radio in 1947 after a break the new show was set in California and produced in Hollywood. It then returned to New York for the rest of its radio and tv broadcasts. Another Irna Phillips soap Masquerade was also broadcast from Hollywood at that time.

Tv Guide Nov 1969. Carla had a guest spot in The Survivors around this time. When Carla Borelli was six months old, her mother, a San Francisco grocer’s wife, took one look at that beautiful ltalian baby face and decided, Carla, my girl, you’ve got to be a model. So Carla was a model before she could talk. The tap and ballet lessons began when. she was 7. By the time she was 15, alas, she had no worlds left to conquer. She was “the top model” in San Francisco, making a sinfully large sum of money. “I needed more to do,” Carla remembers. “New conquests. SoI signed a contract with 20th Century-Fox. Trouble was, they didn’t know what to do with me and they told me to go home.” Carla went home “a very rebellious young lady.’ She kept auditioning for things when she should have been doing her school work. “l rebelled,” she says,“because I didn’t get what I wanted.” Two years later she tried again in Hollywood. “I lived with a wonderful little old Italian lady who made wine. Right off the bat I was making commercials, and I knew there was something here for me.” Still, it took her a few years to collect that ‘‘something.’’ She decided to commute to her Los Angeles jobs, which gave her a chance for some more schooling. She also snagged herself a husband, a good-looking University of Michigan graduate named Jack Demorest, who was employed by a billboard firm in San Francisco. “1 told him my needs,” Carla recalls, “and outlined the rules of the game. He understood. I know |’m not easy to be married to. At one point we had to take a trip around the world to get reacquainted. Then a couple of years ago I persuaded him he couid do better in Los Angeles.” Carla read biographies of Bette Davis and Helen Hayes and even arranged to be caught carrying a copy of Stanislavsky’s “An Actor Prepares.’ Nothing rubbed off. She had to content herself with making ‘‘a great deal of money doing commercials. Photographers used her extensively because, said one, “She was sexy but had the -nice look when you needed it.” She wasn’t satisfied, however. “Modeling is one-dimensional,” she says. ‘‘Acting is three-dimensional. I wanted to be something of an Anne Bancroft, to use my total self.” Last season the “‘total self’ was finally allowed to get into the act. Universal Studio needed ‘‘a very beautiful girl with a visual look who could move” in a Name of the Game episode. She had only one scene, but the part was fat—an Italian playgirl who dies of an overdose of barbiturates. Carla swung well enough in it for the studio to sign her to a contract which allowed her to keep up her modeling activities. She did an It Takes a Thief episode. She appeared as one of Don Knotts’s ladies in “The Love God.” She even got herself cast in an underground movie called “Don’t Throw Cushions in the Ring.” The film, made on a shoestring by the actor Steve Ihnat, is about a man who strives very hard to be a successful actor but, when he gets his desire, experiences disappointment. “It is the problem of our Affluent Society,’’ Carla explains. “What do you do after you have everything?” Last spring she made a second Name of the Game as a woman of ill repute. When the scene was over, all the studio still photographer had to do was make a slight motion toward his Rolleiflex. The sloe-eyed beauty wearing the Rita Hayworth-like black lace chemise fell instinctively to her knees on the satin bedspread, head up, lips slightly parted in the classic Hayworth pose. When the still photo was released to 900 papers a few weeks later, even The New York Times printed it. Carla was born 25 years too late to be another Hayworth. However, she might make it as the house Raquel Welch. In any event, she'll make it. “I'm finding out what works for me,” she says.

Yes TJ (Tim) was a young boy that Sara and then husband Joe adopted in the mid 70's. They never followed through with a reveal of who his real parents were.