I really loved the section where Rouverol talks about the importance of subtext in writing dramas for daytime.
Subtext is essentially the difference between screenwriting and playwriting and back then daytime dramas and those classic TV dramas of the golden age hewed closer to playwriting standards than screenwriting standards. That has somewhat changed today but it's so interesting to hear her talk about why she initially struggled with the transition from screenwriting to writing daytime drama.
For me, personally, it was the reverse where it took me longer to be able to write a TV sitcom script because I am far more at ease writing scripts for the stage. TV scripts, subtext can be deadly, simply because there's not enough time to reveal beyond words.
A thirty minute situation comedy script, you have to be more blunt, unless you are carrying out a story over a series of episodes, you don't have time to deal with 'what is not being said'. On classic soap, what's not said was almost everything.
I love to hear from writers on these specific aspects of writing for their respective genres.