Those are excellent ideas, but I bet CBS would be so scared of those types of stories.
I wonder how the interference plays out on B&B. Brad obviously doesn’t just get carte blanche to do whatever he wants; even HBO showrunners get their ideas nixed by network executives, and Patrick Mulcahey spoke at length about stories and even dialogue that got killed at the network notes stage. B&B has more “excitement” than Y&R—he leans on cheeseball soap clichés that the network seems to like—but there are also long stretches where things just don’t go anywhere and we’re seeing the same sets (Steffy’s office at FC, the Forrester mansion, Hope and Liam’s cottage) and hearing the same cut-and-paste dialogue. Then, all of sudden, there’s a flurry of activity where it feels like he’s saved up enough money to do something bigger. B&B is a small show and is known for those kinds of patterns, but it feels particularly pronounced now.