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2008: The Directors and Writers Thread


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So Pratt begins work on my 29th b-day, eh? This will be either the best birthday present ever (albeit, belated); or it'll have me wishing I had gotten a pony instead.

Thanks, Y&RWorldTurner!

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Although we differ on Sally Sussman Morina (who I love!) I do have a theory about her role at Y&R in the 80s and her return shortly before LML's wave of destruction. I am willing to bet that perhaps she wasn't really a Bell hire but more a Sony/Columbia Tri Star hire...sort of like the Sony representative in the writing team. That's what I think happened in 2005(? can't remember the year), Sony sent in Sally Sussman Morina to consult. The difference between Sally Sussman Morina and LML is that she appeared to give a sh*t about what Y&R was about, just like she gave a sh*t about DAYS.

I might be right, I have no evidence proving my theory either way. She might have been a Bill Bell pick and he simply didn't hire her back after 'Generations' because he found other talent or she wasn't interested or had other opportunities.

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I'm sorry, but Sally Sussman Morina sucks ass as a writer. She's horribly inconsistent, choppy, and sometimes one has to suspend a good amount of disbelief to watch her stuff. Generations, as much as its applauded for its use of African American characters, wasn't a strong show overall and it was Sally who was the driving force behind all of that. While I would agree that she is better fit for Y&R than Latham, I'm not particularly fond of her writing and I don't think she could've "saved" Y&R.

Her DAYS stint was laughable as well, talk about a cheap attempt to being sci-fi elements to daytime.

The only way I'd only want her back at Y&R is as a script or even breakdown writer, not as head writer.

As mentioned though, Bill Bell did trust her as a consultant (though I don't know why). James E. Reilly (at B&B) and Frederick Johnson were also consultants for Bill Bell, and the only one I'd want back is Frederick Johnson.

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What I heard (from a highly reliable source) was that Bill Bell was finished with Sally Sussman after she "left him" to launch "Generations". Believe it or not, he was actually threatened, terrified her show would eclipse his (was "Generations" on opposite Y&R?) Apparently, Bill was an odd duck-- if he fired you, it didn't mean you couldn't return someday (Trent Jones), but if you left to work on another show, you were dead to him. Which would explain why Sally wasn't hired back during Bill's lifetime, I guess.

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Trent wrote for Y&R consecutively from 1993 to 2003, so Bill never fired Trent, at least he was no longer HW of the show when Trent left the first time.

Bill preferred to train writers, instead of picking up writers who went from show to show. Though, Trent Jones was an exception. There are a few others of course.

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I don't think Bill Bell was intimidated by SSM...but I could see the fact that she left him leading her to be 'dead to him'...Bill Bell was the alpha dog at Y&R, do something to upset him and you were over (just ask Brenda Dickson! She came to work only to discover Jess Walton sitting in the makeup chair, Bill Bell said something akin to "Brenda! Meet the new Jill, you're fired")

SSM is one of those writers you either love or hate. I happened to love her stint at DAYS (her first year, the second year was allllll Langan and it was horrible).

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