Jump to content

Recommended Posts

  • Webmaster
Posted
All My Children, AMC, #AllMyChildren, #AMC

Nearly four years since a primetime reboot of “All My Children” was first placed in development at ABC, it looks like Lifetime will instead become the new home for the latest happenings in Pine Valley.

Soap Opera Network has confirmed that the cable network is in the early stages of development on a series of TV movies that will utilize characters from the long-running daytime drama series, which ran from January 5, 1970-September 23, 2011.

Lifetime, A&E Networks
Lifetime

According to TV Line, which first reported the news, the network is in active development on at least two “All My Children” TV movies, one of which is said to be holiday-themed. Initially, the outlet reported that talks of a revival were in the early stages, with one source describing the conversations as ‘exploratory.'” The outlet later updated its report with confirmation from a network representative.

A continuation of “All My Children” at Lifetime comes more than 10 years since Prospect Park Networks, which had licensed the rights to the show and its sister soap “One Life to Live” from ABC, failed to sustain an online continuation series. Available on Hulu and iTunes at the time, the online reboot of “All My Children” ran for just 43 episodes from April 29, 2013-September 2, 2013.

Pine Valley, All My Children
Prospect Park Networks

TV Line notes that Disney, which owns a 50% stake in Lifetime parent A&E Networks, has been looking for opportunities to “mine” the intellectual property of “All My Children” for years. This includes the defunct “Pine Valley” primetime reboot that was in development at ABC which would have followed a young journalist with a secret agenda who comes to Pine Valley to expose the dark and murderous history of the town only to become entangled in a feud between the Kane and Santos families.

The series was expected to explore all the secrets that came with the Kane and Santos family names, and would have been executive produced by “All My Children” alums Kelly Ripa and Mark Consuelos (Hayley Vaughan Santos and Mateo Santos), hosts of the highly rated daytime talk show, “Live with Kelly and Mark,” which is nationally syndicated by Disney.

In the time since “Pine Valley” was first announced as being in development, several former “All My Children” alums have indicated they would appear, if asked, including the legendary Susan Lucci (Erica Kane), Kim Delaney (Jenny Gardner) and Alicia Minshew (Kendall Hart), among others.

Susan Lucci, Walt Willey, All My Children, AMC, #AllMyChildren, #AMC, ABC
Susan Lucci, Walt Willey (“All My Children”)
Paul Skipper/JPI Studios

Robert Nixon, son of the late Agnes Nixon, who created “All My Children” and “One Life to Live,” had signed on as an executive producer alongside Ripa, Consuelos and Andrew Stearn. “Pine Valley” was based on a script written by Leo Richardson (“EastEnders,” “Katy Keene,” “Star”), who also would have served as an executive producer.

In 2023, “All My Children” fans were thrilled to see actor Walt Willey reprise his role as Jackson Montgomery on “General Hospital” during a multi-episode arc that saw the character at certain points appearing in his office in Pine Valley alongside Lucy Coe (Lynn Herring) and Felicia Scorpio (Kristina Wagner). He later appeared in Port Charles as an attorney hired by Tracy Quartermaine (Jane Elliot) in a lawsuit she filed against Deception.

Since the cancellation of “All My Children” and “One Life to Live” in 2011, the daytime landscape has sustained itself with the likes of “General Hospital,” “The Bold and the Beautiful” and “The Young and the Restless” remaining in production on broadcast television. Meanwhile, “Days of our Lives” continues to flourish on Peacock, the streaming service owned by NBCUniversal.

In January 2025, CBS will introduce “The Gates,” the first new daytime drama series since the debut of NBC’s “Passions” in July 1999. Created by veteran writer Michele Val Jean, who will also serve as showrunner/executive producer, “The Gates” tells the story of a wealthy Black family in a posh, gated community. It is also the first daytime drama series expected to feature a predominantly Black cast since the 1991 conclusion of “Generations.”



Note: The post Lifetime Developing Revival of ‘All My Children’ As TV Movie Franchise appeared first on the Soap Opera Network website.

Read More

  • Replies 2
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

       
    • Week ending March 5 1978 Second season shows are tested CBS finishes first week in March with stronger than usual 1 9.5, but not enough to beat ABC The prime -time ratings pattern continued to hold steady for the week ended March 5, and attention increasingly turns to second season entries as the networks probe one another's weaknesses or cover their own. As usual, ABC -TV won the week, scoring a 20.5 average rating. But CBS -TV was closer than usual with a 19.5 average garnered with the help of several strong specials and movies in addition to some of its dependable series regulars. NBC followed its habit of plummeting when its "évent "entries failed. In this case it was the miniseries, Loose Change, which scored only 24 and 22 shares on Monday and Tuesday, leaving the network with a 16.9 average rating for the week. Looking at new series and new time slots, ABC's Six Million Dollar Man on Monday (8 -9 p.m. NYT) continued to falter with a 22 share, while What's Happening, in its new slot on Saturday (8 -9 p.m.), also remained shaky with a 23 share. Starsky and Hutch is still healthy with a 38 share in its new slot following Charlie's Angels on Wednesday, and How the West Was Won also had a 38 on Sunday (8 -9 p.m.). Against West CBS's Rhoda and On Our Own came in poorly for the second week in a row of face to face competition, with each pulling 25 shares after a 41 share lead in from 60 Minutes. ABC's special two -hour presentation of the upcoming series tryout, Having Babies, scored a 27 share on Friday (9 -11 p.m.) against strong competition from both the other networks (the movie "Ski Lift to Death" on CBS and Rockford Files and Quincy on NBC). For CBS, its new Monday night leadoffs, Good Times and Baby I'm Back, scored so -so 27 and 28 shares respectively. But the second half of the night had its best performance since the new line -up came in- M *A*S *Hwith a 45, One Day at a Time with a 41 and Lou Grant with a 36. Celebrity Challenge of the Sexes and Shields and Yarnell showed no signs of reviving on Tuesday, with 16 shares each, but the new Tuesday movie slot held up with a 41 share from Clint Eastwood's "Magnum Force." The network's entire Saturday line up continued to limp in, as Bob Newhart Tony Randall, The Jeffersons, Maude and Kojak all scored sub 30 shares (with the exception of Newhart's 29, in fact, all scored sub -25 shares). NBC premiered its new Chuck Barris Rah Rah Show on Tuesday (8 -9 p.m.),when it pulled a 24 share. The second episode of Quark had a 27, three points down from its premiere. There might be the temptation to conclude that the 29 share turned in by the National Love, Sex and Marriage Test on Sunday (9:30 -10 p.m.) proves the appetite for "sophisticated" subject matter is not insatiable after all, except that its competition was not only CBS's strong comedy block but also ABC's rerun of "The Way We Were," which pulled a 35 share. Of NBC's other midseason entries -CPO Sharkey, Black Sheep Squadron, James at 16 and Class of '65 -CPO Sharkey turned in the highest score of the week, a 27.   *NBC were in dire straits at this point relying on movies and specials which could hit or bomb in equal measure.  Fred Silverman had his work cut out for him when he arrived that Summer. He favored sitcoms and series as the schedule's foundation and NBC had no sitcoms to build on and few solid series. He also had a big backlog of specials/mini series that had been committed to air. Also NBC had a long standing relationship with Universal so he was forced to work with that studio. He struggled to get quality producers on board as they were either tied into deals with ABC/CBS or were wary of having their shows on the 3rd rated network. He still felt variety had a place on the schedule however and that lead to duds like Susan Anton, The Big Show and Pink Lady and Jeff.
    • Please register in order to view this content

       
    • I spent years hoping we would get an oral history like the OLTL book, but it’s too late now with so many having passed away.
    • It’s also strange that it was Monica! I just don’t think of her as the staring off into space type of woman! I watched a bunch of other clips and stuff from random 1978 and 1979 episodes. I’m so used to seeing movement from Monty’s era, especially the early part, that this really is a cool relic. Pretty soon you have scenes start at the new nurses station, the elevators opening and doctors walking to the desk to get their messages from Jessie or Bobbie. People often walk towards doors while taking coats on or off, many Webber house scenes start or end with someone walking up the stairs. This episode is even more static than some of the way earlier ones I have seen, where you would have Steve or Jessie at least going from the old school nurses desk to the medicine room, Steve’s office, etc. That bland dialogue is very much like what they have now. The show picks up a lot of personality. Knowing what we know about David Hamilton and how that really started to get the ball rolling as far as viewers you really see just how vital Lesley and especially Laura were to get things moving for them. They focused on the right characters to get fast results. The show now could learn a thing or two from this.
    • It won't allow me to watch it via the link; I am only able to watch it with the app.
    • Just finished the Goldfinch. Read it in 4-5 days... and it's a huuuuge book. Well... I would rate the first 500 pages a solid 10 out of 10... but then the next 300 were kind of a letdown... so the overall impression is something like - 7/10. It's just very hard to give something a full 10 after reading A little life.  Still... loved it immensely and would probably re-read it in the future. There is a movie adaptation... starring Nicole Kidman... that I haven't seen. 
    • I realize I harp on this, but I think he spending is relevant.  She's not just buying new wigs. She's building a mansion, she's funding a sports complex, she's paying for operations for people she doesn't know, she's caring for Peaches, she's buying apartments. We saw ?her get ONE check for ONE million dollars. That's it. I may be wrong, but I thought they said she'd get a payment every 6 months. Regardless, she could not rule the roost on $1M, and the show is not doing a good job there. Pretending that doesn't matter? I can't do that.  All they had to do was add a couple lines about payouts and payments.  In other news, I would love to know just how much Anita was putting into that trust as well as what investment got her what has to be an incredible return.

      Please register in order to view this content

       
    • I'm honestly surprised Nikki and Victor have not divorced yet... maybe their brief opening of the marriage did something for them. 

      Please register in order to view this content

    • It reminded me of what the Pollocks got away with all the time on THE DOCTORS: long ass flashbacks that don't really add anything to the scene except time.  Because, if you remove the flashback, what's left?  Monica finishes packing Alan's suitcase.  The end. Oh, well.  At least I got to see a young Patricia Elliott (ex-Renee, OLTL) in that Aim toothpaste commercial (not to mention, a shirtless James O'Sullivan (ex-Jeff, AMC; ex-Pete, OLTL; ex-Jerry, SOMERSET) in the commercial for One-a-Day vitamins, lol).
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy