Errol

After a holiday break, “Saturday Night Live” returns with all-new episodes starting Saturday, December 2, with Emma Stone making her fifth appearance as host. Helping to close out 2023, the show has also announced that Adam Driver will host the Saturday, December 9 episode while former cast member Kate McKinnon will host for the first time on Saturday, December 16.

Making his musical guest debut during Stone’s episode will be Noah Kahan, a singer-songwriter currently nominated for Best New Artist at the 2024 Grammy Awards. His “We’ll All Be Here Forever” world tour kicks off next year. As for Stone, she has an upcoming film coming out in theaters on Friday, December 8, titled “Poor Things.” She also stars in the new Showtime series “The Curse.”

Marking his fourth time as host, Driver stars in the highly anticipated new film “Ferrari,” releasing Monday, December 25 in theaters. Olivia Rodrigo will perform as the musical guest during his episode, marking the second time she’s done so on the show. Rodrigo received six Grammy nominations for her second album, “GUTS,” for which she will embark on a 2024 world tour. 

Check out a clip from one of Driver’s most recent hosting appearances where he and now former cast member Cecily Strong performed in a soap opera-themed skit called “Marrying Ketchups.”

A two-time Emmy Award winner for her work as a cast member on the show, McKinnon starred as Weird Barbie in last summer’s record-breaking film “Barbie.” Making her third appearance as a musical guest during McKinnon’s episode will be Billie Eilish, who is nominated for six Grammys this year, five of which for the song “What Was I Made For?” which was an original song off of the popular “Barbie” soundtrack.

What follows is a breakdown of the final “Saturday Night Live” episode hosts and musical guest performers of 2023.

• Saturday, December 2 – Emma Stone / Noah Kahan
• Saturday, December 9 – Adam Driver / Olivia Rodrigo  
• Saturday, December 16 – Kate McKinnon / Billie Eilish  

Produced in association with Broadway Video, “Saturday Night Live” is broadcast on Saturday nights at 11:30 p.m. ET/8:30 p.m. PT on NBC and is available to stream live on Peacock. Lorne Michaels is the show’s creator and executive producer.

Note: The post Emma Stone, Adam Driver and Kate McKinnon To Close Out 2023 As ‘Saturday Night Live’ Hosts appeared first on the Soap Opera Network website.

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3 hours ago, Khan said:

The best opening sequences give you a sense of the show you're about to watch.  The openings for Bell shows, for example, really push the notions of youth, glamour, vitality.  You know you're gonna watch beautiful people suffer beautifully.  GH's classic opening, with the ambulance speeding past the hospital, lets you know that their show is about action and excitement.  Even if the actual show has little to nothing to DO with medical drama anymore, the opening still keeps you on the edge of your seat.

But what does GENERATIONS' opening really tell you about the show, other than blacks are people, too?  It doesn't evoke anything other than an AP History lesson.

They could have followed RYAN'S HOPE's lead and just showcased both black and white characters cavorting around the streets of Chicago and it would've given the audience a better sense of the show.

So much this! An opening sequence is meant to be something to look forward to when watching a show just as much as watching it. In many cases, this also goes for films such as James Bond movies or Mission Impossible films. That sequence and the accompanying theme help set the tone for what fans/viewers can expect from what they are about to watch/spend the next two hours giving their undivided attention.

The classic "General Hospital" opening prepared you for all the drama and the switch later on to the Dave Koz version with "Faces of the Heart." That iconic theme is much missed compared to the lazy theme we have today. That theme screamed action, adventure, excitement, romance and family. I always looked forward to hearing it at the Daytime Emmys. In fact, I looked forward to hearing it more and cared less who from the show itself won. As for the visuals, as I said, it screamed all the aforementioned things and showed me as a viewer what I would get from the show. And I was happy to suck it all in every day.

I barely had any memories when Ryan's Hope was on, but I did hear/watch the opening for that show at some point. It was definitely for the 80s. Not sure it would have worked in the 90s and beyond.

Back to Generations...the opening not only gave a '70s look but also definitely made you think you were watching some rerun of a show from that era before you actually got to see what was going on. That's a bad impression for a brand new show. Just sayin'

1 hour ago, Paul Raven said:

The Generations theme and visuals suggested to me we were in store for a Waltons type family show, possibly set in the past.

Yes, there should have been more up to date music and visuals. Something showing Chicago landmarks and cast, as Khan suggested.

There were some fundamental mistakes from the get go. That opening showing the fictional soap was awful, and viewers might have turned off immediately thinking it was the real thing. And it didn't serve any real purpose moving forward.

Then having your opening show centering on a middle age women? Pat Crowley was  attractive and good actress but it gave the impression she was the lead,which might have turned viewers off.

A lot of the casting was blah.

They needed a strong opening story with juicy secrets to be revealed.

Having the Marshall own an ice cream chain was dumb-they should have had a 'sexier' business that could propel alot of story.

And James Reynolds and Debbi Morgan should have been cast from the get go. That would have got a lot of attention and showed they were serious about the Black characters.

Exactly. The wrong theme for a late '80s/early 90s show. The opening was 2-3 decades late.

Agreed again. It should have been showing the dynamics of families through multiple Generations, not reminding people that black people were slaves dating back centuries. It's depressing enough to think about in real-life, but to lead viewers to believe that's what your show is about before you even present a storyline is poor decision-making on the production side.

A theme should tie together like a glove with what the show is about. Again, the people behind Generations did themselves in with that piss-poor opening. And don't tell me black people were watching Y&R. Contrary to executive beliefs, groups can watch more than one thing at the same time. Some can watch one, and others can watch the other. Not a single group is stuck watching only one show because they happen to have that groups race/culture.

I only remember the iconic actors from the show, not much else about the show overall. Sadly.

Seriously, an ice cream chain was the basis of storytelling on soap? Imagine if this show lasted for more than 2 years and beyond. How long did they think ice cream could be the center of a storyline? Maybe if it were a coffee shop...

I could care less about who they cast or how serious they were about black characters. I cared that the show itself knew what it was supposed to be about. They clearly didn't from the start.

4 hours ago, Donna L. Bridges said:

You watched it & listened to it & gave your impression. That's fair. 

To me, it is feel good. If it reminds me of anything else it is the theme from Cheers. And to me it does not evoke versus. Instead it relates both or together.

See, I loved the "Cheers" opening. It didn't really have anything to do with the characters, but it centered on camaraderie within a bar. Coupled with the literal lyrics, the theme made sense and worked. It might not work in today's 2-second theme world, but it was perfect for what "Cheers" was/is. I agree that the "Generations" look reminded me of "Cheers" in that regard. 

I don't feel the "Generations" theme evoked that, as you only got a glimpse of the cast in the last 2 seconds of the opening before the title appeared to close it out.

1 hour ago, Donna L. Bridges said:

I really loved GENERATIONS. And the opening was classic if you ask me. 

Not even talking about the 70s-style music; that opening would literally make me not want to watch the show.

For the opening to look like that, even though it makes perfect sense, I would be greatly annoyed by the message it was giving off. Essentially, it comes off as Whites vs. Blacks. Racism. Inequality. Blah. Blah. Blah. 

I'd rather see a show that highlights the culture and style of Black people like the ones shown in South Africa. Ironically, SA even had a soap called "Generations," which later got canceled due to the cast getting fired after they went on strike. A reboot of the show with new characters and actors came on shortly after the cancellation, titled "Generations: The Legacy."

On 11/6/2023 at 12:45 PM, Donna L. Bridges said:

Well, guys, I have another note without a cite & you know how that drives me crazy! I know I'm in the company of good minds & good researchers so I'm going to make a note of it here. Please be on the lookout for an SOD article in 2007 or 2008 about profitability. It said that GL was the only soap making money. If that jumps out at you, please holla! 

First, I'd be shocked to learn SOD had printed such a detail. Would love to know the context.

Of course, based on the timing you noted, it would have to be in relation to the financial crisis of that time which eventually led to the cancellation of four soaps between 2009-2011. That being said, I would believe Guiding Light was the only one making money because their budget was slashed so much that they had porta potties as the primary method of using the bathroom for cast members. You can't be over budget when that's something already considered within your budget.

On 11/24/2023 at 8:53 PM, Franko said:

Los Angeles Times, Thursday, Nov. 22, 1990

NBC has axed “Generations,” the first daytime soap opera to feature a black family on an ongoing basis, and CBS has canceled “The Hogan Family,” a long-running comedy series that until this season had been seen on NBC.

Those announcements were among a list of mid-season changes revealed Wednesday by the two networks. They included the unveiling of a daytime news program anchored by Faith Daniels for NBC and a new Nell Carter sitcom for CBS.

NBC said that “Generations,” the story of two affluent Chicago families, one black and one white, will have its last broadcast Jan. 25. The soap opera, which began in 1989, won critical acclaim for featuring black performers in dramatic roles, but has suffered low ratings.

The National Assn. for the Advancement of Colored People immediately urged NBC to keep the show on the air.

“We’re very saddened; ‘Generations’ was a breakthrough show,” Sandra Evers-Manly, president of the NAACP’s Beverly Hills-Hollywood chapter, said through a spokeswoman. She urged “Generations” viewers to write NBC asking that the decision be rescinded.

In Los Angeles, as in many other cities, the half-hour “Generations” aired against the second half of CBS’ popular “The Young and the Restless.” So far this season, “Generations” is attracting only 8% of the available viewers, compared with “Y&R;’s” 31%. NBC ranks third behind CBS and ABC in overall daytime ratings.

Sally Sussman, the creator, executive producer and head writer of “Generations,” said that the difficult time slot and lack of support from NBC’s affiliated stations ensured the show’s demise. “To be perfectly honest, as soon as the show went on the air, they were talking about canceling it,” she said in an interview.

Although the show has been canceled, Sussman said, 300 episodes have already been sold into syndication in France, and TV stations here and abroad have expressed interest in continuing it. “You don’t have to be on the network to be successful,” she said.

Brandon Tartikoff, chairman of the NBC Entertainment Group, said in a prepared statement that NBC Productions is exploring the viability of continuing to produce “Generations” for syndication.

Jorn Winther, senior executive producer of “Generations,” said that the show’s poor ratings performance will make the networks wary of new soaps featuring black core characters. “I can’t imagine it (a show like ‘Generations’) will happen again in my lifetime--I’m 57,” he said. “I don’t think I’m going to see an integrated show again.”

As the daytime audience dwindles, NBC hopes to bring viewers back to daytime by introducing four new information series, and has another two in development.

The first is “A Closer Look,” a “woman-oriented” mid-day half-hour anchored by Daniels, to debut Jan. 28. Also to be introduced in the “near future,” NBC said, are “A.M. Assignment,” featuring an all-female news team assigned to “in-depth feature stories”; “Women’s Diaries,” a “real-life soap” about ordinary people and their problems, and “Trialwatch,” a “magazine” show using actual footage from courtroom trials.

Trialwatch made it to air. To the best of my knowledge, unless they had trial runs, A.M. Assignment and Women's Diaries never made it to air.

All the replacement shows sound terrible. I can't believe people were paid for this kind of crap, even back then. Clearly, nothing they aired even after the cancellation of "Generations" worked, as I had never heard of those programs until I read this article.

That said, despite the cancellations of both "Generations" and later "Another World," I at least commend NBC for even trying another soap, or two, with "Sunset Beach" and later "Passions" before finally pulling the plug on genre overall with the move of "Days of our Lives" to Peacock in 2022.

4 minutes ago, lucaslesann23 said:

Canadian episode: Victor defeated Jordan. He punched her and got the knife away before locking her in the room. Claire was asking Victor what happened to her aunt and Victor said "who gives a damn about that bitch."

 

Claire eventually gave them the antidote, but she overheard her telling Cole, Claire isn't theirs and Eve is dead, and she started crying.

 

Later, the cops came, and they looked in the room, and Jordan was gone. Claire was arrested and all of them were taken to the hospital and at the end when the house was empty, Jordan was shown hiding in the air vents.

So, James Stenbeck?

15 minutes ago, JoeCool said:

I do not think you will lose your DVR. Everything should be integrated so hopefully it will work out.

From your lips to Iger's ears (two puns intended).

Just now, Errol said:

From your lips to Iger's ears (two puns intended).

To be clear, I'm referring to Disney lingo.

2 minutes ago, JoeCool said:

Hulu will merge with Disney +. Everything will be integrated with Disney +.  ESPN app will stay separate.

ESPN will eventually go all streaming and will not be available on cable at all. Disney will make much money that way and then people who dont want ESPN will no longer get it and have to pay for ESPN channels they don't want.

I don't doubt much of what you said, but I still hope to keep my Hulu+Live TV. I have hundreds of episodes of the soaps on my On Demand DVR that I have yet to watch and I'd hate to lose them all in the name of branding. Sigh.

Good riddance to ESPN. I've hated the decision to move Monday Night Football to that channel for nearly 20 years. Only now are they realizing the value it can bring to broadcast, hence why games are now simulcast on ABC again. Loved the opening theme for that show back in the 90s. "Are you ready for some Football? A Monday night party" or something like that.

19 minutes ago, Donna L. Bridges said:

How many O&Os are there? Seems like I remember about a baker's dozen. 

There are 8 ABC Owned stations:

ABC7 (WABC-TV) in New York, NY

ABC7 (KABC-TV) in Los Angeles, CA

ABC7 (KGO-TV) in San Franciso, CA/Oakland, CA/San Jose, CA

ABC7 (WLS-TV) in Chicago, IL

ABC6 (WPVI-TV) in Philadelphia, PA

ABC13 (KTRK-TV) in Houston, TX

ABC11 (WTVD) in Durham, NC/Raleigh, NC/Fayetteville, NC

ABC30 (KFSN-TV) in Fresno, CA

-------------------

The networks no longer refer to their stations as O&O these days. They adopted the Owned portion and dropped the Operated. For instance, it is the ABC Owned Television Stations.

13 minutes ago, JoeCool said:

Here is the money for Hulu:

 

https://www.reuters.com/business/media-telecom/reliance-nears-deal-buy-disneys-india-business-bloomberg-news-2023-10-23/

 

Disney has the money for Hulu. Don't think ABC stations are in play or ABC overall.

The ESPN gambling venture will make a lot of profits for Disney.

It sounds like they are weighing all options for finding money to get all of Hulu in their wheelhouse. Since Disney+Hot Star is mentioned, I wouldn't be surprised if the integrated Disney+/Hulu app they are releasing next month in beta form will eventually become Disney+Hulu, formally giving the latter platform its first steps toward a global audience. Still hope they keep Hulu as a separate App, particularly for those of us who get our cable-esque access via Hulu+Live TV.

Could care less about ESPN. The sooner they stop forcing people to pay the bulk of their cable bill toward that channel, the better.

1 hour ago, Donna L. Bridges said:

@Errol   Also this is being talked about at the studio. 

There's been talk about Disney selling its ABC network and part of ESPN. 

from https://www.msn.com/en-us/money/companies/where-will-disney-stock-be-in-1-year

According to a recent news article, Disney has held exploratory talks about selling ABC to Nexstar Media Group or media mogul Byron Allen 1. However, it is unclear whether a deal to offload ABC and Disney’s linear stations is ultimately in the cards 1. I could not find any information that Disney has sold ABC yet. 

from a question to BingChat/AI 

Heard from people within ABC, as recently as last week, that the network itself isn't being considered for sale. It's the ABC Owned stations that are most in danger of being offloaded. While the stations are all profitable, Disney needs money to help buy up the remaining Hulu assets it doesn't already have.

I wouldn't be surprised if the drug that Jordan gave the Newmans isn't supposed to kill them but will wipe their memories, or something will make them forget what she did to them. Heck, Victoria believes she and Cole held their dying daughter, so it's not impossible for people to forget things or remember things the wrong way on this show.

39 minutes ago, Donna L. Bridges said:

No, he's suggesting something different, a Soap Opera Weekly Magazine but I honestly do not recall such a thing. 

Wait, SoapsShe Knows is not legit? 

What is this twitter account & I will help you look. 

She Knows Soaps is legit. That said, they have a lot of clickbait articles that entice people to read their content only to find the articles are not at all about what they lead you to believe they are about with the headline/title used.

Further, much of their "news" is speculative and never materializes.

Example Title: A Return for General Hospital’s Roger Howarth Is All But Guaranteed: He’s ’100 Percent’ Game

Makes you think he's returning to GH, but all it is is a story based on Roger's interview from last week with Soap Opera Digest in which he said he'd be game for gig on another soap.

16 hours ago, janea4old said:

 

So many soap sites have popped up this year and you'd be surprised how most of them are owned by the same people. All they post are speculations, "spoilers," recaps and made up rumors. I guess it's good for the algorithms and money is being made. I just find it annoying.

This week on “General Hospital,” the people of Port Charles continue their Thanksgiving celebration. Even though the holidays are meant to be festive, a disagreement between Molly (Kristen Vaganos) and TJ (Tajh Bellow) places doubt on their relationship. Plus, who or what piques Carly’s (Laura Wright) interest when she stops in at Kelly’s?

Find out what else will happen on the daytime drama series during the week of November 27-December 1, 2023 below.

DAILY BREAKDOWN

Monday, November 27, 2023 (#15350)

• Thanksgiving continues in Port Charles. 
• Sonny senses something off between Anna and Nina. 
• Marshall is worried about Curtis.  
• Gloria shares with Lois that she is in some trouble. 
• Stella and Portia come to a realization.

Tuesday, November 28, 2023 (#15351)

• Dante gets some disturbing news. 
• Alexis has a meeting with Laura.  
• Sam is concerned about Drew’s recent behavior. 
• Elizabeth tries to reassure Finn. 
• Molly and TJ have a disagreement.

Wednesday, November 29, 2023 (#15352)

•  Sonny confronts Ava. 
• Martin helps Finn with his legal issues. 
• Maxie opens up to Felicia. 
• Dante and Chase collaborate on an investigation. 
• Gloria gets some help from her family.

Thursday, November 30, 2023 (#15353)

• Dante has questions for Ava. 
• Dex relays a message to Sonny. 
• Portia gives TJ some advice.  
• Sonny makes plans for Christmas Eve. 
• James enlists Cody’s help.

Friday, December 1, 2023 (#15354)

• Carly has an interesting encounter at Kelly’s. 
• Sonny gets a proposition. 
• Ava makes a confession to Nina. 
• Brook Lynn panics from family pressure. 
• Kristina consoles Molly.

Get a sneak peek at what to expect this week on the show below.

“General Hospital” airs weekdays on ABC at 2:00 p.m. ET/1:00 p.m. PT. In select markets, the series airs at 3:00 p.m. ET/2:00 p.m. PT. The show can also be streamed Live and On Demand with Hulu or Hulu+Live TV.

Note: The post General Hospital PreVUE: What To Watch/DVR Alerts For The Week Of November 27-December 1, 2023 appeared first on the Soap Opera Network website.

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On Sunday, November 26, “The 91st Anniversary of the Hollywood Christmas Parade” is scheduled to take place live and in person from Los Angeles at 6:00 p.m. PST. For viewers at home, The CW will air a recorded version of the parade in primetime on Friday, December 15, from 8:00 to 10:00 p.m. ET/PT.

Receiving the Medal of Honor, our country’s highest military award, which was presented to him in The White House by President Joe Biden on March 3, 2023, Colonel Paris. D Davis will serve as the Grand Marshal of this year’s parade which will be hosted by Dean Cain, Erik Estrada, Laura McKenzie and Montel Williams. Elizabeth Stanton also appears as a special guest host. 

Look for Paula Abdul to be recognized with the Humanitarian of the Year, set to be presented to her by Los Angeles Mayor Karen Bass.

Floats set to make an appearance include the Star/Bell/Ornament, the Eagle, Mighty Mouse, Betty Boop and Toy Soldier, along with Pirate and the Treasure.

Among those taking part in the parade lineup this year will be Raymond Lee (actor, “Quantum Leap”), Ernie Hudson (actor, “Quantum Leap”), Caitlin Bassett (actor, “Quantum Leap”), Aly & AJ, Chaz Dean, Jim Hill (sports anchor, CBS2/KCAL 9), Craig Robinson, Rell Battle, Giorgia Whigham (actor, “Sierra Burgess is a Loser”), Andrew Walker, Vincent Rodrguez III (actor, “Crazy Ex-Girlfriend”), Erin Cahill, Chris Kattan and his fiancé, Maria Libri, Christine Devine (news anchor, FOX11) and Christina Vidal Mitchell (“Grand Hotel”), among others.

Performers set to entertain fans throughout the parade include Anna Azerli, Laura Bryna, Tara Macri, Olivia Soli and the Village People.

Soap stars from both the past and present are set to appear in the parade, including Tatyana Ali (ex-Roxanne, “The Young and the Restless; “The Fresh Prince of Bel-Air”), Tajh Bellow (T.J., “General Hospital”), Kimberlin Brown (Sheila, “The Bold and the Beautiful”), Brant Daughtery (ex-Brian, “Days of our Lives”; ), Deidre Hall (Marlena, “Days of our Lives”), Ashley Jones (Bridget, “The Bold and the Beautiful”), Josh Kelly (Cody, “General Hospital”), Jen Lilley (ex-Theresa, “Days of our Lives”), Kate Linder (Esther, “The Young and the Restless”) and Stephen Nichols (Steve, “Days of our Lives”).

Note: Talent attendance is subject to change.

Tickets to the Hollywood Christmas Parade are priced at $120 for those wishing to attend. 

Click here for more information on the event, including tickets, how to get there and where to park.

Note: The post the Hollywood Christmas Parade Lineup Set for Annual Holiday Celebration appeared first on the Soap Opera Network website.

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This week on “The View,” hosts Whoopi Goldberg, Joy Behar, Sunny Hostin, Sara Haines, Alyssa Farah Griffin and Ana Navarro welcome guests Chris Evans, Mario Lopez, Jennifer Garner, Brian Stelter and Senator John Fetterman (D, P.A.), among others.

Find out who else will appear as a guest on the daytime talk show during the week of November 27-December 1, 2023.

DAILY BREAKDOWN

Monday, November 27, 2023

• Chris Evans

Tuesday, November 28, 2023

• Mario Lopez (host, “Access Hollywood” and “On With Mario Lopez”)

Wednesday, November 29, 2023

•  Jennifer Garner (“Family Switch”)

Thursday, November 30, 2023

• Seth MacFarlane and Liz Gillies perform (album, “We Wish You the Merriest”)
• Brian Stelter (author, “Network of Lies”)
•  “The View” kicks off “12 Days of Holidays”

Friday, December 1, 2023

• The Political View with Sen. John Fetterman (D-Pa.)
• “12 Days of Holidays”

Note: Guest attendance is subject to change.

Visit the show’s official website for information on tickets to a future taping.

“The View” is produced by ABC News and airs weekdays at 11:00 a.m. ET/10:00 a.m. PT on ABC. The show is broadcast from New York City, executive produced by Brian Teta and directed by Sarah de la O.

Note: The post The View Guest Lineup for the Week of November 27-December 1, 2023 appeared first on the Soap Opera Network website.

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In a play on network synergy, CBS’ “The Bold and the Beautiful” recently had fans choosing their favorite official jersey number for the fictional Forrester Falcons as viewers anticipated the latest NFL on CBS matchup. However, in the process, some fans may not have realized that the soap opera was playing its own game of “if you know, you know…”

Two options were provided to choose from: a dark blue jersey and helmet representing the #37 and a lighter blue colored set representing the #87.

What you might not have realized as fans voted with their replies was that #37 represented the number of years the daytime drama soap opera has been on the air and #87 represented the year in which the series debuted.

So, which jersey would you choose? Check out the options below and vote, or let us know in the comments.

Which Jersey Would You Wear? Vote For Your Favorite Below

Forrester Falcons, #37

Forrester Falcons, #87

“The  Bold and the Beautiful” began its run on CBS on March 23, 1987 and has become one of the most-watched shows in the world, attracting millions of viewers each weekday.

Note: The post Forrester Falcons: When It Comes to the NFL on CBS and ‘The Bold and the Beautiful’ Are You Jersey #37 or #87? appeared first on the Soap Opera Network website.

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Celebrate the holiday season with Netflix when the streaming service releases “Holiday in the Vineyards,” which stars Josh Swickard (“General Hospital”), Sol Rodriguez (“Grachi”), Eileen Davidson (“The Young and the Restless”), Omar Gooding (“Deadwood, Unsolved: The Murders of Tupac”) and Carly Jibson (“The Guest Book,” “Atypical”). Annika Noelle (“The Bold and the Beautiful”), Julian Rangal (“The Good Doctor”), and newcomer Carlos Solòrzano also appear in the film.

Dropping Wednesday, December 13, the film follows an irresponsible heir (Swickard) to a cheap wine empire who is sent incognito to wine country to land the winning bid on the area’s last private vineyard, the big city playboy poses as a carpenter and falls for the beautiful real estate broker (Rodriguez) who wants to keep the property out of the hands of corporate wine.

“As we unwrap the joy of the holiday season, I’m thrilled to reach this significant milestone with Netflix to launch our tenth film with the renowned streaming platform,” said Afshar, who also produced the film. “ESX Productions understands the cheer Christmas movies like ‘Holiday in the Vineyards’ bring and we are confident this heartwarming holiday hit will resonate with audiences worldwide.”

Alex Ranarivelo directed from a script written by Cecília Franco and David Zanardi. Afshar, Christina Moore and Daniel Aspromonte are producing, with Charley DeBenedetti as the executive producer.

Earlier this year, Soap Opera Network gave readers a first look at the holiday movie when it was initially marketed as “A Wine Country Christmas.” 

Under its new title, “Holiday in the Vineyards,” the film marks the seventh holiday project from ESX Productions and the 10th overall released on Netflix. Previous holiday fare from ESX includes “A California Christmas,” “A California Christmas: City Lights,” and “I Believe in Santa.”

In addition to its movies, ESX Productions premiered its first TV show, “Casa Grande,” a dramatic neo-western series that is now streaming on Amazon Freevee. The series stars “General Hospital” actress Kate Mansi and “Buffy the Vampire Slayer” lead James Marsters. Lauren Swickard, the real-life wife of Josh Swickard, created the series and served as showrunner and writer. The Swickards were co-leads in “A California Christmas” and its sequel, “A California Christmas: City Lights.”

Check out all-new sneak peek photos from the film below. For previous photos, click here.

“Holiday in the Vineyards” is set to release on Netflix beginning Wednesday, December 13 at 3:00 a.m. ET/12:00 a.m. PT.

Note: The post Netflix Dates ‘Holiday in the Vineyards’ Featuring Soap Stars Josh Swickard, Eileen Davidson and Annika Noelle appeared first on the Soap Opera Network website.

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5 hours ago, dragonflies said:

The same TV INSIDER that took a fake article and posted it as truth on their site recently? I Know Michael Logan is great, but TV INSIDER doing that I lost a lot of faith in their "reporting" 

They posted the Tyler Christopher passing article 4 times since he passed 

The problem with mainstream outlets like TV Insider, PEOPLE, Us Weekly and sites like those is they hire interns who do not have much media experience and, therefore, are easily susceptible to fake news. Just because they went to college to learn how to be a journalist doesn't mean they know how to do it in the real world. Anyways, that being said, that John McCook story was unforgivable. I agree. 

• I think you meant Michael Maloney. Different people. Michael Logan is on Twitter, but he's no longer doing soap news after TV Guide let him go years ago.
• As @janea4old noted, it was five times. I wouldn't be surprised if they posted it again.
• They keep reposting the John J. York story, the Bryan Datillo story and the Day of DAYS fall/winter preview, among other posts that keep getting shared several weeks and more than a month since they were originally posted. They've already reshared the J. Eddie Peck and Colleen Zenk stories multiple times.

10 minutes ago, j swift said:

Their tweets (X's?) are nuts, they keeps regurgitating old news

This is literally from an hour ago

 

Their social media scheduler needs to be fired. It's beyond disrespectful at this point. I get re-sharing content to keep people engaging with your social media channels, but between them and a certain other site I won't mention (y'all know which I'm talking about if you pay attention), it's insane. That said, SOD has topped that other site in re-sharing news that isn't necessarily old in context but is definitely old in reporting. They might as well report Jacklyn Zeman died at this rate (no disrespect intended on my part).

7 minutes ago, janea4old said:

 

Exactly.

SOD tweeted on Oct 31, Nov 1, Nov 4, Nov 11, and Nov 18 -- that Tyler Christopher died.
Each tweet was new but identical, and all linked to the same Oct. 31 article.

I'm happy that people are finally calling them out on this posting style, even if it's only because they keep re-sharing that Tyler story. 

When I post a story on the site a day after it's reported elsewhere (for example) and I share my article on the SON Twitter, a certain someone (or two) responds by saying "old news" which irritates me. But I would never do what that SOD scheduler is pulling by regurgitating the same news over and over.

“The Bold and the Beautiful” will air an encore episode on Thursday, November 23 (Thanksgiving Day).

With the holiday in full force across the nation, what better way to celebrate the season than with your favorite Los Angeles friends and family as the daytime drama series rebroadcasts the November 24, 2021 episode (#8654) in which Deacon (Sean Kanan) pops up at Brooke’s (Katherine Kelly Lang) door shortly after his release from prison. Sadly, his surprise visit places a damper on Brooke’s planned integration of the Logans and the Forresters as she welcomes Ridge’s (Thorsten Kaye) loved ones into her home for what was to be a traditional dinner for the blended family.

Before landing at Brooke’s, Deacon and Sheila (Kimberlin Brown) were chowing down on Chinese food and fortune cookies before he realized he had better places to be and people to reclaim. Thankfully, things worked out in Deacon’s favor, even though Sheila is annoyed by the outcome.

Programming Note: “The Bold and the Beautiful” will not air on Friday, November 24 due to CBS Sports coverage of SEC and Big 10 football games. Among these are Iowa at Nebraska and Missouri at Arkansas. 

The daytime drama series returns with all-new episodes on Monday, November 27.

“The Bold and the Beautiful” airs weekdays at 1:30 p.m. ET/12:30 p.m. PT on CBS  and is also available to stream live on Paramount+ with SHOWTIME. Subscribers can access the episode via the live feed of their local CBS affiliate on the service and On Demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to On Demand when the episode becomes available later that day.

Note: The post ‘The Bold And The Beautiful’ To Air Encore Episode From 2021 On Thanksgiving Day appeared first on the Soap Opera Network website.

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6 minutes ago, janea4old said:

 Interesting that TV Guide gave permission.

I'd hope they got permission. But then again, this defeats the purpose of buying the magazine if the shows will just willy-nilly share screenshots.

That being said, DAYS and Y&R got the biggest coverage of the four shows. The Y&R interview/feature is with Melody Thomas Scott and the GH one is with Rena Sofer. The mag also has a "previously on" section to catch people up on what they might have missed. Will see how this goes in future issues but I kinda like this idea. Being featured in TV Guide is definitely a leg up for the soaps.

It's too early to tell, but it looks like TV Guide is picking up the mantle for the discontinued Soap Opera Digest.

The latest issue has a two-page spread on the four daytime dramas with articles/interviews written by Michael Maloney, formerly of Soaps In Depth and currently at Soap Hub. Maloney also freelances for TV Insider (an online news site for TV Guide) and Variety. He's a great writer. He also wrote the book on Y&R with Lee Phillip Bell.

Example: 

Congrats, Michael!