I enjoyed a lot about OLTL 2.0 and thought it was aesthetically cutting-edge and more serious in tone than it had been, as opposed to simply leaning into the tonal issues that eventually sank the Valentini/Carlivati brand at GH and later DAYS. It certainly had any number of pacing and structure issues of its own making re: the holdover storylines from ABC, but those were solvable and I thought the youth set was very strong (if overexposed). The overarching suspense plot only began to actually coalesce into something cohesive and compelling at the very end, and the way they handled Roger Howarth and Trevor St. John's limited availability (confining Todd to a hotel room for weeks) was very goofy. You can fault them for lots of things, but I think a lot of what that show did on Hulu would be the blueprint if it ever returned somehow. That being said, I think AMC 2.0 was very easily the best soap of that year, or that decade frankly.
I understand they could have more easily survived launching just one, but honestly the whole operation struck me as a grift from day one. I knew what the PP guys were, but I chose to enjoy the shows for the shows for as long as they lasted. And I thought the duality of AMC and OLTL, light and dark, again was very well-redefined by pairing them up together. It's how it should still be, IMO.