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Posts posted by Vee
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That first seduction scene with Paul and Will was nearly pornographic in its intensity. To this day I have a hard time buying that Guy Wilson is str8.
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This is how Carlivati always responds to criticism: Quadruple down.
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Just now, SFK said:
I missed the chemical burn stuff when the face cream turned Celeste Holm into Patricia Barry.
What!!
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They didn't, no. The writing was never there for Shawn or Belle even when Cook and Storms first started - it was always crap. At least Shawn now can be defined by his job.
As for Belle, what's so common or unrealistic about her having a profound sexual pull to Phillip as well as complex history, and being bored with her life? It happens to men and women everyday. It happened to John and Marlena, albeit for much more complex emotional reasons, but at core there was always the sexual need as well. There is a reason their defining moment is [!@#$%^&*] on a conference table.
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Belle is blank bc the writing at DOOL is subpar and Martha Madison is the acting equivalent of rice paper.
But the affair with Phillip was hot, and why did they need to make it about something else? At the time, based on what was onscreen, I believed it was the oldest reason in the world - she was bored in her marriage, was hot for Phillip and wanted to fućk. The truest motivation soaps too often try to avoid today for dumb puritanical reasons.
With the right actors and a better writing team that adult Chloe/Shawn/Belle/Phillip quad could've gone years.
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Jordan Peele did say he appreciated the gesture, actually. He was just amused by the meme.
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January '93, on a break from LM:
Patricia Barry - glamorous, chic and imposing, AMC's Peg English (was Agnes in one the recast?) - is instantly more compelling an Isabelle than nice old lady Augusta Dabney. I've yet to see the legendary Celeste Holm in the role but I love her Hollywood work. It's interesting how dramatically they'd change a traditional elder female character based on a recast, or was Dabney's original ever an operator like Barry's? I guess when Agnes brought Cabot back her role was seen as redundant. Barry and Wesley Addy together would be interesting to see; based on my memory of Addy's work in film and occasionally here, she's tougher than he is.
They are really working those (wonderful) film score cues from Jennifer 8 and Presumed Innocent to death. We now know Gottlieb was involved at LOV in '95, but could this be her influence across the daypart earlier? She used many film cues at OLTL; OTOH, some soaps had used them prior to the advent of Gottlieb.
They are still treating Gwyneth very differently (negligee, young stud Armand - what happened to him?) than they would by November (and Agnes), when she comes off as a frumpy woman in a midlife crisis desperate to hold on to Buck. This show really did burn through story insanely fast. The year opens on Jeremy, the most powerful college art instructor ever, being teased with Stacey, while Ava is fully into the frankly very dim-seeming Leo. By summer's end or so Ava has burned through both Leo and Jeremy and on to Alex, Stacey is being pulled to Buck I guess, etc. No clue how things ended with Jeremy and Stacey. All I know is Susan Keith is wasted with or without Leo as far as I see.
When did Jack Forbes die, why did they kill him off and how long did it take for Clay to marry Stacey? In fairness they were clearly bored with Jack beforehand, as I can recall them teasing Stacey with Trucker the previous spring during that hidden room caper - which led to the reveal of Clay's paternity, right? Clay's drunken lament and justification for his scheme at her bedside was another excellent showcase for Dennis Parlato.
Nada Rowland seems dressed and styled much more as a geriatric woman than she would a year or two later. Also, Ally watching AMC on the couch - lol.
This is Guza and Taggert, right? Agnes is later in the year. Who introduces Steffi?
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I still don't know who they are either. I've no patience for people telling me well, one of them is good or that Hot White Cop #2 or 3 since Dante is also good. No thanks. They're all interchangeable from the Frank Factory. Time-jump and fire half the cast.
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God, that poor woman. I don't know how she finds the strength to go on.
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Is there a good, long, substantive piece out there on de Blasio's foolishness and long fall during the pandemic and onward? I can't keep track of everything rn and have only fitfully monitored his tomfoolery since moving west. He was a fool when I lived there too.
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If you can't see the full article, be sure to copy and paste the above link into the bottom field here at archive.is - it archives all stories for free.
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Apparently 2020 is the year of COVID-19, BLM and Loving. Are they all on the same 93 playlist?
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I have always believed there is more out there of the early Carla, etc. material from OLTL and its '60s/'70s in general than we know. The Museum of Television and Radio has some. Ellen Holly, by her own word, has more she saved, via kinescope I believe. She also claimed urban market affiliates in the '70s kept some of those key episodes featuring her storyline to push it in those markets. ABC may not give a shít but they may still have more somewhere. And in the age of YouTube, so much of what was thought forever lost (like the clips posted so far) keeps turning up. Hell, who knows about Agnes Nixon's estate. She never forgot that storyline, even in her final years; if Holly saved some of it, I wouldn't be surprised to hear Nixon did too.
Meanwhile, per those 80s episodes it always struck me how similar Holly comes off in those scenes with Lillian Hayman to Erika Slezak, and Viki. The heart is all right there.
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Thread:
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Smart. The show is a mess.
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Nah, IIRC Drew bought it in November sweeps.
ETA: September, apparently. I haven't seen those eps in forever.
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1 hour ago, Khan said:
Am I wrong, or didn't it seem as if they WANTED her to be Dixie, then reversed course when they realized no one was buying it?
I always suspected Frons did, but I may be paranoid.
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As The World Turns Discussion Thread
in DTS: Cancelled Soaps
Posted
Marland's work always reads very queer to me onscreen. From what I've seen over the years it's consistently populated by imperious and/or neurotic, layered women struggling with secrets or deeper passionate needs, and gorgeous yet very vulnerable or tempestuous young men. (And Doug Cummings, played by his longtme favorite JWS, is basically a deranged theater queen) If you go by the scuttlebutt you can project that Marland was infatuated with the men and embodied in many of the women, like Iva or Lily. But I suppose that's reductive stereotyping too.