Paul Rauch's GL was tacky, hot neon shít. Brown and Esensten, mediocre writers at best and terrible at worst, were perfectly suited for his latter-day decline. Embarrassing. Who gave a fúck about an island kingdom of faux-British prigs in the middle of nowhere that had nothing to do with the town or characters? Certainly not me, and I was not some longtime viewer - I was their supposed 'new audience' and I thought it was hilarious and tuned out. It's because of Paul Rauch, San Cristobel, the clone, etc. that it took me years to give GL or its past the time of day.
JFP had a few very specific skills she honed over many long years that are sometimes noticeable, but as someone said long ago - I think it was Marcy Walker (who had a disastrous stint on GL and knew it) - her being a good line producer didn't make her a good all-around EP. She reached the limit of her talents around 1992 and dealt GL one of several death blows. Later she moved on to crippling AW and my show (OLTL), and then spent years helping to dismantle GH and finally Y&R. She hasn't had anything novel or legitimate to offer the genre in decades and her reputation is well-deserved. I'll stop before I segue into how she made half the female leads physically embody her onscreen and get paired with her favorite leading men, or digress into the Kale Browne Welfare Program on ABC.