Jump to content

DAYS and other soaps- question about budget cuts


Recommended Posts

  • Members

I have been wondering about this for awhile. If someone like Kristian Alfonso and Peter Reckell take 40% paycuts, does their guarantee of episodes go down, or does how much money they get paid for the episode go down. Potentially, could their guarantee still be something like 3 or 4 days a week, or does their guarantee go down to once a week, and that is how their salary is slashed. Thanks for any help you can offer insiders :)

Link to comment
Share on other sites

  • Replies 11
  • Created
  • Last Reply
  • Members

That is a good question. In the past, most of the time, when a "pay cut" is spoken about, then it refers to the actor's episode guarantee being cut, this is what happened when Heather Tom left Y&R. And isn't it what happened with Martha Byrne? This time around, who knows? Where did you get this 40% figure? That would be a heck of a cut if it was THAT deep. It just depends, I suppose, on what kind of financial trouble the show is in, and how much the actors are willing to bend. In the final season of Knots Landing, each of the main contract players (Devane, Sheridan, Shackelford, Phillips, and Dobson) had to sit out 5 episodes, because the show had gotten so expensive to produce, because they never had a major recast in their entire history. But Michele Lee decided to go ahead and shoot EVERY episode, and just do those 5 for union scale, because she CARED about the quality, and I suppose didn't want to break her streak of appearing in every episode of the series. So she volunteered a pay cut for herself to keep the quality of the show and her character up in the final season. Class act.

Link to comment
Share on other sites

  • Members

Oh, Ok..... I was wondering where that came from. Of course, you can look at it this way: Either the show's budget as a WHOLE is going to be cut 40%, and the actor's salaries may be cut 40%, or the cuts to the actors might be less, and cuts in other areas be higher. If nothing else, they can cut 3 or 4 of the writers!

Link to comment
Share on other sites

  • Members

When it comes to acting in daytime, I wonder if people like Peter and Kristian would rather work 3 or 4 days a week, than one day a week, even though they would have the same salary. Actors like to act, and seem to like their jobs more than normal folks out there. But if DAYS in particular is going to survive, it has to focus on its popular core.

Link to comment
Share on other sites

  • Members

I agree with you Mike. I think they are going to have to have familiarity for the audience. Soaps have fed off familiarity for years. No matter how good a story is it has to be about characters the people care about to get invested.

Just like this mess with Melanie. It was hard for me to try and tune in and get invested in what was happening to her because I didn't care about her.

What blows my mind is that for years fans have berated ABC especially who have been dispensing out their vets over a long period of time. They claim that shows like GH and AMC just aren't the same without the faces of Brooke and Alan and Bobbie. And they say a big hole is in the show without them. And then I see on boards where some folks (often times the same folks who have berated ABC) saying that the firings of Drake and Dee are what the show had to do in order to survive. And they are saying whatever the show has to do to stay on is fine with them.

Also some of those are saying that the firings will not affect ratings. But yet they are the same ones who have been saying that the departures of the vets on ABC with the emphasis on new folks is what has drove the ratings down there.

It gets hard for me to follow.

I am one who thinks the firing of the vets will hurt the show's ratings. I think in a different climate they wouldn't hurt as much but right now it will. The writing on most soaps is not that good and with the new age of fan they hold on to actors and characters and couples and more loyal to them than the show today.

Also with the firings making the national media and local news the publicity is out there. Some laid all of the blame last year for Days drops on the fact of what Zucker said and not the writing. If that is the case then fans have to be looking at all the talks of budget cuts and the firings right now as a lack of stability in the show and if they tuned out before then they will tune out again. Because all the national blips are talking about the shows hurting and the genre dying.

So I for one will be anxious to see what this new publicity does to the ratings. I don't think Zucker's comment last year hurt the show as much as Corday and Sheffer did. The combination of Corday, Wyman, and Sheffer was a bad one for days. Sheffer is one who needs strong people around him in order to make it. Just look at him with Paul Rauch and Maria Bell. Look at him with Goutman and Culliton. When he doesn't have a strong producer and a strong co-writer he falters big time. He is only as good as the people working with him.

Link to comment
Share on other sites

  • Members

I would think that the actors would prefer to work 3-4 days a week at a lower salary rather than work 1 day a week on their current salary. Actors like to act, they also like to carry storyline, you can't have a storyline on one episode a week (although damn if Suzanne Rogers didn't try to make hanging out menus at Tuscany a number of years back look like an art form)...

To answer your question, in the case of DAYS, I believe it's a 40% salary cut, not guarantee cut.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Always, in every way, Cass/Wally/Felicia foundational to my viewing. And, I think if we look at the aftermath of the disastrous 90 minute show that we find too many pockets of some kind of lost time at the show plus way too much of change-ups in exec & writing leadership and of course we also reach the first time it becomes notable that NBC wants to get rid of the show so they can put a new soap they own in the timeslot.
    • If the MAGAts were easy prey enough to get manipulated into voting for the tangerine-tinted terror, they'll fall for anything.

      Please register in order to view this content

    • And this came out as the "feud" and the media pushing the protests in Los Angeles got all the media attention. They know the press and the public will not care or can be manipulated into approving.

      Please register in order to view this content

    • Hope you will enjoy the 1976 storyline from the Daytime serial Newsletter. The show had just expanded to an hour so new characters and stories were required. The Soderbergs had been writing since late 73 and the show was still #1. Looking foward to comments and discusssion Pt.1  For over two decades As the World Turns has depicted the events in the lives of two Oakdale families: the wealthy and influential Lowells and the less affluent but equally respected Hughes family. Judge Lowell’s granddaughter Ellen is married now to Dr. David Stewart, whose adopted son, Dan, is actually her own illegitimate child. Dan was once married to Dr. Susan Stewart, by whom he has a daughter, Emily. Dan then married Liz, the ex-wife of his late brother Paul. Liz was the mother of Dan’s daughter Betsy, who believes to this day that Paul was her father. Liz died tragically the day after their wedding. Ellen and David have two daughters, Carolann (Annie) and Dawn (Dee), now of college age. Dan has recently fallen in love with Kim Dixon, who was about to divorce Dr. John Dixon until injuries suffered in a tornado caused amnesia and left her with no memory of her love for Dan. John is using this respite to solicitously convince Kim of his love for her. Nancy and Chris Hughes had three children: Bob, a doctor, Donald, an attorney, and Penny, who, after tragically losing two husbands due to automobile accidents, is now living in Europe, where she is married to a racing-car driver. Bob was married while very young to Lisa Miller, then a scheming and selfish young woman, whose machinations destroyed their marriage. She is the mother of Bob’s son, Tom, who is divorced from Carol, who is now married to Jay Stallings. Tom is currently married to Natalie Bannon. Bob later married model Sandy Wilson, a marriage which ended in divorce, and Sandy is now married to Norman Garrison, who is her partner in a beauty products concern. Norman blames Bob for Sandy’s  recent disillusionment with their marriage, and, ironically, Norman suffered a heart attack during his verbal assault on Bob at a Hughes family party; and while Bob rode with him in the ambulance to the hospital, Bob’s beloved wife, Jennifer, Kim’s sister, died in a car crash while driving home alone. Lisa, more mature and considerate of others now, is married to attorney Grant Colman, but her life has been complicated by the recent arrival in town of Grant’s ex-wife, Joyce, and the incredible news that she and Grant had a child after their separation, a child Joyce gave out for adoption but now wants to reclaim. Now the story continues... The picture has now come clear for attorney Grant Coiman. He has learned that his ex-wife Joyce neglected to tell him she had a child shortly after their divorce and had given the boy to Mary and Brian Ellison for adoption. Grant, after seeing the adoption papers and considering the boy’s interests, tells Mary he feels the child should remain with them; they are providing a fine, stable home for him. Grant’s wife, Lisa, is pleased with his decision, feeling he has thus closed the door to the past and they can now go on with their own lives. But Joyce has learned that attorney Dick Martin is now back in private practice, and she tells him she was confused when she gave Teddy up years ago