Jump to content

Did GH/L&L tarnish "Rise" by Herb Alpert?


Recommended Posts

  • Members

I was listening to Rise on my MP3, and I've always wondered why other shows never touched that instrumental (that I know of) after GH.

We know what GH did for "Baby Come To Me". How long was it off the charts before being resurrected due to the show - about a year if I'm not mistaken. It shot to #1 and stayed there.

Friends and Lovers is another song that shot to the top of the charts due to a soap.

So I have to wonder about Rise. I was really young during the LL incident (trying not to veer off topic) so I am just curious about why no other shows used this song (if that was possible). It was very sexy and popular, but I can't help but believe GH might have had a negative impact.

Does anyone else know better?

Link to comment
Share on other sites

  • Replies 3
  • Created
  • Last Reply
  • Members

Perhaps it's because I'm younger, but I associate that song as the song that The Notorious BIG sampled for his hit, "Hypnotize" first, and as a smooth jazz staple second. Needless to say, I had no clue that that was the background music in the L&L rape scene until they re-aired that episode sometime in the early 00s.

So, to answer your question, no, that song isn't tarnished in my eyes. It may hold more than one meaning, but I can't say that I am nauseated when I hear it.

Link to comment
Share on other sites

  • Members

I do admit to feeling guilty when I listen to it sometimes, because it really IS a sexy song that could work well in a romantic setting, so I really have to try to forget the reason why it became popular in the first place (it went to number one in late 1979, shortly after the rape scene aired).

I've always wondered if Herb Alpert himself was bothered about the song being used in this context. He may have just been happy the show gave it more exposure than it ever would have gotten otherwise.

Link to comment
Share on other sites

  • Members

IMO, no other show, primetime or daytime, has used "Rise" because it is so intrinsic to L&L and that night at the Campus Disco. In a way, it's the same reason (next to pesky clearance issues) why "Wiseguy" makes it difficult for another show to use the Moody Blues' "Nights in White Satin" w/o bringing up for viewers memories of that climactic sequence in the former show.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

    • And while I'm doing catch-up, it's good to see you did as well. And YES. This is how May Sweeps SHOULD be. A story climaxing. Another A story being built up as we did with the aftermath of the first A story climaxing. B plots being built up...actually moving and being interested in most of them...if not all. hehe. New story being started. And even the C plots are moving, too. 
    • It definitely did. Nothing major, but I clocked the minor changes too. Passions did something similar with its theme in the later years and people thought I was crazy, but the nuances are there if you're paying attention. 
    • What? A nice little mini-marathon of catching up before work.    YES, PLEASE. 
    • I guess they copied literally everything from that C&R scene, the dialogue etc 
    • And even then...you have to wait a couple of weeks to be sure he's actually dead.

      Please register in order to view this content

       
    • Apparently. lol.  Well you know I don't mind standing also with the cheese so  
    • I have nothing to add. Everything you said is on point, and I don't know whether to laugh hysterically at it or throw things at the television. I do know it's terrible soap opera.  
    • Characterization: - I realized I have PTSD from Ted #1’s constant swaying. The moment I saw NuTed, I actually caught myself thinking, “Why isn’t he rocking?” - Leslie makes very little sense from a storytelling perspective unless she’s completely psychotic. What was she hoping to achieve with all her dramatic reveals and aliases? Also… who wouldn’t put two and two together after Laura’s accident? - Anita and Dani come across as mean-spirited, and honestly, the Duprees should just be portrayed as full-on villains. Been saying this since day one—remember when Dani punched Haley and the whole Dupree clan just walked away from her with that “shame on you” look? Wrong on so many levels. Glad others are finally seeing it too. - Mona is sanctimonious and I can’t stand her. She’s the worst kind of person: lower-to-middle class but constantly making excuses for the rich. - Call me crazy, but I’m actually enjoying Ashley and Derek’s storyline. I’ll take this neurotic OCD queen over the sanctimonious, multi-talented nurse any day. Plus, soap couples are usually so plastic. They deal with insane drama but never go to the bathroom, never plan a weekend away. Look at Kat and Tomas—every scene is just them planning lunch or dinner…! - Btw by now André seems bored af by Ashley.   WTF Moments: - No young woman would be even remotely interested in going to a casino (looking at Eva). And it’s wild how the show is treating gambling like it’s some kind of therapeutic hobby—like retail therapy or something. - What are they doing with Smitty’s eyebrows… and more importantly, why?   Parallels with Other Soaps: - I like Nicole, but she reinforces my belief that soaps should never include psychiatrists. If they’re portrayed accurately, they ruin the fun by rationalizing everyone’s childish and selfish behavior. If they’re portrayed inaccurately (hi Taylor from B&B), it’s equally bad. - Anita’s story is giving major SSM vibes from 2017‘s Y&R, when Victor got Nikki to start playing the piano again.  - Karla played a model on B&B too…

      Please register in order to view this content

        Direction & Continuity: - Pascarelli is hands down the worst director this show has. - Wednesday’s episode started with a nighttime establishing shot of Orphey Gene’s… but all the scenes that followed were clearly set in daytime—until halfway through the episode, when it suddenly switched back to night. - The picture on the piano at the Duprees’ house shows two little girls and two little boys. Who are the boys? One could be Martin (or Tyrell?), but who’s the other kid? (And speaking of pictures… no one under 50 is walking around with a printed photo in their pocket. But I digress.) - I love catching the time on the phones when they pop up onscreen. Friday’s episode was supposedly set before lunch, but Vernon’s phone said 3:15 in one scene and 3:50 in the next. A few scenes later, Kat is playing Leslie’s audio for Jacob and her phone shows 10:40. Cool. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy