Jump to content

2012-2013 Pilots


Toups

Recommended Posts

  • Replies 105
  • Created
  • Last Reply
  • Administrator

ABC: Gilded Lillys

ABC has given the pilot green light to Gilded Lillys, a period drama written/executive produced by The Nine co-creator KJ Steinberg and executive produced by Shonda Rhimes. Set in 1895 New York City, Gilded Lillys is described as an epic love story that follows the opening of the first luxury hotel in the city and the intermingling of love, treachery and disdain between the classes.

Link to comment
Share on other sites

  • Members

Kind of surprised they're getting a show - most of Shonda's shows have flopped, as did The Nine.

I guess these period pieces are starting because of Downton Abbey. I always want more period shows on TV (I wish we'd get more from the 40's) so I hope it's a success.

Link to comment
Share on other sites

  • Administrator

NBC: The Frontier

NBC just gave the green light to the Sony TV-produced period Western The Frontier, from writer Shaun Cassidy and Prospect Park. Thomas Schlamme is attached to direct and executive produce the pilot, which chronicles the journey of a group of disparate travelers from Missouri to the West Coast in 1840. As they struggle to survive, these strangers will be forced to band together and form a family, while they boldly press forward into the great unknown that is the Frontier. The Frontier is one of 3 Western drama scripts commissioned by NBC this season.

Link to comment
Share on other sites

  • Administrator

NBC: Midnight Sun

Midnight Sun, based on the Israeli series Timrot Ashan, aka Pillars of Smoke, is a thriller following the mysterious disappearance of a group living on a commune in Alaska. The Alaska setting is appropriate given that the original series is being described as described as Twin Peaks meets Northern Exposure meets Lost. Midnight Sun centers on a female FBI cult specialist starts an investigation that uncovers a larger conspiracy. Lisa Zwerling wrote the adaptation and is executive producing the pilot with Peter Traugott, his executive Rachel Kaplan and Alon Aranya.

Link to comment
Share on other sites

  • Administrator

NBC: Do No Harm

Do No Harm is a medical drama about a brilliant neurosurgeon who wrestles with his dangerous alter-ego that threatens to wreak havoc on his personal and professional life. David Schulner wrote the script and is executive producing with Traugott and Kaplan.

Link to comment
Share on other sites

  • Administrator

CW: Arrow

The CW is finalizing a deal for a pilot order to Arrow, an hourlong superhero drama based on DC Comics’ Green Arrow. It is written and executive produced by The Green Lantern co-writers Greg Berlanti and Marc Guggenheim and Fringe and Vampire Diaries alum Andrew Kreisberg. I hear that David Nutter will likely direct the project, which takes the comic book character created by Mort Weisinger and George Papp and sets him in a new world with an original story that is not based on the comics, which are published by DC Entertainment. Arrow, produced by Warner Bros TV and Berlanti’s studio-based Berlanti Television, was developed by Berlanti and Guggenheim, who came up with the idea and wrote the storyline and then brought in Kreisberg to write the script. Kreisberg, who has comics experience having written DC Comics’ Green Arrow and Black Canary among other books, previously worked with Berlanti and Guggenheim on their ABC drama Eli Stone.

Link to comment
Share on other sites

  • Administrator

NBC: Save Me

NBC has closed the deal for a cast-contingent, off-cycle pilot order to comedy Save Me. The single-camera project hails from writer John Scott Shepherd, Sony Pictures TV and Neal Moritz’s studio-based Original Films. Save Me centers on a woman who, after an accident, starts to believe that she is channeling God.

Link to comment
Share on other sites

  • Administrator

FOX: Untitled Karyn Usher drama

Fox has given a pilot order to a spy drama written by Karyn Usher (The Playboy Club). The procedural thriller centers on the orphaned 17-year-old daughter of a CIA operative who is recruited to become an operative herself. She encounters a mysterious rogue agent/assassin who serves as both her surrogate father and professional mentor in the spy world. The project hails from 20th Century Fox TV and Mary Adelstein and Shawn Levy’s studio-based 21 Laps/Adelstein Prods. Usher, Adelstein, Becky Clements and Levy are executive producing.

Link to comment
Share on other sites

  • Administrator

FOX: The Asset

Fox has given a pilot order to The Asset, Josh Freidman’s female-centered action drama, which had a put pilot commitment at the network. The project, from 20th Century Fox TV, is described as a character-driven drama set in the New York office of the CIA, which centers on a female agent.

Link to comment
Share on other sites

  • Administrator

CBS: Trooper

CBS has greenlighted to pilot Trooper, a character-based procedural drama from Jerry Bruckheimer Television and Warner Bros. The project, written by Aron Eli Coleite (NBC’s Heroes), centers on a common-sense mother-turned-New York state trooper. Coleite, Bruckheimer and Jonathan Littman are executive producing, with Bruckheimer TV’s KristieAnne Reed co-executive producing.

Link to comment
Share on other sites

  • Administrator

NBC: The New Normal

It’s officially a go for NBC’s comedy project from the Glee duo of Ryan Murphy and Allison Adler. The network has given a pilot order to The New Normal, a single-camera project co-written by Glee co-creator Murphy and Adler and to be directed by Murphy, which might be the last half-hour to snag a pickup at NBC this season. The Book Of Mormon star Andrew Rannells is set for one of 3 leads in the project, a heartwarming comedy about a blended family of a gay couple and the woman who becomes a surrogate to help them start a family.

Link to comment
Share on other sites

  • Administrator

CBS: Untitled Nick Stoller comedy

CBS has given the pilot green light to a comedy from feature writer-director Nick Stoller (The Muppets), Chernin Entertainment and 20th Century Fox TV. Stoller wrote and will direct the untitled project loosely based on his real-life experiences. It is a twenty-something ensemble comedy about a guy who gets his heart broken by his girlfriend and now has to work one cubicle away from her at an ad agency. Stoller, Katherine Pope and Peter Chernin are executive producing. This is a rare venturing into single-camera comedy for CBS, which has built its comedy success on multi-camera sitcoms.

Link to comment
Share on other sites

  • Administrator

CBS: Made In Jersey (previously Baby Big Shot)

Baby Big Shot, from Sony TV, Jamie Tarses’ studio-based Fanfare and CBS TV Studios, centers on a working-class woman who uses her street smarts to compete with her more polished colleagues at a tony Manhattan law firm. Falls, Tarses and her Fanfare partner Julia Franz are executive producing, with Calvo serving as co-executive producer. This marks the first network drama pilot for comedy-centric Fanfare, which ventured into the hourlong format with TNT dramedy Franklin & Bash.

Link to comment
Share on other sites

  • Administrator

CBS: Elementary

Elementary, from CBS TV Studios and studio-based Timberman/ Beverly Prods., is described as a modern take on the cases of the pipe-smoking private eye created by Arthur Conan Doyle, with Sherlock now living in New York City. Veteran Medium writer-producer Doherty wrote the script and is executive producing the project with Sarah Timberman & Carl Beverly.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • And I'm here for it.   Also...YES, PLEASE. 
    • Also, someone knocked over the head (usually in the D Mansion) and imprisoned in the secret tunnel room or whatever it was. I swear that must have happened at least a dozen times the last few years, and each time it drove me crazy! 
    • HAHAHAHAHAHAHA!!!! And here I am rewatching and...

      Please register in order to view this content

    • 5-9   Honestly? There's nothing going on. And yet unlike Y&R, I'm not bored. But I just think that's because of the acting going on as they play the beats in this Liam dying storyline. Well, that and the outfits.   If there's anything I'm liking it's the continued drama of Daphne going after Carter and not letting anyone get in her way. Not Brooke. Not Katie. NO ONE.    And while I love TK in those glasses, I am not here for a Brooke/Ridge/Taylee triangle.    And of course, Luna would try to use this Liam mess to get closer to Finn.   Okay week.
    • The acting during those Sarah scenes on Friday was horrific.
    • So true. Their hypocrisy is on another level. When Anita called Ted a coward because he used Bill as a fixer, I almost choked on my Ritz. And Dani calling Ted worse than Bill as a husband because Bill never pretended to be a good person? Then why stay with him for decades and continue to kiss up to him, Dani? I was glad when Bill told Anita he wouldn't be her punching bag. Not for me. I can think of 100 other actors who would have smoking hot chemistry with LB. Lindstrom does not. I see zero chemistry. None. Joey isn't sexy or scary.   -- Mona was awesome today. -- Why was Eva playing cards in the back room of the casino? -- Can they make Anita any more sanctimonious and self-righteous? -- Dani said Anita had Ted shook. LOL. Really?       No. But I see what you're trying to do. This is a SOAP OPERA. Characters HAVE to make mistakes and sin and screw up and cheat. That's the deal. I understand the concern that we have 2 leading Black men who have cheated on their wives. I do. But I also understand that this is SOAPS 101. Are we going to hear complaints every time a Black character messes up???    
    • Gone are the days where at least once every week, a character would pull a gun on someone (Ron you really turned gun violence into a joke on this show)
    • Oooooo I like these. I like we are on the same page about Little Brownie Man. And I hope to remember this at the end of June to see how much of it came to pass. I definitely feel that the Eva vs Kat story is about to reaaaally get going.    As for the B/C stories, it's funny you mentioned the Joey/Vanessa/Doug story first. Because out of all of those, it is the only one that has enough structure and build to it that it could keep going as a B story that could eventually climax. I think the only POV we don't have in it is Joey's at this point because Month 2 put in the work to give us Doug's and Vanessa's and they are now circling each other and their relationship. And we still need to know Joey's endgame.   Why we gotta pick on Jacob and Naomi? We need that goody good couple. lol. They talked about how they got together. Mind you, very briefly. But we do need to know a little bit more about both. Something I was hoping we were getting by having them in their own stories....him with the crooked cop, her with the lawsuit...but it didn't turn out as hoped. Hopefully, that won't be the case with June though.   Yeah, I want to see more of THAT Ashley.  I finally had to break down and explain to my manager why I keep laughing every time I see the bottle of Febreze at work. The product placement definitely be working.
    • I’m one of those people

      Please register in order to view this content

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy