Have you ever wanted to hear the full-length version of music cues/scores played during scenes on a daytime soap opera? Well, for the first time ever, “The Bold and the Beautiful” is providing soap opera fans with the chance to hear music from the show that helps set the tone for episodes of the series.

On Tuesday, November 7, more than a dozen music cues were published to the show’s Official YouTube channel, including such titles as “Paulina’s Big Smile,” “Next Time Around,” “Connect the Dots,” “Fountain of Light,” “Anyone’s Guess,” “Beautiful Forrester Theme,” “White Light,” along with several number centric titles, such as “108-M,” a more soothing and slow-paced iteration of “The Bold and the Beautiful” theme song. 

Most of the music cues published thus far are two or more minutes long, with the longest running time at a whopping 3 minutes, 29 seconds. That music cue, “1027,” appears to be used to set up a scene in which viewers will anticipate a shocking and thrilling twist. The shortest music cue is “108-HH,” a shortened iteration of the show’s theme played using a harp. It runs for just 34 seconds.

In announcing the release of the music cues, the show’s supervising producer, Casey Kasprzyk, said on X (the platform formerly known as Twitter), “This has been a dream of mine to make it easy for everyone to hear the various scores from #BoldandBeautiful.” He added, “I’m loving reading comments hearing what memories the music evokes.  These cues are literally the music of our lives!” In addition to his work on the daytime drama series, Kasprzyk also hosts “Bold Live! on most Fridays on YouTube.

In June 2022, “The Bold and the Beautiful” released an original scores album featuring 35 recognizable and moving theme songs featured on the show. The album, entitled “The Bold and the Beautiful (Music from the Series, Volume One)” was composed and scored by the show’s Emmy Award-winning composer John Nordstrom who joined the soap in that capacity in 2013. The album is available on Apple Music, Spotify and all other music streaming platforms.

To listen to the music cues, click on the play button below or visit the show’s Official YouTube channel.

Note: The post ‘The Bold and the Beautiful’ Releases Musical Cues/Scores Featured on Daytime Drama Series appeared first on the Soap Opera Network website.

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So, since I was given a voucher toward another magazine instead of a refund, I opted to get Inside Soap UK and paid the difference. Tell me why Soap Opera Digest couldn't be bothered to do something as simple as this in at least one issue. I mean, it didn't take much work or effort and would be a reason to check out the magazine.

45 minutes ago, BoldRestless said:

Well I hope they let their subscribers get refunds. I don't subscribe to SOD anymore, but definitely would not be interested in Women's World Weekly.

Agreed. No disrespect, but I subscribed to Digest because I watched (and covered) soap operas. I am not an over 50-year-old woman who needs/wants tips on beauty, health and nutrition.

EXCLUSIVE: a360Media Transferring Soap Opera Digest Subscriptions to Woman’s World Magazine 

So, this is why I said the unnamed digital magazine distributor was playing stupid, fast and loose when I spoke with them. They either knew nothing or spoke to the wrong people. As of today, they even told me, "we are still waiting for the new calendar from the publisher's side and once we have all the details setup the marketing team will be removing the 52 issues and will be changed to 4 issues," when I asked why they are still allowing people to purchase subscriptions to Soap Opera Digest, especially when their site lists 52 issues as the amount you'll receive throughout the subscription.

Additionally, they said, "In regards to the special issues we do not have information on the release dates and if the publisher decides to include them as part of the 4 issues they will be apart of the subscription."

Like how dense must you be?

With the November 13, 2023 cover issue of Soap Opera Digest being the magazine’s last ever as a weekly print magazine, subscribers will soon see their subscriptions transferred to Woman’s World, a health, beauty and nutrition magazine for women over 50, Soap Opera Network has learned. Additionally, the first of four planned special print editions of Soap Opera Digest will released on newsstands in 2024.

A rep for a360media, owner of both magazine brands, tells us, “The Soap Opera Digest brand will live on as a special edition magazine, available on newsstands in 2024. In the meantime, our subscription team will be reaching out to subscribers to let them know their remaining balance of Soap Opera Digest issues left to serve will be transferred to one of our flagship brands, Woman’s World, a bestselling weekly magazine.”

The rep also notes that in addition to the special edition magazine, “Much of the content you’ve come to love in our Soap Opera Digest print edition, including breaking news, exclusive story previews and interviews with your favorite stars, will continue to be available on our social media sites and at soapoperadigest.com.”

On Monday, October 30, a note from the staff of Soap Opera Digest was published on their website, which at the time only noted that the magazine would be “publishing at a reduced frequency moving forward.” The message also contained a link for all questions regarding subscriptions. A few days later, the link began redirecting to a page telling subscribers, “Unfortunately, Soap Opera Digest is no longer being published as a weekly magazine, effective with the November 13th, 2023 issue. Please rest assured that as soon as more details are available, we will be notifying all of our subscribers.”

As of October 31, 2023, the Soap Opera Digest staff has transitioned to an online environment with news, interviews and more published on soapoperadigest.com, as noted by the rep. Further, beginning Monday, November 6, fresh content that fell under key sections as shown in the print magazine began publishing to the website, including a “Take Five [Interview] with Mark Grossman,” a “QuickTake [Interview] with Veronica Redd,” and “It’s Only My Opinion [Column] by Carolyn Hinsey,” among others. At press time, it was unclear what schedule the staff would follow for releasing content based on features shown in the weekly magazine.

Strategically, it makes sense for a360media to transfer subscriptions to Woman’s World. An annual subscription to the magazine (50 issues) is fairly equal to an annual subscription to Soap Opera Digest (52 issues), with just about $5-$10 separating the two in terms of pricing. The same goes for a six-month subscription, with Woman’s World releasing about 20 issues during that period, while Soap Opera Digest released 26 issues.

Among circulation figures, Woman’s World had a circulation average of 831,172 for the six months that ended on June 30, 2023, according to the Alliance for Audited Media (AAM), which placed the magazine 47th out of 165 magazines that provided their paid and verified circulation figures. Out of the 195 magazines tracked overall for that period by AAM, 30 magazines did not submit/provide a publisher statement by their press time.

Prior to a360media’s 2022 acquisition of the publishing portfolio from Bauer Media Group, which included Woman’s World, First for Women and the Bauer U.S. bookazine business, Bauer transferred subscriptions for the discontinued ABC Soaps In Depth and CBS Soaps In Depth to Woman’s World.

Woman’s World was founded in 1981 by  European magazine publisher, Heinrich Bauer Verlag of Hamburg, Germany.

Note: The post EXCLUSIVE: a360Media Transferring Soap Opera Digest Subscriptions to Woman’s World Magazine appeared first on the Soap Opera Network website.

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19 minutes ago, Donna L. Bridges said:

That's marvelous! WHAT? 

Patience is a virtue. 

I KNEW IT! I KNEW IT! I KNEW IT!

1 minute ago, janea4old said:

That interview is interesting in that it is a summary of the second half of the the Digest podcast interview with Kyle back in September.  (The podcast talked about storylines airing then and other parts of his life. And then the second part of the podcast was about him leaving acting, moving to the Lake Tahoe region to be near his daughter, and getting a job as news anchor there.)  The new article in the print issue in October (now on the website) is a summary of everything he said in the podcast about why he moved and what his daily routine is like now, so it's not really "new", but it's newly typed.

Thanks for pointing that out. I don't generally listen to podcasts in the traditional sense so I wouldn't have had a clue -- I prefer my "podcasts" to be video-based since it keeps me focused and there are visuals of what they are talking about.

I love your insight, btw!

So, Stephanie Sloane has been credited with the B&B November, DAYS November and GH November Sweeps preview posts, but she physically posted none -- byline says Stephanie, but the link over said name points to another WordPress user.

Ironically, the Y&R November Sweeps preview post was likely written by Stephanie, but Devin Owens is the author of the online post. It could be that Stephanie likely wrote it, but he forgot to credit her, or he did the Y&R one instead of her. That said, Mara Levinsky physically posted the B&B and GH November preview, crediting Stephanie. Chris Eades posted the DAYS November preview but credited Stephanie -- I previously stated he posted the DAYS/GH ones on Saturday, but now it looks like he posted the DAYS one and Mara posted the GH one. Overall, Stephanie has these posts showing her being the author, but none of them were physically posted to the site by her even though she does have her own account (https://www.soapoperadigest.com/author/ssloane/). Her last properly credited (published with her name under her account) was the Kyle Lowder interview, posted on October 25, two days before the announced shutdown of the weekly print magazine. She does have a bio page with a bio image, however.

The Winsor Harmon/Ashley Jones story I previously noted as credited to Stella Bednarz was actually published on the site by Chris Eades.

Carolyn Hinsey is credited with her opinions post, published today, but Mara is the one who physically published it to the site. It appears to be a new Opinion post by Carolyn, btw.

Details from the Hot Plots Preview section in the most recent (and final) weekly issue were published on the site. For the first time, we find out who actually wrote those since the print magazine never credited a specific writer with a byline for those. Mara posted the GH Preview (Esme Wants to Move Out) while Janet posted the DAYS Preview (Chad Meets Everett). Regarding a post from the recent Late-Breaking News section, Stephanie is credited with the DAYS Preview (Li Is Murdered), but again, it was not posted to the site by her. Credited to her name, but this time the SOD account is linked (https://www.soapoperadigest.com/author/SOD/).

Thus far, only Mara, Stella (via Chris Eades posting it) and Devin have been posting actual new content that wasn't previously found in a recent or current issue of the now-defunct weekly magazine. The site appears to have completely abandoned the "Five Things That Happened" in Soap History and Birthday Spotlight posts, which are considered throwaway content for when you have nothing better to post on your site. Just "My Opinion." Then again, they might start them back up again once they are no longer publishing stuff from older issues.

ON A RELATED NOTE:

I recently had back-and-forth conversations through email with a digital magazine distributor (I won't name them) about the Soap Opera Digest situation (52 issues per year to 4 per year), and in my opinion, they are playing stupid, fast and loose.

They are telling me the "good news" in that digital subscriptions to the magazine will continue, but instead of getting 52 issues subscribers will only get 4, which they acknowledge I already knew. "For customer's who have an existing subscription they will continue to receive the new issues as they are delivered," I was told.

In theory that makes sense, but if you pre-paid for a subscription and it goes from 52 to 4 per year, are they really going to make subscribers believe they will now have five more years of a magazine subscription if they had say 20 issues (4 per year x 5 years) remaining on said subscription? Or even as many as ten years or more if they recently subscribed to Soap Opera Digest? I do not believe that for a second, especially since the Variety article stated the magazine would print four special issues yearly. I quote, "The company plans to continue publishing special print issues of Soap Opera Digest four times per year." Keyboard is "special."

Speaking of that word, here's what the unnamed company told me on that matter. "Please note that Special issues will not be apart of the subscription." Hence why I said they are playing "stupid, fast and loose" with the situation.

Just more of my ramblings. All of which are my personal opinions and do not represent those of Soap Opera Network.

In case you missed the first of three scheduled performances by Ken Corday last night, you are in luck: the “Days of our Lives” executive producer can be seen performing on Wednesday, November 8 and Saturday, November 11, at the legendary Garry Marshall Theatre in Burbank, CA, as he presents his first piano recital in over 50 years.

Featuring a collection of never-before-heard, completely original works, tickets for the concert, “Ken Corday Presents: ‘Songs Without Words’ Benefit Concert,” can be purchased online for $40 by visiting the Gary Marshall Theatre website. Each show begins at 8:00 p.m.

Note: Price does not include any additional fees, parking, merchandise or concessions. Additionally, due to the nature of live theatre and events, artists and special guests are subject to change. All proceeds from the concert will go to benefit the SAG/AFTRA Foundation’s Emergency Assistance Program and the important work they continue to do. 

During Corday’s performance on Saturday, November 4, several “Days of our Lives” cast members were in attendance, including Deidre Hall (Marlens), Stephen Nichols (Steve), Jackeé Harry (Paulina), Josh Taylor (Roman), Peter Porte (Dimitri), Greg Rikaart (Leo), and Suzanne Rogers (Maggie). Also in attendance were former “Days of our Lives” co-executive producer Greg Meng, casting director Marnie Saitta, makeup artist Karen Dahl, costume designer Richard Bloore and members of Corday’s immediate family, among others.

Check out photos from the event below.

For more information about the concert, Ken Corday and the Gary Marshall Theatre, click here.

Note: The post Ken Corday Performs First Piano Recital in Over 50 Years with ‘Songs Without Words’ Benefit Concert appeared first on the Soap Opera Network website.

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After his character is found lying unconscious on the floor, bleeding from a literal knife wound in the back, it looks like Li Shin’s time in Salem has reached its end, and with it, portrayer Remington Hoffman concludes his nearly four-year run on “Days of our Lives.”

According to Soap Opera Digest, which first reported the news in the magazine’s final weekly print issue, on sale now, the show’s head writer, Ron Carlivati, tells the magazine, “It’s been so much fun to write for his character,” referring to Hoffman.”He added, “We’ve fleshed out his family with Wendy [Victoria Grace] and featured him on ‘Chad & Abby in Paris’ and ‘Beyond Salem.’ It was a story-dictated decision.”

Following his appearance in the “Chad & Abby” digital series, Hoffman made his formal “Days of our Lives” debut as Li Shin, the youngest son of DiMera Enterprises board member Mr. Shin (Michael Hagiwara), on April 22, 2020. The role was initially meant to be recurring but Li quickly became a fan favorite when he got entangled in the life of one Gabi Hernandez (Camila Banus) during a time in which she lobbied for the position of CEO of DiMera.

“The whole first day that I shot was pretty much with Camila,” said Hoffman at the time of his debut in an interview with Soap Opera Digest. “It was really cool working with her because she’s really free. She’s really unexpected, and that’s the best thing to be around. She has a lot of energy and she’s really focused.” 

In the latest promo highlighting what’s to come during the week of November 6-10, 2023, a devastated Wendy is shown walking into the apartment as she sees her brother face down on the floor while Gabi and Stefan (Brandon Barash) are seemingly trying to assess what is going on around them. Later, while at the hospital, Wendy tries to find out who stabbed Li as she asks him point blank, “Who did this to you?” Being a soap, we’ll unlikely find out for certain, especially since Li looks to be taking his final breath. In the meantime, considering her fingerprints are now on the bloodstained knife, Gabi is Salem PD’s prime suspect, but Stefan is certain of her innocence.

Watch this week’s promo below.

To find out what’s going to happen this upcoming week on “Days of our Lives,” watch all-new episodes of the series, weekdays on Peacock, which is also the exclusive home to catch up with what you missed at any time. For more information, visit PeacockTV.com.

Note: The post Remington Hoffman Exits ‘Days of our Lives’; Head Writer Notes It Was Storyline Dictated appeared first on the Soap Opera Network website.

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Tom Stacy's bio and bio image is available: https://www.soapoperadigest.com/author/tstacy/

1 hour ago, Donna L. Bridges said:

Mara & Steph have Digest email addresses. What I can see of email addresses the rest are sodsound & sodask & others like that as opposed to people's names. Hinsey does not have a Digest email address. 

Are you talking about the bio pages? Otherwise, I'm lost.

So far of the five bio pages that have been updated, Janet's points to her AOL email (she's freelance at SOD), while Tom Stacy and Devin Owens also have an @soapoperadigest.com email address. Stephanie doesn't have a known bio page to indicate any info or email address since her posts from today were actually published by Chris Eades, who himself doesn't have a formal bio page like the rest do. Per Mara's bio page, yes, she is listed with an @soapoperadigest.com email address. 

Ever since it was announced that a360media would shutter the weekly print edition of Soap Opera Digest, subscribers have been clamoring to find out when the magazine would print its final issue. Sadly, Soap Opera Network can confirm that the current November 13, 2023 issue, on sale now, is officially the final weekly print issue of the long-running publication.

Following the discontinuation of the weekly print magazine, digital subscribers should reach out to their provider for information on refunds and/or other accommodations as there will not be a weekly digital edition of the magazine published. As of October 31, 2023, the Soap Opera Digest staff has fully transitioned to an online only environment with news, interviews and more published on soapoperadigest.com. Features from recent issues are also being published to the site.

With its cover highlighted by the annual November Sweeps preview for the four remaining daytime dramas, the final weekly print issue of Soap Opera Digest features news on Darin Brooks and his exit from “The Bold and the Beautiful” as Wyatt and the return of “Days of our Lives” star Greg Rikaart (Leo) to “The Young and the Restless” as Kevin. The magazine also includes a spread on Camryn Grimes (Mariah, “The Young and the Restless”), the final “Take Five” with Kimberlin Brown (Sheila, “The Bold and the Beautiful”) and columnist Carolyn Hinsey’s stating her opinion that soaps should always bring back actors in their original roles, noting, “it’s like a warm, soapy hug.” 

The final weekly print issue was formally announced via a notice page on the Soap Opera Digest website, which previously allowed subscribers to order the magazine and/or update their subscription information. The message reads: “Unfortunately, Soap Opera Digest is no longer being published as a weekly magazine, effective with the November 13th, 2023 issue. Please rest assured that as soon as more details are available, we will be notifying all of our subscribers.”

This marks the second time that the magazine staff have directly addressed the shutdown of the weekly print magazine. On Monday, October 30, the site published a note from the staff, which at the time only noted that the magazine would be “publishing at a reduced frequency moving forward.” In a statement released to Variety, a360media noted that Soap Opera Digest would publish four special print issues per year going forward.

As of June 30, 2023, Soap Opera Digest had a paid and verified circulation of just 43,743, according to the Alliance for Audited Media (AAM), the “recognized leader in publisher audits across digital, print and out-of-home channels.” By comparison, throughout the 1990s, the magazine had a circulation in excess of one million. By 2010, the number had dropped to just under 500,000 and under 100,000 by 2019.

Out of the 195 publications audited by AAM, there were 30 publications that had not shared their publisher statements. That said, Digest ranked 154th out of 165 publications that did release their figures, only beating out the likes of Elle Quebec, Conquer Magazine, Diabetes Care, Vero and Les Affaires Plus, among others, in terms of circulation totals. 

The top 35 selling magazines with a circulation in excess of one million included the likes of People, Reader’s Digest, Good Housekeeping, Us Weekly, Vanity Fair, Vogue, Time, New Yorker, Sports Illustrated,National Geographic, Men’s Health, Women’s Health and even Elle, among others.

In April 2020, Bauer Media, now owned by a360media, shuttered the print editions of Soaps In Depth, which released weekly issues as either ABC Soaps In Depth or CBS Soaps In Depth. The brand’s name continues as a digital website sharing news and interviews with stars from the four remaining American soap operas – “The Bold and the Beautiful,” “Days of our Lives,” “General Hospital” and “The Young and the Restless.”

Soap Opera Digest was launched in 1975 by founders Angela Shapiro and Jerome Shapiro.

Note: The post Final Weekly Print Issue of Soap Opera Digest Released appeared first on the Soap Opera Network website.

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8 minutes ago, Errol said:

In the last couple of hours, Stephanie Sloane has been credited with posting the DAYS and GH November Sweeps previews that were found in the most recent issue of the magazine, which I'm hearing is officially the final issue. However, when you click on her name, it is clear that Chris Eades posted her content as the link points to his author page: https://www.soapoperadigest.com/author/ceades/ (also see attachment)

Someone named Stella Bednarz, who is SOD's deputy editor, posted the Ashley Jones and Winsor Harmon casting news from B&B, which originally went to TV Insider as an exclusive, btw (read what I said above about casting news).

Tom Freestone, who produces the Dishin with Digest podcast, among other audio/video programming at a360media, posted the one thing thus far, a B&B Preview: https://www.soapoperadigest.com/content/the-bold-the-beautiful-preview-ridge-keeps-mum-about-eric/

Brian Beckley, who is the senior photojournalist for SOD, apparently has been handling their gallery posts, although he hasn't been credited with a post since the announced shutdown of the print magazine (October 27). He also posted the most recent Carolyn Hinsey shares her opinions post: https://www.soapoperadigest.com/content/carolyn-hinsey-shares-her-opinions-1731017/

I can't say for sure, but it looks to me like someone has gone in and retroactively added the actual authors of many recent posts on the SOD website, as I could have sworn SOD was listed as the author for virtually every post up until the announcement of the print magazine ceasing operations.

Janet Di Lauro's recent interview with Blake Berris, featured in the most recent issue of the magazine, is posted on the site.

The author pages for Janet, Mara Levinsky, Devin Owens and Brian have been updated to include their bios and headshots, so I expect that means they are all there:

Mara Levinsky: https://www.soapoperadigest.com/author/mlevinsky/
Devin Owens: https://www.soapoperadigest.com/author/dowens/
Janet Di Lauro: https://www.soapoperadigest.com/author/soapgodess/
Brian Beckley: https://www.soapoperadigest.com/author/bbeckley/

I forgot to add (which is what I started writing in the above post before I rambled about other things):

The Soap Opera Digest website has ceased posting those annoying five things that happened in soap history posts and birthday posts. To be clear, by annoying, I just meant it was filler content when you didn't feel like posting any actual content. That's at least one positive to the print magazine shutting down.

In the last couple of hours, Stephanie Sloane has been credited with posting the DAYS and GH November Sweeps previews that were found in the most recent issue of the magazine, which I'm hearing is officially the final issue. However, when you click on her name, it is clear that Chris Eades posted her content as the link points to his author page: https://www.soapoperadigest.com/author/ceades/ (also see attachment)

Someone named Stella Bednarz, who is SOD's deputy editor, posted the Ashley Jones and Winsor Harmon casting news from B&B, which originally went to TV Insider as an exclusive, btw (read what I said above about casting news).

Tom Freestone, who produces the Dishin with Digest podcast, among other audio/video programming at a360media, posted the one thing thus far, a B&B Preview: https://www.soapoperadigest.com/content/the-bold-the-beautiful-preview-ridge-keeps-mum-about-eric/

Brian Beckley, who is the senior photojournalist for SOD, apparently has been handling their gallery posts, although he hasn't been credited with a post since the announced shutdown of the print magazine (October 27). He also posted the most recent Carolyn Hinsey shares her opinions post: https://www.soapoperadigest.com/content/carolyn-hinsey-shares-her-opinions-1731017/

I can't say for sure, but it looks to me like someone has gone in and retroactively added the actual authors of many recent posts on the SOD website, as I could have sworn SOD was listed as the author for virtually every post up until the announcement of the print magazine ceasing operations.

Janet Di Lauro's recent interview with Blake Berris, featured in the most recent issue of the magazine, is posted on the site.

The author pages for Janet, Mara Levinsky, Devin Owens and Brian have been updated to include their bios and headshots, so I expect that means they are all there:

Mara Levinsky: https://www.soapoperadigest.com/author/mlevinsky/
Devin Owens: https://www.soapoperadigest.com/author/dowens/
Janet Di Lauro: https://www.soapoperadigest.com/author/soapgodess/
Brian Beckley: https://www.soapoperadigest.com/author/bbeckley/

According to TMZ, a friend discovered Tyler after entering his apartment with a key that they had been previously been given since they hadn't heard from him. The person soon after found Tyler already dead in his bedroom and called 911. TMZ claims to have sources who've told them that "it appeared he had been dead for some time." 

When they say "some time," they don't speculate or specify, likely because a coroner's report needs to be filed and toxicology tests need to be run. As of now, it's unclear when (date) Tyler officially died.

https://www.tmz.com/2023/11/01/general-hospital-tyler-christopher-dead-dies-friend-found-at-home/

During the week of October 16-20, 2023, the most recent week in which daytime syndicated ratings are available, “The Kelly Clarkson Show” kicked off its fifth season with its most-watched and highest-rated premiere week since the launch of the show’s second season back in the fall of 2020.

For the week, the show attracted 1.344 million viewers and a 0.93 rating in Households, seeing a boost from last season – up +4% in Households and +2% among Total Viewers. In Women 25-54, the show was up +20%, scoring a 0.36 rating in the all-important sales demographic.

Overall, “The Kelly Clarkson Show” was up +2% in Total Viewers compared to the same week last year (1.344 million vs. 1.31 million) and ranked a solid second among the 11 syndicated daytime talk shows, behind only number one ranked “Live with Kelly and Mark” (2.235 million). “The Kelly Clarkson Show” managed to beat out third place “The Drew Barrymore Show” by +279,000 viewers (1.344 million vs. 1.065 million)*. Among Households, “The Kelly Clarkson Show” was up +4% year-to-year (0.93 rating vs. 0.89 rating).

Compared to the performance of “The Drew Barrymore Show,” “Dr. Phil” (repeats), “Sherri,” “Tamron Hall” and “The Jennifer Hudson Show,” the Kelly Clarkson-hosted daytime talk show currently ranks as the most-watched and highest-rated afternoon syndicated talk show among Total Viewers, Households, Women 25-54 and Adults 25-54.

The fifth season of “The Kelly Clarkson Show” kicked off with the show taping from its new home in New York City, within the iconic studio 6A at Rockefeller Center. The premiere episode began with an all-new season five Kellyoke video and featured Kelly’s new neighbors, including Andy Cohen, Hoda Kotb, Jenna Bush Hager and Seth Meyers, among others. The week continued with a popular “Songs and Stories” episode with Alanis Morissette and a duet and interview with Billy Porter. Additional guests included Jane Krakowski, Eric Nam, Nick Offerman, Arnold Schwarzenegger, Sesame Street’s Elmo and Oscar the Grouch, Paul Shaffer, Bowen Yang, a performance by Enhyphen, and new Kellyoke covers all week long, including “I Won’t Give Up” (Kelly Clarkson), “Stronger” (Kelly Clarkson), “New Attitude” (Patti LaBelle), “Crimson and Clover” (Joan Jett & the Blackhearts) and “1985” (Bowling for Soup).

Below is a breakdown of how the afternoon syndicated talk shows performed among Total Viewers during the week of October 16-20, 2023.

Total Viewers (Persons 2+) Rankings – Afternoon Syndicated Talk Shows:

1. “The Kelly Clarkson Show” – 1.344 million
2. “The Drew Barrymore Show” – 1.065 million (30 minute talk show x 2)
3. “Dr. Phil” – 883,000 viewers
4. “Sherri” – 869,000 viewers
5. “Tamron Hall” – 830,000 viewers
6. “The Jennifer Hudson Show” – 817,000 viewers

Note*: Syndicated ratings data excludes other NBCU Programs. “The Drew Barrymore Show” is broken into two separate half-hours. “Live with Kelly and Mark” primarily airs in morning time periods and is excluded from the afternoon syndicated talk show rankings. Numbers are based on Live+Same Day ratings data released by Nielsen.

“The Kelly Clarkson Show” is a Universal Television LLC production and distributed in national syndication by NBCUniversal Syndication Studios. The show airs in 100% of the country on more than 200 stations. Alex Duda is the show’s executive producer and showrunner. Kelly Clarkson is also executive producer.

Note: The post ‘The Kelly Clarkson Show’ Opened Season 5 with Program’s Most-Watched and Highest Rated Premiere Week in Three Years appeared first on the Soap Opera Network website.

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Looking back at 40 years of fan-favorite Christine Blair (aka Cricket), “The Young and the Restless” will air a special standalone episode dedicated to the character’s portrayer, Lauralee Bell, on Thursday, November 2.

In the episode, when Christine finds herself at a crossroads professionally and romantically, she receives a little help from her friends. Joining in the celebration are appearances from other show fan favorites, including Michael Damian (Danny Romalotti) and Tricia Cast (Nina Webster). The episode will also showcase classic clips highlighting Cricket’s romantic entanglements through the years as well as her epic rivalry with Phyllis Summers (Michelle Stafford).

Previewing the episode, Bell said recently on X (the platform formally known as Twitter), “Thursday’s @YandR_CBS will be filled with past clips with some of my favorite people but it will also be a bit different, mixed with a lot of present day! AND you get to see me say ‘Bite Me’ one more time. Hope you’ll tune on [sic] Thursday! So grateful for our viewers! Some who have been along for the ride since Jabot Junior! Appreciate you!”

Bell closed out her post using the hashtag “There is No Us Without You,” referencing the fans of the daytime drama series, while also tagging Damian, Stafford, Cast and even former co-star and on-screen love interest Doug Davidson (ex-Paul Williams) to the post.

Check out a preview clip below.

Produced by Bell Dramatic Serial Company in association with Sony Pictures Television, “The Young and the Restless” airs weekdays on CBS and is also available to stream live and  On Demand via Paramount+. Josh Griffith is the executive producer and head writer of the series.

Note: The post TUNE IN ALERT: ‘The Young and the Restless’ Celebrates 40 Years of Lauralee Bell as Christine Blair (aka Cricket) appeared first on the Soap Opera Network website.

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During the Tuesday, November 1 broadcast of CBS’ “The Late Show with Stephen Colbert,” host Stephen Colbert noted that earlier that day, the network had announced the producing team and head writer for the new late night series, “After Midnight,” but notably withheld information on who will be hosting. Of course, this was all a prelude to Colbert himself announcing the show’s host when comedian Taylor Tomlinson “interrupted” Colbert’s comments on the matter to offer herself up as an option for the job.

Tomlinson, a rising stand-up who has already released two Netflix comedy specials, including “Look at You” and “Quarter-Life Crisis,” will formally take over as “After Midnight” host when the show premieres in early 2024 on CBS, following episodes of “The Late Show with Stephen Colbert.” The new show will also be available for streaming on Paramount+ (live and On Demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+ Essential subscribers the day after it airs)*.

Produced by CBS Studios with Stephen Colbert’s Spartina Industries and Funny Or Die, Colbert himself will executive produce alongside Carrie Byalick, president of Spartina Industries; “The Late Show” executive producer Tom Purcell; Evelyn McGee Colbert; and James Dixon of Dixon Talent. The Spartina team is joined by executive producers Joe Farrell, Mike Farah, Whitney Hodack and Henry R. Muñoz III from Funny Or Die. Jason U. Nadler of Serious Business, who co-created “@midnight” by which ‘After Midnight’ is inspired, is also an executive producer.

“We are thrilled to be reunited with our friends at Funny Or Die,” said Colbert in a statement. “My hope is that, every night, ‘After Midnight’ will be just as ridiculous as the internet is every day. Plus, the original ‘@midnight’ aired after ‘The Colbert Report,’ so welcoming this new show to 12:30 feels like coming home.”

Serving as co-showrunners and executive producers are Jack Martin, showrunner on all four seasons of “@midnight” and current showrunner for CBS’ “Raid the Cage,” and Eric Pierce (CBS’ “The Challenge: USA,” “The Wheel,” “Hollywood Game Night”). Comedian and writer Jo Firestone (“ZIWE”, “The Tonight Show,” “Joe Pera Talks with You”) will be co-executive producer and head writer. Alexx Wells (“Celebrity Squares,” “That’s My Jam,” “The Cube”) will also serve as co-executive producer. 

“Funny Or Die is proud to partner once again with CBS Studios, Spartina Industries and our longtime friend and collaborator Stephen Colbert,” said Funny Or Die Owner Henry R. Muñoz III. “Now that we are all old enough to stay up until after midnight, I’m excited for this show to harness the power of comedy and laughter to bring us all together.”

“After Midnight” replaces “The Late Late Show with James Corden” which ran on CBS for eight seasons before concluding its run in April. Currently the network is airing episodes of “Comics Unleashed with Byron Allen,” which is expected to continue until the official launch of “After Midnight.”

Watch as Colbert discussed the “After Midnight” news released by CBS before he himself goes on to announce Tomlinson as the show’s host below.

Note: The post Taylor Tomlinson Named Host of CBS’ ‘After Midnight’ During ‘The Late Show with Stephen Colbert’ Appearance appeared first on the Soap Opera Network website.

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8 minutes ago, j swift said:

@Errol What do you predict this will mean for the networks when leaking casting or plot information?

Currently, it still seems like SOD or Deadline has a lock on casting news/  But, do you anticipate a time when the PR departments at the various productions will be more equitable in announcing breaking news on other websites?

I expect Deadline, TVLine, TV Insider, PEOPLE, EW and The New Yorker, among others, to become the exclusive home for breaking casting news. Soaps are no different than any other TV show, and those are the places that generally break TV and movie news most frequently. I'd go there if I were a publicist for one of the shows, even though I personally hate when they do because it hurts my bottom line -- just being honest.

That being said, despite no longer publishing a weekly print magazine, I don't expect Digest to go cold turkey in terms of news. However, I don't expect them to publish anything more than what they already did on the website in the past, mixed in with interviews here and there every week.

The only area that I'll miss is the comings & goings section. Many of us in the soap industry relied upon that section for news, some more so than others since they never credited Digest for the information they posted when they'd do their news items before most everyone else got their copies of the mag (tangent over).

One of the main reasons I was told that Digest still got a lot of the things they did was solely because they were the last remaining print mag, and obviously, a publicist would want their talent on the cover of such. But without the print edition, as I said before, the magazine is now no more important than our message boards. I don't mean to sound rude when I say that, but based on external traffic data and SEO rankings I've obtained, I can tell you which soap sites are more popular than others and Digest isn't number 1 or even number 5 on the list. Digest is usually 6th or 7th in that regard. Soaps In Depth's website is usually ahead of Digest and in no particular order, so are Soap Opera Network, SoapHub, Daytime Confidential, Soap Central, and She Knows Soaps. Keep in mind data fluctuates from week to week but that's usually the most popular soap opera sites in terms of traffic and rankings.

Exactly one year to the day since ABC first replaced Amy Robach and T.J. Holmes on air as co-anchors of “GMA3: What You Need to Know,” although the decision at the time was meant to be temporary, the real-life couple will launch a brand new podcast as part of a venture between the duo and iHeartMedia. They will also collaborate on a full slate of upcoming programming for iHeartPodcasts.

Launching Tuesday, December 5 on the iHeartPodcast Network, Robach and Holmes will host a new podcast series titled “Amy & T.J,” which the formidable broadcasting team will also executive produce.

With decades of experience delivering headline news and captivating viewers nationwide, the duo will get behind the microphone to explore meaningful conversations about current events, pop culture, and everything in between where “nothing is off limits.”

According to iHeartMedia, “Amy & T.J.” is guaranteed to be informative, entertaining, and above all, authentic. It will also mark the first time Robach and Holmes speak publicly since their own names became a part of the headlines.

In late November 2022, The Daily Mail revealed that Robach and Holmes had been engaged in a previously undisclosed romantic relationship. At the time, Robach was married to former “Melrose Place” star Andrew Shue, while Holmes was married to Marilee Fiebig, an attorney.

Although Robach and Holmes continued appearing as hosts of “GMA3” days into their relationship receiving public attention, ABC suspended the pair pending an investigation, TMZ reported.

Beginning December 5, 2022, “GMA3” saw a rotation of hosts filling in for Robach and Holmes, including Stephanie Ramos and Gio Benitez. By late January 2023, ABC officially announced that Robach and Holmes had exited ABC News.

“After several productive conversations with Amy Robach and T.J. Holmes about different options, we all agreed it’s best for everyone that they move on from ABC News. We recognize their talent and commitment over the years and are thankful for their contributions,” a spokesperson stated at the time.

In May, ABC named Eva Pilgrim and DeMarco Morgan as the new co-anchors of “GMA3: What You Need to Know,” with Gio Benitez named co-anchor of the Saturday and Sunday editions of “Good Morning America.”

“Amy & T.J.” will be distributed by iHeartPodcasts and will be available later this year on the iHeartRadio app and everywhere podcasts are heard.

iHeartMedia is the leading audio company in America and the No. 1 podcast publisher globally, according to Podtrac industry data.

Note: The post Former ‘GMA3’ Co-Anchors Amy Robach and T.J. Holmes to Host ‘Amy & T.J.’ Podcast Series for iHeartMedia appeared first on the Soap Opera Network website.

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1 hour ago, janea4old said:

This is new today Nov. 1st, the details were not in any print edition.
https://www.soapoperadigest.com/content/tricia-cast-on-young-and-the-restless-return/

Right. So Devin is definitely still there.

47 minutes ago, Donna L. Bridges said:

Craig Sjodin d. Sept. 15, 2023 (67) (bicycle accident injuries) GH Photog

Wait a minute, Craig died? OMG! He was one of my favorite ABC photographers. Could always count on him for a good photo. WOW.

10 hours ago, Donna L. Bridges said:

Tom Stacy has a 10-31 article byline today. He was a show editor out of CA as far back as 2000. (Y&R I believe.)

 

I'm basing my observation on content not already published in the magazine, past or present issue. Tom's interview with Kristina Wagner was published in the October 30, 2023 issue. His Marie Osmond interview was recently published in the November 6, 2023 issue.

Mara again posted new content with a round-up of posts by people who remembered Tyler Christopher on social media so she's definitely there. Based on today's post about Alan Locher and his upcoming interview with Lauralee Bell and Tricia Cast on his podcast, Devin Owens is also still there. Alan emailed out the info to the press yesterday.

So, to recap:

Mara Levinsky and Devin Owens are officially still around based on current/fresh content. Chris Eades, who primarily writes for the Soaps In Depth website, continues publishing items for the Soap Opera Digest website with his name now appearing on articles. The only change that I've seen besides these is writers of content finally getting recognized for their work. Previously, the website only showed SOD as the author of posts. I've also noticed they are resharing older and newer content multiple times per day on social media channels, similar to Soaps.com, which is SOOOO annoying, but I guess it helps with engagement.

So far, we know that Mara Levinksy is still at Soap Opera Digest based on her reporting on Tyler Christopher's death. Additionally, the website is finally giving bylines to its writers. Chris Eades, who has been working at Soaps In Depth as one of its main writers, is also writing for the Soap Opera Digest website (although I've known that for a while).