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2009: The Directors and Writers Thread

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This is how Hollywood works. I didn't have to IMDB her name. If there is a shortage of Black actors in front of the screen, there sure as hell is a drought behind the scenes. And you say this as if I'm prejudice against Raynelle. I'm not. It's the system that sucks.

My bad, rhythm. I shouldn't have assumed.

Still friends?

:D

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:lol:

:lol:

:lol:

My apologies to detroitpiston, too. I think I just read into your post(s) something that wasn't actually there. (What can I say? I'm distracted by all the BARF'ing coming my way this evening. ;))

  • Member
:lol:

:lol:

:lol:

My apologies to detroitpiston, too. I think I just read into your post(s) something that wasn't actually there. (What can I say? I'm distracted by all the BARF'ing coming my way this evening. ;))

:lol: :lol:

  • Member

Wow! Y'all know more about her than I do! :unsure: I was just trying to say that I knew writers Fred and Frederick Johnson were different because one was black and one was white!

But I can say that the last time I spoke to Ray one-on-one was in the Toyota on the way to Vazzy's to pick up food back in 1999. She told me she was in the middle of writing an Everybody Loves Raymond spec. So I can at least understand Khan's POV about the fact the writing for one show has nothing to do with writing for another show. I have no idea about a second spin off to Family Guy.

God, do I regret putting her name up here. Khan, damn you! I tried to PM you this info but you don't accept PM's! :P

  • Member
Khan, damn you! I tried to PM you this info but you don't accept PM's!

Nah, I turned mine off after one post-er threatened to expose another's hypocrisy on the board with them. I'm paranoid enough w/o the threat of someone getting all Watergate on my ass, lol.

Edited by Khan

  • Member
Nah, I turned mine off after one post-er threatened to expose another's hypocrisy on the board with them. I'm paranoid enough w/o the threat of someone getting all Watergate on my ass, lol.

I am doing myself no favors by sitting here daydreaming about "deep throat."

It's been a few years. :mellow:

Do they even look the same? :unsure: The one I saw six years ago still had a hole in it with some things dangling down. -_-

  • Member
Do they even look the same? The one I saw six years ago still had a hole in it with some things dangling down.

Yes, I believe so. I haven't seen one in a while either, mainly because they're all down Kendall Hart's throat.

  • Member
Yes, I believe so. I haven't seen one in a while either, mainly because they're all down Kendall Hart's throat.

Delightful. :wub: I live for the day!

Back to your regularly scheduled thread...

  • Member

We need to stop covering B&B writers in this thread. They don't use scripts, they use "Mad Libs" tablets.

  • Member
We need to stop covering B&B writers in this thread. They don't use scripts, they use "Mad Libs" tablets.

I have to say, I watched Martha Byrne's credited script of B&B... and, with her dialog aside, I simply didn't like the characters. It had nothing to do with their age -- it's just that all of them seemed so selfish! :rolleyes:

  • Member
I have to say, I watched Martha Byrne's credited script of B&B... and, with her dialog aside, I simply didn't like the characters. It had nothing to do with their age -- it's just that all of them seemed so selfish!

That's pretty much B&B, in a nutshell. They're vapid, they're self-absorbed, but gosh, they're just so darn BOLD and BEAUTIFUL!

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Wow, he's freelancing everywhere these days, huh?

Why couldn't they just call up Kathryn Foster? Mike Denney is back, and Foster freelanced at B&B a few weeks back.

I like Brinckerhoff though...

I want Foster back at Y&R too. And I want Brinckerhoff at DAYS. Phil Sogard is 76 years old....surely he's gonna retire soon, right?

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My gripe wasn't so much with the dialogue than it was with the pacing/breakdowns. I think it was a challenge to flesh out 10 minutes of real scenes into a whole episode. The AHWs had it easy to write breakdowns - effectively 3 storylines with no movement and little character interaction for an entire episode. The SWs had to write a full episode based on hardly anything - that can't be an easy or rewarding task, so I think the SWs got a bad rap for some challenging and thankless work (and I'm guilty of that too, because I redicule it as much as the next person...)

And I totally agree with you about the great one-liners and romantic dialogue - they excelled in that - one merely needs to browse some you tube clips to be reminded. Of course I am thinking more fondly of JER's first stint on DAYS, but I can see the occasional brilliance in his other work too.

I heard JER liked to tell his breakdown writers that if they could, stretch out their breakdowns to multiple episodes (ie. if you can turn 1 episode into 3, do it). I still don't understand how that works and how you can possible track that. LOL

Some of those writers also worked on DAYS during JER's first stint as well, so they must have been very loyal to JER to follow him around from soap to soap.

And in return, I am loyal to them. They're all good in my book. :)

Obviously some were better than others - like Sofia Landon Geier, who really should be working in daytime again.

Word. Hogan made a huge mistake by getting rid of her. You know you're truly talented when you can constantly write great scripts through multiple regimes. And I still can't believe she wrote the script for Zach's death, just a few years after losing her young daughter in the same way Zach died. SLG is awesome.

  • Member
So let me get this straight: because R Sinclair's cousin has worked on a Black sitcom, you two assumed almost immediately that she'll be working on a spin-off about a Black (cartoon) character (and not "American Dad", as brimike and I had assumed before)?

Wow. That's like racial profiling for TV writers!

I read it and assumed it was Cleveland because it said a spin-off of Family Guy...and American Dad isn't a spin-off.

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