Week 18, Part III -- Conclusion

Monica: "Alan Jr. only has one set of grandparents, Lila. I don't want him to lose them."

Lila: "We don't want to lose him, either."

Monica: "You are so dear to me, Lila. And, as much as Edward and I snarl at each other, he is dear to me, too. And you know you are always welcome in my house."

Sean Swindles the Quartermaines: Sean's airtime is spent with Anna and Robin in the Buzz storyline and Edward's out of town for most of the week, allowing for the revenge and financial aspects of this storyline to mostly take a backseat to the relationships stuff.

Jimmy Lee and Lorena each have a foot in the Buzz and swindling storylines. He's about as tireless as Anna in wanting to be there for Buzz, and Lorena keeps close to Jimmy Lee as often as she can. I liked that Jimmy Lee and Lorena's scenes were played platonically. It wouldn't have been unusual for the two to have hooked up out of a mutual need for comfort amid stress, and it's clear that they're always going to care for one another at least on some level, but you can sense that there just isn't love there. Of course, it doesn't hurt that Lorena's in line for greener pastures.

Alan's assignment for the week is to unload the home he shouldn't have bought. Alan approaches Derek, who's noncommittal. Soon after, Derek learns from Lorena about the Qs being in dire straits. Now Derek's willing to buy the $3.1 million house ... for $1.7 million. Things go better for the elder Quartermaines' efforts to raise money: Edward sells the Southhampton estate and Lila doesn't have to sell any of her jewelry to Amanda. Monica buys it all. After all, someday Alan Jr. will get married ...

Later on, Monica admits how much she cares about Lila & Edward, but insists that it's just too late for her and Alan. Lila reminds Monica, who doesn't answer whether she's in love with another man, about Alan's dangerous side. Meanwhile, Alan and Jimmy Lee get in some belated bonding at Buzz's bedside.

Domestic-Relationship Roundup:

• Lorena and Derek: If I didn't know better, I'd think that Shelley Taylor Morgan and Mark Goddard were going to hang around. On Thursday, Lorena and Derek discuss the idea of him buying such a huge mansion, one he can raise a family in. Lorena thinks it's a matter of time before she gets married, so she asks Claudia about buying her out of the spa.

• Bryan and Claudia: They have the obligatory "Gee, our problems don't seem like much, do they?" conversation after finding out about Buzz, but they aren't yet ready for a happily ever after. With her marriage not yet saved and in need of something to keep busy with, Claudia considers owning the spa.

• The Webbers: I'm happy to admit I was wrong. Things were blissful for Mike, et al. this week. On Tuesday, Mike gets Rick and Ginny to let him throw a surprise birthday party for Jamie. It's a hit, even if the guest list is just Jamie, Mike, Rick, Ginny, Amy, and Bill. Mike's actually grateful to Ginny. Oh, if only the peace could last.

• Tony and Tania: Buzz's plight inspires some reminiscing about Tony's coma the year before. The waterfront violence has Tony wondering if it's time for him and Tania to leave the Brownstone and move into a more suburban neighborhood. If you wait seven months, Tony, a house will be available. ...

• Frisco and Felicia: Felicia is even more upset about the violence, especially since Frisco's going to deal with it every day. Get used to Felicia stressing about being a cop's wife, since she's going to be this way for the next two-and-a-half months.

• Bobbie and Jake: The Paris trip? C'est Magnifique! Bobbie feels like she's at a turning point in her life, and that she can spend it with Jake. I guess they'll be getting engaged pretty soon, and I have to tell myself not to worry about how he apparently doesn't know about her past.

Tania also has some tang to her: "Knowing Buzz, if he recov -- I mean, when he recovers, he'll probably be back out in the van and taking care of the rest of the world. Whether they deserve it or not."

18 minutes ago, janea4old said:

Ten permanent sets.

At this point in my viewing, the permanent sets would likely be:

the "hub," the versatile nurses station and waiting room set, with various elevator doors to signify different floors

Kelly's

the Quartermaine living room

the Webber living room

the Brownstone living room

Sean's penthouse

Frisco and Felicia's studio apartment

Terry and Kevin's apartment

Anna's apartment

the spa

31 minutes ago, janea4old said:

This is the part that got me: Early each morning, the director talks it through with the actors. Each episode is filmed one week before airdate. After about 5 hours of rehearsal, they tape. Five hours! "a 12 to 14 hour day, five days a week, for cast and crew, is not unusual". Ten permanent sets.

Linda Gottlieb arrived at OLTL and changed to block taping, eliminating the rep company feeling from all the ABC soaps in her wake. They still had some time to rehearse back then, but they weren’t mostly all there until the episode was in the can anymore once her changes showed they saved money and time. They staggered people in for just their scenes.

From what I have read, Monty was especially tough about the show being up to her standards, so the rehearsals were long and so was filming if it wasn’t going right. But those rehearsals are where she made the magic happen, she liked strong ideas and a sense of play, and that’s why they did a lot of ad libs in her time. But now it probably seemed like a huge luxury to take that time. Also shows the pressure considering how close to air date the tapings were. That also gave them time to adjust things that were not working though. Now the DAYS audience has to just accept the show as it is or tune out for a year and hope it’s gotten better.

Was that a teleprompter I saw?

18 minutes ago, Franko said:

Ten permanent sets.

At this point in my viewing, the permanent sets would likely be:

By the 90’s, the only 100% permanent set was the nurses station, elevators, adjoining hallways and the seating area. I assume until Valentini got there the new JFP hospital set was permanent too.

Based on bts we have seen it seems like a lot of the sets stay up now, I’m sure to save money from having them moved all the time and easier to film the way they do now.

I know they move to the renovated Prospect Studios during the end of Monty’s tenure, either 1986 or 1987, so that ET story must have been at Sunset Gower. We know from Maurice’s State of Mind interview that Genie went to the old GH studio at Prospect to kind of make peace with her turmoil from being so young and under all that pressure, and for being brave to try. I didn’t realize they had been there before, although on a much smaller stage. Many of the actors have said Sunset Gower was not a great place to work.

To think it pretty much started with the OG 7th floor nurses station, medicine room, Dr.Hardy’s office, and a patient room.

3 hours ago, titan1978 said:

Many of the actors have said Sunset Gower was not a great place to work.

Whenever I watch the final three seasons of "The Facts of Life," which were taped at Sunset Gower, I'm always amazed by how cheap the show looks even compared to their previous home at Universal, when episodes looked as if they were taped on Betamax.

Desert Sun January 27 1986

Martha Scott takes role on ‘General Hospital’

By JERRY BUCK AP

LOS ANGELES (AP) Martha Scott has departed CBS’ “Dallas" and now is playing a mysterious grandmother in ABC's daytime soap opera “General Hospital.” “There are very few parts for, shall we say, older women," Miss Scott said. “This is an extraordinary role for a woman who’s been around all these years. People don’t write roles for women my age. It gives me a channel to do something different. I had a little bit of it in The Turning Point.’ She was the entrepreneur. There's some of it in my role in Dallas.’ as a woman who’s trying to guide her daughter’s life.” Miss Scott played Sue Ellen Ewing’s mother on "Dallas” for seven episodes this season. In November, she showed up on “General Hospital” as Jennifer Talbot, the grandmother of Terry (Robyn Bernard). The girl has a tough emotional problem and you begin to wonder what influence the grandmother has over her," Miss Scott said. “You know from the moment she sees her grandmother she’s terribly shocked. She has a terribly nice facade. She’s very polite, slightly Victorian in her way She speaks her language a little differently. People around Terry notice this woman has a tremendous influence on her mind. "As it develops it gets more intense and mysterious and horrible,” she said. “To be honest, I don’t really know what’s going to happen. It’s like Dallas,’ They won’t tell the actors anything.” Miss Scott, most noted as a film and stage actress and producer, had a fling at soap opera earlier in her career. "I had a daytime show in the 1950 s called Modern Romances,’ ” she said "I told a story and it was enacted by a group of actors. We did a complete story every week. 1 remember they let me out to do Ben Hur ’ The wonderful part of it was that the kids all knew me. I was the last face on NBC before Howdy Doody' came on. Kids would run up to me and say, ‘I know you! You’re on before "Howdy Doody.’ ”

