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Faulkner

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Posts posted by Faulkner

  1. 1 hour ago, Khan said:

    Can you produce a series about a group of castaways?  Sure, you can.  "Gilligan's Island" proves you can.  "Gilligan," however, wasn't centered around a mystery or set of mysteries that demanded both a definite end date and payoffs along the way.  It was simply about a group of disparate people learning to survive (and survive each other) and hoping in the meantime that they will be rescued.  If "Lost" had stuck to that notion and canned all the other stuff - the extended flashbacks and flashforwards, the convoluted mythologies and conspiracy plots...the polar bear - then I think it could have been a much more satisfying show.  A different show, perhaps; maybe one that would have had more self-contained episodes and less serialized ones; but also one that wouldn't have left virtually everyone watching feeling like they had wasted their time.

    It's great to see that the trend of anthology series and limited series has given creators the freedom to explore unique concepts without the pressure to keep adding complex mythologies to their stories season after season. A show like Revenge might have worked better as a one-off or anthology series, rather than being dragged out with convoluted storylines. These days, there’s this added demand to constantly keep viewers on their toes with shocking twists. A lot of that is social media and a need to keep people engaged and immersed in the world of the series but also the influence of the big sci-fi/fantasy tentpoles that has pervaded our culture.

  2. 2 hours ago, Khan said:

    In my mind, Keemo isn't dead.  The Yakuza are holding him hostage, and that female who turned up for a spell and said her name was "Allie"?  She wasn't really Keemo's daughter; she works for the Yakuza.

    Certainly, an inventive writer could claim that Diane orchestrated this all as a ruse to worm her way back into Jack’s life (even though we saw Allie angry with Diane over her deceit as well as Allie alone seemingly sincerely mourning her father). Stranger things have happened in the world of soaps. I suppose we’re “lucky” they even deigned to resolve the loose end, but these shows love to piss on an old story and call it honoring history.

    Re: Noah. Y&R is so risk averse with its canvas. We certainly wouldn’t want them killing off a bunch of veterans like LML and MAB did, but they don’t appear to be investing much or making room for the newer generations to actually take the lead. Part of that is poor leadership and planning, coasting on familiar faces who refuse to step aside on their own, and too many shifting, short-term visions over the years for the newer characters. I know people hate Liam over on B&B, but Brad actually invested in SC and JMW as leads. (He sort of backslid a bit by making Steffy/Thomas overly invested in their parent’s’ relationships, but I digress…)

    It makes a lot of sense to tie Kyle/Summer into their parents’ ongoing feuds to an extent, and I’m sure the bare-bones budget comes into play with that. But they are playing them as well below their actual ages. Summer is a whiny child and Kyle is an overgrown boy attached at his long-lost Mommy’s hip. They don’t feel very authoritative as adults in the way Ashley, Jack, and other similar characters felt at their ages, and Kyle and Summer are actually parents themselves (neither Jack nor Ashley were raising kids until the 2000s more than 20 years after they’d been introduced and lived really full lives). Again, some of that is budget, as we actually got to see Ashley and Jack at work doing things. (There was also more flexibility to tell stories other than just babies and young kids back then.)

  3. 10 minutes ago, DramatistDreamer said:

    The overuse of music in series dramas are a particular pet peeve of mine. It was popular on Grey’s Anatomy and it got on my nerves then too. It is often used as a cheat code to gin up emotions when the writing is lacking, imo.

    45 minutes ago, marceline said:

    Ugh. The worst. I love a good needle drop, but a lot of shows and especially Grey’s abused it. And every song is some lilting, faux-Bon Iver indie ballad or an anesthetized, slowed-down cover version.

    I think Shonda managed it a bit better on Scandal (they licensed more originals at least, like old soul classics like Patti Labelle’s “Somewhere Over the Rainbow” and Donny Hathaway’s “A Song For You” or the episode where they used all Janet Jackson songs), but even there it was overdone. They really leaned into it when the show was way past its prime. 

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