Jump to content

ARTICLE: Paramount+ Releases Teaser Trailer for ‘Star Trek: Section 31’ at San Diego Comic-Con


Errol

Recommended Posts

  • Webmaster
Michelle Yeoh, Star Trek: Section 31

On Saturday, Paramount+ released a teaser trailer for the original movie “Star Trek: Section 31” starring Oscar-winning actress Michelle Yeoh.

Slated to premiere in early 2025 on the streaming service, “Section 31” sees Yeoh reprising her fan-favorite role as Emperor Philippa Georgiou, who joins a secret division of Starfleet. Tasked with protecting the United Federation of Planets, she also must face the sins of her past. Yeoh first portrayed the character during season one of “Star Trek: Discovery.”

The teaser was released during the “Star Trek” universe panel at San Diego Comic-Con and sees “Star Trek” fans gettings their first look at a young Philippa Georgiou, played by Miku Martineau (“Kate”). Omari Hardwick (“Power”), Kacey Rohl (“Hannibal”), Sam Richardson (“Ted Lasso”), Sven Ruygrok (“One Piece”), Robert Kazinsky (“Pacific Rim”), Humberly Gonzalez (“Ginny & Georgia”) and James Hiroyuki Liao (“Barry”) also star in the movie.

Cast members Omari Hardwick, Sam Richardson and Kacey Rohl, along with executive producer Alex Kurtzman and director Olatunde Osunsanmi, appeared in Hall H to introduce the movie. The panel featured a surprise video “interruption” from Yeoh, who introduced the teaser.

Written by Craig Sweeny and directed by Osunsanmi, additional executive producers include Sweeny, Aaron Baiers, Frank Siracusa, John Weber, Rod Roddenberry, Trevor Roth and Michelle Yeoh, and is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment.

STAR TREK: SECTION 31 will be available to stream exclusively on Paramount+ in the U.S. and in all international markets where the service is available. Paramount Global Content Distribution is distributing.

Check out the teaser trailer below.



Note: The post Paramount+ Releases Teaser Trailer for ‘Star Trek: Section 31’ at San Diego Comic-Con appeared first on the Soap Opera Network website.

Read More

Link to comment
Share on other sites

  • Replies 1
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I know Passions used this trope with Ethan and Sam to drag out the paternity, but GH seems to speed through certain stories while dragging others.
    • For any other soap, I think I’d agree, but GH, I don’t know

      Please register in order to view this content

    • Agreed, that there was some strange choices in the episode, especially at the end, but overall, that was some great drama that opens up the potential for so much future storyline. Kat vs. Eva having the most potential, especially over Tomas. I have mixed feelings about Martin/BC though. I thought he did pretty well in scenes with Smitty/MM, but the scenes of him confronting Leslie and of him throwing the books were bad lol she acted circles around him.  It’s similar to what Harding Lemay said about George Reinholt at AW; he could be brilliant in one scene, but then mediocre in the next. 
    • I know some of y'all really like Brooke Kerr, and so I've tried to give her a shot, despite her frequent flat line readings and distracted "did I leave the front door unlocked?" facial expressions. But lord, she is so bad at playing a tough-talking badass that I was actually rooting for Brad today to spill the beans to Drew. 
    • Googling does tend to ruin it.  For those of us who were teens in the late 1970s and early 1980s, you can't imagine how much fun it was to watch the show in the afternoons.  (It came on right after school.)  There weren't any "spoilers" at the time.  We would always try to anticipate how each crime and each mystery would be resolved, and we were ALWAYS wrong, because the stories are filled with so many weird twists and turns.   The head writer (Henry Slesar) and his dialogue writer (Steve Lehrman) invariably toss genuine clues directly into your face in the most unlikely ways, but then they provide a host of "red herrings" to completely confuse you and send you off on the wrong path.  Once the story reaches its conclusion, all you can think is Why didn't I figure that out weeks ago?  lol
    • Does the vault have the original scene and not the short flashback?
    • I appreciate that you are using AI with the knowledge of it's limitations. Some posters take everything it produces as fact.
    • And of course Mama Ru herself appeared on All My Children.
    • The Saturday 8pm slot usually had the lowest rating of the NBC 4 sitcom lineup for some reason. NBC let Saturday night fizzle, They used 9.30 pm to launch 227 and Amen, both of which moved to earlier in the evening but they  kept Empty Nest following GG for several seasons.  Empty Nest should have moved to 8pm with their strongest new sitcom at 9.30, anticipating that GG would eventually falter. Instead they left them there and stretching the sitcom pool too thinly on other nights. When Grand talk over at 9.30 Thurs maybe Night Court and Wings could have been used on Saturday.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy