Jump to content

Santa Barbara Discussion Thread


dm.

Recommended Posts

  • Replies 4.5k
  • Created
  • Last Reply

Top Posters In This Topic

  • Members

I was thinking more about M&J being in a rut storyline-wise in 1989 (before LD left) but I agree what took place the year before was the root of the problem. It wasn't just the schizophrenia storyline/Sonny Sprocket though, the show as a whole in the latter half of 1988 was relentlessly dark and there was no reprieve from that. We had Mason "dying" in the summer, Julia grieving for him then going under cover as a nun to investigate his death at the convent, Kelly and Jeffrey's marriage disintegrating (not that I cared for them, but I loved Robin Wright and between the recast and Jeffrey acting out of character/plotting to kill his wife, it was a depressing storyline all around), Mason resurfacing with a double identity and colluding with Gina (who blamed Julia for Keith fleeing SB) to bring down the Capwells, and the storyline that repulsed me to no end (and IMO foreshadowed JFP's sick idea of entertainment for television) -- Eden getting raped by none other than her OB/GYN who terrorized the whole town (eg. kidnapping Julia) then abducted her baby.

There was nothing, no storyline, no character to offset all of that, not even Keith Timmons' antics. (Maybe that's why they brought back Louise Sorel/Augusta, to balance some of that out, but without Lionel, her children, what was she exactly supposed to do? They gave her nothing to work with, outside her involvement with M&J.) And Sonny Sprocket was no substitute for Keith Timmons in terms of enjoyment because I couldn't stand to see the anguish this was causing Julia. I couldn't laugh at Sonny fooling around with Gina because Julia was going out of her mind trying to figure out what was wrong with Mason. There were some payoffs every now and then (eg. Nancy's performance when Julia left Mason at the altar, Lane's when Mason found out Julia slept with Michael, M&J's short-lived truce over the holidays), but everything in between was torture for the most part, esp. when Sonny's personality completely took over and he started to blackmail Julia and CC. Mason and Julia might have feuded before, but nothing could compare to how badly their relationship deteriorated by the end of 1988.

The next couple of months were the light at the end of the tunnel, and I enjoyed that (though I wish they had gone further and showed Mason working with Heather for his therapy). But knowing that Lane was leaving, I was frustrated that much of his and Nancy's storyline in 1989 consisted of waiting and waiting and waiting and waiting for their characters to get married (because Cruz and Eden were off in Paris to search their daughter). It was a delight to see M&J in love after what I had to endure the year before, but it wouldn't surprise me if the reason some of their scenes then felt rather risque (eg. the infamous jam scene) was because NLG and LD were bored out of their minds and needed to entertain themselves.

ETA. Wendy, I'm actually familiar with the Mason chronicles smile.png though I appreciate all the rec's. Have some of the clips and the M&J edits somewhere.

Edited by scherra
Link to comment
Share on other sites

  • Members

Not sure I'm qualified to answer that. smile.png I didn't care for JFP's version of SB so Lane Davies (whose Mason was the quintessential Dobson character) leaving was the excuse I needed to give up SB. I love(d) NLG/Julia so I'd check in occasionally but while I enjoyed some eps./storylines, I never really regained the habit (and by the early 1990s, I was enamored with GL).

But my answer despite my sporadic viewing would be no, she didn't suffer. Julia Wainwright was that rare breed on soaps, a strong, intelligent, and independent (female) character, and much of that came from NLG, which helped through the regime changes over the years. I think that was the difference with Lane's Mason, in that his character struggled to flourish without the Dobsons (and later on, without Lane), whereas Nancy's Julia wasn't as dependent on the Dobsons to forge and maintain her identity. She also had chemistry with both Terry Lester and Gordon Thomson, which was essential to establishing them as Mason. (That TL's Mason wasn't a hit wasn't her fault.) She had chemistry with Roscoe Born and John Callahan too, which added some spice to her work-related relationships, even if TPTB kept throwing her the least interesting men (forgettable characters whose names I can't even recall at this point). Timothy Gibbs was an exception, but I detested the rape storyline so...

I'd say that's where Julia suffered as a character, but that's my just 0.02. I never liked it, at least not for long, when Julia was a martyr, let alone a victim, and that's what the rape storyline did to her character. She had a very serious side to her character which her relationships with Mason, Augusta and Lionel helped balance out (even if Mason was often responsible for Julia coming across as a martyr), and I hated that the rape storyline took her to such a dark place that she did something that was inconceivable to someone like her, kidnapping her rapist to force him to confess to the rape. I don't care for rape storylines on soaps and I hated that Julia Wainwright, of all people, became a victim. I'm not upset with the idea that rape could happen to someone like Julia. I just don't care for how rapes are dealt on soaps, and I was upset that she became a victim of the soap version, resulting in the character taking drastic measures that were so alien to her identity.

But she recovered from that (Augusta not so much, but that's a different issue), and I think that over the years, Julia (and NLG) offered the show much stability amidst many, many, many changes on and off camera.

Link to comment
Share on other sites

  • Members

Yeah, I get that. But I also believe Pamela was a character used best in small powerful doses. And for her longer run, the ending was memorable, what with C.C. trying to kill her and Mason (for once) defending his father and telling C.C. that Pamela wasn't worth it, etc.

Her final appearance at the ill-fated Capwell Dinner in '91 was fabulous.

Link to comment
Share on other sites

  • 2 weeks later...
  • Members

Oh no, it was TERRIBLY unpopular and it dragged on forever. It wouldn't surprise me if it played a (small) part in Lane's leaving.

His performance was fantastic as always, but Mason, of all characters, did NOT need a separate personality. He was FAR too entertaining on his own and though Sonny's reactions to the SB residents were sometimes amusing, it ranks easily as my least favorite of all Lane's storylines. Hell, ANY Mason's storyline for that matter.

Link to comment
Share on other sites

  • Members

Beautifully stated. I think it helped some that we had Terry Lester in between and while Terry was a great actor, he just wasn't Mason.

I think that was part of it. The other part, IMO, was that Justin Deas had left and they needed a scene partner/comedic foil for Robin Mattson. Frankly, the best part of the story was the climax. My heart kind of broke for Gina. Though she & Keith were her definitive coupling, Gina always had a special love for Mason. But as usual, Gina went about going after him in all the wrong ways.

Link to comment
Share on other sites

  • Members

I don't think she was made a victim in the storyline so much as the premise of the storyline made no sense for her character. SB wrote and played that rape storyline as a he said/she said. There were plenty of grey female characters they could have used for that story and Julia was the LAST one I would have chosen. We'd watched Julia for years. The characters on the show had known Julia for years. She was many things but delusional was never one of them. For that story to work, the audience had to maybe think twice as to whether the female character confused sex for rape or called it rape over guilt for sleeping with Dash. Gina, Santana, Flame, even Kelly would have made sense to use. But NOT Julia.

I, and no other fan of the show (or character on the show for that matter) would EVER buy that Julia could possibly do that so it was frustrating for all of us who saw it as and knew it as a HE LIED/SHE DIDN'T storyline.

But a victim she was never played as. No victim kidnaps her rapist and forces him at gunpoint to FINALLY admit to her that he did indeed rape her. That's why Julia rocks and NLG ROCKED that sequence!

ABSOLUTELY! If it weren't for Julia and Nina Arveson's Angela in that last year and a half, I might have tuned out myself. Don't get me wrong, I love me some Cruz, but they did him no favors pairing him with Kelly, and a TERRIBLY RECAST one at that.

I know for a FACT that the Dobsons wanted her from jump. But Anne Howard Bailey/Chuck Pratt wanted Samantha Eggar (who never aired because she couldn't handle the rigors of daytime) and Shirley Anne Field and they won out. In fact, this was the beginning of the end of the Dobsons at SB.

