Jump to content

Telemundo News: Sin Tetas & El Clon


Sylph

Recommended Posts

  • Members

'Sin Tetas' will raise issues, Telemundo says

Don Browne touts novela's social impact

By Paul J. Gough

NEW YORK -- Telemundo executives said Monday that its new primetime novela "Sin Tetas No Hay Paraiso" ("Without Breasts, There Is No Paradise") is intentionally but constructively provocative.

The novela, which begins in June, is a best-seller by Gustavo Bolivar and based on real events. It follows a young woman who flees her home country but finds a whole new set of danger and oppression in her new country including forced surgery. It is, as Telemundo marketed it at its upfront press breakfast Monday, "a story of a good girl who made bad choices to escape a life of poverty."

Network president Don Browne said Monday that the novela features topics that are ripped from the headlines and is of great concern to the community. It's paired with public-service announcements and prosocial campaigns to inspire change.

"It'll cause people to talk about issues that need to be talked about," Browne said. A project based on the same book is also in development at sibling network NBC, though Telemundo is much further along.

"Sin Tetas" is one of five new primetime novelas shown Monday. They also include "Por Que Diablos" ("Why the Devil?"); "Amor de Madre" (A Mother's Love"); "Lola Calamidades" ("Calamity Lola"); and "El Juramento" ("Secret Lies"). The join "El Clon," a novela based on a 2002 movie being produced by Telemundo Studios in Colombia and TV Globo.

Also at its briefing, Telemundo unveiled further details of an effort it's calling "concept integration," which will allow advertisers to get in on the ground floor of program development. The idea is making the rounds of media agencies after presentations earlier this year by ad sales chied Michael Rodriguez and others. It's an advantage that Telemundo has, in that it owns its content, as well as being able to sell the show (and the product placement), internationally.

"It is a very unique position that we're in," Browne said.

Link to comment
Share on other sites

  • Replies 1
  • Created
  • Last Reply
  • Members

Telemundo reincarnates 'El Clon'

Producing a version of the telenovela for the U.S. market

By Steve Brennan

"El Clon," one of the most successful telenovelas of all time, is set for a reincarnation under a deal set to be announced Monday at Telemundo's upfront in New York.

Telemundo has partnered with TV Globo to co-produce the famous Brazilian novella for the U.S. Hispanic market in Spanish.

The agreement is the beginning of a partnership between the two leading global content providers, executives said. The novela will be produced by Telemundo Studios in Colombia and TV Globo will provide the original format, as well as the expertise of the creative and production team that headed the original novela, including screenwriter Gloria Perez and director Jayme Monjardim.

"El Clon," originally produced in Portuguese and dubbed into Spanish for Telemundo and other languages for international broadcasters, first aired in 2002 on Telemundo and became its strongest 10 p.m. property. It also was an international success, selling in more than 90 countries.

Under the agreement, Telemundo will have exclusive broadcast rights for the U.S. and Puerto Rico, and both companies will market the new production through their international sales teams worldwide. The new Spanish version will be pitched this week to international buyers at the L.A. Screenings.

Telemundo president Don Browne and Ricardo Scalamandre, general director for international business at Globo TV, outlined the project.

"It's been an interesting journey," Brown said. "To come to the point of being able to do a project like this with a company like TV Globo is a coming of age in terms of our original content journey. It's extraordinary because 'El Clon' helped to define the value of Telemundo."

"El Clon" is a contemporary story of love and honor that deals with such topics as drug trafficking, cloning and attitudes to Islam. It became the most-watched drama on Brazilian television in its day.

But the new Spanish version might have some tweaks, according to Scalamandre "We are producing based on the original format but specifically for an Hispanic audience and there will be differences. The original plot was in Rio ... now it's in California. The main characters and the main story remain the same but it is to be completely customized for the Spanish market."

Added Browne: "Our original relationship with TV Globo was in terms of acquiring content and they produce just extraordinarily high-quality content. So this sets a benchmark in terms of how far we have come. This is a partnership made in heaven and 'El Clon' is truly a classic."

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Did Denise give any interviews where she talked about her first few years on GH... '73-75? I wonder if she had any regrets leaving Days for GH, as from what I've read, the show was in the dumps writing-wise, so am thinking she didn't have great story? Any Leslie story highlights I've seen always start with '76, after Gloria Monty took charge.
    • I know! It's like second verse, here we go again!  Agreed. Certainly there was concern maybe even fear at the highest levels for the very good reason that what they had was so economically successful, so of course this risk was scary but if anyone was brave she was. Yes, he was. I have seen her associated with getting it on the air one other place but no details nor official title. Not the writer or creator so it made me wonder if she functioned as a kind of uncredited ad hoc producer, but then maybe she just supported it. At any rate that is nothing but supposition on my part. No data! Yes, not a surprise anymore but still so frustrating! On one hand I am appreciative that she is included in this book, but scholarship where are you?!
    • that wasnt her point. She wanted to further demonize Ted; that was the main focus of their talk. She wants to ensure that Nicole leaves him so that he's free and single to be with her. At this point, I dont think she really cares what Nicole thinks of her; she just wants her out of the way Eva is Nicole's stepdaughter and is a Dupree by association. If Nicole takes Ted back then its reasonable that she would accept his daughter and i that happens, Eva will have welcomed to their country club, be invited to their parties, have access to their resources, etc....much like Andre whom also isnt a blood Dupree but is accepted by them via Nicole. Eva got what she got from Anita bc of Hayley. I think its important to remember that context bc they just dealt with an interloper that infiltrated their ranks and hurt her daughter in the worse way. Now you have another unfortunate girl positioned to do the same to her other daughter. The feelings are still too fresh and she doesnt want Eva to get the idea that she would ever be allowed the opportunity to play them again
    • Oh I've seem this! That's part of why I'm curious! The show could put EastEnders to shame on the gangster Aspect! Oh I've seem this! That's part of why I'm curious! The show could put EastEnders to shame on the gangster Aspect!
    • Eve was one of those characters that had the "Jessie Brewer"role. They had heavy storyline, they burned through it and now they are there for support and a touchstone in the community (Marland wanted to give Jessie story, but I agree with Monty...she best served in her connecting role, and keeping that damn Amy Vining busy so she keeps her nose out of things) So charcters are important and why they should have kept characters like Bridget around (even as she is more volatiles then Eve) who didnt need a big storyline but could have been behind the bar making connections and expostion, but Rauch wanted JEVA/JEVA/JEVA and DRAMA (which to him meant a lot of yelling and stupidity.)
    • Why do I feel like (or remember possible

      Please register in order to view this content

      ) Mark Dante operated on Jeff? Also, I was under the impression that Jeff shot himself accidentally. In his drunken stupor he saw Rick and Monica together and he thought hevwas shooting at them.
    • A number of errors in the above article. You wonder how with all that research,how  they slipped through. I think they are conflating Women Alone with Lonely Women. I have never read anything of a serial called Women Alone. However,I am prepared to be proven wrong.   It seems Irna actually WAS interested in TV soaps as witnessed by These Are My Children airing in 1949 on NBC in the early days of TV.   I don't believe that was reluctance, rather simply good business sense as radio's dominance began to wane.   Inferring that was somehow connected to Irna who was off that show 10 years prior.   Again inferring that Phillips leaving 6 years prior had some connection to the eventual cancellation.     Again these two events are in fact one. Irna left ATWT only once in 1970 and returned in 72. She was not working on another P&G show at the time. So either she brought the ratings up or they dipped, depending on which above account you believe   Untrue. A World Apart debuted 5 years after she left AW. And AWA aired longer than a few months. Over a year in fact.   I believe Orin Tovrov was the writer. Irna was not involved in the creation of this show. And no mention of Masquerade an Irna serial  which was on air around this time.   TBD finished in 1962. As we see over and over, these inaccuracies are published and accepted as fact.
    • YES! While I objectively found the writing on RH (particularly during its first few years and then again in its final days) to be excellent, so many of the principle characters were unpleasant, and totally turned me off. I could never settle down and become emotionally involved with a group of people who grated on my nerves.
    • Ugh now we get a Emmerdale and Corrie crossover soon. ugh.. How desperate 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy