Days:Whats best for DOOL in the future?
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By VelekaCarruthers · Posted
I don't think they were prepared for Sherry Mathis to exit. I think the scripts were written well in advance and they didn't expect her to go. Louanne was on the very next episode and a terrible recast. Erwin Nicholson made the same mistake in casting with Nicole on Edge but they gave the character some weeks or months rest before they brought in Jayne Bentzen, I believe. As I stated above, in rewatching these posted episodes, I am making a guess that Mayer/Braxton wrote many weeks in advance because of the Spring 85 writers' strike. While the strike lasted only two weeks, SFT is the only P&G soap that had writer credits through the two weeks of air shows that included the strike weeks. I also am guessing that Mayer was signed to a six month minimum (soaps typically have actors and writers on 13 week contracts) and Mayer was fired exactly at 26 weeks from the day his material first started airing. He was a disaster for the show and Erwin was tired and not what the show needed although scoring Lambie as Lloyd was his top achievement (he lasted a little less than 1 year). -
By Contessa Donatella · Posted
@Maxim https://www.facebook.com/reel/4165068087116271 -
I think Steve and Shawn track down Kevin and Jeffrey gives them one dose on the sly in exchange for keeping it quiet. John's organs will go to Bo. We know he's not really coming home. Xander won't make the board meeting so EJ will get the hospital by default. And Kate will tell Xander that Sarah lied to him precisely because she feared he would do something like this to Philip Those are my Friday predictions! Was a good show. I felt Philip's fear in that last scene. -
By Contessa Donatella · Posted
@MaximBoth of Diana Ross's daughter are so talented but also they are a hoot! Check Tracee out here. https://www.instagram.com/reel/DIgzye6xqYQ/?utm_source=ig_web_copy_link -
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And now all the episodes are gone. SMH. These jackasses never stopPlease register in order to view this content
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Not much happened today. But @brisbydog, all of our wish came true: no Leo this week
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I guess Susan was necessary today, but I really wish she’d leave. Marlena putting EJ on blast about Belle was pretty good though, and I hope they continue to use Marlena in their storyline. I’m interested in seeing what happens to EJelle in the aftermath of the John storyline. And I really wish we were seeing Paul and Andrew moving in on John’s location. If they can’t get Christopher Sean on the show, they should at least try to get Colton Little. I liked how smart Xander was today and that he immediately that Philip stole the drug. He did a pretty good job in his scenes where he confronted Philip as well. I also appreciate the way that Philip’s been written lately; more like a tragic hero than a bratty, goofy clown. Which is all the more reason that I hope the triangle with Stephanie and Alex is revived. But Xander did seem a little overly melodramatic in his last scene though And, I can’t help but think that Dr. Russell being so hesitant about involving the police in the drug theft could be a sign of something. -
By detroitpiston · Posted
I haven’t watched since Daisy’s last episode. Part of me feels like its a good place to end it because outside of The Platt’s, Tracy, Todd, and Carla and Swain I haven’t really enjoyed the show. Too many depressing stories and irksome characters, I especially hate what they’re doing to Debbie. I do think its funny they spent all this time investing into that awful new family and apparently they’ve already been canned, feedback must have been horrid. -
I think the pre-Barnabas episodes are very underrated both for dialogue and character. They're slow but they really create a world and fill out the characters, imbuing them with heavy dimension that ultimately will have to sustain them for years as the show largely stops writing for character after it returns from 1795. What we know about them by then is what they have to power them. (I don't think the show was bad after, I actually love it in '68 and often in times after that, but it was very different.) I think the B&W episodes with Barnabas' early days are especially frightening - they terrified me as a kid - but the color stuff in '67 is also very strong, especially in the stretch where Julia is on the run, Carolyn is under Barnabas' control, and you get the sense that events have gone off the rails for the regular characters and anything goes. As a child viewer seeing it in syndication on the Sci-Fi Channel, who had no idea who lived or who died, it was a lot. Mitch Ryan is especially powerful in the early pre-Barnabas era as the sort of Byronic Burke Devlin character. You knew they had to kill him once Barnabas comes in, despite Ryan's alcohol problem making it impossible to keep him at the show - Burke dominates the first year or so as the fulcrum character, he's incredibly magnetic and charismatic. You couldn't see him becoming a dupe for Barnabas and Julia, as Anthony George's more benign, mild version briefly does before getting unceremoniously killed off. I always found Burke's offscreen plane crash death very eerie and suspicious, and I think the show does toy with the question if Barnabas' powers somehow got him on that plane and if he took it down. I had always wanted Burke to return one day, in any revival project, as a kind of vengeful power broker and puppet master, driven by Vicki's inevitable demise to get revenge on Barnabas and co. I still have Art Wallace's "Shadows on the Wall" DS bible somewhere. IIRC in the earliest versions of the plot Vicki was going to somehow be tied to the butler or his daughter - Betty Hanscomb or something. I don't remember the exact details. I do know there's all sorts of raised and dropped plotlines and characters offscreen in '66, like Ned Calder, the man they clearly intended to pair with Liz and so on. I've always found '66 very rich, but I don't begrudge the show after for it because it's still awfully well-written, specifically the early Barnabas stuff.
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