To be honest though, I preferred Field's Pamela. She was exactly what I had always imagined Pamela to be. Dusay was a little too OTT for my taste.

No, I don't. I don't think they ever tried to recreate her. Victoria Lane was meant to resemble her somewhat to attract Mason (and in a strange way I thought she did) which was mentioned on air. But Victoria DEFINITELY was never intended to be a recreation of Mary.

Having seen Linda Gibboney's Gina now (when I started watching, Mattson quickly took over), I actually think Victoria was more of a recreation of Original Gina.

Link to comment
Share on other sites

  • Members

I've seen comments that Katarina (was that her name?) was supposed to recreate the Mary/Mason dynamic, when the Dobsons returned. Apparently that nun who was played by the deaf actress was also supposed to appease Mary/Mason fans, until they cast said actress during the strike and they couldn't use the character in the way they wanted.

I also saw some comments at TWOP which said the Capwells lost their warmth in the last years (eg, Ted/Mason). Do you think that's true?

Link to comment
Share on other sites

  • Members

I am one of the TWoP posters. :) And it was in SOD that the Dobsons brought Katrina Ruyker/Maria Ellingsen on as a love interest for Mason. The Dobsons even had them in a scene discussing Mary. But GT looked like her father. Then the Dobsons were fired, and that was that. The Dobsons made a point of saying Mason and Julia were star-crossed lovers, and they seemed to like Mason when he was forever unhappy, never quite staying happy. I think their second and last tenure had proven that much!

Ditto Sister Sarah supposedly being younger. The strike casting killed her as a Mason/Julia foil. I recall reading that, perhaps in SOD, or maybe TV Guide, but it was out there.

And I was the one who claimed Mason/Ted were more distant with the recast Ted and Mason. But, as I also said, it made sense since Lane Davies and Todd McKee were friends in real life and even went on a European trip together once both left the show. I remember SOD had pictures.

Link to comment
Share on other sites

  • Members

Yes, Anne Howard Bailey blatantly said after the strike that the idea for Sarah was supposed to be for Mary/Mason fans. As I think you said over there, it's bizarre to expect that Mary/Mason fans would have been happy seeing him in a similar story with a new woman.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Trust is very easily lost and very hard to re-build.
    • Oh, I know it was. I was just talking about how it's not giving me parallels to Caroline dying. It's really as far from it as possible.  But about the foreshadowing - Hahahhahah. Yes. And you missed one - Liam googling - "what is cancer"...
    • GH 2-17-21 Denise Alexander's last appearance https://www.instagram.com/p/DJdjXgwJ1Ez/
    • @Maxim This Liam dying out of the blue was crafted in a hurry for three reasons: 1. To facilitate JMW's leave 2. To prop Steffy - 'Oh, Steffy has so much grace and moral superiority that she ignored everything that swine HoLo did to tell her for the sake of their daughters. Queen Stephanie would be so proud of her!' 3. Distracting Steffy enough to give Lunacy an easy way to slither into Finn's life. Once Luna discovers that Lame is dying, she'll play that card: 'Dad, life is too short and precious!' If this was an intentional story, we would've had the typical B&B foreshadowing - Liam faceplanting into a bowl of pasta, Lame missing meetings, being forgetful. Instead, Lame does an impulsive quick quit and $B doesn't even care enough to make a single attempt to get him back? Please.   
    • https://www.tvinsider.com/1180503/denise-alexander-dead-general-hospital-lesley-webber/ Alexander made her soap opera debut as Lois Adams on The Clear Horizon in 1960, but her big break came in 1966 when she was cast as Susan Hunter Martin on Days of Our Lives while still attending college at UCLA. As Susan, Alexander played a host of dramatic tales, including murdering her husband David Martin (played by Clive Clerk) in May 1967 after the death of their son. “She started out as the bad girl and was thrown out of boarding school for smoking and drinking,” recalled Alexander to We Love Soaps TV. “The character caught on and sparked something with the audience, and that is how Susan became an important part of the show. I was there for almost seven years…. I had such a wonderful time on Days. It was like going to camp every day for me. I loved the people, loved the show, and loved what I got to do. They loved the character and liked me as an actor and gave me lots of neat stuff to do. I didn’t even ask for a vacation for five years because if I worked 365 days a year, I thought I was great. It was a very good time in my life.” In 1973, Alexander was in contract negotiations with Days when ABC offered significant perks to the actress to join General Hospital to play Dr. Lesley Williams. Though Alexander loved her time in Salem, she decided to leave. “It was [Days’ Executive Producer] Betty Corday who sent me to General Hospital,” Alexander told welovesoaps.net. “She said, ‘You must do this.’ So when I went to General Hospital..."

      Please register in order to view this content

    • Now that GL and LOL synopses are being added I'd welcome requests for specific soaps from 1976.
    • By 78 NBC daytime was struggling. They knew what the issues were but failed to make the changes needed to get those young gals watching.  Jan 78 Plans for NBC's daytime programs - which are in third place -are apparently less well defined at the moment. Michael Brockman, a former daytime programer at ABC, took the position of vice president in charge of daytime for NBC just a few weeks ago. He and his chief assistant, Mary Alice Dwyer (an associate of Mr. Brockman at ABC), are in the process of analyzing the network's schedule to determine where to begin making changes. One thing Mr. Brockman knows, he said, is that NBC needs more women18 -49 (NBC is currently last in that category in daytime). "Whatever you design," he said, "has to fundamentally appeal to that demographic." He indicated, however, that he is less concerned with the network's afternoon serial block than he is with its morning game show and rerun mix, and, like his counterparts at the other networks, Mr. Brockman discounts the notion that recent drops in daytime viewership may be attributable to the one -hour serial form. The first changes were indeed in the morning. In April 78 Card Sharks replaced Sanford and Son reruns at 10am and High Rollers was introduced at 11am knocking Wheel of Fortune back to 11.30 replacing Knockout. Sanford and Son moved to noon replacing To Say the Least. On paper that looked like a stronger schedule. The next move in July was the disastrous America Alive at noon, replacing Sanford and The Gong Show,which set them back even further. Finally in October 78, Jeopardy was brought back at 10.30 and Hollywood Squares moved to 1pm replacing another flop For Richer for Poorer. The only major change for the soaps apart from cancelling FRFP, was Linda Grover as headwriter for The Doctors as of April 78.
    • Yeah, Ben and Evie don't start interacting in a 'we're going to pair them together as a couple' way until Feb/March 1977 when she recommends Ben paint a portrait for Jackie.  And Evie's working for Jackie so she and Ben interact and start to become friends.  That happens after Tim breaks up with  her and she's forgiven her sister.. and he and Hope break up after he covers for his younger brother for a crime that he had committed.  Jackie does come onto the canvas in December 1976 and the first months are her trying to snag Mike while she and Justin seem to play a cat and mouse game with one another as he's trying to restart things with Sara again. I often wonder if the Phillip story only came about because the show was going to be expanded to an hour.. and the Dobson's deciding that some of the new characters they were introducing could be tied to Justin/Jackie's back story.
    • Seems like the Dobsons were aiming for a Joe/Sara/Justin triangle or, having decided that Joe would be killed off, Justin would be waiting in the wings. But that never came to pass and I don't think there was much reference to Justin/Sara as time went on.That was something that could have been used later on but Doug Marland may not have known or cared. Also, when the show went to an hour they could add a lot of characters and not rely on the stalwarts, hence Jackie/Alan/Elizabeth. And after Leslie died, Mike went into Dad mode with Hope. Hope/Ben never took off and Hope was replaced and then dropped and Ben moved on to Eve, whose romance with Tim fizzled and Jordan Clarke left (by choice?)
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy