Jump to content

In The Zone Radio: Season 2


Recommended Posts

  • Members

I disagree I thought the interview was really good the way it was. I think that people just asking question after question is boring, and sometimes when you let just someone talk through their experiences surprising things come out of it. I love free flow and little interruption. Great interview.

Link to comment
Share on other sites

  • Replies 1.7k
  • Created
  • Last Reply
  • Members

I agree. I thought it was a great interview. And she will be back. So Ryan can pick up where he left off. There is so much to cover with a soap writer. You could talk to one almost all day about their work in the business. :)

Link to comment
Share on other sites

  • Members

I didn't say the interview was bad, quite the opposite. I only thought it covered little because she spent half of it saying how she got into the business. Which isn't wrong - it just took precious time away from other important issues.

Link to comment
Share on other sites

  • Members

I didn't say the interview was bad, quite the opposite. I only thought it covered little because she spent half of it saying how she got into the business. Which isn't wrong - it just took precious time away from other important issues.

Link to comment
Share on other sites

  • Members

I didn't say the interview was bad, quite the opposite. I only thought it covered little because she spent half of it saying how she got into the business. Which isn't wrong - it just took precious time away from other important issues.

Link to comment
Share on other sites

  • Members

Sorry. Not trying to be annoying. Just copying and pasting my response here from the writers' thread. I kept editing it as I was listening to it, but it really does belong here. SORRY!!!!

FROM WRITERS' THREAD:

Just started listening to it, but I have to say, I think the biggest issue is we tend to group writers into two categories: those "get it" (Marland, Bell, Nixon) and those who "don't get it" (McTavish, Guza, Higley). When in reality, there's no acconting for taste, whether it's good taste or bad taste. Sara Bibel regrets Cassie's death, although I stand by that as a great decision Y&R made. Casiello liked writing Steve in the asylum, a story universally panned by the fans. If Patrick liked the Unabortion (which I haven't gotten to that part yet, so I haven't actually heard what she says), then she liked it. And we shouldn't move her from one category to the other because of a personal opinion. But that's just my two cents before I've gotten into the meat of the interview. I could change my mind. smile.gif

ETA: I'm just going to keep editing this post, as things hit me. That okay, Sylph? tongue.gif I'm loving that she's talking about the pressure everyone's under. That whole "too bad she died, have you finished your script?" mentality is definitely right on the money. People in NYC still had scripts due on Friday, September 14, 2001. That's cray talk. Also, the situation she described where the script writer writes their own breakdown only exists on AMC (and a little on B&B). There's still a version of breakdowns being written on GL, ATWT and DOOL - it's just that the head writers write all five breakdowns.

I'm so bored hearing the same story about why soaps are dying. This isn't to say MP's answer wasn't right. It's just a story we've heard so many times, I don't think there's anything new to offer in this answer. But I'm SO nitpicking. Sorry.

Regarding Megan? Victor Miller has a lot of good things to say about her as well. Here's my (new-ish) take on Megan McTavish. If she likes you? Chances are you have a great experience working with her. If she doesn't like you? She's Carolyn Hinsey. smile.gif

I'm amazed how upbeat she is considering the tragedy in some of these stories.

Did she just call Laura Wright "The Valkyrie"?!?! ROFLMAO!!! I'm not even sure I know what that means, but for some reason, I find it hysterical!

I also love that her LEAST favorite episode to write was the Noah/Julia Cinderella wedding. That was NOT what I expected her to say, but it kinda makes sense. It was SO sugary. And I love that she adored writing the Sonny/Ric confrontation at the house. I remember that episode vividly, and I loved every moment in it.

I'm at the McTavish "movement" part, and the Guza "dark dangerous men" part, and reading between the lines, I don't think she's defending either of them. Ryan asked what she learned from these writers, and she's reciting what she learned from them. I don't think it was a defense at all. Just an observation. Megan wanted movement, Guza made men dark and dangerous - they're just observations about what she took away. Doesn't mean she loves everything they've ever done.

Clearly, something happened between Pratt and Guza, but it probably happened around the same time Patrick got moved to AMC, so the two stories got lumped together. I love her line "Clearly there are people who will 'never' work together again, who end up 'working together again'".

Her explanation of the JOnathan Lavery situation was dead-on right, and I can totally understand what she was trying to say. She also pointed out they probably went too far in hindsight, but her explanation in the moment makes perfect sense to me.

I also understood what she was trying to say about the Unabortion. What I wished was brought up was this small fact: GH is a very different show from AMC. She's correct in one regard - GH could have probably gotten away with it, after the Stavros thing. But AMC never had a man try and freeze the world. And even though many fans are ABCD fans and watch the whole line-up, they also look for one thing in GH and look for another thing in AMC.

The other thing is, as far as the Quartermaine/budget response - that makes sense to me as well HOWEVER the follow-up question should have been: But why is it necessary to KILL them off. Can't you just write them off the canvas? Why did Alan, Justus and AJ all need to be killed off? (Especially Alan, since he's still on the show) Why couldn't they all have been written off the canvas in any number of ways?

That damn switchboard. Man, BlogTalk kills me sometimes. smile.gif

Overall, great interview RC and Soapie. Loved it. And I wasn't nearly as disappointed in Michelle's responses as I thought I'd be based on some of the comments here. She gave pretty well-rounded answers, looking at both the pros and cons of each individual situation.

That detailed enough for you, Sylph? biggrin.gif

Link to comment
Share on other sites

  • Members

Well, I've typed an equally long reply, but then the IPS error resurfaced! <_< Not again!

As for Sara/Tom thing: I agree with Sara because I didn't like that storyline (it involved a death and a death of a child), no matter how well executed it was I just have a bunch of problems with it. As for Tom - LMAO! I don't hate the guy, I really don't. As a matter of fact, in these last few weeks I haven't been talking about him I got to like him. Sort of. But he is way to juvenile in a lot of the things he says and does and he basically scr*wed himself in various matters. Which is saddening. And I'm being honest here. I'd much rather have Tom Casiello writing than Courtney Bugler, for example. And Courtney would like it that way, too.

B&B and the outlines: as it's been said in various thread around here, people have a huge misconception about it. First it was "B&B has no outlines", then there was "Brad writes them", blah, blah... In reality, Elizabeth Snyder is writing them, now possibly they're heavily edited by Kay Alden, but who knows. So B&B has a BDW.

Megan McTavish: no matter whether she adores you or loathes with immense intensity - she is just a bad writer who has a terrible track record. No one is discussing whether she's a difficult person or a kind lady ready to help. Sure, I don't believe her ex co-workers, except maybe Karen Lewis, would say she's downright awful, but hey... One can hope. I just don't see how someone can say Megan is a misunderstood writer who knows how to write great stuff. That's puzzling on so many levels and really pushing it.

Pratt & Guza: you will find out soon. I hope.

Un-abortion and The Freezing of the World: the GH and "freeze the world" was a lame argument. You have to admit it. It just makes no sense that such an esteemed writer would defend a story that killed one of the best things AMC was known for. No matter how hard people try, I just think they accept it but will never like it and all of them would never ever allow for it to happen if someone had asked them.

Forgot: what's terrifying is that she actually mentioned Megan and Guza only. No wonder her sense of story has been a little shaky if she only worked with those two (for the majority of her career, at least).

The whole interview is still mind-boggling to me.

Link to comment
Share on other sites

  • Members

And I totally get that, Sylph. I listened to the whole thing having already heard your comments, so I could totally see exactly where and why it bothered you. I was just playing Devil's Advocate and trying to see it from another angle. But I don't disagree with any of your arguments. Just not sure she was saying everything that was going through her head at the time the question was asked. The thing about EVERY one of these writer interviews is that you can always hear the pause where they're writing in their heads what they hope is the correct response, in terms of working again. (Except for Racina, all the other writer interviews on ITZ were with writers who are currently unemployed on a soap and hope to find work again)

Link to comment
Share on other sites

  • Members

But can you explain to me how come none of these people thinks in a way that is acceptable to the fans? To me, they all seem so divorced from reality, as if they were from Pluto or some planet in Kuiper belt. :blink: I know that no one is going to trash something they worked on, but come on... At least you shouldn't defend Megan.

They all want to say the right thing, but it all comes out so wrong.

Link to comment
Share on other sites

  • Members

True enough. But you and I have both been guilty of the exact same thing in our posts on this board numerous times. And one could accuse both of us of being "divorced from reality" (or at least their perception of reality) based on some things we've said on here. Doesn't mean we're right or wrong, it's just how we see things. I never heard MP say anything gracious or wonderful about Megan. IN fact, MP even said that Megan gets trashed a lot because of the kind of person she is. And I don't disagree with that. MP just lived that time at AMC from a different perspective than we, the fans, did. But I don't think it's a case of being divorced from reality. I think it's just seeing it through different eyes.

Mind you, I *LOATHED* every second of the Unabortion story. To me, it was an unforgivable history rewrite that was drummed up just to create Trey: The Sequel, and just like Trey, a Kane-related man (yes, I know technically Trey wasn't a Kane, but you know what I mean) went the way of the exit door, making the whole thing in exercise in stupidity AND futility... and frustration on the parts of the fans. So I completely disagree with Michelle about the story. However, I can't discount her opinion or say it's divorced from reality. It is what it is.

Link to comment
Share on other sites

  • Members

I see what you mean and I agree. Yes, she never said anything gracious or wonderful, but somehow that line about Megan being the writer who likes to experiment and introduce new stuff... That was what frustrated me. And then justifying the un-abortion with ratings?! That was the last drop. People tuned in just to see how much she will destroy AMC, not to see how well she will write the whole thing.

Link to comment
Share on other sites

  • Members

Just that the actor was so good during the psychotic stuff, that the network wanted to find a way to keep him on. So they came up with some kind of escape hatch from the murdering stuff, and MP understood why and was happy to keep the actor on because she was so impressed by him. She then casually said that they might have taken it too far in the other direction with the story they came up with, but she did understand why they felt he had to be "reborn from the womb" after everything he had done.

What I took away from it was that they liked the actor, they had to rewrite the story, they did what they did, and at the time, it made sense. So I got it. I don't really agree with it (especially since he murdered EDMUND), but I do get it.

Link to comment
Share on other sites

  • Members

EXACTLY!!!! I totally agree, and I wish that had been thrown back at her (the same way I wish the whole "AMC is NOT GH and Erica's abortion is NOT Stavors" argument should have been), but at the end of the day, it was supposed to be an interview, not a debate. So the more I think about it, the more I'm glad Ryan and Jen didn't go there. She gave her opinion. We know it now. And we don't agree. I still think she's one hell of a script writer.

I think there's a lot more Kool Aid being IV'ed into peoples' arms then we know, and it takes awhile for them to come out of the fog. The more she talked about the way you immerse yourself in it week after week after week, the more I thought it must take a long time to get yourself free from that stranglehold of thinking "This is good, it has to be good, please let it be good" 25 hours a day, 8 days a week, for episodes that won't air for another three months, when it's too late to change anything.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • 6-5   Case in point...lol.   Kat and Jacob can soooo have a spinoff. Just watching her being adamant that Eva is up to no-good while Jacob continues to try to play straight man to the craziness continued to be a hoot to watch. And the sad part is that Kat is on the right trail, just following the wrong clues. Or worse coming to the wrong conclusion. All because of her dislike for Eva.    Meanwhile, Eva continued to make inroads. I know I have said this since the start of the show, but I love how for the most part, the writers write the characters in gray. Not completely white. Not completely black. Most of the characters have moments where they resonate with the audience and then have moments where they are unlikeable. Like technically, Eva should be a pariah. I like that she knows this, understands this, and still shows remorse and still tries to work to get back the lost trust. It makes her so rootable. And played by a star is a bonus.

