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Soap opera suicides


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I believe there's way to still offer hope in doing them though.  By the way they effect the people they leave behind.  Soaps are always at their best when reflecting the real world and people die everyday, not just by natural causes in their sleep. Encourage that viewer that's been watching your show for 30 years that's struggling with losing a special love one.

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Renata Adler published a book of her essays & it began with mention of this sick suicide to frame someone, ... I did a write up of the whole chapter & here's the whole bit about this guy.

Renata Adler is an American author, journalist, and film critic. Adler was a staff writer-reporter for The New Yorker, and in 1968–69, she served as chief film critic for The New York Times. She is also a writer of fiction who uses the pen name Brett Daniels. She was born October 19, 1938 in Milan, Italy. Her family fled Nazi Germany and later moved to America. She grew up in CT.

CANARIES IN THE MINESHAFT: Essays on Politics and Media. by Renata Adler. St. Martin's Press. New York. © 2001. "Afternoon Television: Unhappiness Enough, and Time"

"You have to tolerate extremes of hatred and loneliness to follow, Monday through Friday every week through a still unterminated period of months, the story of an educated man so bitter that he kills himself solely to frame another man for murder. Yet there is an audience of at least six million at two-thirty every afternoon New York time (other times across the country) prepared to watch this plot line, among other plot lines, develop on "The Doctors," a television program of the genre soap opera, or daytime dramatic serial." And, this is no joke. It is for fiction a single act of rage and isolation like this imploded revenge, a suicide caroming across the board. "This contriver of his own death to make it look like someone else's literal crime has, ... detonated incalculable threats in other lives." "The Doctors plays this all out".

For all I know, this might happen all the time. But "The Doctors" has a special instance here. Now, no one writes high drama. But in a time of violent death, individuals in dire straits look tabloid. "Most fiction keeps its personal crises low profile and small; writers with serious claims upon the desperate dramatic themes seem to have crossed further out of tragedy and into melodrama than writers of soaps going the other way." The term 'pop culture, never of much use or elegance, is empty now. "There is almost no culture of any other kind." People with a taste or instinct for the arts are thrown back on the classics or must bide their time. "The arts, first-rate, second-rate (the creative enterprise is not a horse race, after all), are just not much in evidence."

 

 

 

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