Everything posted by JAS0N47
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Ratings From the 90's
MAY 1990 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1990 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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Ratings from the 80's
MAY 1989 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1989 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: Continued in the 1990's thread.
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Ratings from the 80's
MAY 1987 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1987 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: MAY 1988 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1988 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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Ratings from the 80's
MAY 1985 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1985 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: MAY 1986 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1986 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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Ratings from the 80's
MAY 1983 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1983 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: MAY 1984 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1984 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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DAYS: January 2024 Discussion Thread
It varies throughout the year. Lia Maiuri was just removed from the credits yesterday, and her farewell party was the week of June 12. After that week, they only taped one more week (July 10 to July 14) before he was fired. So, yes, based on those estimates, it would look like around the week of 1/29 or 2/5 could be it. Of course, they tape things way out of order, so it depends on how far ahead they may have taped some February scenes.
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Ratings from the 80's
MAY 1981 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1981 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: MAY 1982 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1982 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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DAYS: Behind the Scenes, Articles/Photos
Abe only had these 3 episodes from 11/12/91 to 1/27/92. So if it's something around the Mexico storyline, it would be one of these. This was when Jim was first brought back after Generations was cancelled, and he was just recurring and not appearing much. 6638...11/12/91: Cast: Abe, Bo, Carly, Caroline, Domingo, Gretchen, Isabella, Kayla, Kimberly, Lawrence, Marcus, Marlena, Roman I, Roman II, Shane, Shawn, Victor, Jeannie, Henderson, Dimitri, Ari, Doctor. Sets: Victor's Villa/Greece, Loft, Roman & Marlena's Living Room, Pier, Trauma Center, Kiriakis Mansion Living Room, Alamain Mansion, Shane's Study & Corridor, Phone for Domingo. 6655...12/5/91: Cast: Abe, Gretchen, Isabella, John, Kayla, Kimberly, Marlena, Molly, Roman, Shane, Tanner, Victor, ISA Agent # 1, ISA Agent # 2, Mexican Nurse, Mexican Delivery Man. Sets: Kayla’s Apartment, Int. Car/Mexico, Professor’s Moore Living Room/Mexico, Woods/Mexico, Staff Lounge, Int. Mayan Ruins, Alice’s Restaurant, Victor's Hospital Room/Mexico, Hut # 1/Mexico, Hut # 2/Mexico; Aerial Footage of Mayan Ruins. 6691...1/27/92: Cast: Abe, Carly, Carrie, Chip, Danielle, Isabella, John, Julie, Lawrence, Maggie, Marlena, Mickey, Roman, Victor, Waiter (Jeff), Guard (Saul), Bartender, Nurse Jill, Worker on Pier. Sets: Roman & Marlena's Living Room, Pier, Loft Bedroom, John's Flashback Limbo, Roman & Marlena’s Bedroom, Nurses’ Station & Staff Lounge, Kiriakis Mansion Den/Exterior, Continental Bar, Alice’s Restaurant, Security Guard's Hospital Room.
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DAYS: Behind the Scenes, Articles/Photos
CHRISTINA APPLEGATE'S STORYLINE ON "DAYS"... Christina Applegate (Kelly Bundy from "Married...With Children") appeared on tonight's Primetime Emmys and mentioned her acting debut, where she played Baby Burt Grizzell. For the first time online, here's a look at her storyline on "Days of Our Lives" in Episode # 1597, which aired on March 7, 1972. If you can't make out the paragraph (highlighted in blue), here it is typed out: A patient arrives in Greg's office carrying an infant, which Greg asks Susan to hold while he treats the patient. As Susan holds the child, she tries to steel herself that an abortion is the only way out, but she remembers her last time in the clinic, her eventual rejection of the operation then. After the patient and baby leave, Greg comments what a great mother she'll make someday.
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DAYS: Behind the Scenes, Articles/Photos
AT TONIGHT'S PRIMETIME EMMYS, CHRISTINA APPLEGATE MENTIONED HER ACTING DEBUT...AS BABY BURT GRIZZELL ON "DAYS"... Here's the master telecast report. Christina Applegate (listed as Baby Priddy on the telecast report) and her mom Nancy Priddy appeared as a Mother (Mrs. Grizzell) and Baby Boy (Burt Grizzell) in Episode # 1597, which aired March 7, 1972. Christina, best known for her role as Kelly Bundy on "Married...with Children", was nominated at this year's Emmys for her role on "Dead To Me."
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R.I.P.: Bill Hayes Has Died
2010: BILL HAYES REMEMBERS FRANCES REID... Back in 2010, when Frances Reid passed away, Bill Hayes sent me two eulogies he had written for her. It looks like they were written for different services. Here's the lovely words Bill spoke about Frances. He titled this one "Creampuff." CREAMPUFF If Frances Reid was a dessert, she’d be a cream puff. Solid and crusty on the outside, soft and tasty on the inside. Her exterior, of course, was what she showed. That was the tough talker who fought for actors’ rights on the AFTRA board for thirty years, who deleted the dreaded word “crediting” from her contracts, and never stopped being incensed over the unjust havoc fostered by Senator Joseph McCarthy. My first Days episode was taped in February, 1970, so when I met Frances she was just 55. Stunningly beautiful! Formidable woman! Forthright. Those of you who knew Frances in recent years only experienced the embers of the fire that was Frances. I was privileged to know her when that fire was a hot flame. She would give you that pert smile, take a puff on her cigarillo, and CALL YOU OUT! Didn’t matter who you were—actor, writer, director, producer—she’d let you know you were wrong and how to fix it. Superb actress. She, who had starred on Broadway as Roxane and Ophelia, who had faced life as Portia on TV and giggled with the girls in STAGE DOOR, took those words written by—how many, fifty?—different writers—in thousands of Days episodes—put them in her personal percolator and turned them into Alice Horton. She was so good, she made other actors better. That’s a talent. Mac was still drinking in the 70s, and many of her scenes were with him. I never saw her once “give him a look.” Here’s my take on Frances: The inner Frances Reid was Alice Horton. Yeah. Loving, compassionate, helpful. Perfect casting. Ask the country. The millions who secretly wished that woman was in their family. She was in their hearts. To me, Frances gave herself away. Prime example: The first several years I was on the show, she opened her beautiful Brentwood home at Christmas time for the cast to gather as a family. If you wanted to bring a potluck dish or a bottle, that was okay. But her edict was: “No presents! And no ornaments, because there will be NO CHRISTMAS TREE!” Well, when Wesley Eure was driving over to her house for one of those parties, he spied a great big old tumbleweed that had bounced in from the desert. Stopped, picked it up and crammed that huge ball of springy dead weed into his back seat. He grandly brought it into her house, announcing: “Frances! I’ve brought you your Christmas tree!” She fell on the floor laughing. And she kept the damn thing. The following Christmas, there was that tumbleweed, and it had lights on it, and ornaments! I treasure the scenes I had with Frances. There was a time before Doug married Addie, or Julie, or Lee, or Julie again, or Julie one more time, when he used to flirt with Alice. Called her his best girl. It’s true. Once, when Tom wasn’t around, and Alice was gardening on her knees out in front of Horton House, Doug sang to her—a capella. You’re my best girl And nothing you do is wrong. I’m proud you belong to me. And if a day is rough for me, Having you there’s enough for me. But if, some day, Another girl comes along, It won’t take her long to see That I’ll still be found Just hangin’ around My best girl. Don’t you know, she lowered her eyelids and gave me a long sideways look, then went back to cutting her flowers. Another favorite memory of mine is Frances playing Groucho in the Cat-Scanner Review, Days’s one courageous staging of a variety show. She wouldn’t rehearse extra hours to learn the sketch unless they paid extra; well, they couldn’t, so she didn’t rehearse. But she did the Groucho walk and flipped ashes off that big cigar perfectly. Frances was always the star of the annual out-take reel. Why? Because the writers all loved to give Alice lines chock full of character names. For years, it seemed that at least once in every script Alice would blithely tell Tom, “Laura’s in the emergency room and Shawn went to check with Abe about Sami because Marlena told Jennifer Hope can’t find a parking place.” Frances would give the director a “Why me?” look and say, “Who are all these people?” Maybe the writers just gave her those lines to beef up the bloopers. It’s possible. As I see it, all those family members who came and left, those who Alice reprimanded, those Alice cried over, joked with, advised, those Alice loved,…. I think that was Frances’s family. But, not just them. We’re all her children and grandchildren. I mean everybody: the onstage crew, the makeup room artists, the production people. All of us. So, it’s certainly fitting that we gather to remember our dear friend, to say thanks, Frances, for all you gave us, to collectively mourn the passing of such a bright link in our family chain. sure am grateful that I’ve been a part of this unique, long-running story, which gave me the opportunity to work with and get to know the special person who was Frances Reid. For me it’s been a wonderful meal, and Frances was indeed the dessert. The dessert was, as I said, … … … a creampuff.
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R.I.P.: Bill Hayes Has Died
Here's the last written correspondence I received from Bill: His and Susan's 2021 Christmas card. It was always a treat to see Doug and Julie at the Horton Christmas each year, and the Christmas cards they sent added to the magic of the season, especially for this "Days" fan!
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R.I.P.: Bill Hayes Has Died
GOODBYE, BILL Before television existed, Bill enlisted in the Navy Air Corps the moment he turned 18 in June 1943. He spent the last two years of World War II training to be a fighter pilot. Soon after the war ended, he became part of the fabric of television, first as a singer on "Your Show of Shows." In 1955, his rendition of "The Ballad of Davy Crockett" hit # 1 on the Billboard charts for five weeks. In 1970, he was cast as Brent Douglas (aka Doug Williams) on "Days of Our Lives", a role he would continue to play, off-and-on, over the course of the next 54 years. It was thanks to "Days" that he met Susan Seaforth. They married in 1974, and their characters married on "Days" in 1976. I found out five days ago that things were not going well. I spent the past five days reminiscing, remembering the time I was first put into contact with Bill years ago. I found out then that the man fans saw on "Days" for the past six decades was just as you saw him on screen: genuine, caring, full of life...a wonderfully nice man. He was so pleased to be sent his first script page from his debut episode in 1970 and immediately signed it for me. Through the years, we would stay in touch via email. He rarely took more than a day to respond back. As such a long-time fan of "Days", I was always in awe that he was just an email away if ever I had a "Days" question or just wanted to say hello. I will always cherish his friendship. My condolences to Susan, his children and the rest of his family.
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Ratings from the 80's
MAY 1980 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1980 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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Ratings from the 70's
MAY 1979 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1979 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: 1980's to be posted in the '80s Ratings Thread.
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Ratings from the 70's
MAY 1978 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1978 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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Ratings from the 70's
MAY 1977 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME: NOVEMBER 1977 SWEEPS WEEK CHARTS: MONDAY-FRIDAY & SATURDAY EARLY MORNING & DAYTIME:
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DAYS: Behind the Scenes, Articles/Photos
1988 is the worst coverage for summaries, so I just looked through and a lot have what I would call the highlights, but all of them need a good summary, so if you have any interest and could type some up as you watch them, that would be great. I'd like a sentence or two for what happens in each scene. Some summary writers group the storylines together, some just write what happens in the 1st thru 25th scenes in chronological order, so whichever way you want to do it is fine with me. Just make sure to write the main thing that happens in each scene, so I'd expect them to probably average 3 paragraphs or so. I mean some scenes might be more exciting than others, so some might get 2 or 3 sentences if a lot happens in them. If you could write one episode up as a sample and message me with it, then I can see if it's what's needed for the guide. Thanks!
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Ratings From the 90's
GUIDING LIGHT, JUNE 1992 PRIMETIME SPECIAL DEMOS:
- DAYS: Behind the Scenes, Articles/Photos
- DAYS: Behind the Scenes, Articles/Photos
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Ratings from the 70's
FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 12/5/77-12/9/77 & 12/12/77-12/16/77: FAST WEEKLY WEEK OF 12/19/77-12/23/77 NOT AVAILABLE (Note: Per newspaper listings, there were no scheduled preemptions and all daytime shows were scheduled to air every day this week). REST OF 1977-1979 ALREADY POSTED!
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Ratings From the 90's
With the resumption of the May 1992-December 1992 charts coming soon, here's a sneak peek at the week of 6/1/92-6/5/92:
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Ratings From the 90's
Not just an episode of Baby Talk. A REPEAT of Baby Talk. Beat AW by 2.1 points. Since the Nielsen books don't do the rankings, you have to refer to a chart for a quick check of the overall ranking. Here's the Broadcasting chart for that week. AW came in 78th place. The Daytime Emmys, which followed AW, actually came in # 1 for the week.
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DAYS: Behind the Scenes, Articles/Photos
http://web.archive.org/web/20040611192307/http://www.soapoperafan.com/days/characters/scofield.html#vern Molly began going to school at Salem University, but was having problems with a male professor there. Molly was being sexually harassed by a Professor Gavin. Molly told this to Tanner, who recognized the name as being a professor his mother worked for a long time ago. Tanner went to Brian and his father Vern and demanded to know what happened to his mother. Brian and Vern told Tanner that Mrs. Scofield had been raped and commited suicide. Tanner put two and two together and figured out that it was Professor Gavin who raped his mother. Ginger and Tanner forced a confession out of Gavin, who was convicted and sent to jail.