Jump to content

"Love Monkey" is Back..... On VH1


R!ck

Recommended Posts

  • Members

VH1 Starts Monkeyin' Around and Brings Back 'Love Monkey'

VH1 Saves the 'Monkey' on Tuesday, April 11 by Airing the First Three Episodes of 'Love Monkey' From 7 P.M. to 10 P.M.

Five More Episodes, Never Before Seen, Will Premiere Exclusively on VH1 Every Tuesday Night at 9 P.M. Beginning April 18th

SANTA MONICA, Calif., April 6 -- The people spoke and VH1 listened ... "Love Monkey" has found a new home on VH1. The hour long dramedy from CBS starring Tom Cavanagh will begin airing on VH1 starting Tuesday, April 11 with three back to back episodes beginning at 7 P.M.*. The five remaining, never before seen episodes will premiere every Tuesday at 9 P.M.* beginning April 18.

In this scripted series, Tom Cavanagh plays "Tom Farrell," a 30-something record executive navigating a career, romance and the surprises of everyday life. He finds himself burdened by the pressures of working in a highly commercialized industry when he's actually, truly in it for the music. Tom's group of close friends are always there to back him up and keep him grounded. Judy Greer plays the role of "Bran," Tom's best girlfriend who always tells it like it is, Jason Priestley plays his buddy "Mike" who happens to be married to Tom's pregnant sister "Karen" played by Katherine LaNasa and Larenz Tate is Tom's tough and quick-witted friend, "Shooter." Christopher Wiehl plays Tom's closeted gay best friend "Jake" who is a former baseball player turned sportscaster and Ivana Milicevic is "Julia," Tom's unflappable co-worker and love interest.

Young rising star and songwriting prodigy Teddy Geiger plays a regular role as "Wayne," an up and coming artist signed to Tom's record label. Music performances and guest appearances include James Blunt, LeAnn Rimes, Natasha Bedingfield, Ben Folds, Aimee Mann, the "Late Show with David Letterman's" Paul Shaffer and more.

"'Love Monkey' has found a perfect home at VH1," said Tom Calderone, Executive Vice President and General Manager, VH1. "The storyline is tailor made for the VH1 audience who enjoys stories and appreciates music from up- and-coming artists that are featured in the series, many of whom were introduced on VH1, including Teddy Geiger."

For more on "Love Monkey," viewers can go online to http://www.vh1.com.

Link to comment
Share on other sites

  • Replies 2
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Great pairing that seemed to come out of the blue! Around that time, it felt like Sheffer/Goutman didn’t really know what to do with Emily or Hal. And KM and BH had surprisingly great chemistry. It was good for Emily especially because she was coming off those unsympathetic years with the Tom affair and then running the Intruder and essentially just being a busybody.
    • I think the issue with Lulu is less the character (which was the issue in the Julie Berman days under Guza II) and more the lack of nuance. The current GH team rarely writes nuance for any character or at least can't sustain it for long, or they reserve it for a favored few. I also think the rooting interest at GH BTS often remains on preferred characters or actors - BLQ/Setton - vs. Laura's kids. So it's easy to make Lulu the heavy if you think Brook Lynn and Chase are the money on this show. I don't, but I think FV does. And that's not to say I think Amanda Setton is bad in the role, or that I would get rid of BLQ. I don't trend towards either (though I do think that if Setton's personal beliefs keep getting in the way of material I would reluctantly recast). I think Brook Lynn is essential to use as a lead presently. But I don't think it needs to be the black and white dichotomy of suffering young matriarch BLQ and aggressor Lulu. While it's good that unlike in the Guza years they can recognize that Lulu can be obnoxious and rash, can be her own worst enemy and that that is part of the character, it can be toned down or given more layers than it has of late. There's nothing wrong there the writing can't fix.
    • 1999: I just watched it. It felt so primetime. La Lucci is making history. Aretha's daydreaming segment. @Contessa Donatella Thank you, my love. So helpful and informative as always. adding them to my queue.
    • I know this isn’t a usual or anywhere near universal take, but I loved the relatively brief Hal/Emily relationship/marriage more than I ever thought I would have with KMH/BH.
    • In my field (not that) I've written my share of dreck when it's what people wanted vs. something good. In the end what matters is the check. These pilots may not be great, but whether or not those writers intended otherwise they got paid.
    • I think there is plenty to critique and/or roast about the show, but I think there's also good bones and a lot of progressive improvement. It's the Bell/B&B formula and house style that is hardest for it to shake and the most necessary IMO, as well as some dead weight actors or characters, but that formula also apparently works for a lot of general viewers and I suspect CBS. OTOH it's also very modern in certain ways (sometimes overly hip dialogue, and some story) that still make it feel like a show that's bouncing between distant past staples of soap opera fundamentals and the present moment. And the old fashioned product placement is fun but also so goofy, while material like June is hysterical. Imagine leading with 'the underpass is where I live, and I like it there!' It's an unusual show in that way, because its identity and tone is still not fully formed. You don't know what it'll be. But that's normal at this juncture. The closest thing to a glimpse of the future foundation, I think (besides the obvious core family setup that's been there since Day 1), is the rivalry and future familial bond - and likely love/hate relationship - between Kat and Eva. A la many central sisters or siblings throughout soap history.
    • I loved Kelley Menighan! She was an MVP, especially during the show’s last few years. I always looked forward to anything she did with MM, BH, CZ, MW,  and the two grownup Alisons. Wasn’t a big fan of her with RH’s Paul. I always admired how she balanced being a vixen and being neurotic.
    • LLC can be a lot (lady definitely doesn’t phone it in), but her scenes with Rena made me wish they played actual sisters on a better platform.  Aside from JE, who is a legend so it’s no surprise when she’s excellent, Amanda Setton is my MVP of this story and she hasn’t always been great in this role. You see so much happening in her face as she’s navigating the shifts and layers of this story. She’s fully locked in. Glad Rory Gibson is getting his due on GH. I knew he had more to give than what Y&R was giving him. The writing will be a factor here as well because the character of Michael hasn’t been written well in ages (if ever, arguably). GH just can’t sustain the good stuff for more than a few weeks. Alexa Havins is a very good actress and was widely embraced as Lulu initially, but the character’s one-note abrasiveness has a lot of folks wishing she was gone at this point. 
    • It's pilots like "Hurricane Sam" and "Anything for Love" that makes me so afraid to write professionally, because, my God, what if I actually tried and came up with something just as awful, if not worse (if that's even possible)?
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy