Jump to content

Recommended Posts

  • Webmaster
Posted
All My Children, AMC, #AllMyChildren

After an exhaustive casting search, it looks like “General Hospital” has finally found its new Lulu Spencer.

Daytime Confidential reports that the ABC daytime drama series has hired “All My Children” alum Alexa Havins (ex-Babe Chandler) to portray the daughter of Luke and Laura Spencer (Genie Francis and Anthony Geary), and the younger sister of Lucky Spencer (Jonathan Jackson).

Since Daytime Confidential‘s reporting, TV Line has confirmed Havins has been cast as Lulu.

Last played by Emme Rylan, the return of Lulu marks a turning point for the character who was placed in a coma in 2020 when an explosion at the Floating Rib left several others injured and caused the deaths of Lulu’s love interest at the time, Dustin Phillips (Mark Lawson), and teenager Dev Cerci (Ashton Arbab).

Although a return date has not been announced, recent episodes of the series have seen a body double taking the place of Lulu as her friends and family gather to visit her at General Hospital following news that she needs a liver transplant or else she might not survive.

Reportedly, other actors in the running for the role of Lulu Spencer included Jennifer Landon (“Yellowstone,” “As The World Turns”) and Marci Miller (“Days of our Lives”).

Since exiting daytime in 2007, Havins went on to make several guest appearances in such primetime shows as “CSI: Miami,” “CSI: NY,” “Grey’s Anatomy,” “Castle,” “Constantine,” “Barry” and even “Sweet Magnolias,” which features her real-life husband and former “All My Children” co-star, Justin Bruening (ex-Jamie Martin), in a starring role.

In 2011, Havins briefly returned to “All My Children” to help close out the character’s story arc as the series was concluding on ABC. That same year, she starred as Esther Drummond in the BBC America original series “Torchwood.”

Check out a clip from the Floating Rib explosion below.



Note: The post Alexa Havins Joining ‘General Hospital’ As Recast Lulu Spencer appeared first on the Soap Opera Network website.

Read More

  • Replies 4
  • Created
  • Last Reply

Top Posters In This Topic

Popular Days

Top Posters In This Topic

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27.   *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure.  Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
    • Please register in order to view this content

       
    • I spent years hoping we would get an oral history like the OLTL book, but it’s too late now with so many having passed away.
    • It’s also strange that it was Monica! I just don’t think of her as the staring off into space type of woman! I watched a bunch of other clips and stuff from random 1978 and 1979 episodes. I’m so used to seeing movement from Monty’s era, especially the early part, that this really is a cool relic. Pretty soon you have scenes start at the new nurses station, the elevators opening and doctors walking to the desk to get their messages from Jessie or Bobbie. People often walk towards doors while taking coats on or off, many Webber house scenes start or end with someone walking up the stairs. This episode is even more static than some of the way earlier ones I have seen, where you would have Steve or Jessie at least going from the old school nurses desk to the medicine room, Steve’s office, etc. That bland dialogue is very much like what they have now. The show picks up a lot of personality. Knowing what we know about David Hamilton and how that really started to get the ball rolling as far as viewers you really see just how vital Lesley and especially Laura were to get things moving for them. They focused on the right characters to get fast results. The show now could learn a thing or two from this.
    • It won't allow me to watch it via the link; I am only able to watch it with the app.
    • Just finished the Goldfinch. Read it in 4-5 days... and it's a huuuuge book. Well... I would rate the first 500 pages a solid 10 out of 10... but then the next 300 were kind of a letdown... so the overall impression is something like - 7/10. It's just very hard to give something a full 10 after reading A little life.  Still... loved it immensely and would probably re-read it in the future. There is a movie adaptation... starring Nicole Kidman... that I haven't seen. 
    • I realize I harp on this, but I think he spending is relevant.  She's not just buying new wigs. She's building a mansion, she's funding a sports complex, she's paying for operations for people she doesn't know, she's caring for Peaches, she's buying apartments. We saw ?her get ONE check for ONE million dollars. That's it. I may be wrong, but I thought they said she'd get a payment every 6 months. Regardless, she could not rule the roost on $1M, and the show is not doing a good job there. Pretending that doesn't matter? I can't do that.  All they had to do was add a couple lines about payouts and payments.  In other news, I would love to know just how much Anita was putting into that trust as well as what investment got her what has to be an incredible return.

      Please register in order to view this content

       
    • I'm honestly surprised Nikki and Victor have not divorced yet... maybe their brief opening of the marriage did something for them. 

      Please register in order to view this content

    • It reminded me of what the Pollocks got away with all the time on THE DOCTORS: long ass flashbacks that don't really add anything to the scene except time.  Because, if you remove the flashback, what's left?  Monica finishes packing Alan's suitcase.  The end. Oh, well.  At least I got to see a young Patricia Elliott (ex-Renee, OLTL) in that Aim toothpaste commercial (not to mention, a shirtless James O'Sullivan (ex-Jeff, AMC; ex-Pete, OLTL; ex-Jerry, SOMERSET) in the commercial for One-a-Day vitamins, lol).
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy