Jump to content

1999


Toups

Recommended Posts

  • Administrator

April 23, 1999

Executive Producer

Felicia Minei Behr

Written by

Lorraine Broderick

Hal Corley

Addie Walsh

Directed By

Jim Baffico

Writers

Lisa Connor

Jeff Beldner

Peggy Sloane

Ted Sullivan

Karen Lewis

Patti Dizenzo

Louise Shaffer

David Cherrill

Lynda Myles

Judith Donato

Susan Kirshenbaum

Christina Covino

Producers

Terry Cacavio

Vivian Gundaker

Coordinating Producer

Regina Dimartino

Associate Producer

Jennifer Minda

Executive In Charge of Production

Mary Alice Dwyer-Dobbin

--------------------------------

April 16, 1999

Executive Producer

Felicia Minei Behr

Written by

Lorraine Broderick

Hal Corley

Addie Walsh

Directed By

Jim Baffico

Writers

Jeff Beldner

Christina Covino

Peggy Sloane

Lisa Connor

Karen Lewis

Patti Dizenzo

Louise Shaffer

David Cherrill

Lynda Myles

Judith Donato

Susan Kirshenbaum

Penelope Koechl

Producers

Terry Cacavio

Vivian Gundaker

Coordinating Producer

Regina Dimartino

Associate Producer

Jennifer Minda

Production Designer

Kevin Rupnik

Costume Designers

Margarita Delgado

Charles Schoonmaker

Lighting Designers

Nick Varacalli

Donna Larson

Dennis Size

Associate Director

Michael Kerner

Audio Post-Associate Director

Sybil Coestello

Assistant to the Producers

Jean Hanmer

Production Assistants

Lisa Kaseff

Alexandra Verner Roalsvig

Brett A. Hellman

Stage Managers

Jennifer W. Blood

Nancy L. Barron

Casting Director

Mikie Heilbrun

Associate Casting Director

Tom Alberg

Casting Assistant

LaMont Craig

Art Director

Christopher Clarens

Production Coordinator

Jared Levine

Assistan to the Writers

Ted Sullivan

Technical Director

John Kokinis

Audio

Hal Schur

Ed Dolan

Richard Jacobs

Christopher Rennert

Video

Warren Armstrong

Video Tape Editors/Sound Mixers

Steve Shatkin

Bob Mackler

Videotape

Bill Marino

Camera

David B. Hersh

John Hannel

Claus Stuhlweissenburg

Dan Flaherty

Chris Mauro

Judy Willinger

Audio Assistants

Peter Patrikis

Mel Becker

Ron Lantz

Rob Primrose

Sound Effects

Gennadiy Giller

Wardrobe

Ellen Anton

Mary Jestice

Gregg Simmons

Kris Carmichael

Deborah Brummel

Music Directors

Robert Bard

Gary Deinsadt

Set Decorators

Dennis Donegan

Catherine McKenney

Emily Hull

Candis Heiland

Makeup

Deborah Sperber-Paulmann

Marilyn Peoples

Janet Cassidy

Mary Aaron

Hair Stylists

Lillian Cvecich

Frank Vazquez

Special Effects

Bob Taylor

Joseph Bivone

Rocco Evangelista

Them Music Composer

Barry DeVorzon

Studio Supervisor

Steve Diamond

CBS Production Manangers

Richard Reyes Guerra

John Leach

Chet Merola

Production Manager

Eve Luzzi

Main Title Design

Castle/Bryant/Johnsen

Executive In Charge of Production

Mary Alice Dwyer-Dobbin

---------------------------------------

July 9, 1999

Executive Producer

Christopher Goutman

Written by

Lorraine Broderick

Hal Corley

Addie Walsh

Directed By

Jim Baffico

Writers

Lisa Connor

Jeff Beldner

Ted Sullivan

Karen Lewis

Louise Shaffer

Christina Covino

Lynda Myles

Judith Donato

Peggy Sloane

Susan Dansby

Susan Kirshenbaum

Producers

Carole Shure

Vivian Gundaker

Associate Producer

Kelsey Bay

Assistant Producer

Jennifer Maloney

Production Designer

Patrick Howe

Costume Designers

Margarita Delgado

Charles Schoonmaker

Lighting Designers

Donna Larson

Nick Varacalli

Dennis Size

Associate Director

Jennifer W. Blood

Assistant to the Producers

Brett A. Hellman

Assistant to the Executive Producer

Michele De Vito

Production Assistants

Lisa Kaseff

Alexandra Verner Roalsvig

Stage Manager

Nancy I. Barron

Casting Director

Jimmy Bohr

Associate Casting Director

Tom Alberg

Casting Assistant

LaMont Craig

Art Director

Tim Goodmanson

Production Coordinators

Jean Hanmer

Wendy Reeves

Andrea Rothstein

Assistant to the Writers

Jared Levine

Technical Director

John Kokinis

Audio

Dominick Maldari

Hal Schur

Lawrence Gumpel

Gary Kiffel

Gregg O'Connor

Video

Warren Armstrong

Ralph Ciurleo

Video Tape Editors/Sound Mixers

Steve Shatkin

Bob Mackler

Videotape

Bill Marino

Camera

David B. Hersh

John Hannel

Claus Stuhlweissenburg

Dan Flaherty

Steve Ancona

Chris Mauro

Judy Willinger

Audio Assistants

Peter DeVerna

Christopher Rennert

Debbie D'Anduomo

Jim Heneghen

David Mull

Nick Rawluk

Wardrobe

Ellen Anton

Mary Jestice

Gregg Simmons

Kris Carmichael

Deborah Brummel

Kristen Bruyere

Joe Dehn

Jean Kennedy

Celeste Livingston

Music Directors

James Kowal

Pamela Magee

Set Decorators

Dennis Donegan

Catherine McKenney

Emily Hull

Makeup

Deborah Sperber-Paulmann

Marilyn Peoples

Kevin Bennett

Stephanie Glover-McGee

Leah Tamburino

Hair Stylists

Lillian Cvecich

Frank Vazquez

Brian Sherratt

Teresa Marra Siliceo

Special Effects

Bob Taylor

Rocco Evangelista

Them Music Composer

Barry DeVorzon

Studio Supervisor

Steve Diamond

CBS Production Manangers

Richard Reyes Guerra

John Leach

Chet Merola

Production Manager

Eve Luzzi

b]Main Title Design

Castle/Bryant/Johnsen

Executive In Charge of Production

Mary Alice Dwyer-Dobbin

---------------------------------------

Courtesy of Alexandra

Monday, September 13, 1999

Executive Producer

Christopher Goutman

Written by

Leah Laiman

Hal Corley

Stephen Demorest

Addie Walsh

Lisa Connor

Jeff Beldner

Karen Lewis

Louise Shaffer

Christina Covino

Judith Donato

Susan Kirshenbaum

Susan Dansby

Lynn Martin

Peggy Sloane

Directed by

Larry Carpenter

Producers

Carole Shure

Vivian Gundaker

Associate Producer

Kelsey Bay

Assistant Producer

Jennifer Maloney

Executive in Charge of Production

Mary Alice Dwyer Dobbin

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I love many things about BTG very much. For me, it's greatest strength is how the family relationships are so beautifully written. The deep love between family members while acknowledging each other's flaws--it's SO GOOD.  The best of the best is the two sister relationships: loving but very different sisters Dani and Nicole and adversarial sisters Kat and Eva. These two relationships can anchor the show for many years to come, in my opinion. (The one caveat is that the young and very talented Colby and Ambyr may want to leave the show sooner rather than later, but that's to be expected). My biggest problem with this show is this: Where are the romantic love stories? Where are the star-crossed lovers? Almost every character on this show is married, or in a committed relationship, or just fooling around. Right now the only potential for this are in the Ashley/Andre/Derek and Kat/Tomas/Eva situations. Like a lot of people, I feel the sooner they ditch Ashley and Derek, the better. I hate picking on actors, but the characters are so blah and bland it's like they're a parody of soap characters. I like Andre, and there's some indication they might have him become more serious about Dani, but I don't see that becoming a big love story. I could be wrong. Kat and Eva fighting over a man would be amazing. Over Tomas? No.  I've noticed on social media some people are starting to ship Kat and Jacob. I think that shows how much viewers long for a messy love story. There is much I enjoy about BTG and I have no intention of bailing on it. But over all my many years of watching soap operas, the thing that always got me the most excited about them was the question: "When are those two finally going to get together?"
    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 11/26/73-11/30/73 & 12/3/73-12/7/73:

      Please register in order to view this content

    • Please register in order to view this content

        Some initial thoughts.   1) a Who's who back in the day with an assortment of well known performers. 2) Surprised Debra Messing would agree to play a conservative character 3) Not surprised a network didn't pick this up because showing a conservative that is human/likable is a no no in Hollywood LOL
    • Yes from when they went on Let’s Make a Deal too. Pam stole Forrester designs for Jackie M. Of course a month later we saw Nick, Lesley, Owen, and Bridget all exit in the same episode.
    • Great pairing that seemed to come out of the blue! Around that time, it felt like Sheffer/Goutman didn’t really know what to do with Emily or Hal. And KM and BH had surprisingly great chemistry. It was good for Emily especially because she was coming off those unsympathetic years with the Tom affair and then running the Intruder and essentially just being a busybody.
    • I think the issue with Lulu is less the character (which was the issue in the Julie Berman days under Guza II) and more the lack of nuance. The current GH team rarely writes nuance for any character or at least can't sustain it for long, or they reserve it for a favored few. I also think the rooting interest at GH BTS often remains on preferred characters or actors - BLQ/Setton - vs. Laura's kids. So it's easy to make Lulu the heavy if you think Brook Lynn and Chase are the money on this show. I don't, but I think FV does. And that's not to say I think Amanda Setton is bad in the role, or that I would get rid of BLQ. I don't trend towards either (though I do think that if Setton's personal beliefs keep getting in the way of material I would reluctantly recast). I think Brook Lynn is essential to use as a lead presently. But I don't think it needs to be the black and white dichotomy of suffering young matriarch BLQ and aggressor Lulu. While it's good that unlike in the Guza years they can recognize that Lulu can be obnoxious and rash, can be her own worst enemy and that that is part of the character, it can be toned down or given more layers than it has of late. There's nothing wrong there the writing can't fix.
    • 1999: I just watched it. It felt so primetime. La Lucci is making history. Aretha's daydreaming segment. @Contessa Donatella Thank you, my love. So helpful and informative as always. adding them to my queue.
    • I know this isn’t a usual or anywhere near universal take, but I loved the relatively brief Hal/Emily relationship/marriage more than I ever thought I would have with KMH/BH.
    • In my field (not that) I've written my share of dreck when it's what people wanted vs. something good. In the end what matters is the check. These pilots may not be great, but whether or not those writers intended otherwise they got paid.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy