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ABC: Man Up

The ABC Studios/Tagline-produced Man Up stems from writer-actor [Chris] Moynihan's two-script deal with the studio. In addition to writing and executive producing, Moynihan is set to co-star in the project, a look at what it takes to survive as a modern man, as told through the eyes of three best friends and the women in their lives. Also executive producing are Tagline's Ron West and Kelly Kulchak. Moynihan is with Rothman Brecher and Thruline.

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ABC: Smothered

The Warner Bros. TV-produced Smothered is based on [Andrew]Reich and [Ted]Cohen's real-life experiences and centers on a young couple who find themselves smothered by their two very different sets of parents whose only thing in common is that their children are married to each other. Reich and Cohen are with WME.

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ABC: Suburgatory

ABC has given the green light to comedy pilot Suburgatory, from writer/executive producer Emily Kapnek and Warner Bros. TV. The single-camera project is described as a satirical look at life in the suburbs and centers on a quintessentially New York City girl who moves to a cookie-cutter community only to discover that life in the ‘burbs is more frightening than any horror movie that she’s ever seen. From the network: "tonally, this is a heightened view of suburbia with a cinematic quality that evokes the scope and horror of perfection."

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ABC: Charlie's Angels

ABC's reboot of Charlie's Angels is already deep into a director and cast search, so a formal pilot pickup has been, well, a formality. It came this morning. The remake of the 1970s series, described as a modern take on the Angels set in Miami, hails from Sony Pictures TV and Drew Barrymore's Flower Films. Alfred Gough and Miles Miller penned the script and are executive producing with with Leonard Goldberg, executive producer of the original series, Barrymore and Nancy Juvonen.

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ABC: Scandal

ABC has ordered its first pilot this development season, and fittingly, it is from the network's most prolific writer-producer Shonda Rhimes. [scandal], about the life and work of a professional fixer and her dysfunctional staff, is based on the career of famous PR guru and crisis management consultant Judy Smith. It was written by Grey's Anatomy and Private Practice creator Rhimes, her first pilot script since the two-hour May 2007 Grey's Anatomy episode that served as backdoor pilot for spinoff Private Practice. It was a quick turnaround for the new project, which hails from ABC Studios and Rhimes' studio-based Shondaland banner. ABC brass read Rhimes' script on Thursday and 24 hours later, they greenlit it to pilot. The early order comes weeks before the traditional start of the broadcast networks' pilot pickup season. ICM-repped Rhimes will executive produce with her Shondaland partner, UTA-repped Betsy Beers. Judy Smith will serve as a co-executive producer and a technical consultant.

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FOX: I Hate My Teenage Daughter

At Fox's TCA session yesterday, entertainment president Kevin Reilly noted that the network is not giving up on multicamera comedy, and its first comedy pilot order this season will go to a traditional sitcom. That is now a reality - Fox has just closed a deal to greenlight I Hate My Teenage Daughter, from Warner Bros. TV and writers/executive producers Sherry Bilsing-Graham and Ellen Kreamer. It centers on two women who now have daughters just like the girls who picked on them in high school. Veteran sitcom helmer Andy Ackerman is attached to direct.

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FOX: Tagged

The project whose pickup is still being worked out is Tagged, from writers-executive producers David Guarascio and Moses Port. The hybrid comedy, which Sony TV is co-producing with Reveille, is a workplace ensemble comedy set at the Los Angeles County's coroner's office that is loosely based on Shiya Robowsky's life. Also executive producing the project are Carolyn Bernstein, Howard Owens, Todd Cohen.

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FOX: Little In Common

Veronica Mars creator and Party Down co-creator Rob Thomas has set up a second broadcast project, this time at Fox. Thomas will be writing the single-camera comedy titled Little In Common, which is about three families whose lives have become intertwined through youth sports. The project, which has received a script commitment, is in second position to Temp, a comedy that Thomas is co-writing with fellow Party Down co-creators John Enbom and Dan Etheridge for NBC. Both shows are produced by Warner Bros. TV. Thomas is executive producing Little In Common with frequent collaborators Danielle Stokdyk, Jennifer Gwartz and Etheridge who all worked with him on UPN's Veronica Mars, ABC's Cupid and Starz's Party Down and are also executive producing Temp with him.

