Liberty City

original release date: Friday January 2, 2026 | writers: Christopher Dunn, Cheryl L. Davis | director: Michael V. Pomarico Thoughts: I think it is sweet that Ted is turning to Shanice, both as a co-worker and as someone he has begun getting closer to, whether as a friend or a romantic interest. The spoilt, self-centred bitch is still all about herself. Tomas is aware he should not be drinking if he is going back to the office. He is a smart man. You, however, are dumber than sheetrock. Of course Dani would show up with Bill. By Christmas 2026, I hope they are either engaged or remarried to each other. It is clear the chemistry is natural with them. Tomas is a great boyfriend; certainly too good for whom he is dating. I love seeing Bradley and Martin, despite my griping, finally connecting. It is very clear why they found each other in the first place. They are the perfect partners for each other. Wow. Surprised at how compassionate Bill is towards Anita, and I doubt it is solely about Dani or the children. It is about how he likely feels about her as well. His heart is opening back up. Ugh... now we are going to encounter the con artist child bride and her piss-poor attitude. Aw... it is super sweet that Dani is checking in on Vernon like the true daddy's girl she happens to be. We love seeing the reverse of what Vernon did. I appreciate Ted trying to connect, and I think it could be working, but I do not think it will work for that long. Not Bill letting Tomas know about the BRCA gene, which his girlfriend pointedly left out. And then snapping on the gold digger? I love it. Aw Vernon... poor Vernon! My heart is shattered for him so much right now. Notes: Dunn and Davis back for another episode? That is exciting. After yesterday's episode, I am ready for another kick-ass day! Pomarico did a good job with directing today. Some beautiful shots. The new opening shots of Jen Jacob (Ashley) and Arielle Prepetit (Naomi) are gorgeous; huge upgrades for both actors! I can sense another shift in the post-production with us moving into 'season two', and I love it. It has a very warm feeling and the colours are perfect! Do not touch it again. Oh, we got some name updates in the end credits! Very interesting!

Credits for Friday, January 2, 2026: Created by: Frank & Doris Hursley Executive producer: Frank Valentini Head writers: Elizabeth Korte and Chris Van Etten Writers: Emily Culliton; Scott Sickles and Cathy Lepard Director: Tina Keller

She is not under contract; the opening is only under contract actors.

Writers: Christopher Dunn Cheryl L. Davis Director: Michael V. Pomarico Opening credits: New opening shot for Jen Jacob (Ashley) and Arielle Prepetit (Naomi)

That shot of Katherine Kelly Lang attempting to laugh is nightmare fuel. Please, never show it ever again. PLEASE!

January 5–9, 2026 Monday, January 5, 2026 (Episode #13286) Victor sends an ominous message. Sharon counsels Noah. Nick finds himself in the driver's seat Tuesday, January 6, 2026 (Episode #13287) Victor and Nikki receive unsettling news. Phyllis interrogates Daniel. Nick's plan for Matt Clark takes a dangerous turn. Wednesday, January 7, 2026 (Episode #13288) Nikki conspires with Michael. Lily sends Cane mixed signals. Diane loses patience about Jack's loyalty to Nikki Thursday, January 8, 2026 (Episode #13289) Kyle helps Jack get leverage against Victor. Phyllis and Cane switch gears. Audra and Holden agree to a fresh start. Friday, January 9, 2026 (Episode #13290) Jack presents Victor with a shocking offer. Nick suffers a setback. Phyllis encourages Cane to visit his dark side.

January 5–9, 2026 Monday, January 5, 2026 (Episode #15285) Leo and Javi face a life-altering challenge. Gwen finds herself in hot water. Julie advises Jeremy. Holly surprises Tate. Sarah rings in the New Year with Brady. Tuesday, January 6, 2026 (Episode #15286) Abe and Paulina receive a New Year's miracle. Marlena gets Leo to open up. Dimitri faces off with Gwen. Wednesday, January 7, 2026 (Episode #15287) Kate gives Bonnie bad news. Alex puts his foot down with Xander. Rafe and Jada brainstorm. Kristen makes a difficult decision. Thursday, January 8, 2026 (Episode #15288) Kristen makes a proposal to Rafe. Theo grapples with the reality of being a DiMera. Stephanie explodes on Alex. Belle and Chad agree to help each other move on. Philip and Gabi make plans. Friday, January 9, 2026 (Episode #15289) Chanel stands her ground with Johnny. Sarah opens up to Maggie. Xander lashes out at Brady. Leo proves his love to Javi. Dimitri gets the upper hand on Gwen.

Starred Alexandra Chando (ex-Maddie, As the World Turns) and Blair Redford (ex-Scotty, The Young and the Restless, et al.). Also featured Tyler Christopher (ex-Stefan, Days of Our Lives, et al.).

I misread it last night; I thought I read it as 'Colin is still alive on Y&R'. haha.

So excited! 'Season two' looks amazing, and I am so excited about the addition of Jordi Vilasuso, who has been criminally underappreciated in American daytime.

No, he's not. Colin was killed off, with Tristan returning prior to his passing to reprise the role for newly created flashbacks.

It's what happens when you use non-HD cameras on a set that was updated to be shot in HD. It was yellow, blurry, and low quality.

It's because with the arrivals of Frank Valentini and Ron Carlivati, they seemed to bring with them the non-HD camera quality that One Life to Live had. Both mirrored each other. By 2015/2016, it began to shift, but they appeared to be using 4K lights and non-4K cameras. When the 4K cameras were introduced in 2018, it definitely looked better than it does in 2025/2026. Since COVID, things have shifted in how production has looked, and it's very disappointing. This is from the debut of the new cameras, and while it is bright, the post is much more complimentary in comparison to now where it is beyond cold and dull:

Paula Cwikly and Jeanne Marie Ford are solid head writers; they've definitely brought a sense of family and familiarity back to CHARACTER as opposed to plot-driven drivel. However, what they do lack is story and intrigue. Hopefully that comes in the next month or two, but that is truly what is missing from their stories.

Hulu's streaming rights agreement with ABC/Disney only allows for two weeks' worth of episodes to be available. This is called ""rolling availability". When a new episode is added, one is taken away.

It was just something for people to bitch about on the surface level; plus, some are not able to understand when hints like that are dropped, and their comments show.

No, it doesn't. At all. In 2015, we were still using the yellow One Life to Live (non-HD) cameras. It was horrible.

original release date: Thursday, January 1, 2026 | writers: Christopher Dunn, Cheryl L. Davis | director: Steven Williford Thoughts: Nicole having flashbacks of Anita telling her and Dani about her diagnosis feels all too real. I have been in that situation; it is not fun. I appreciate her reaching out to Ted, though. Growth exists with her doing that. I appreciate Vernon being there, side by side, with Anita. That is how a husband should be, especially when they take their vows as seriously as he does. And Anita is radiating, despite what she has just gone through. The con artist child bride is acting as entitled as ever. Good to see the New Year has not changed her at all. Must have been her resolution to continue being herself. Oh, Chelsea and Naomi, what an unfortunate time to walk in on the conversation. Poor dear. Of course she would eavesdrop on a conversation she has no right hearing. Disgusting behaviour from the whore of Fairmont Crest. Vernon is so cute at trying to keep peace for Anita's sake, but he really came across as 'desperate' for them to go. And you can tell Chelsea and Naomi are reading it. The dynamic difference between how Chelsea and Naomi took Anita's news was beautiful. Naomi is a bit more composed, both as the older sister and someone who knows someone who went through this; Chelsea is a bit more emotional, as the younger sibling experiencing this for the first time. Of course the con artist child bride would mock this situation. What a vile, self-centred excuse of a bitch she happens to be. Of course the spoilt, self-centred bitch is going to refuse to be tested. Sweetheart, sweetie, this is not about you in this moment. Seeing Bill there with Dani, Naomi, and Chelsea feels absolutely right. That is the family he belongs with. And I hope in this year we see it happen. I appreciate Nicole checking in on Ted's relationship with the spoilt, self-centred bitch first before she opened up a bit about what is going on with her. Aw, I love how Martin knows what to say. He really handled the situation so beautifully. With some humour, appreciation, and determining support. Oh my... how beautiful is it to see Anita seeing her memories in that photo album while hearing the voices of her loved ones from over the years? That got me very choked up. Notes: Dunn and Davis continue to be perfectly matched in their roles as breakdown and scriptwriter, respectively. They both know their roles extremely well. Williford's direction is spot on this episode. He, after Phideaux Xavier, has the most enriched history within American daytime, and it shows. That alt. shot in the Richardson home, by the bar, was beautiful. In fact, today's episode has some nice shots on the sets that were used. Seeing the various characters finding out about Anita's cancer was beyond real. So real. And very compelling. Once again, Tamara Tunie (Anita), Daphnée Duplaix (Nicole), and Karla Mosley (Dani) have done exceptional work today, and Clifton Davis (Vernon) continues to rise to the occasion. In fact, the entire cast showed up to work on this day. Episode 200. Dani running to Bill before running to her children is very on-brand for the character; the same could be said about Nicole going to her children first. Nicole has matured from her marriage, while Dani still wishes she were in hers, despite being remarried. The isolation of this episode was brilliant. True classic American soap opera from beginning to end. The interwoven storytelling across the sets of characters was outstanding. That PSA at the end was beautiful and well placed. Wow. This whole episode has me in tears with how beautiful it truly was! Wow! Happy 200 episodes, Beyond the Gates! Perfection.

Writers: Christopher Dunn Cheryl L. Davis Director: Steven Williford

No, we won't. And I think that's okay, truly. Time moves on. But what we need is not what we have. Unfortunately, unless ratings and demos plummet, we will never see the true change. Sally McDonald being co-executive producer is a positive step.

Should have been chosen as head writer in 2016. Would have been GOLDEN!

Now THAT is how you do a reveal. You don't discuss it for episodes on end; you save it until the end of the episode. Yes.