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Nelson Branco Interviews former HW (OLTL) Michael Malone


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Yeah, Nelson wasn't at all interested in Malone's interview but for to get amunition for his next Suds report. No doubt he will twist this man's interview around for years to come.

I thought Malone was very clear when he made reference to Othello and the changing of the characters- He's very upfront about his feelings without making any unprofessional statements. Also, he obviously feels very special to OLTL considering most of his characters are still on the canvas. it's also very apparent that he thinks a good writer needs a good producer!

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I hope I don't offend anybody, but I think Nelson is a bi-polar hack!

His opinions flip flop from week to week.....ATWT is good...then it's bad...then it's good again....

His OLTL opinions are even more erratic.....his column today gives props to OLTL, and Carlivati is once again a "Soap God". Yet his column from Monday and his MM interview from Wednesday damn OLTL as a pile of smelly garbage. Nelson is not a critic that I find reliable or consistent. Yes, he is entertaining as a gossip monger, but I wish he'd leave the critiques to more professional people.

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Interesting (well to me :P ) I just found a video tape I had saved of One Life to Live's Valentine's day episode Feb, 2004--Josh Griffith and Michael Malone (in that order) are credited, and this was shortly before Griffith left over issues with Frons. As an individual episode, even then, I admit it had a lot going for it--even with way too much of silly Luna and Megan as angels in the rain (the Al/Michael Heaven can Wait story). It's true what was said elsewhere, even with the crazy plots of this second tenure or Malone--ther was a lot of movement and stuff going on--in some wyas as an individual epsidoe it was more satisfying than most under Carlivati... It's funny I kinda thought that second era lasted longer than it did--but I think Higley was in by the end of 2004 wasn't she?

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There was something about the lighting during Malone and Griffith that made their sillier story lines more dark and less campy. I could be romanticizing their tenure, but I never thought the stories were a joke- to me, actors, writers- the way I do with Ron's work, and that could have to do with the production of the show. I may not have always gotten everything I wanted, but I felt the actors were view their work as something serious and continual.

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No I could agree there. The look was a bit more gothic (even tho this episode didn't deal with all that gothic stuff a few eps earlier did). And there was more of a sense of Llanview being a real city--i find that still missing (as it is missing in most modern soaps--one of the thigns I miss the most)--just the use of locations, etc--you have something being dropped off of Roxie's hotel falling into Angel square, Marcie at the radio show on campus, etc

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I disagree on both counts. Number one, the episodes are more satisfying to me then because the characters and the storylines hold up. With the exception of Todd's utter insanity, which may be character-based, or Blair's inexplicable devotion to John, I believe and understand most if not all of what the cast is doing, and why, and I find it organic to their characters; the stories hold up without having to be propped, and while RC really, really, really loves his continuity (Lee Halpern? Really?), it's usually there to garnish a new story, not supplant it. In 2004, they simply didn't hold up, and so they relied on, much more than RC, MM drawing on the past - almost always exclusively his own work - to try and make a point, any point, anything they could find, with the audience when it came to 'special episodes.' IIRC, the Valentine's Day 2004 episode had to do with the utterly ludicrous conclusion to the idiotic HCW storyline, which sucked then and sucks even worse in hindsight. So he just kept haranguing about old ideas, old stories, old couples - "look at Luna, remember Max and Luna. Remember Todd and Blair in 1995, ignore their rape storyline today. Remember Viki and Ben? How about Megan and Jake? Now invest in Antonio and Jessica and Joey and Jen, and Marcie and Nathaniel Marston as, well, anyone!' Didn't work.

And while MM admirably tried to replicate his vision of a widespread city in his second run, virtually everything he did came off shallow and hollow to me at the time - especially Marcie's interminable radio show subplots, like the time she, the insufferable Rae, and the twink from A History Of Violence got together to whine about some dayplayer sexual harasser. Who cares?! At the time that was the longest episode I had ever seen. And of course, MM thought we would care if she just kept.bringing.up.Al.

I admired MM because he did try in 2003 and 2004 but it was almost always awkward and a misfire. I get a sense of community now not simply from sets, but because people, well, interact. And not just to spout some Malonian homily about an old or new couple.

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I dont' think I disagreed with any of that. but I do think he doesn't quite understand the way he comes off online. It's interesting now that I always see him on the Canadian Soap Planet show (his odd little picture on the TVguide site BTW does NOT resemble him much whatsoever).

Vee I pretty much agree with you. I wasn't very clear, but what I meant was if I just watched the episode randomly--it seems much more interesting, much more going on, great littl ebits of dialogue, etc, than we get now. But that';s not the way to watch or enjoy a soap. But I did get more of a sense, maybe not of community, but of a real city.

What History of Violence twink? I can't remember an actor in both

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