Jump to content

What makes a Great Soap?


Recommended Posts

  • Members

Hey Sudsers!

I'm VERY NEW to the Soap Board Community and this site, so I'm currently figuring out a lot of things in the thoughts of the many soap board users who don't give [!@#$%^&*] to share what's on their mind.

Hi All!

Anyways, What makes a Great Soap in your opinion?

This thought has been in my head for a long time, it was just a matter of when. I was sitting at the dinner table actually discussing this with my family b/c I'm very passionate about TV and the differences views surrounding soaps or primetime. Also, I'm a writer, and pondering ideas of how to create a fresh organic soap without making it a soap with so many stereotypical soapy stories that one just mash up b/c they feel it should be so soapy.

I ain't about declining ratings, head-writer ego bullshit, or the personal behind the scenes person. I'm all about the story, quality, entertainment, depth of characters/development, pacing, the value of a story, and what drives everything. I'm all about characters, stories, all about that stuff.

I'm a writer in development, currently thinking over writing a soap opera and have many thoughts, many of correcting the little things, and working hard through everything else to make it a good damn script. So EVERYTHING does matter to me, and it does matter when I'm watching a show.

Now, we're down to 4 soaps, now we've all heard of the golden era of soaps and how good they were. Now, it all DEPENDS on who you ask, it's all biased, hell if some of my friends were to tell me which soaps to watch (Not many high schoolers watch soaps so I doubt they'll ask.) Hell, I'd be incredibly biased on which one I like and which one I'm watching.

I see many comments ranging from good to bad to ugly to [!@#$%^&*] ripping shreds til there's nothing to shred to downright snarky funny, concerning, killer comments.

I just want to get to a basis of your Intelligent, VERY-THOUGHT PROVOKING comments.

Also with a fabulous premiere of Empire or Great Smart Slick Dramas like House of Cards or The Good Wife I just had to ask. Also, the Great Primetime Soaps: Dynasty, Knots Landing, Dallas, Falcon Crest, Melrose Place, BH90210

Being able to understand where one comes from, than what some people call complaining or hating. Me, currently I LOVE Days of our Lives, one of my first soaps along with Passions when I was little however I find them revolving stories around newer characters (Serena) than serving to their core characters but also rushed, contrived, replacements for EJ or Sami or the loss of what went down In November, like Melanie's return (I'm the minority who like her but her behavior and this story zzzzzzz), It's just not enough to keep me entertained. The Will/Sonny/Paul story has legs so that's one upside imo.

Do you think soaps should base stories from the headlines or fiction or a great balance of both?

Normal Drama or Over-The-Top Campy Soapy Melodrama?

Link to comment
Share on other sites

  • Replies 4
  • Created
  • Last Reply
  • Members

Also I've heard from some great shows either writer's have a clear plan/outline of where they're going to go with the story for the whole season or at least half of the season while some, make it up as they go or plot the next 4 or 5 episodes and don't jump so far in advance.

Which one do you think is good?

I say, do whatever works but if your going to make it up as you go, don't make it obvious to the audience!!!!

Link to comment
Share on other sites

  • Members

Welcome, SpyFan!

I have been watching soaps for most of my adult life and for me, good soap is a couple of things.

First, everyone, fictional and IRL, have a through line. The thing that makes them tick. The story should work with the character, changing them, evolving them, but not drastically.

I think that the best soap stories are simple, built up over a period of time. Think of taking some bricks and building a wall. Not overly convoluted or complicated, but adding layers as the story matures.

Lastly, good soap has a sense of community, of home. At times glamorous, other times ordinary. Happy, funny and sad.

I hope that helps. :-)

Link to comment
Share on other sites

  • Members

ITA that the characters have to be true to themselves first and foremost and the stories should come from how the characters react to the circumstances around them. It helps if the writers have an idea of where the stories are headed at least 3 to 6 months in advance. I've always liked my soaps to have around a half dozen stories going at once and to be multigenerational. I started watching soaps in the late 1970s/early 1980s when most of them had storylines for the older characters as well as the young ones. I also like social issue stories if handled with sensitivity like the Agnes Nixon shows used to do, but I don't watch any soaps currently and I don't know if there is a good headwriter out there who is capable of handling them well today.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

      date: Tuesday, May 27 | Christopher Dunn, Lynn Martin | Steven Williford I feel bad for Chelsea; she's exploring her feelings, and they're getting [unintentionally] hurt. But I love the support that Katherine has for her cousin. Bradley, you deserve one hundred times better than Deadbeat. So much more. Anita essentially tossing Tracy out... whew. She's done. DONE. Ouch... Chelsea hit the nerve with Katherine. How interesting... I feel like Tracy is becoming the mirror Anita has been avoiding while being a Dupree. What are these top secret things she's harbouring? I really hope Jessica's interest in Tyrell is genuine, because if it isn't, it might just destroy him. Back alley meetings? Your family? As if Bradley is not part of your family... Deadbeat, sit your ass down. Hey, Childbride, lower your damn voice. You're in the country club, not the country field where your ass belongs. And oh God, she's knocked up. Whew... here we go! Dante Greene, what control did this man have? But I appreciate that Anita and Tracy are uniting together; I pray that Sharon joins them soon. I love how easy Katherine and Tomas are with each other; it's smooth, it's natural and it's blooming in all the right ways. Hayley is about to battle the Dupree women for all she's worth. I am calling it right now. The unwavering support Vernon continues to provide to Anita is paramount; I adore them as the couple they are. Notes: Mike Manning (Bradley) continues to show up time and time again in scenes with Brandon Claybon (Deadbeat), who brings nothing to the table. There is an extreme lack of romantic chemistry between them. I'm wondering how different Dante Greene is going to be in comparison to Berry Gordy Jnr; we know the true history of Diana Ross and the Supremes, but how different will it be with Anita Williams and the Articulettes?
    • This episode is beyond excellent Could have waited on tge Trina Kai scenes  but regardless  great soap
    • Haha same! I didn't like her in the beginning, but over time, I've really grown to love to hate her as a villain.  I can't wait to listen to today's new episode later tonight! I've been waiting for the mom and dad (Crystal/Vincent) to have an interaction, so I'm happy to hear it's today.
    • I've always really been enjoying the show. It's very well produced and has so many soap stars in it. I was just listening to ep 7 on YoutTube and can say I'm hooked. There was an intense scene with Crystal Chappell and Vincent Irizarry about halfway through that was GOOD! Is it bad I kind of like Mina? I know she's supposed to be the main villian 
    • This isn't a bad episode, but I'm finding myself not as engaged. Must be the lack of Eva and Leslie. No Nicole, Dani. 
    • Yes!! I didn't realize it before, and had a busy weekend, so wasn't here much

      Please register in order to view this content

      Wow, what happened to AMC this week? Crashing from 8.4 to 6.6.. I mean, I know they used to go up and down much more than they do today, but this seems like a harsh drop (from 7th to 13th). And nice to see Y&R's first weeks  
    • Why did they cut Chelsea coming out to her grandparents? We should have seen that
    • Credits for Tuesday, May 27, 2025: Created by: Frank & Doris Hursley Executive producer: Frank Valentini Head writers: Elizabeth Korte, Chris Van Etten Writers: Emily Culliton, Suzanne Flynn, Ryan Quan, Kate Hall, Cathy Lepard Director: Gary Tomlin
    • Writers: Christopher Dunn Lynn Martin Director: Steven Williford
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy