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I spent years hoping we would get an oral history like the OLTL book, but it’s too late now with so many having passed away. -
It’s also strange that it was Monica! I just don’t think of her as the staring off into space type of woman! I watched a bunch of other clips and stuff from random 1978 and 1979 episodes. I’m so used to seeing movement from Monty’s era, especially the early part, that this really is a cool relic. Pretty soon you have scenes start at the new nurses station, the elevators opening and doctors walking to the desk to get their messages from Jessie or Bobbie. People often walk towards doors while taking coats on or off, many Webber house scenes start or end with someone walking up the stairs. This episode is even more static than some of the way earlier ones I have seen, where you would have Steve or Jessie at least going from the old school nurses desk to the medicine room, Steve’s office, etc. That bland dialogue is very much like what they have now. The show picks up a lot of personality. Knowing what we know about David Hamilton and how that really started to get the ball rolling as far as viewers you really see just how vital Lesley and especially Laura were to get things moving for them. They focused on the right characters to get fast results. The show now could learn a thing or two from this.
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It won't allow me to watch it via the link; I am only able to watch it with the app. -
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Just finished the Goldfinch. Read it in 5-6 days... and it's a huuuuge book. Well... I would rate the first 500 pages a solid 10 out of 10... but then the next 300 were kind of a letdown... so the overall impression is something like - 7/10. It's just very hard to give something a full 10 after reading A little life. Still... loved it immensely and would probably re-read it in the future. There is a movie adaptation... starring Nicole Kidman... that I haven't seen. -
I realize I harp on this, but I think he spending is relevant. She's not just buying new wigs. She's building a mansion, she's funding a sports complex, she's paying for operations for people she doesn't know, she's caring for Peaches, she's buying apartments. We saw ?her get ONE check for ONE million dollars. That's it. I may be wrong, but I thought they said she'd get a payment every 6 months. Regardless, she could not rule the roost on $1M, and the show is not doing a good job there. Pretending that doesn't matter? I can't do that. All they had to do was add a couple lines about payouts and payments. In other news, I would love to know just how much Anita was putting into that trust as well as what investment got her what has to be an incredible return.Please register in order to view this content
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By Liberty City · Posted
I'm honestly surprised Nikki and Victor have not divorced yet... maybe their brief opening of the marriage did something for them.Please register in order to view this content
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It reminded me of what the Pollocks got away with all the time on THE DOCTORS: long ass flashbacks that don't really add anything to the scene except time. Because, if you remove the flashback, what's left? Monica finishes packing Alan's suitcase. The end. Oh, well. At least I got to see a young Patricia Elliott (ex-Renee, OLTL) in that Aim toothpaste commercial (not to mention, a shirtless James O'Sullivan (ex-Jeff, AMC; ex-Pete, OLTL; ex-Jerry, SOMERSET) in the commercial for One-a-Day vitamins, lol). -
Well, I can't help but think it would've been written different with CB still there -
I could've sworn FV let other people direct either here or at OLTL. I may be wrong. IIRC Kimberly is now very active directing multi-cam/sitcom work. I'd forgotten she even did Netflix's One Day at a Time. -
IIRC MVJ said the million was just the first piece of what Leslie got or was already owed, something they did make explicit in dialogue but not too explicit. Still, I am past worrying about it. I do think they want 30-yo elder millennial Peaches in her Sophia Petrillo wig to be a point of pathos for Leslie. In theory I am fine with that, and don't dislike Peaches despite the jarring physical disconnect and need for a recast lol. But I do think they do a lot of B&B-style whizzing from Point A to Point C with Leslie on this kind of stuff - in one scene she is raising hell, in the next she is weeping over Peaches. There's very little transition to that sometimes that allows for the nuance, and that can be done much better and they can go much deeper with Leslie (and most characters). The newer/younger audience for the show may have less issue with this kind of quick change than we do.
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