On 5/3/2026 at 4:59 AM, Paul Raven said:

Desert Sun January 27 1986

Martha Scott takes role on ‘General Hospital’

By JERRY BUCK AP

LOS ANGELES (AP) Martha Scott has departed CBS’ “Dallas" and now is playing a mysterious grandmother in ABC's daytime soap opera “General Hospital.” “There are very few parts for, shall we say, older women," Miss Scott said. “This is an extraordinary role for a woman who’s been around all these years. People don’t write roles for women my age. It gives me a channel to do something different. I had a little bit of it in The Turning Point.’ She was the entrepreneur. There's some of it in my role in Dallas.’ as a woman who’s trying to guide her daughter’s life.” Miss Scott played Sue Ellen Ewing’s mother on "Dallas” for seven episodes this season. In November, she showed up on “General Hospital” as Jennifer Talbot, the grandmother of Terry (Robyn Bernard). The girl has a tough emotional problem and you begin to wonder what influence the grandmother has over her," Miss Scott said. “You know from the moment she sees her grandmother she’s terribly shocked. She has a terribly nice facade. She’s very polite, slightly Victorian in her way She speaks her language a little differently. People around Terry notice this woman has a tremendous influence on her mind. "As it develops it gets more intense and mysterious and horrible,” she said. “To be honest, I don’t really know what’s going to happen. It’s like Dallas,’ They won’t tell the actors anything.” Miss Scott, most noted as a film and stage actress and producer, had a fling at soap opera earlier in her career. "I had a daytime show in the 1950 s called Modern Romances,’ ” she said "I told a story and it was enacted by a group of actors. We did a complete story every week. 1 remember they let me out to do Ben Hur ’ The wonderful part of it was that the kids all knew me. I was the last face on NBC before Howdy Doody' came on. Kids would run up to me and say, ‘I know you! You’re on before "Howdy Doody.’ ”

Thanks, @Paul Raven! This is an especially timely upload since my next batch of episodes to write about includes some retconning involving Jennifer. Terry, Kevin, and Ted reminisce about how much Jennifer just loved the holidays, getting dressed as a witch for trick or treaters, having the best Fourth of July fireworks, etc. It doesn't correspond with the dime store Angela Channing we saw, but I guess Valentine's Day 1983 really sucked the fun right out of her.

I'm repeating myself, but you can draw a straight line from Ted going on about the volatile, offscreen, and larger than they appear Purity Water board to Tabitha on Passions going on about the volatile, offscreen, and larger than they appear "friends in the basement."

Edited Monday at 02:16 PM3 days by Franko

On 5/2/2026 at 4:23 PM, janea4old said:

@Taoboi You often talk about A, B, and C storylines. Pat Falken Smith talks about something similar in this video,

Ooooo thank you for the tag!!! I will give it a listen when I get a chance.

On 4/26/2026 at 6:21 AM, carolineg said:

I think I recall GW's GH being slightly less dark and liked some of what he did with Sonny (temporarily) hit rock bottom. I would have to refresh my memory of that period because I can't actually remember much more than the Sonny arc. I don't think GW was necessarily head writer material and it would have been awful for GH to close out the show with him at the helm.

All I remember from it was long scenes that I personally loved (but in the minority) that felt like character development, Liz getting to have a romance with Ewen, and that beautiful scene of Alexis tearing Carly apart and holding her accountable for Sonny 'killing' Jax in the plane crash.

