DRW50

Yeah, I see your point. I think this changed somewhat over time (for instance, some of the fury and disgust from Emma when she learned about Iva's Aaron lies) but generally people were very polite. I do think this helped ATWT stand out, but I think Marland was such a unique writer, the structure of ATWT was impossible to recreate. I think when he passed away they may have been better off hiring a very different writer very quickly. Then again I liked Cullton's work a few years later.

I actually liked Jason - well, at the time I thought he was OK, but I may have just been pleased Iva was going to be happy. The actor was a bit off though (he'd been a hippie type on the Doctors and then a year before ATWT he was on OLTL as a homophobe with a gay son - he wore very loud golf pants). Thanks. I don't know why I couldn't remember their names.

The scene with Nola and the devil about midway through this is so good. Chilling stuff. http://www.youtube.com/watch?v=ofZHJEAjiWY&feature=autoplay&list=ULKByVtT33guk&lf=mfu_in_order&playnext=1

I can't remember their names either. I was going to say "Pete and Jenny," but that's Julie. A sex addiction story for Iva would have been interesting, given her history. I would have had her have a one-night stand with a man, leading to a no-strings relationship, and then see how that developed. Maybe someone like Duke. I have not seen a lot of Kirk/Ellie, but I think Renee Props work in the story with Craig, and Brock/Emily, is fascinating. She's so understated and yet you can always feel everything she's feeling. I love Marland's work, to the point where I can only complain about little things, but I do yearn sometimes for more conflict. This episode has a scene where Julie tells Lien she had a much harder life than Lien. Lien snaps and starts to tell her how untrue that is, and they're interrupted. I wish that scene had been extended (although today it would probably be some campy catfight).

I enjoy their scenes when they get to laugh and have fun. It's such a refreshing change for Iva. By the time I started watching, Iva was downtrodden 24/7, and while I did connect to her through that (she's probably one of the most realistic soap characters ever) it was grueling and depressing. I wonder why they never considered putting them back together once Ellie left town.

4/7/87 Digest. Will Jack Wagner Move On? Which of your favorite actors will be cut when the ax falls on GENERAL HOSPITAL? Wes Kenney has the answers. By Pat Butler and Michael Logan. She turned a ratings guttersnipe into daytime's fairest lady, but after nine years as GENERAL HOSPITAL's real chief of staff, executive producer Gloria Monty finally called it quits. Maybe you can imagine Laurel without Hardy, bagels without lox and New York without the Yankees - but GH without Monty? Impossible! Forget it! It'll never fly! Well, doomsayers, hold on to your hats! The show's new Big Daddy, H. Wesley Kenney, has taken over with a vengeance. And while there are big changes on the horizon, GH loyalists needn't fret. The forecast is strictly sunny. With Monty voluntarily moving on to the greener pastures of prime time and mini-series for the ABC network, the time was ripe to refocus and resharpen a soap that, despite its continued domination of the Nielsens, has gotten pretty raggedy around the edges. Of course, any refurbishment takes a while (especially if you don't close up shop) but Kennedy predicts his overhaul will be fully evident by early summer - and guarantees there'll be lots more of GH's assets and a lot less of its liabilities. While fans can expect more heavy-duty story lines for Duke and Anna (Ian Buchanan and Finola Hughes), Tiffany and Sean (Sharon Wyatt and John Reilly) and the ever-nasty Lucy Coe (Lynn Herring), the heads of several peripheral players will roll and at least one actress, Hilary Edson, who plays Tania, will not be re-signing when her contract expires this spring. There will be a moratorium on crime stories which will get the show out of the dreary police station and back to the hospital where it all began. Also in the works is the re-introduction of Audrey and Steve's adopted son Tom which will bring the long ignored Hardy Family back to the forefront, and the Quartermaines will be rewelcoming that conniving Tracy Quartermaine - possibly to be played again by Jane Elliot, who won a 1981 Emmy in the role. So who is this guy Kenney? To begin with, he's no lightweight. An outrageously charming combination of Rip Torn and Walter Matthau, Kenney comes armed with seven Emmy Awards and a background which includes a seven-year stint as producer and director of DAYS OF OUR LIVES and five years as executive producer of THE YOUNG AND THE RESTLESS. He took on the latter in early 1982, replacing John Conboy who'd move on to create CAPITOL. Along with co-exec Bill Bell, Kenney turned the then-languishing Y&R into a real champ by firing actors, hiring actors, jazzing up story lines and juicing up romances. A year later, the once-anorexic serial won the Emmy as Outstanding Daytime Drama and proudly boasted several million new viewers. Ironically, under his magic thumb, it recently became the first soap in years to temporarily dethrone GH from its lofty spot atop the ratings. The two soaps have little more in common than their running time. The pace, style and caliber of acting are poles apart but Kenney's convinced that, now that he's in the GH driver's seat, he can strike a compromise. Notes the new boss, "YOUNG AND RESTLESS has great stories. It deals in character and in relationships, and as a result, it works. If I were to find fault with it, I would say that they draw their stories a little too long. GENERAL HOSPITAL, under Gloria's very successful tutelage, has been more of an adventure. It really rolls! Stories move faster but there is less attention to character and to relationships. It has obviously hooked its audience with excitement and intrigue. I have to say, having worked all these years in daytime, that there's a middle ground here. I hope to arrive at a point where I have incorporated the best of two worlds." Wes has hedged his bets by hiring Ann Marcus as head writer for the soap. An Emmy Award winner for MARY HARTMAN, MARY HARTMAN, which she wrote and co-created, Marcus also served as head writer for LOVE OF LIFE, LOVE IS A MANY SPLENDORED THING, SEARCH FOR TOMORROW and DAYS OF OUR LIVES. Norma Monty, Gloria's sis, will continue as GH's co-head writer. With the scripts getting meatier, Kenney plans to bear down on the acting company. "The actors are being told to get more depth into their characters," he says. "The show won't be so hit and run. We'll be playing out the situations more." He's determined to improve the quality of the supporting and day players on the show, which should come as a relief to GH viewers who have suffered through some pretty rotten acting from the second stringers. He also plans to employ new actors only as long as they're needed, noting that, of the recently added roles, only Tom Hardy is currently considered to be a core character of lasting duration. "The rest," he says, "will be here for six months or a year and when their stories are over, they will go. There's no sense in hanging onto them if they've got nothing else to do." The same goes for several currently backburner players. Monty had been criticized for her insistence on retaining once-prominent characters but never giving them anything dramatically worthy to do. (Kenney nearly went into cardiac arrest when, upon signing on, he was informed there were 42 stars under contract.) While Wes is too much of a gentleman to name names, he does admit that there will be several pink slips issued in the near future, thus decreasing the amount of thumb-twiddling contractees lurking in the background at the hospital, the Brownstone and the ubiquitous nightclub and party sequences. This news may chill many a marrow but Kenney, when asked what percentage of the current cast will be present a year from now, clearly looks at the chopping block with a cup-is-half-full mentality. Reveals the producer, "New people are coming in, others are being wrapped up, some may ask out - so, all things being equal, I'd say at least 50 percent will still be around." Whether the very popular Jack Wagner (Frisco) is among them remains to be seen. Word is, he wants out when his contract expires mid-summer. Kenney, hoping to keep him on, had a heart-to-heart pow-wow with the star, hoping to convince him to re-sign with a contract that would provide plenty of loopholes for extra-curricular acting and singing work. "I'm hoping that will have some influence," Kenney comments. As for the rest of the troops, enthusiasm for the new regime couldn't be higher. "I have never heard anybody say anything but good things about this man, both personally and professionally, and that is definitely a rarity in this business," says GH veteran Stuart Damon, who plays Alan Quartermaine. Brad Maule, who stars as Dr. Anthony Jones, adds, "When a very strong, powerful person leaves, there's usually a vacuum created - but the interesting thing is that without any trepidation. He seems to be of equal power. Some people feel like they have to take control, but he just had control. It made us feel at ease because we'd like the show to stay as strong as it was under Gloria." "I was very pleased to hear from Wes that the Hardy family would be once again, very important," notes John Beradino, who was Dr. Steve Hardy, had been blatantly underused during the last few years. "They've gotten so involved in adventure and crime over here that they've forgotten about the medical aspects." Jacklyn Zeman (Bobbie Meyer) is already a big Kenney fan. "He makes people feel that what they're contributing has value," she gushes. "He seems to be very sensitive and he listens before he speaks - that's why the actors love him so much. He comes to work wearing sneakers and jeans and he has these sparkly eyes and this happy, bouncy walk." Another actor, wishing to remain anonymous, reports, "Now, it's like Christmas every day. Wes actually smiles at you in the morning. He actually asks how you are!" Despite the glowing notices, Kenney's arrival was met with a little apprehension. One actress - anxious to get a few things straight before re-signing her contract - actually jumped the gun and called him up at the Y&R set to suggest a meeting to discuss his plans for the show. Leslie Charleson, who plays Monica Quartermaine, admits that she, too, was a little gun-shy about the changeover. "At first I thought, 'Well, I'm quitting if Gloria leaves. I mean, that's it!'" she reports. Now, she's changed her tune, admitting, "Anyone who could follow in Gloria's footsteps would have to be admired. Taking on this job is not unlike getting on a horse - if you're at all tentative, the horse is going to know it." In an effort to curtail some rather indulgent work habits on the part of his stars, Wes fired off a memo which began: "I must tell you I'm getting too old to work as late as we frequently do..." Kenney then charmingly suggested that a few time saving adjustments by the cast would allow everyone to finish earlier. The tone was light and supportive, and a point made with honey, not vinegar. The physical look of the soap will also improve. Coming from one of the most lushly produced daytime soaps, Wes is not about to see the GH cast get anything less than the kids at Y&R. "Shoot it like a movie," he's already informed the crew. Also high on Kenney's priority list is plot continuity - which was getting sloppy. For example, last summer Frisco and Felicia left Catalina Island on a small plane, changed to a bigger plane in Los Angeles, flew to New York City, hopped a shuttle to Port Charles and then took a taxi to the Brownstone - all, apparently, within 20 minutes. As if to explain the rush, Felicia then breathlessly exclaimed, "We were in such a hurry to get home that we left our luggage at the airport!" To combat such atrocities, Wes has hired a continuity expert whom he meets with each morning, and has also requested that the writers sprinkle a heavy dose of reality on future scripts. Gone, too, will be the time-worn tradition of a single, prominent story line. "Whereas that has been the thrust of the show - which was Gloria's choice and it obviously worked - we're not going to do that," explains the new exec. "We will revert back to the old soap formula and have two or three major story lines going all the time." He wants those old ratings back, too - the kind GH used to get when Luke and Laura were the country's hottest couple. "I don't think this is a reflection on Gloria at all, but the show was much higher rated five years ago. THE YOUNG AND THE RESTLESS wasn't even close to it. That means, in a sense, the show isn't doing what it used to do best. It continued to do certain things well but other things have gone askew. Maybe by bringing back some of the old values, we can reinstate the more tremendous popularity GENERAL HOSPITAL possessed at one time." Even with the confidence and experience to expertly endure this trial by fire, Kenney still admits the gig can bring the occasional sleepless night. "God forbid, I would hate to think I was responsible for it failing,' he sighs. "Sometimes I wish we were in last place because, then, you only have one place to go - up!"

http://www.youtube.com/watch?v=vLxSdICcXFg

SOD reported that an untrue rumor of 1993 was Eileen Davidson going to OLTL as Gabrielle Medina. Can't picture that at all...

http://www.youtube.com/watch?v=LqE4mpybO8M

http://www.youtube.com/watch?v=aaWUBvuRdJA

This is a fun ad. http://www.youtube.com/watch?v=F380NDfz43I&feature=mfu_in_order&list=UL

http://www.youtube.com/watch?v=ROnKzrca4Mk

I wish I could see this. Andrea just sort of faded away as a character didn't she?

She probably was on in 1999, yes. IMDB...I doubt it. Do you know who is playing the Orsini father in the 1993 flashback? It's hard for me to tell Tad and Ted apart, physically or vocally. The stuff with Phoebe and Edmund and Brooke was my favorite part of that episode. It was nice to see Phoebe still in an active role, as by the time I'd started watching, she made less frequent appearances. I wasn't fond of her wig though.

Schemering said the scene on the witness stand was an episode full of flashbacks, and Andrea Copeland gave a phenomenal performance.

I'd like to see more of her with her family but even without them I thought she made an impact in her 1995-1996 appearances. I knew very little about her at that point, and I was fascinated by her.

Were there any plans for Scotty?

http://www.youtube.com/watch?v=YRFJ6mvLXPo

http://www.youtube.com/watch?v=zCm4CfddUCM

Enid was a wonderful character. Soaps need character like this in order to have believable social classes. If Natalie Ross is still acting I wish PP could have her on. Wasn't Enid on pills at some point or am I making that up?

http://www.youtube.com/watch?v=na8gp_k3Hxo

Were there any story plans for Sheila in her 2005 return which didn't come through? For instance, surely they had more planned for Scotty?

There are some short clips at FebWriter's channel.

Rand Paul is an oddity and I can easily see him not running for another term or losing to a well-funded primary challenger. McConnell is the king of Kentucky politics (even if he isn't what he used to be - if he was Trey Grayson would be with him in the Senate), so I doubt he is going anywhere until he wants to.

At first I thought the story was going to be dull, and done to death - this generic woman in a mental institution, Josh's secret, etc. Daly did a lot to make this rev up - there was such an edge in her work, you could tell that she wasn't going to just slowly boil over the way Sheila or David did. This isn't the shooting clips but one from a few months earlier. I also love that MTS had no problem playing these scenes in such a bitchy and forthright way, instead of worrying about her character being seen as too snobby. http://www.youtube.com/watch?v=vAiu3DdCBN4