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FOX: Outnumbered

Fox is taking a second stab at launching a U.S. version of the British comedy series Outnumbered. The network has handed out an off-cycle pilot order to the single-camera comedy from writers Barbara Wallace and Thomas R. Wolfe. It's being produced by 20th TV, Chernin Entertainment, and Hat Trick Prods, the British company behind the original series created by Andy Hamilton and Guy Jenkin. Inspired by the BBC sitcom, Outnumbered revolves around one set of parents who are often overwhelmed by their three children. Wallace and Wolfe executive produce with Peter Chernin, Katherine Pope and Jimmy Mulville.Fox, whose own hit single-camera comedy Malcolm In the Middle had a similar premise, first tried to adapt Outnumbered during the 2007-08 development season when the project was picked up to pilot written by Larry Levin and produced by MRC and Hat Trick. The pilot starring Ken Marino and Brooke Bloom didn’t go to series. Since then, ABC successfully launched a documentary-style single-camera family comedy, last season's hit Modern Family. Like Modern Family, the British Outnumbered has a mocumentary feel as it is semi-improvised and the kids’ lines are generally not scripted. Fox is launching a single-camera family comedy this fall, Greg Garcia’s Raising Hope, which, like Outnumbered, was originally ordered as a pilot off-cycle last summer.

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FOX: Alcatraz

The network that gave us Prison Break is heading back to prison. Fox has picked up Alcatraz, the J.J. Abrams produced drama about the San Francisco Bay island. The project, which was written on spec and recently taken out to the networks, has received a pilot commitment by Fox which is already in business with Abrams on sci-fi drama Fringe. Alcatraz is described as "a show about mysteries, secrets and the most infamous prison of all time: Alcatraz." Lost executive producer Elizabeth Sarnoff penned the final script, while Steven Lilien and Bryan Wynbrandt (Kyle XY) wrote earlier versions. All 3 are credited as writers on the pilot. Sarnoff will serve as showrunner and will executive produce with Abrams and Bryan Burk. Lilien and Wynbrandt will co-executive produce. Abrams' Bad Robot Prods is producing with Warner Bros TV.

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FOX: Exit Strategy

Fox has handed a pilot order to the Ethan Hawke-starring drama Exit Strategy. Antoine Fuqua, who directed Hawke in his Oscar nominated performance in Training Day, is on board to direct the pilot, from 20th Century Fox TV and Kurtzman and Orci's 20th TV-based K.O. Paper Products. Exit Strategy, which is being written by David Guggenheim (Safe House), was originally set up at Fox in September with a put pilot commitment. After months of discussions, Hawke came on board in December to star and produce. He, in turn, invited Fuqua to direct the pilot. In addition to Training Day, Fuqua directed Hawke in Brooklyn's Finest. Fuqua will also exec produce the pilot.

Described as a high octane procedural, Exit Strategy centers on a team of 5 experts associated with the CIA who are deployed when a CIA operation goes bad to extract the ones involved before it's too late. Hawke will play the team leader, the architect of exit strategy who also empathizes with the people they extract and would rather die than let them get hurt. Each episode will tackle a different crisis in a different country. Exit Strategy is envisioned as a potential successor to Fox's signature drama 24. Like 24, the action in Exit Strategy will also unfold in real-time. And like 24's Kiefer Sutherland, Hawke would segue from the feature world to take on the lead in Exit Strategy, his first series. Kurtzman, Orci and KOPP's Heather Kadin are executive producing the project, with Guggenheim co-executive producing. This is the second pilot order for Kurtzman and Orci this season. They're also behind Fox's Locke & Key.

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FOX: Locke & Key

Locke & Key already had a series commitment attached to it. Now Fox has officially greenlighted a pilot from the Alex Kurtzman and Roberto Orci-produced project based on the graphic novel, which is eyed for a potential summer run. The Locke & Key adaptation, written by Terminator: The Sarah Connor Chronicles creator Josh Friedman, is produced by 20th Century Fox TV, Kurtzman and Orci's 20th TV-based K.O. Paper Products and DreamWorks TV where the project originated on the feature side. Based on Joe Hill's comic published by IDW Publishing, Locke & Key tells the story of Nina Locke and her three children, Tyler, Kinsey, and Bode, who survive an unspeakable horror and attempt to rebuild their lives at Keyhouse, their family home in Lovecraft, Massachusetts. It is a mysterious New England mansion, with fantastic and transformative keys hidden inside its walls that are also being sought by a hate-filled and relentless creature with ties to the Locke family's past who will stop at nothing to accomplish his sinister goals. Friedman, who will serve as showrunner, executive produces with Kurtzman, Orci, K.O's Heather Kadin, DreamWorks TV's Justin Falvey and Darryl Frank as well as IDW CEO Ted Adams. This is the third off-cycle pilot order for Fox, which also recently greenlighted drama pilot Alcatraz and comedy pilot Outnumbered. Both Locke & Key and Alcatraz originated as sough-after pitches that landed at Fox in early September.

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    • That would require Dani to think about someone/something other than herself.. and we all know Dani only thinks about Dani.  Including her butting into Nicole's business instead of just being a supportive sister.
    • I also hope there will be a follow up to Dani noticing Vanessa with Joey. We need another scene of them two together. And does Dani have any knowledge of Vanessa's affairs?
    • One of the soap greats. I wish I had a stronger connection to her, but her major soap stints passed me by. However, the way veteran watchers have described watching her back in the day makes me yearn for the glory days of soap. As a DAYS fan first, her time on the show is basically an enigma. As years have passed as a member of this board, previous and current members have talked in fondness about her obviously major story with Dickie and David's death, but even more interestingly, her romance/friendship with Bill, and the fascinating tangled tale of her encounter in the park with Eric Peters. It's such a shame DAYS never swayed her back home where she belonged. Though I am more than thankful RC and JG didn't get their grubby paws on her, especially with the horrible example of how they saw fit to write Marie and Liz's relationship with all the nuance and sophistication of a pigpen.  SSH's remembrance of her was wonderful to read, so thank you to whoever posted. Could be cool too if any of her Clear Horizon material popped up. Does anything of that show exist?
    • All this! Especially the highlighted. If today was any indication to what's to come, I see Mona and Shanice roles being beefed up. I personally think they are going to test her out with Doug.  I initially didn't see it for Kat, since the Eva reveal, and few of her scenes around it. Made me warm to her for some reason. 
    • Agreed, pretty much with everything. The dialogue bugs the hell out of me. I don’t think a lot of it even works written out on a page, much less spoken. Even a veteran like TT can’t help but sound stagey with such purple prose. Re: the Duprees. I’m guessing that they’re holding their cards close to their vest on them for the various mysteries that will unfold, but I wish they weren’t so opaque and tonally weird as characters, especially in these make-or-break early days. (One reason why I wish they’d give up on keeping secrets from the audience and just allow them to speak freely, allowing the tension to come from what other characters don’t know.) Dani is giving Carly Corinthos realness, which isn’t a compliment. Oh, don’t get me started on the Black male characters and the tropes they’ve employed thus far. I had hoped a Black-created, NAACP-co-produced soap would be more cognizant of these traps, but nope. At least it seems like they’re playing the long game with Andre and Dani after all this feening over basic Ashley.
    • I feel like the reason they went with these two stories is because these are common stories told on soaps that allowed them to really tie the entire canvas in and help develop their relationships. I do understand the implications of having two cheating stories and these being Black characters but MVJ has always been clear that she wanted to show us the same way characters are featured on any soap. I don't think any story should be off limits just because the majority of the characters are Black. We have several positive representations of Black men so it's not like everybody is a cheater or a bad spouse. I also think the two stories and relationships are different enough that the stories don't feel similar in any way.
    • Well, on that point, I am one fan, and I know I'm not alone in this, who thinks that it is possible to have a time or times on a show where the ratings do not reflect the show's popularity & I think that is because it is possible for the metric to be broken. 
    • The Anita scene with Ted was written all wrong. Dani should have come in like she did, all guns blazing, with Anita showing up and ushering Dani out, as she stays alone with Ted. He's ready for more fury, but at first she treats him like her son, not just some man Nicole married, she's confused and heartbroken, needing explanation. Then, she drops the motherload and tells him to get his damn act together like she did. Anita came off completely one-note. And with both Dani and Anita in the scene, the self-righteousness just made both look like harridans who wouldn't shut the hell up. Very disappointed in that scene. The scene with Eva was much better. It could be good if somehow Vernon starts to soften towards her and that puts the first signs of strife into their marriage. We need something interesting to happen with them, for once. Mona was the MVP today for me. I love Leslie and especially Eva, but I was firmly on Mona's side today. She deserved to get her two cents in. The scenes just left me wanting more of her and her inner life. They should really drop Ashley, Derek, and Tomas and put Mona, Laura, and Shanice on contact stat! I don't get why Leslie continued to lie about where she got the money Ted gave her though? What purpose would that serve? Faint hopes that Mona would still forgive her, I guess? Kat really gets some of the best lines. Through all the bitchiness and judgment, she has a talent at keeping me on side because somehow she's never come across unlikable to me, where someone like Dani, even Anita, falls. The scene with her, Martin, and Nicole was a necessity. Things are coming together to making that part of the family feel more like a family. Now I anxiously await Kat and Ted having a one on one confrontation. It would be perfect if it happened to be in the new Ted's first scene/episode.
    • They’ve been really nailing the fall out super well and your whole post really highlights some of the great parts and ramifications we’re seeing.
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