Critics Unleashed!

[Franko]

Here's the place to share some memorable criticism. You don't have to agree with it, of course (that's often where the fun starts). Like I mentioned to @DRW50, Sally Field was a favorite punching bag in the late '80s and early '90s.

 

Punchline (the 1988 movie where she and Tom Hanks are stand ups):

"It's impossible to tell the difference between Miss Field's routines that are supposed to be awful, and the awful ones that are supposed to be funny." -- Vincent Canby, New York Times.

"It's not merely that Field is miscast; she's miscast in a role that leaves no other resource available to her except her lovability. And (David) Seltzer's script forces her to peddle it shamelessly." -- Hal Hinson, Washington Post.

"As a woman who can't tell a joke, Sally Field is certainly convincing. ... Field has become an unendurable performer ... She seems to be begging the audience not to punch her. Which, of course, is the worst kind of bullying from an actor. ... She's certainly nothing like the great housewife-comedian Roseanne Barr, who is a tough, uninhibited performer. Sally Field's pandering kind of 'heart' couldn't be further from the spirit of comedy." -- David Denby, New York

 

Steel Magnolias:

The leading ladies:

Dolly Parton: "She is one of the sunniest and most natural of actresses," Roger Ebert wrote. Imagining that she probably saw Truvy as an against-type role, Hinson concluded it's still well within her wheelhouse. "She's just wearing fewer rhinestones."

Sally Field: "Field, as always, is a lead ball in the middle of the movie," according to Denby . M'Lynn giving her kidney to Shelby brought out David's bitchy side. "I can think of a lot more Sally Field organs that could be sacrificed."

Shirley MacLaine: "(She) attacks her part with the ferociousness of a pit bull," Hinson wrote. "The performance is so manic that you think she must be taking off-camera slugs of Jolt." (I agree. If there was anyone playing to the cheap seats in this movie, it's Shirley.)

Olympia Dukakis: "Excruciating, sitting on her southern accent as if each obvious sarcasm was dazzlingly witty," Denby wrote.

Daryl Hannah: "Miss Hannah's performance is difficult to judge," according to Canby, which seems to suggest he took a genuine "if you can't say something nice ..." approach.

Julia Roberts: "(She acts) with the kind of mega-intensity the camera cannot always absorb," Canby wrote. That comment is so fascinating in light of the nearly 40 years Julia has spent as a Movie Star. She is big. It's the audience who had to play catch up. And on that drag-ish note ...

The movie itself:

"You feel as if you have been airlifted onto some horrible planet of female impersonators," Hinson wrote. Canby: "Is one supposed to laugh at these women, or with them? It's difficult to tell." Every review I read acknowledged the less than naturalistic dialogue in ways both complimentary (Ebert loved the way the women talked) and cutting (Harling wrote too much exposition, repeating himself like a teenager telling a story, Denby wrote). Harling wrote with sincerity and passion, Canby acknowledged, but it's still a work of "bitchiness and greeting card truisms." The ending was less likely to inspire feeling good as it was feeling relieved, according to Denby. "(It's) as if a group of overbearing, self-absorbed, but impeccable mediocre people at last exit from the house."

Edited 18 hours ago by Franko

[DRW50]

@Franko Thanks for tagging me.

A few days ago I was talking in another thread about the rise of "snarky" critics for TV shows in the '90s online recaps, but this is just more along the lines of a mauling. There's also the unspoken reality that films like Steel Magnolias were seen as movies for women, so therefore they sucked.

Pauline Kael also had her share of blunt, at times incredibly nasty remarks, but the vitriol is often balanced by her love for film. I'm not seeing that here. 

With that said, the comment about Field's work becoming unbearable describes how I felt when I tried to sit through her and Maura Tierney on ER. 

Edited 11 hours ago by DRW50

[I Am A Swede]

I find it hard to believe that they actually watched the same version of "Steel Magnolias" that I did. Are we sure they didn't watch the horrible re-make?    

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Oh dear lord, did you have to remind me of that?!! That was definitely not Sally Field's finest hour, and Abby (Maura Tierney's character) was surely one of the most depressing characters ever written for tv or film. I'm not sure she cracked a smile even once during all her years on ER.  

[Franko]

This. I'm also reminded of something from the old Cinema de Merde website, something I've tried to carry with me. "(paraphrased) We will not let our dislike for a movie impede our efforts to engage with it."

[DemetriKane]

Steel Magnolias is one of my favorite films. Be nice!

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@Franko Can we add criticism of our own, or just from movie critics? 

Edited 4 hours ago by DemetriKane

[Franko]

I intended it to be from film critics, but -- full disclosure -- lifted the Punchline and Steel Magnolias stuff from old blog posts of mine. In short, you're free to share your own criticism, yes.

(I've said it before, but I consider myself a Clairee with more than a little Annelle.)

[DemetriKane]

Okay sounds nice. I consider myself a dash of Annelle, Truvy, and Louisa.