      Please register in order to view this content

       It is also what makes the rivalry between Eva and Kat so much fun to watch. Also played by a star. Neither one is perfect really, but they are oh so watchable and a nice by-product of the SilkPress storyline.    Same for Anita. I love the regal coldness TT has given to the role. The sense of ruthlessness beneath the beautiful face. And yeah it can be a turn-off. And it's been nice to see a softer side to her throughout this story of her and her bandmates. She is far from perfect. She...is also NOT a doormat so it was great to watch her versus her bandmates this episode.    I like the run-in between NuTed and Nicole. I'm getting used to NuTed. And Nicole's presence has been a little too light for my liking. I can only assume that is to build to the next Nicole vs Silk Press Sheila confrontation which rumor has it will be another good one.    Speaking of which...LAURA IS OUT OF THE HOSPITAL!!!! Praise it be!!! And I thought it was so adorable that Nicole, Kat, and Mona were on hand to welcome her back. I liked that Laura has an open mind toward Eva (unlike her feelings toward SilkPress). Another layer to add to the Eva vs Kat rivalry. 
    • Victoria Principal clearly stacked her Dallas coins real good. In the grand scheme of things, she was smart to walk away from Dallas when she did.
    • When Robert Calhoun became EP I thought GL was finally hitting its stride after some pretty rough years. Unfortunately the ratings during Robert Calhoun's run did not reflect the quality of the show.
    • There was a five week break between the last Friday episode and the Thursday episodes which were the final four episodes. I have a feeling the final four episodes were refilmed to wrap up the storylines. 
    • Yes, I forgot there was a gap between his exit from GL and his start at ATWT. This almost makes me want to cry. He really turned ATWT around (and good for them). It would have been great if someone had done the same for GL. Can't imagine who. The Dobsons were doing Santa Barbara at this point. I mainly blame Kobe. She may not have been the worst EP they ever had, but she almost totally destroyed the Bauers and decimated much of the rest of the cast, sometimes for egotistical reasons. That was a huge mistake and made it that much harder for the show to recover.
    • Douglas Marland began at As the World Turns in September 1985 but it took about a year for his run to show growth in the ratings. 1986 As the World Turns becomes CBS's #2 daytime drama after Y&R.
    • This is not at all surprising. Watching the recently uploaded episodes, the uneveness is SO apparent. Characters are changing at the drop of a hat. The stories are close to incoherent. It's a mess, and we're only up to May. What a fall from grace. An Emmy-winning show with good ratings and within a few short years hitting possible cancelation territory.  I'm surprised CBS and/or P&G didn't try to do SOMETHING to restore its former glory. Was Marland still at ATWT at this point? 
    • I think she did, yes. The only part of that return I remember appreciating was the ripoff they did of Earrings of Madame De, where a secretly broke India sold a trinket and Ross or Alan (I think it was Ross) then bought it for her, not knowing it was hers.
    • 6-4   Getting around to the rewatching and I guess Dani/Bill/Hayley as A story is coming around better to me. I hope that means that I will feel different about Friday's episode which first time around I felt was more of a Wednesday/Thursday episode. Anita's story and Dani/Bill/Hayley (with Kat vs SilkPress being a solid B plot to keep the SilkPress storyline alive, but NOT A story) have been the focus for this past week. So I'm worried I'll feel a way when I get back to Friday's episode. I guess I'm about to find out.   I know I have issues with Dani/Bill/Hayley coming back into focus since the much better paced SilkPress storyline is truly where it's at with so much aftermath/new direction to explore. However, I'm finding that...just like with the story of Martin's secret being slowly woven back into the story narrative...I care a little bit more for it since it's been background since Week 3, Month 1. IMHO the characters...outside of Hayley...have been developed in other plots. The past week and a half has had Dani and Andre growing closer and they have gotten to the 'third month what are we?' talk that I expect in all relationships in real life. And I liked how the writers have slowly had friction between them to see what they are made of? Is it still just a booty call or can it be more? Meanwhile, Bill has been hiding his physical issues for months. Too busy messing with other people's marriages.

      Please register in order to view this content

          So now that they have some more POV to them, it was good to see an organic...and yes, it was organic...reason for them to be in the same room. In this case...the hospital room. Lord, Karla and Timon have such great chemistry. And Dani and Bill were so acting like exes. No wonder Hayley feels threatened. Oh, well. lol. Bonus...the drama with Bill has Hayley and Naomi back in each other's orbit. They don't have enough scenes together.    You all know I was waiting for Anita's story. So how am I feeling? Pretty good. TT has been playing it to the hilt. And I was not expecting the story of a fourth member who killed themselves after being pushed out. And it's had a build. First through Tracy. And now with Sharon...who is swiftly being established as a piece of work. A Have-Not (if not Has-Been) who is not above scheming. Okay. lol. I liked the conversation between Anita and Vernon where she told him the truth, and he tried to hold her up. Whether she deserved it or not, it was good to see. I'm sure all of the secrets are not out yet so I look forward to more. Cuz we know they are not cancelling the reunion. Which fingers crossed...will be at the police fundraiser.     Honestly, I continued to be impressed with how the writers have kept Silk Press Sheila out of jail, but still playing the beats of it all. She's definitely in covering her tracks mode, and it's great to watch. It's also great to see her mixing it up with different characters. I was happy to get the long-awaited showdown between her and Nosy Nurse and Nosy Nurse READ...HER...DOWN. I was just disappointed Nosy Nurse spilled some tea. And that led to SilkPress's scene with Andre. And then Andre...lord...talked too much.   C plot this episode has been Chelesa's love life. I was wondering where it was going to go after her talk with Vernon. Enter...Mystery Woman. I wonder what her secret would be that would get in her way with Chels. Related to an enemy of the Duprees? Married? I am intrigued. And I do like Chelesa getting the spotlight because daytime does not really do it like how they are doing it with her.    Can Kat and Jacob get a spinoff? lol. 
    • 1986 began with the EP change from Gail Kobe to Joe Willmore and the HW change from Pamela Long to Jeff Ryder. Over the course of 1986 there was turnover in the HW ranks: Jeff Ryder, Jeff Ryder and Mary Ryan Munisteri as co-HWs, Mary Ryan Munisteri and Ellen Barrett as co-HWs, Joseph Manetta, Joseph Manetta and Sheri Anderson as co-HWs. The 1986 ratings reflected the quality of the show. GL was saved from cancel territory in 1986 because Capitol was still CBS's lowest-rated daytime drama.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy