j swift

Who wrote the Mary McKinnon/Marissa LaSalle story? Do we know why they made the new family McKinnons and not McGowens or any other legacy family since Jake had already left the show? Is it a plot that got disrupted by a writer's strike? Because for a story about amnesia it has a ton of exposition!

I think it would have been very 90's to name it after the loft building, like "75 Bleeker St." or an intersection like "'Prince & Charming"

Maybe but, it would be funny if at Christmas they showed Rosa going down to the tunnels because that's where she's stored the decorations over the years.

Channing's tunnel love den set cracks me up. There's a door that doesn't seem hidden, inside there's electricity that nobody seems to be paying for, and 10 year old book of photos of Channing and Lindsey. No bed, no floor, and no furniture. 1. Who erected the door? Just once don't you want to see a soap story about the guy who builds the secret rooms, tunnels and mausoleums? I'm guessing that's a cash-only business. 2. Where's the tunnel exit on the Lockridge side? 3. Who took the pictures if both Channing and Lindsey are in frame?

I went back to watch the dive sequences with Lionel, Warren, and Summer. Amanda Lockridge the Ship was carrying paintings from Europe when an argument between Amanda's husband and his rival, (CC's grandfather) broke out near shore and sunk the ship. In 1984, Lionel and Warren dive for the treasures. It is assumed that since Channing had some of the coins from the ship, (which Warren stole back on the night of his murder), that Channing Jr and Warren had dove before but were not properly equipped. Channing Jr had the coins and was using them to prove that Sofia was with Lionel when she disappeared in 1968 (BTW I totally forgot that there was a nine-year period between Sofia's disappearance and Channing's murder). When Warren and Lionel dive they find some treasures which are displayed at the museum but not the art. However, at some point, someone got into the ship and put the art in the tunnels between the Lockridge and Capwell estates. Later the art was either replaced with fakes, (or maybe it was always fake?) and causes financial ruin for the Lockridges. [Side note:] 1. I watched Mason confront Lindsay last night. I thought it was so progressive that the story was that Lindsay had blackmailed Channing and Mason used that issue to manipulate Lindsay. I appreciated that Mason never threatens to "out" Lindsay. I also liked seeing that the State Street Bar (which stays open until 1am) is a cafe by day and drug den by night. 2. There is so much more violence than sex on this show! Marcello grabs Eden, and Gina is assaulted in the tunnels by Hank. Cruz and Eden seem to be the only ones getting it on, and they haven't woken up together in bed in two weeks! 3. Cruz's yacht is so cool. Somehow in 1984, there's a wireless computer and the fridge built into the wall. 4. I enjoy the Warren and Mason banter. This is the one Capwell/Lockridge relationship that really seems as if they grew up together as neighbors. Mason is always looking for a snack when he visits with Maggie the Cop and Warren and I think it's funny that he expects Maggie to make him coffee or serve a tuna sandwich.

2 questions: I was reading the Ultimate Soap Trivia book published before the end of Loving and they still refer to The City as LOV(heart) NYC; such a better name, does anyone know why it didn't stick? Maybe because it's hard to write the title in a publication? Did Lisa Peluso go away, get recast, and come back as Ava at some point?

I tried reading the French Santa Barbara site about the history of the Capwell/Lockridge feud but the translation isn't great But well before the love triangle between Lionel Lockridge - Sophia Capwell - C.C. Capwell, another story of impossible love had shaken the small world of Santa Barbara. Because everyone knows that the Capwells and the Lockridges are enemies since generations. Already during the time of Lionel's and C.C.'s parents, namely at the time of Emmett Capwell and Douglas T. McDonald Lockridge, their families were tearing. But at any time is discovered the object of their so tough hatred. I got it but, it may have been easier to read it in the original French. So tough hatred?

Ben McFarren and Alexandra Spaulding? Taking a second nip at the Spaulding tree of love? lol

It is interesting that Lionel Lockridge never got any siblings (I'm not counting Cassandra). In these episodes Minx is trying to get Lionel to get a job. So, we establish early on that the Lockridges are not business rivals with the Capwells. In fact, during the whole tunnel story it seems like the feud is based on being bad neighbors. I know Lionel slept with his wife but I wonder what other gripes CC has with the Lockridges? Did Warren play his music too loud by the pool? Did Brick block the driveway with the car? Did Minx leave the Christmas lights up too long? These seem like minor infractions for such a feud. If Lionel had a sibling who was more of a business rival to CC it may have kept the Lockridges more relevant. I also think it's odd since the Lockridge's don't have a dining room set that they are rarely in the same room. Laken and Warren seem cordial but they rarely hang out. In fact, I can't think of an episode where all five Lockridges had a discussion since before the earthquake. And I know that they disappear for weeks at a time in the next 50 episodes which is such a shame because they bring such lightness to the show.

What I don't understand is why Augusta never references her soon to arrive sister Julia when she meets Jack Lee? Isn't the whole thing that Julia and Jack dated but he doesn't recall because he's a double? Wouldn't Augusta know who Julia dated?

This is total speculation but one imagines that BM would have preferred an Alex/Mike/Roger triangle over Alex/Mindy/Roger - a star would always want to be the crux of the triangle not the older, less desirable one...

ep187 is so much fun - Minx, Lionel and Augusta are hysterical, Mason is really charming and fun, and they have the Flashdance soundtrack in the background of scenes. There is an odd amount of voiceover that seems so anachronistic now. However, Marcello is "counseling" Kelly in Bermuda and tells her "You have so much to live for. Your beauty, your charm and you are a wonderful companion." I laughed harder than at the Minx scenes. The only things Kelly has going for her is that she's nice at dinner? Also, how old is Marcello? Because at dinner he tells Kelly that she lost his entire family in "the war" which I assume is WWII but it is 1985? [Edit:] I just read the SB online site that Marcello was 10 in 1944 when his parents were murdered; so he's 50? And he's unusually close to his stepmother whom he met 16 years ago after Channing's murder when he was 34? Those Countess Armonti Cosmetics are amazing!

BY "good guy" perhaps I should have specified both Mike and Bill as their respective mother's favorites? It is interesting to me that these guys who were a little too old for their respective action stories of the 70's were never adapted to age later in the series. I am filled with memories of actors with hair dyed a little too dark, running around in safari leisure suits chasing villains. Of course there are actor issues but, I wonder if it is easier to keep a female character going (like Reva or Vanessa) than a male lead character? Most soaps had fathers and uncles who aged but I can think of few examples of leading romantic men willing to age into their roles and even be backburnered a bit without a recast.

I would like to offer the comparison of the characters of Mike Bauer and Bill Horton. Both were leading roles that did not age well with their shows and both left huge holes in their wake when they left the canvas. However, Ed Bauer and Micky Horton might never have aged into the avuncular characters they became (given their misspent youth) if their older good-guy brothers hadn't left town.

Today's notes from watching the pre-tunnel episodes. The whole town goes to the State Street Cafe for lunch but the set is so small, the bar is oddly placed and it looks so cheap. Gina's pusher plays a whole episode in a set that is just a payphone on a wall. Eden and Gina were fighting in the huge Capwell living/entry room while Cruz was meeting Minx in the Lockridge tiny blue living room so, Augusta, Laken, Jade, Mason, Lionel, Warren, and Maggie all have to squeeze into the cafe. In retrospect, one can see all of the lessons learned once they build the Orient Express set and people can move around a little. Meanwhile, nobody ever goes back to the Beach Bar; even Warren who still has a locker there? Also, I love the Reagan tidbit when Jack Lee is leaving town to "explore Europe for the president" and he is going to "brief him on his next vacation to Santa Barbara" since the Reagan's vacationed so close to the Capwell villa.

Agreed BUT after rewatching the scenes when Reg comes back with Mary today there were a few issues: It is amusing that years later when Donna and Peter meet Jake McKinnon, neither of them remark that he has the same last name as their former housekeeper who had an affair then mysteriously disappeared with their father? And Jake never invited his cousins to his wedding to Marley at the Love mansion where their mother had worked? Wouldn't Michael's time working in the stables overlap with Mary's employment; so why didn't he recognize her? I guess it just struck me recently that this seems like as case of having an interesting plot - missing mother returns with amnesia - that required a lot of ret-cons to work. It is kind of classic case of soap fandom. I was on the edge of my seat waiting for Marissa to find out about Reginald. However, there are multiple recasts to endure, the history doesn't fit with established characters, and all of the sudden everyone in Bay City goes to Mary's Place for lunch. But any true soap fan stays through it to get to the scenes where Mary and Vince reunite.

So the Marrisa/Mary timeline is a plothole. In the Mary McKinnon story (which I thought was genius) Jason Frame pre-dated Steve's arrival in Bay City. Marley would never had been believed as Donna's sister if Elizabeth left in 1969. The McKinnon daughters would all have been older than Marley if Reg faked his and her deaths soon after Elizabeth was murdered. That continuum just makes no sense. However, like any soap, Denise Alexander's performance made that story work and I've never noticed the plotholes until now.

I confuse Jason and Vince Frame, and according to the AW HomePage Jason first arrives in '87, so I defer to others on this one, Is this timeline correct? Reginald and Elizabeth Love had three kids. In 1969 Elizabeth and Jason had an affair and she was murdered. Then, Reginald hired Mary McKinnon, in the early 70's, while Jake and his side of the family stayed in Lassiter. Mary and Vince McKinnon had three kids and lived in Bay City near Ada. Later Reg and Mary have an affair and they leave town for South America. All of that was back story later added to the Love cannon. My question is: does the timeline fit into the story of how the Love's were introduced? I know Donna, Marley, and Peter lived in the house, then Carl stole their money but somehow they got it back. However, wasn't Reg around before Mary? Did he just never mention that he has a wife in South America? I know Jake never mentioned having family in Bay City before his cousins were introduced and although they were close I guess Jake never visited his cousins in his youth.

Point taken, the whole story may deserve a re-watch I don't know what you mean? Originally Steve had no siblings but once Lemay provided the new backstory Jason was one of the sibs introduced while Steve was still alive. I know he was around during the Janice storyline. I do precisely recall that Linda Dano was hosting her lifetime talk show Attitudes at the time of the Jason Frame murder trial. As I recall on the talk show there was much discussion about Linda's bob hairdo that was actually a weave. I also have a vague recollection that there was an episode where Linda went upside down and parts of her weave fell out. I do not recall if the weave made it through the trial but I am eager to see it on my re-watch. But for me, AW will always be about Willis Frame and Robert Delaney; two intense guys who could design and build you a house, they were devoted to their women, and they were too smart for damsels in distress. Soaps don't build 'em like that anymore.

Can we discuss the Jason Frame murder for a second? In my opinion, it was another great idea that was poorly executed. This is all from memory so please feel free to fill in the gaps. However, the murder in the hall of mirrors feels like a GL ripoff. The introduction of a Michael/Iris backstory is an unnecessary red herring. Finally, the Nicole reveal comes out of nowhere. As an audience, I recall that we knew that Nicole was guilty a few days before the reveal but there was no prior groundwork that would have marked Nicole as the culprit. I love a surprise reveal but I think it has to be earned and in this case it felt random. Nicole Love is a missed opportunity of a character. In her first iteration as a drug addicted model she could have been an excellent counterpart for Vicky Hudson; old money promiscuity vs new money hussy. I would have liked to see the Reginald/Mary reveal through Nicole's eyes as she was the youngest Love sibling. Philece Sampler may have also been a better Nicole than a Donna recast.

First, if you have reviewed the Dobson's library archives then bravo; that is a source rarely used in forum discussions. Second, I whole-heartedly agree with you on the Lindsay points. It is remarkable how tolerant the writing is around the reveal and everyone's response. I appreciated that both Cruz and CC were respectful. It is the only time that I remember sexuality being used as a red herring in soap history. Re-watching Kelly drives me nuts. Her defining characteristic is that she is beautiful. At least once a week someone comments on Kelly's beauty. Men fall literally madly in love with her. However, she is merely an object. She expresses no personal desires, drives or beliefs. I think the same thing! At the Gina/CC wedding, Gina tells Eden she is at fault that CC never dated after Sofia left him. We are also told that Eden wanted to take Channing's place in the company and her father's heart. However, none of that actually happens. CC never really has to depend on Eden for the company and Eden never seems to really be driven by CC's approval. I also agree that the one thing that would have differentiated Kelly and Eden is if they had different responses to the Sofia reveal. The stage was set for Eden to be mad and vindictive. There could have been years of drama with Eden in the executive suite at Capwell versus Sofia at Armante. Instead, Eden and Kelly's responses are barely explored before a trauma cements their newfound relationship with Sofia. Then, right before Eden leaves she realizes that she was angry the whole time? Eden/Gina scene before the wedding when Eden reveals that Brandon is CC's grandson she refers to Santana as Gina's old friend; although she may be using it colloquially. Finally, can someone comment on the Lilly Light character? The timing of her birth makes no sense with the eventual adoption of Brandon. The switch from con-man to ingenue seems to occur both times that the character is introduced. She is old enough when she is first introduced to be a romantic interest for Mason although Gina, Santana and CC Jr were about five years younger than Mason? Did Summer or Haley know about Lilly? I think she would have been more plausible (and served the same story purpose) if she was Stockman Demott's kid and GIna's stepdaughter.

It is currently right before the tunnel explosion which brings Julia to town - that was probably in spring 1985. I recall the denouement of Maggie the Cop is in August. It is worth noting that Charles Bateman got some of the great material despite his OTT performance. His diatribe toward Mason when he finds out that Channing was gay and his stuff with Gina prior to the wedding are examples of great writing. I continue to find fault with most of the Capwell female characters. There is very little differentiation between Kelly and Eden. Also, Sofia can't decide if she is going to be cold object of longing for Lionel & CC or a warm caring mother to Ted. Finally, I enjoy all of the tidbits that didn't get explored such as the idea that Gina and Santana were friends prior to 1984.

I'm having so much fun re-watching the episodes being currently uploaded from the summer of 1985. It has inspired a couple of thoughts from the era: 1). Maggie the Cop is not given much to do but I like her non-sexual/cop/buddy relationship with Cruz, it is shame that she will disappear. 2). I forgot how long it was until Jed Allen and Robin Mattson appear. Before them, CC and Gina are so mean and filled with anxiety. However, the scene when Gina berates Eden for making CC stay alone after Sofia followed by Eden's revelation that Brandon is CC's grandson is great. I like the characterization that Eden was always a little bitchy, Cruz softened her but, she reverted to type when threatened. Early CC and Gina weren't great but they brought out a lot of good stuff in other characters. 3). Thank goodness the writers created Julia for Augusta to talk to, in this episode she was having lunch with Laken and Jade! No wonder Augusta got so bored waiting for Lionel to return; she had no friends, she had major mother-in-law issues, and she clearly did not enjoy the ocean. 4.) One year in and although they still haven't solved Channing's murder a lot happens in every episode.

It's funny that if the writers had made Megan Gordon into the un-dead baby of Cathy Craig & Joe Riley then they would not have had to come up with Eterna. Megan would still have had a reason to feud to with Vicky. Also, 10 years later, Vicky wouldn't have had to explain how she gave birth five times (Megan, Joey, Kevin, and the Jessica twins) but only remembered three of the babies. I'm also surprised that future writers never used comebacks of the Michael Grande, Max Holden or Paul Kendall families; nor was there ever reference to Tony Lord's progeny. Victor Lord had three kids postmortem (Tina, Todd & Vic Jr), it would have been far easier to explain a long lost kid of Tony Lord from when he was traveling abroad.

I was just thinking about this issue while reading the AW forum about Iris's return to Bay City: Did Eliot Carrington come from a wealthy family? There's so much talk from Paige about getting Alex's money once she finds out that he is Dennis's father but didn't Eliot have money? He was wealthy enough to hire Alice has Dennis's full-time nurse when he was a kid. The Carrington's owned a townhouse in Manhattan where Alice lived. Also, Iris was living off of her divorce settlement from Eliot for a long time. I know that he didn't make a huge salary as a war correspondent. However, I think from reading the history, that he had a substantial if not equal family fortune to Alex. Unless, he spent his family's fortune on Dennis's illness and Iris's divorce?