Jump to content

2002


Toups

Recommended Posts

  • Administrator

December 2, 2002

Created by

Agnes Nixon

Executive Producer

Jean Dadario Burke

Directed by

James A. Baffico

Written by

Richard Culliton

Frederick Johnson

Jeff Beldner

Janet Iacobuzio

Lisa Connor

Gordon Rayfield

Mimi Leahey

Bettina F. Bradbury

John PiRoman

Karen Lewis

Amanda Robb

Rebecca Taylor

Christina Covino

Producer

Casey Childs

Supervising Producer

Ginger Smith

Associate Producer

Nadine Aronson

Production Coordinator

Joann Busiglio

Assistant Producer

Enza M. Dolce

Post-Production Producer

John R. Tumino

Production Designer

Roger Mooney

---------------------------------

2002

Courtesy of Alexandra

Created by

Agnes Nixon

Executive Producer

Jean Dadario Burke

Directed by

Robert Scinto

Written by

Richard Culliton

Frederick Johnson

Jeff Beldner

Addie Walsh

Lisa Connor

Janet Iacobuzio

Mimi Leahey

Bettina F. Bradbury

John PiRoman

Karen Lewis

Louise Shaffer

Susan Sojourna Collier

Producer

Casey Childs

Supervising Producer

Ginger Smith

Associate Producer

Nadine Aronson

Associate Directors

Barbara M. Simmons

Shirley Simmons

Karen Johnson

Editor

Karen Johnson

Stage Managers

Rusty Swope

Tamara P. Grady

Penny Bergman

Post-Production Producer

Joann Busciglo

Production Designer

Roger Mooney

Costume Designer

Richard Schurkamp

Casting Director

Judy Blye Wilson

Assistant Casting Director

Bob Lambert

Production Associate

Anthony Pascarelli

Technical Directors

Howard Zweig

Michael V. Pomarico

Music Supervisor

Terry Walker

Music Directors

A.J. Gundell

Jerry Pilato

Music Composers

Dominic Messigner

Gary Kuo

Loris Holland

Peter Fish

Theme Composed by

David Benoit

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Please register in order to view this content

        Some initial thoughts.   1) a Who's who back in the day with an assortment of well known performers. 2) Surprised Debra Messing would agree to play a conservative character 3) Not surprised a network didn't pick this up because showing a conservative that is human/likable is a no no in Hollywood LOL
    • Yes from when they went on Let’s Make a Deal too. Pam stole Forrester designs for Jackie M. Of course a month later we saw Nick, Lesley, Owen, and Bridget all exit in the same episode.
    • Great pairing that seemed to come out of the blue! Around that time, it felt like Sheffer/Goutman didn’t really know what to do with Emily or Hal. And KM and BH had surprisingly great chemistry. It was good for Emily especially because she was coming off those unsympathetic years with the Tom affair and then running the Intruder and essentially just being a busybody.
    • I think the issue with Lulu is less the character (which was the issue in the Julie Berman days under Guza II) and more the lack of nuance. The current GH team rarely writes nuance for any character or at least can't sustain it for long, or they reserve it for a favored few. I also think the rooting interest at GH BTS often remains on preferred characters or actors - BLQ/Setton - vs. Laura's kids. So it's easy to make Lulu the heavy if you think Brook Lynn and Chase are the money on this show. I don't, but I think FV does. And that's not to say I think Amanda Setton is bad in the role, or that I would get rid of BLQ. I don't trend towards either (though I do think that if Setton's personal beliefs keep getting in the way of material I would reluctantly recast). I think Brook Lynn is essential to use as a lead presently. But I don't think it needs to be the black and white dichotomy of suffering young matriarch BLQ and aggressor Lulu. While it's good that unlike in the Guza years they can recognize that Lulu can be obnoxious and rash, can be her own worst enemy and that that is part of the character, it can be toned down or given more layers than it has of late. There's nothing wrong there the writing can't fix.
    • 1999: I just watched it. It felt so primetime. La Lucci is making history. Aretha's daydreaming segment. @Contessa Donatella Thank you, my love. So helpful and informative as always. adding them to my queue.
    • I know this isn’t a usual or anywhere near universal take, but I loved the relatively brief Hal/Emily relationship/marriage more than I ever thought I would have with KMH/BH.
    • In my field (not that) I've written my share of dreck when it's what people wanted vs. something good. In the end what matters is the check. These pilots may not be great, but whether or not those writers intended otherwise they got paid.
    • I think there is plenty to critique and/or roast about the show, but I think there's also good bones and a lot of progressive improvement. It's the Bell/B&B formula and house style that is hardest for it to shake and the most necessary IMO, as well as some dead weight actors or characters, but that formula also apparently works for a lot of general viewers and I suspect CBS. OTOH it's also very modern in certain ways (sometimes overly hip dialogue, and some story) that still make it feel like a show that's bouncing between distant past staples of soap opera fundamentals and the present moment. And the old fashioned product placement is fun but also so goofy, while material like June is hysterical. Imagine leading with 'the underpass is where I live, and I like it there!' It's an unusual show in that way, because its identity and tone is still not fully formed. You don't know what it'll be. But that's normal at this juncture. The closest thing to a glimpse of the future foundation, I think (besides the obvious core family setup that's been there since Day 1), is the rivalry and future familial bond - and likely love/hate relationship - between Kat and Eva. A la many central sisters or siblings throughout soap history.
    • I loved Kelley Menighan! She was an MVP, especially during the show’s last few years. I always looked forward to anything she did with MM, BH, CZ, MW,  and the two grownup Alisons. Wasn’t a big fan of her with RH’s Paul. I always admired how she balanced being a vixen and being neurotic.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy