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GH: Classic Thread

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Week 18, Part III -- Conclusion

Monica: "Alan Jr. only has one set of grandparents, Lila. I don't want him to lose them."

Lila: "We don't want to lose him, either."

Monica: "You are so dear to me, Lila. And, as much as Edward and I snarl at each other, he is dear to me, too. And you know you are always welcome in my house."

Sean Swindles the Quartermaines: Sean's airtime is spent with Anna and Robin in the Buzz storyline and Edward's out of town for most of the week, allowing for the revenge and financial aspects of this storyline to mostly take a backseat to the relationships stuff.

Jimmy Lee and Lorena each have a foot in the Buzz and swindling storylines. He's about as tireless as Anna in wanting to be there for Buzz, and Lorena keeps close to Jimmy Lee as often as she can. I liked that Jimmy Lee and Lorena's scenes were played platonically. It wouldn't have been unusual for the two to have hooked up out of a mutual need for comfort amid stress, and it's clear that they're always going to care for one another at least on some level, but you can sense that there just isn't love there. Of course, it doesn't hurt that Lorena's in line for greener pastures.

Alan's assignment for the week is to unload the home he shouldn't have bought. Alan approaches Derek, who's noncommittal. Soon after, Derek learns from Lorena about the Qs being in dire straits. Now Derek's willing to buy the $3.1 million house ... for $1.7 million. Things go better for the elder Quartermaines' efforts to raise money: Edward sells the Southhampton estate and Lila doesn't have to sell any of her jewelry to Amanda. Monica buys it all. After all, someday Alan Jr. will get married ...

Later on, Monica admits how much she cares about Lila & Edward, but insists that it's just too late for her and Alan. Lila reminds Monica, who doesn't answer whether she's in love with another man, about Alan's dangerous side. Meanwhile, Alan and Jimmy Lee get in some belated bonding at Buzz's bedside.

Domestic-Relationship Roundup:

  • Lorena and Derek: If I didn't know better, I'd think that Shelley Taylor Morgan and Mark Goddard were going to hang around. On Thursday, Lorena and Derek discuss the idea of him buying such a huge mansion, one he can raise a family in. Lorena thinks it's a matter of time before she gets married, so she asks Claudia about buying her out of the spa.

  • Bryan and Claudia: They have the obligatory "Gee, our problems don't seem like much, do they?" conversation after finding out about Buzz, but they aren't yet ready for a happily ever after. With her marriage not yet saved and in need of something to keep busy with, Claudia considers owning the spa.

  • The Webbers: I'm happy to admit I was wrong. Things were blissful for Mike, et al. this week. On Tuesday, Mike gets Rick and Ginny to let him throw a surprise birthday party for Jamie. It's a hit, even if the guest list is just Jamie, Mike, Rick, Ginny, Amy, and Bill. Mike's actually grateful to Ginny. Oh, if only the peace could last.

  • Tony and Tania: Buzz's plight inspires some reminiscing about Tony's coma the year before. The waterfront violence has Tony wondering if it's time for him and Tania to leave the Brownstone and move into a more suburban neighborhood. If you wait seven months, Tony, a house will be available. ...

  • Frisco and Felicia: Felicia is even more upset about the violence, especially since Frisco's going to deal with it every day. Get used to Felicia stressing about being a cop's wife, since she's going to be this way for the next two-and-a-half months.

  • Bobbie and Jake: The Paris trip? C'est Magnifique! Bobbie feels like she's at a turning point in her life, and that she can spend it with Jake. I guess they'll be getting engaged pretty soon, and I have to tell myself not to worry about how he apparently doesn't know about her past.

Tania also has some tang to her: "Knowing Buzz, if he recov -- I mean, when he recovers, he'll probably be back out in the van and taking care of the rest of the world. Whether they deserve it or not."

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18 minutes ago, janea4old said:

Ten permanent sets.

At this point in my viewing, the permanent sets would likely be:

the "hub," the versatile nurses station and waiting room set, with various elevator doors to signify different floors

Kelly's

the Quartermaine living room

the Webber living room

the Brownstone living room

Sean's penthouse

Frisco and Felicia's studio apartment

Terry and Kevin's apartment

Anna's apartment

the spa

  • Member
31 minutes ago, janea4old said:

This is the part that got me: Early each morning, the director talks it through with the actors. Each episode is filmed one week before airdate. After about 5 hours of rehearsal, they tape. Five hours! "a 12 to 14 hour day, five days a week, for cast and crew, is not unusual". Ten permanent sets.

Linda Gottlieb arrived at OLTL and changed to block taping, eliminating the rep company feeling from all the ABC soaps in her wake. They still had some time to rehearse back then, but they weren’t mostly all there until the episode was in the can anymore once her changes showed they saved money and time. They staggered people in for just their scenes.

From what I have read, Monty was especially tough about the show being up to her standards, so the rehearsals were long and so was filming if it wasn’t going right. But those rehearsals are where she made the magic happen, she liked strong ideas and a sense of play, and that’s why they did a lot of ad libs in her time. But now it probably seemed like a huge luxury to take that time. Also shows the pressure considering how close to air date the tapings were. That also gave them time to adjust things that were not working though. Now the DAYS audience has to just accept the show as it is or tune out for a year and hope it’s gotten better.

Was that a teleprompter I saw?

  • Member
18 minutes ago, Franko said:

Ten permanent sets.

At this point in my viewing, the permanent sets would likely be:

By the 90’s, the only 100% permanent set was the nurses station, elevators, adjoining hallways and the seating area. I assume until Valentini got there the new JFP hospital set was permanent too.

Based on bts we have seen it seems like a lot of the sets stay up now, I’m sure to save money from having them moved all the time and easier to film the way they do now.

I know they move to the renovated Prospect Studios during the end of Monty’s tenure, either 1986 or 1987, so that ET story must have been at Sunset Gower. We know from Maurice’s State of Mind interview that Genie went to the old GH studio at Prospect to kind of make peace with her turmoil from being so young and under all that pressure, and for being brave to try. I didn’t realize they had been there before, although on a much smaller stage. Many of the actors have said Sunset Gower was not a great place to work.

To think it pretty much started with the OG 7th floor nurses station, medicine room, Dr.Hardy’s office, and a patient room.

  • Member
3 hours ago, titan1978 said:

Many of the actors have said Sunset Gower was not a great place to work.

Whenever I watch the final three seasons of "The Facts of Life," which were taped at Sunset Gower, I'm always amazed by how cheap the show looks even compared to their previous home at Universal, when episodes looked as if they were taped on Betamax.

  • Member

Desert Sun January 27 1986

Martha Scott takes role on ‘General Hospital’

By JERRY BUCK AP

LOS ANGELES (AP) Martha Scott has departed CBS’ “Dallas" and now is playing a mysterious grandmother in ABC's daytime soap opera “General Hospital.” “There are very few parts for, shall we say, older women," Miss Scott said. “This is an extraordinary role for a woman who’s been around all these years. People don’t write roles for women my age. It gives me a channel to do something different. I had a little bit of it in The Turning Point.’ She was the entrepreneur. There's some of it in my role in Dallas.’ as a woman who’s trying to guide her daughter’s life.” Miss Scott played Sue Ellen Ewing’s mother on "Dallas” for seven episodes this season. In November, she showed up on “General Hospital” as Jennifer Talbot, the grandmother of Terry (Robyn Bernard). The girl has a tough emotional problem and you begin to wonder what influence the grandmother has over her," Miss Scott said. “You know from the moment she sees her grandmother she’s terribly shocked. She has a terribly nice facade. She’s very polite, slightly Victorian in her way She speaks her language a little differently. People around Terry notice this woman has a tremendous influence on her mind. "As it develops it gets more intense and mysterious and horrible,” she said. “To be honest, I don’t really know what’s going to happen. It’s like Dallas,’ They won’t tell the actors anything.” Miss Scott, most noted as a film and stage actress and producer, had a fling at soap opera earlier in her career. "I had a daytime show in the 1950 s called Modern Romances,’ ” she said "I told a story and it was enacted by a group of actors. We did a complete story every week. 1 remember they let me out to do Ben Hur ’ The wonderful part of it was that the kids all knew me. I was the last face on NBC before Howdy Doody' came on. Kids would run up to me and say, ‘I know you! You’re on before "Howdy Doody.’ ”

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