On 4/27/2026 at 9:33 AM, Franko said:

Twenty-eight years ago this week ...

On 4/27/2026 at 10:15 AM, titan1978 said:

But her return was pretty great during the ball.

The ball, the ball, the ball. One of my favorite memories as a teenager. And I loved anything having to do with a masquerade ball since David Bowie and LABYRINTH.

I can see her and Katherine in front of the mirror in my mind's eye. Laura talking about how different they were, but in the moment, they looked so much like sisters. Putting doubts in Katherine's head about if Stefan sees her as an equal or as someone who he could mold into a double of Laura (mind you, Katherine winded up looking like a double of Helena, but still...). And just Katherine putting up a good fight, but realizing that Laura was right. Then running to the parapet. Stefan coming out. And Katherine seeing Stefan and Laura together and stepping backwards, falling as reality hits. In a trap set for Helena, too. Just the gothic-ness of it all.

38 minutes ago, Taoboi said:

I can see her and Katherine in front of the mirror in my mind's eye. Laura talking about how different they were, but in the moment, they looked so much like sisters. Putting doubts in Katherine's head about if Stefan sees her as an equal or as someone who he could mold into a double of Laura (mind you, Katherine winded up looking like a double of Helena, but still...). And just Katherine putting up a good fight, but realizing that Laura was right. Then running to the parapet. Stefan coming out. And Katherine seeing Stefan and Laura together and stepping backwards, falling as reality hits. In a trap set for Helena, too. Just the gothic-ness of it all.

Those were some pretty incredible scenes. IIRC Laura says something like “since when did we ever look alike?” to Katherine and you visibly see MaryBeth start to crumble, even though she is still putting up a front. I get why they brought her back, Luke and Alexis in 1998 are not going to actually murder someone in cold blood like that. Now 2008? All bets were off by then lol!

But in hindsight, this was another example of a plot with the Cassadines that built and then nothing really comes of it, like most of Stefan or Helena’s schemes! I think Tony Geary was right and there should have been a time limit on Stefan and Helena, and Nikolas would be the painful element that stayed to haunt their marriage. It was a lot of build and then nothing several times. Guza just didn’t want to let them go like he did the Sonny villain of the year stories.

Edited 16 hours ago16 hr by titan1978

Courier Express, 18 October 1981

‘Hospltal’ intrlgue behlnd-the-scenes.

PATRICIA FALKEN SMITH is mad as hell and she intends to take it out on her former intends bosses -the producer of "General Hospital" and ABC daytime program executive who preside over that enormously popular soap opera. As reported here recently, Falken Smith was the head writer for "General Hospital" for 2 and a half years through last month. But in the wake of a series of disagreements with "GH" producer Gloria Monty, Smith and her entire writing staff have departed and now toiling on the storyline of rival NBC soap Days of Our Lives. Monty says Smith was fired , Smith insists she got tired of working at GH and quit.

In fact, Falken Smith is so upset by what she believes are deliberate attempts by Monty and ABC daytime exec Jaqueline Smith to embarrass her, that she's making noises about suing them unless they both publicly declare that her leaving GH was a genuine resignation and not a firing.

"I won't be maligned by these two crummy broads," Falken Smith told this column. "I made their....show No. 1 and they've done nothing but scheme to stop me and my staff from getting the credit we deserve. We took those awful, corny plots Gloria and Jackie dreamed up and turned the show around.

"'But now, because their stupid science-fiction storyline was such a drag all Summer, they're trying to blame me. But that bad Summer story wasn't created by me. It was created by the scab writers who worked last spring during the writers' strike which I honored because I am a very strong union person. I refused to scab during the strike, and that's what got me in trouble with those two insecure broads. When I came back July 15, after the strike, they dumped all over me and made my life miserable.

So I quit, and then they put out the word that I got fired. All I know is I'm now the head writer on 'Days of Our Lives', my entire staff came over here with and and I look forward to making the show No. 1 and watching 'General Hospital sink into oblivion