and wants him to represent her in a custody action to get her son back. Dick tells Joyce she has a very weak case but he’ll do what he can. He goes out to Laramie to see the  Ellisons, upsetting them very much. Grant, meanwhile, has confided in Chris Hughes, his law partner, that while his name was on the consent form for the Ellisons’ adoption, he didn’t sign the papers; he had, in fact, never known that he had a son. But he’s afraid to open a new can of worms by signing a consent form now, as that would reveal that the adoption papers are not legally correct. Grant confides the situation to Lisa, explaining that if he wanted to,  he could probably get custody of Teddy himself, but that’s not what he feels would be best for the child. Mary Ellison finally breaks under the strain of Dick’s visit and tells Brian that Dr. Paulk, the doctor who arranged the adoption, told her he didn’t know where to find the baby’s father and so he signed the consent form himself. She painfully explains she kept this secret knowing that Brian wouldn’t go through with the adoption if he learned the papers weren’t legally sound. Brian quickly calls their family lawyer, Jerry Butler, who immediately phones Grant to be sure he backs the Ellisons’ claim. Dick realizes from Joyce’s story that Grant couldn’t have signed the papers and tells him he knows. The only person who has a right to file for Teddy’s custody now is Grant; he’s the only injured party. And the moment he files, Dick can sue for invalidation of the Ellisons’ adoption. Grant finally files, to settle the custody question once and for all, but technically he's filing for custody himself. Tom Hughes and Natalie Porter are married in a small, lovely ceremony at the home of his grandparents, Nancy and Chris Hughes. They honeymoon in the Southwest and return full of expectations of happiness. Natalie is disquieted, however, when flowers arrive which are not from her new husband. She covers by pretending to check with the florist and tells Tom it was a wrong delivery and they have told her she might as well keep them. But she knows who sent them. Natalie is upset when, shortly after, Luke Porter arrives in town and seeks her out. But Luke insists he is there only to assure her this is a final farewell and he has now decided to concentrate on. making his own marriage work. Sandy Garrison, Bob’s ex-wife, is working at the  bookstore to fill in for Natalie. Her estranged husband, Norman, recovering from a heart attack he suffered during a drunken confrontation with Bob at the Colonnade Room, is still telling anyone who will listen that Bob and Sandy are having an affair, but ironically will let only Bob care for him at the hospital. His recovery is hampered by his easily aroused temper. Norman anxiously tries to persuade Dr. John Dixon to convince Bob to swear he slipped at the restaurant, thus making them liable for a costly lawsuit, but John won’t do this. Chris discovers a large amount of money missing when checking the books on the Garrisons’ business, but doesn’t want to upset Sandy with this. More to come...
    • The cynical (i.e., the dominant) me has the very same thoughts.
    • Oh wow that’s pretty awesome! I wish I had  approached him but there was so many people 
    • In the current environment, while it's small, there is a crumb of good news: Apparently, San Antonio voted for a DEMOCRATIC mayor, Gina Ortiz, beating the "right-hand man" of Gov. Greg Abbott, former Texas Secretary of State Rolando Pablos. https://thehill.com/homenews/campaign/5337199-gina-ortiz-jones-wins-san-antonio/
    • Love this! You are both adorable. Wow
    • I have not gone back to watch much of 1987, but from what I've seen lately, it doesn't feel like the writers or producers had any sort of plan. The show feels as if it's constantly in flux.  I will give it credit for this. It's watchable for the most part minus Lisa/Jamie which I find nearly unwatchable now.   I don't find Cheryl mousy. I think she has a lot of quiet strength, but she was saddled with the Scott romance which the writers did not invest in. She had a good friendship with Julie (also criminally underused), and her interactions with Ada were enjoyable as well. I also like Layman, but Spencer was extremely talented and when Cass returns, Schnetzer and Spencer have some wonderful scenes. Spencer also fits in with Alexander, Hogan, and Marie.  I'd forgotten just how much I missed seeing Wallingford. IT was so good to see him again. Even when they didn't have a major plot, Felicia/Cass/Wallingford/Mitch always brings a smile to my face.  
    •   Dani’s cute ass party planner. He gave me some tea but I was so drunk I don’t remember it.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy